No readers, we have not ‘lost the plot’ nor has this become a blog about exercise. We have been looking at the ways 18th century people used enhancements to improve their looks.
Until the mid 1770’s skirts were made to appear full by the use of hoops; however, from 1776 onward it would appear from this somewhat amusing article below from Town and Country magazine (January 1776) that the fashion changed courtesy of Henrietta Vernon, Lady Grosvenor and her use of ‘cork rumps’, otherwise referred to as ‘Chloe’s Cushion’ .
The town has been for some time entertained with various accounts of cork rumps; a friend of mine, who lives at some distance from the capital, and who does not believe all that he reads in a news-paper, notwithstanding he is not a cockney, seems to entertain his doubts concerning the real existence of these cork, rumps; I have, therefore, in order to satisfy him, taken great pains to enquire into the existence or non-existence of these cork rumps. In the course of these researches I have traced their origin to lady Gro—nor [Lady Grosvenor], who having had her fortune told a short time before the regatta, was advised to be very careful of water, as the conjurer foresaw danger in the wind; but her ladyship not being able to resist the temptation of so fashionable an amusement, consulted some members of the society for recovering drowned persons. She received little or no satisfaction from them, as they acknowledged they could be of no service to her till she was actually drowned, and not being willing to try the experiment upon whole terms, she had some thoughts of trying a cork jacket but reflecting upon the uncouth figure she would make in such a garb, when conquest was her principal view, her imagination was called into play, and after some days cogitation she hit upon the cork rump.
She wore it upon this occasion, and was a spectator of the regatta, without being under the least apprehension from the prediction of the conjuror. Every one complimented her ladyship upon the elegant appearance she made, the slope of the back, and the striking protuberance beneath, were objects of every one’s wonder and admiration. Instead, she found the cork rump such an amazing improvement to her dress that she resolved to wear it constantly upon all occasions, and to preserve the secret to herself: but accidents will happen.
Dressing in a great hurry for Ranelagh, she forgot to secure this new appendage to grace effectually, and unfortunately she dropped it in the Rotunda. A circle immediately surrounded it, all eyes were fixed upon it, the gentlemen were astonished; the ladies were enchanted with it, and in less than a week, there were very few toasts upon the Ton, whose tails were not as light as Lady Gro—nor’s.
This, Sir, is the rise and progress of the cork-rumps, which being so great an improvement in dress and elegance, must certainly merit the attention (particularly) of your female country readers of taste, who will certainly soon be in the fashion, and thus secured, neither fear the dangers of a regatta, or even an East India voyage.
My country friend having shewn my letter, with this intelligence, to his wife and daughters, I have received orders to procure one of them immediately; which I shall do, without loss of time, as that is great reason to believe that the price of cork will be greatly enhanced, by th: general fashion that will soon prevail all over England ; nay, I am well assur’d that these cork-rumps have already made their way to Edinburgh, and that a cargo of them is only detained by contrary winds at Chester, bound to Dublin.
I am, Sir,
Yours etc, etc.
An old Observor
The December edition of Town and Country magazine wrote the following, presumably a ‘nod’ to the Lady Grosvenor incident.
‘Bum-shops are opened in many parts of Westminster for the sale of cork bums, and report says they go swimmingly on. Tall ladies, and short ladies – fat ladies and lean ladies, must have bums’.
This fashion trend was somewhat short lived, possibly for obvious reasons, as above. By 1788 ‘the bum-less beauties’ had become all the rage.
This one really does beg the question ‘why on earth would you do this?‘ It was apparently quite common practice during the Georgian Era to wear false stomachs, often these were made from either tin or cork, to imitate pregnancy. It gets better … we discovered in the newspapers that men also wore them!
These tin pinafores were described by Archenholtz in the following way
‘This was the most senseless invention, against all decency and delicacy, and disfiguring the female body; it caused a deformity which is only seen in the female sex during pregnancy. These decorations were called pads, and the smaller ones paddies; they were usually made of tin, and were therefore called “tin pinafores”. These artificial stomachs were in great favour, particularly with unmarried women, which caused the wits to say that a revolution had taken place amongst the signs of the Zodiac, and the Twins had come too near Virgo. But above all, these pads were the butt of jokers, who used them unmercifully, and their use soon had to be discontinued. Such a fashion was in too bad taste to last long. It was in existence in London in February 1793, but by the end of the spring it was over in England and went to Dublin, where it was welcomed by the women. During the migration which took place as a result of the French war, it was taken to Germany by refugee English women, but was not copied there.’
The newspapers carried a variety of report about such items including this one form The Morning Post of 1781 that stated that they were in fact worn by the gentlemen and not the ladies at that time for the following reason:-
Our second offering is an extract from a much longer letter written by a country gentleman who was clearly nonplussed by England’s behaviour at the time who took it upon himself to write to the editor of The Tomahawk newspaper on the 5th February 1796.
This article is for the gentlemen with a keen eye for fashion. Downy calves were false calves that were woven into the stockings to produce a ‘manly-looking calf’ and quite in vogue in the 1780’s. As a secondary benefit they reputedly helped gentlemen afflicted with complaints requiring warmth. Mr Holland, of Broad Street, Bloomsbury developed a type of fleecy hosiery in which fine fleeces of wool are interwoven into a cotton piece of the common stocking texture.
We managed to find an entry in The World newspaper of 1788 advertising them.
The description below from A Dictionary of Arts and Sciences, dated 1816, provides more technical information about how these were made.
FLEECY-HOSIERY, a very useful kind of manufacture, in which fine fleeces of wool are interwoven into a cotton piece of the common stocking texture. The following is the specification of the patent granted to Mr. Holland, of Broad-street, Bloomsbury, in the county of Middlesex, for a method of making stockings, socks, waistcoats, and other clothing, for persons afflicted with complaints requiring warmth, and for common use in cold climates, and for making false or downy calves in stockings.
“Having in the common stocking-frame, twisted silk, cotton yarn, flaxen or hempen thread, worsted or woollen yarn, or any such-like twisted or spun materials, begin the work in the common manner of manufacturing hosiery, and having worked one or more course or courses in the common way, begin to add a coating, thus: draw the frame over the arch, and then hang wool or jersey, raw or unspun, upon the beards of the needles, and slide the same off their beards upon their stems, till it comes exactly under the nibs of the sinkers; then sink the jacks and sinkers, and bring forward the frame, till the wool or jersey is drawn under the beards of the needles, and having done this, draw the frame over the arch, and place a thread of spun materials upon the needles (under the nibs of the sinkers), and proceed in finishing the course in the usual way of manufacturing hosiery with spun materials. Anything manufactured in this way has, on the one side, the appearance of common hosiery, and on the other side the appearance of raw wool. The raw or unspun materials may be worked in with every course, or with every second, third, or other course or courses, in quantity proportioned to the warmth and thickness required. The above-mentioned raw or unspun materials may be fixed also thus: having drawn the frame over the arch, hang them upon the beards of the needles, slide them off the beards upon their stems, and without sinking the jacks and sinkers, draw the frame off the arch, and bring the raw or unspun materials forward under the beards of the needles; then draw the same over the arch, and proceed in finishing the course, as before directed. The said raw or unspun materials may be fixed likewise thus: hang them upon the beards of the needles, without having the frame over the arch, and slide them off their beards upon their stems; then bring forward the frame till the raw or un-spun materials are drawn under the beards of the needles, and, having done this, draw the frame over the arch, and proceed in finishing the course as before directed.
Hosiery may be coated by any of these methods, not only with wool or jersey, but also with silk, cotton, flax, hemp, hair, or other things of the like nature, raw or unspun, but the method first described fixes them most firmly. The common stocking-frame is mentioned above, but any other frame, upon a similar principle, may answer the purpose. The method of making the false or downy calves in stockings is by working raw or unspun wool, or jersey, or any other raw or unspun materials, into the calves of stockings, in the different methods before described, and to any required form or thickness. The latter use to which this invention is applied, we may be allowed to say, is somewhat ludicrous.