Eighteenth Century Exercise

In the Georgian era strenuous exercise seems to have been something predominantly undertaken by the men,  with the main form of exercise for women at that time being around deportment.

morning-post-5-may-1825
Morning Post 5 May 1825

Exercise for men was highly recommended! The benefits, according to Professor Voelker, who established his first gymnasium in May 1825, were the obvious one of improved fitness, but also that weak and sick persons recovered their health and these exercises were, perhaps, the only effectual remedy that could have been found for their complaints. The judgement of physicians, in all places where these exercises were introduced, concurred in their favourable effect upon health; and parents and teachers uniformly testified, that by them their sons and pupils, like all other young men who cultivated them, had become more open and free, and more graceful in their deportment.

A subscription to Professor Voelker’s gymnasium was:

1 shilling for one month

2 shillings and 10 pence for 3 months

4 shillings for six months

6 guineas for twelve months.

For one to one tuition, the charge was a guinea per lesson.

Exercises included the following:

Running for a length of time, and with celerity. If the pupil follows the prescribed rules, and is not deterred by a little fatigue in the first six lessons, he will soon be able to run three English miles in from twenty to twenty-five minutes. Some of Mr. V.’s pupils have been able to run for two hours incessantly, and without being much out of breath.

Leaping in distance and height, with and without a pole. Every pupil will soon convince himself to what great the strength of the arms, the energy of the muscles of the feet, and good carriage of the body, are increased by leaping, particularly with a pole. Almost every one learns in a short time to leap his own height, and some of the pupils have been able to leap ten or eleven feet high. It is equally easy to learn to leap horizontally over a space three times the length of the body; even four times that length has been attained.

Climbing up masts, ropes, and ladders. Every pupil will soon learn to climb up a mast, rope, or ladder of twenty-four feet high; and after six months’ exercise, even of thirty-four or thirty-six feet. The use of this exercise is very great in strengthening the arms.

The exercises on the pole and parallel bars, serve in particular to expand the chest, to strengthen the muscles of the breast and small of the back, and to make the latter flexible. In a short time, every pupil will be enabled to perform exercises of which he could not have thought himself capable, provided that he does not deviate from the prescribed course and rules.

Vaulting, which is considered one of the principal exercises for the increase of strength, activity, good carriage of the body, and courage, which employs and improves the powers of almost all arts of the body, and has hitherto always been taught as an art by itself, is brought to some perfection in three months.

Fencing with the broad sword throwing lances, wrestling, and many other exercises.

Brown, Mather; Henry Angelo; National Portrait Gallery, London; http://www.artuk.org/artworks/henry-angelo-155314
Henry Angelo by Mather Brown; National Portrait Gallery, London

In 1826 Professor Voelker opened a second gymnasium, so the first must have proved very popular.

19-aug-1826-london-courier-and-evening-gazette
19 Aug 1826 London Courier and Evening Gazette

Should you prefer to exercise alone then perhaps this machine would suit you needs better.

A man sitting inside a large wooden frame holding on to straps as the wheels turn. Engraving by J. Walker c1798
A man sitting inside a large wooden frame holding on to straps as the wheels turn. Engraving by J. Walker c1798

If you suffer from gout then here we have a satirical image for exercise to improve the condition.

Satirical aquatint - exercise for gout. Paul Sandby. Wellcome Library
Satirical aquatint – exercise for gout. Paul Sandby. Wellcome Library

Sources 

The Every Day Book: Or, A Guide to the Year Volume 1 by William Hone

Featured Image by George Cruikshank

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Jane Scott, The Preston Poisoner

On the bitterly cold morning of Saturday 22nd March 1828, a twenty two year old woman sat in her prison cell at Lancaster Castle, awaiting the hangman’s noose, with just the long standing prison chaplain, Reverend Mr Joseph Rowley to comfort her before her final journey. Outside, waiting to witness this event was one of the largest crowds ever seen at the castle, with many travelling from far afield to witness this spectacle.

The New Buildings on the West Front of Lancaster Castle. Yale Center for British Art
The New Buildings on the West Front of Lancaster Castle. Yale Center for British Art

So how did this unfortunate young woman find herself in this most desperate of all situations? To find out we return to the beginning of this story, and to a John Scott, a Methodist preacher and shop keeper on Bridge Street, Preston and his wife Mary. The couple were well respected in their local community and further afield, as John Scott travelled to local fairs and markets selling his wares.

The couple had three daughters – Mary, Jane and Maria, who died in aged eight.

It was the very year Maria died that Jane, aged just 15, found herself unmarried and pregnant as the parish register of April 13th, 1821 confirms, Jane presented her first illegitimate child, a daughter, Anne, for baptism at the local parish church, not at the non-conformist church her parents attended.

Baptism of Anne Scott 1821
Baptism of Anne Scott 1821

Jane’s behaviour began to deteriorate, becoming rebellious, stealing from her parents and drinking. As to what became of Anne can only be speculated upon, but in all likelihood she died in infancy.

On 29th January 1824, aged 18, still unmarried and living with her parents, Jane presented a second child, for baptism, a son named John, but just three years later she would return to the church, this time to bury him.

The burial of John Scott aged 3
The burial of John Scott aged 3

Questions were raised at the time about the death of this child, but there was nothing tangible to suspect that anything untoward had happened to him.  Perhaps her daughter Anne had in fact died, leading people to question Jane’s untoward lifestyle and her ability to care for children. She now frequented the local public house, ‘The Three Tars’ and continued stealing from her parents.

History has a habit of repeating itself, this time on 6th May 1825, Jane presented another illegitimate child, Harriet, for baptism. Then, only a few months later this child’s name too was to appear in the parish burial register.

Baptism of Harriet Scott (illegitimate)
Baptism of Harriet Scott (illegitimate)
Burial of infant, Harriet Scott
Burial of infant, Harriet Scott

Mortality rates in this parish were high and the parish registers showed many children dying young, well over fifty percent of the entries were for under-fives, so the deaths of Jane’s children, although tragic, might not have appeared that unusual.

June 1825, just one month later, there was another baptism, for a Robert Scott (illegitimate), this time the child belonged to Jane’s elder, unmarried sister, Mary.

Eighteen months later, on 13th January 1827, Mary married James Woods with her father, John, present as a witness, perhaps given the girls’ history he was glad to have one safely married off.

Flicking through the pages of the parish register two more Scott names jump out – burials which took place on the same day at Holy Trinity church, Preston on May 17th, 1827. The names were John and Mary Scott, the parents of these girls, so how did they die and why were they buried on the same day?

Burial of Mary Scott
Burial of Mary Scott
Burial of John Scott
Burial of John Scott

The answer to that lurked in the numerous newspaper reports of the time, which provided somewhat grisly accounts of their deaths and the coroner’s inquest which led to the subsequent trial of their daughter, Jane ‘a short, thick set woman’, at the Lancashire Assizes on August 29th, 1827.

Preston Market Place, 1820; unknown artist; Harris Museum & Art Gallery
Preston Market Place, 1820; unknown artist; Harris Museum & Art Gallery

On the 13th May 1827 John Scott was alive and in good health but died just one day later. The first witness called was Mrs Hannah Cragg, who was well acquainted with the couple and confirmed that Jane still lived with her parents. Mrs Cragg said that she had taken tea with them on Sunday and that Mrs Scott took her home a little after eight. The couple were both well and appeared on good terms with their daughter.

She stated that on the following evening, just after nine, Jane had run to her home, asking her to ‘come to our house, my mother is dead’. She appeared to be very alarmed. She told Jane to go straight home and that she would follow her.

On arriving, she saw Mrs Scott in the kitchen.

I had a conversation with her, but Jane was not present. I saw John Scott afterwards in the yard, vomiting. He went into the kitchen with me; Mrs Scott was still there. Jane came in and was going about the kitchen but could hear what was said.’

Mrs Scott said, ‘I am poisoned by the porridge’. So did Mr Scott. Jane said she would get rid of the porridge and that nothing more should be said of it.

Mrs Cragg said she saw it whilst she was holding Mrs Scott’s head. Mrs Scott told Jane not to dispose of it, but, Jane, who was close enough to hear completely ignored her and disposed of it. Dr Brown, the surgeon, was immediately sent for and instructed Jane to put the tin pan used to make the porridge to one side, but not to wash it out.

Jane and a Mrs Bilsborough went to fetch Jane’s half-brother, David Graham, as she feared her parents were dying. On arriving at the house, David found the doctor busily using a stomach pump on his mother and immediately accused Jane of causing them to be unwell.

Stomach Pump by Henry Heath. Wellcome Library
Stomach Pump by Henry Heath. Wellcome Library

David also told the court that Jane had been prone to violent convulsions over the past 3 years, which left her feeling weak for the next few hours, but he didn’t think it had impaired her mind. Mrs Bilsborough also confirmed that they had become more frequent, occasionally they were so bad that Jane would fall over in the street.

Just before midnight, Mrs Cragg went home, leaving Mr and Mrs Scott in bed being cared for by David who continued his vigil until, about three when his mother died.

His stepfather was still alive, but extremely unwell. David said that his stepfather told him that he feared he didn’t have much longer to live, he believed Jane had put poison in the porridge. At half- past five in the morning John Scott also died.

At the trial, Thomas Emmett, the druggist confirmed that Jane had visited his shop to purchase quarter of a pound of arsenic to use at her parents house in Bridge Street, as they had rats in the shop that she needed to kill and that two weeks later she returned for a further supply as she hadn’t managed to kill all of them. She returned for a third time, just days before the Scott’s died, saying that on this occasion she needed some to kill bugs around the bedstead.

The next witness was George Richardson, who said he had known Jane for a couple of months and that he saw her on the Sunday night whilst on his way home for tea and that Jane called him to come in. Jane then asked him, ‘When do you intend to marry me?.’ George said that he had already told her that he had no intention of marrying her yet as he wasn’t ready for marriage, he had no money or possessions.

Jane then told him that her father had signed over all his goods to her, but George didn’t believe her, so she produced a paper to prove it. George though, was semi-literate, but recalled that there was both writing and printing on the paper with her name at the bottom of it. He returned it to Jane saying he didn’t understand it, but that he had seen the words ‘tobacco and snuff’ on it. Jane said that snuff was there, along with a list of other goods meant for her. It later transpired that this was merely a snuff licence.

Next, was James Shorrock, who confirmed that he knew Jane and George Richardson. He said that he had seen Jane on the Sunday evening and Jane told him that her mother was very ill. He said that he saw her again on the Monday night about eight o’clock near a factory on Bridge Street when she said to him:

Here, Jem, I want thee’, I have just been watching George go into the dandy shop, Betty Watsons. George thinks to make a fool of me. I’ll make a bigger fool of him. He’ll be here after a while. My father and mother are very badly. I’ll go in to my supper, stop here till I come back’.

Jane disappeared and returned after about twenty minutes and said, ‘Oh Jem my father and mother are sure to die’. He replied:

we are all sure to die,’ Jane’s response was ‘we’re all sure to die, but not so soon as them. Next week I’m going to Manchester. I owe you two shillings. Come tomorrow night and I’ll pay thee’.

She went on to say, that on her return she would be married, but didn’t say to whom.  She told him that her parents had signed over everything to her, they had three houses and when she returned she would sell one, which would set them up in some kind of business, and then they would go to Liverpool to her sister, Mary.

The surgeon, Dr Robert Brown was next to be called to give his testimony. He confirmed that when he arrived at the house about half past nine on the Monday evening, Mrs Scott was sitting in a chair in the kitchen, supported by Mrs Cragg and was vomiting violently. Dr Brown concluded that she had been poisoned. He called for a quantity of warm water and applied the stomach pump to Mrs Scott. He stated that he took care of the contents of her stomach and that Mr Scott’s condition was very similar to that of his wife. He then used the stomach pump on Mr Scott and the couple were then put to bed.

Mr Scott was sick and complained of pains in the bowels. Mrs Scott was still being violently sick and complained of great cramp in her legs. Dr Brown confirmed that he had some conversations with Jane and asked to see the pan in which the porridge was made and confirmed that Jane had told him when she fetched him that her parents had eaten porridge and that caused them to become ill.

He asked for the bowl to be left for examination, he then gave it to his apprentice for safe keeping.

After he had finished administering the pump he asked Jane for the pan used to make the porridge. When Jane produced it, he noted that it had already been washed. He said he was somewhat surprised that she had not understood his earlier instructions to leave it, but her response was that she needed to use the pan to boil the water for the pump. He said that the pan in question had not been used, as he had watched her boil the water in a different pan. She made no reply.

The following day Dr Brown carried out a post mortem on John Scott’s body. He believed from the original symptoms which were borne out in the post mortem, showed that the death was caused by arsenic. Vomiting, purging and cramp in the legs were indicative of having ingested arsenic.

The judge was concerned that no tests had been carried out by Dr Brown as they might have yielded a different or conclusive outcome. He addressed the jury advising them that without conclusive proof of poisoning it was difficult for them to find Jane guilty. The case so far had only related to Jane’s father and the judge advised the jury that they should make their decision about this one count, as it was the fault of the prosecutor that necessary evidence was not available.

The judge confirmed that the case against her of murdering her mother would need to wait to allow the prosecutors the necessary time to supply further evidence and that a verdict on the case against Jane of murdering her father should be given.

Mary, now Mrs James Woods (Jane’s sister) was called to give her statement. She confirmed that the household regularly used arsenic and that they mixed it with oatmeal and sugar to kill rats and to eliminate bugs around the bedstead. Mary said that her father sold bread in his shop and that rats were abundant in the property, so she often made up a solution for use as an when required and that a solution was always kept at hand, so it was more than likely that there would have been some in the house on the day her parents died.

She said that she had seen some arsenic a few days before she went home to Liverpool, and that it was in the drawer of a wash-stand, wrapped up in blue paper, without any string and warned her mother about leaving it about the house.

Mary also confirmed that Jane on occasion, had as many as fifty fits in one day and could be ill for a week afterwards. Mary was sure that her mind had become afflicted as a result of them. She told the court that Jane was on good terms with her parents, in fact, that they thought more of Jane than they did of her.

An interior view of Lancaster Castle in 1824, pen and ink drawing by J. Weetman. The keep is right of centre. Lancashire Museum
An interior view of Lancaster Castle in 1824, pen and ink drawing by J. Weetman. The keep is right of centre. Lancashire Museum

Mrs Alice Berchell was called next. She described herself as being Mrs Scott’s neighbour for over seven years and that they were very close. She corroborated  Mary’s evidence. She too confirmed that Jane suffered from fits and that on occasion she had held Jane whilst she had been fitting. She said that Jane had been in the Dispensary at Preston and in Manchester Infirmary and that Mr and Mrs Scott were always kind and affectionate toward Jane, but were extremely worried that Jane would never be well enough to work for her living due to these fits.

The judge summed up the case for the jury who retired and returned with their verdict of:

Not Guilty due to weak intellect

Jane was however, returned to the prison to await trial for the murder of her mother. During this time, she ate very little and became weaker by the day.

On 20th March 1828, Jane was brought before the court again, some ten months after the death of her mother, having already been acquitted of the murder of her father and feeling convinced she would receive the same outcome. This time the jury took a mere five minutes to reach their conclusion and found her:

Guilty

Jane sat quietly and calmly throughout the trial until the verdict of hanging was delivered, she sobbed and pleaded for mercy, asking to be transported instead. This request was declined, she was returned to her cell where she became agitated and unable to support herself so much so, that she had to be put to bed by the castle matron.

Finally, when time was running out for Jane she confessed her crimes.  She stated that she had been well brought up, but from the age of fourteen she had led a dissolute life and had been seduced by a local man when she was just fifteen. She said her mother and father had always been kind to her and tried to keep her on the straight and narrow, but it was too late, ‘the devil got possession of her’. She confessed to robbing her parents of their property and money before they died.

The day before her parents were poisoned she said that she had met up with George Richardson, who she wished to marry. The couple went to ‘The Three Tars’ public house for a few drinks then went their separate ways, meeting up later when Richardson tried to persuade her to get money from her father. She refused. Richardson goaded her until eventually she went home and made up a porridge containing arsenic which she gave to her parents. Shortly after this she felt guilty and ran to fetch help from a Mrs Cragg. She said that she was convinced that she could get away with it.

Two days before her death her sister, Mary visited her, accompanied by the prison matron. When asked by her sister whether there was anything she wished to confess. Jane, presumably realising that she now had nothing to lose, confessed to having killed Mary’s child as an act of revenge following an argument that they had had. Jane said that she had taken the baby out for a walk, it was then that she gave it laudanum. Jane said that everyone believed the child died from a fit, but that was not true.

Jane also confessed to having killed her son, as she had hoped the child’s father would marry her, but he wouldn’t, so she bought an ounce of white powder from the local doctor and when the child was sitting at the table, she gave him a kiss, mixed the arsenic with treacle, spread it on some bread and gave it to him. As she watched, the child’s eyes glaze over and he died shortly after. Jane confirmed that there had been questions raised about the child’s death, but these weren’t pursued.

"Hanging Corner" – the site of public executions until 1865. The double doors on the right led to the gallows situated in front of the sealed archway. Wikipedia
“Hanging Corner” – the site of public executions until 1865. The double doors on the right led to the gallows situated in front of the sealed archway. Wikipedia

At 10 o’clock on Saturday 22nd March 1828, Jane was helped to the chapel where the sacrament was administered by Rev. Mr Rowley. She was so weak that it took two people to support her, having refused food since sentence was passed and only drank one cup of tea.

A few minutes after midday, the door from which culprits passed on to the scaffold was opened, a deathly silence instantly fell amongst the crowd.  Jane was so weak so weak that she had to be wheeled to the gallows using this chair.

Execution Chair, Lancaster Castle The chair was used once only in 1828 to aid the execution of Jane Scott who was too weak to walk to the gallows. Lancashire County Council
Execution Chair, Lancaster Castle The chair was used once only in 1828 to aid the execution of Jane Scott who was too weak to walk to the gallows. Lancashire County Council

The executioner then turned her to face toward the prison, put a cap over her head, hooked the halter around her neck and to the chain that was suspended to the fatal beam and retired. Many places report the hangman as Ned (Edward) Barlow, but this was not true as he died in 1812. The most likely candidate was Samuel Haywood, from Leicestershire, who was hired by several assizes as he was highly regarded for his skills.

The two women supported her for a moment, one quickly left in a state of distress, the other gave Jane a kiss, pulled the cap over Jane’s eyes and left. The rope swung round leaving Jane facing the crowd and she was immediately launched into eternity in less than two minutes. An hour later her body was removed to be dissected and anatomized.

The final twist to this tale was, that Jane’s body was sold for dissection and was purchased by a respected local doctor, Dr Thomas Monk, who ultimately found himself jailed for ten years hard labour. Sometime during this time Jane’s skeleton was sold by public auction. The purchaser in the 1870’s, was reputed to run an herbal shop on Walker Street, Preston, who decided to put Jane’s skeleton to profitable use, by displaying it to the public, charging one half penny to view it. So, there really was no rest for the wicked, but hopefully now the victims have been named and can rest in peace.

Sources

Public Ledger and Daily Advertiser 2 June 1823

The Examiner, Sunday, May 27, 1827

Evening Mail 10 September 1827

Evening Mail 24 March 1828

The Times 25th March 1828

Chester Courant 1 April 1828

Cumberland Pacquet, and Ware’s Whitehaven Advertiser 1 April 1828

Lancaster Gazette 21 August 1875

Fleury. C. Time-honoured Lancaster

Hurren. Elizabeth T. Dissecting the Criminal Corpse: Staging Post-Execution Punishment in Early Modern England

Edmund Kean as Othello. National Portrait Gallery

Edmund Keen (1787-1833), the Tragedian

We had thought about writing about his acting career, but we’re sure there are enough websites that provide all of that, so we decided to take a look at the man behind the theatre – if that’s at all possible. There has always been much speculation about his parents and so, as is our want, went on a hunting trip to see if we could unearth anything new.

Edmund Kean. Garrick Club
Edmund Kean. Garrick Club

His life appears to be a mixture of fact and fiction, some of which he possibly made up himself and the rest which has been ‘tweaked’ then repeated over the centuries with so much of it untrue, so let’s try to set at least some of the record straight if we can.

There is no disputing he was regarded as one of the best Shakespearean actors of his days. He was short in stature – true. His body being well-proportioned but a mere 5 feet 6 and three-quarter inches in height.

Edmund Kean as Alanienouidet, Chief and Prince of the Huron Tribe of Indians. Garrick Club
Edmund Kean as Alanienouidet, Chief and Prince of the Huron Tribe of Indians. Garrick Club

Born 4th November 1787, apparently, although there’s nothing to confirm that apart from books written some thirty years after his death, but let’s assume that is correct. His mother –  now, the book about his life has this to say:

George Saville Carey was cursed in a worthless inhuman daughter. Ann Carey had, at the age of fifteen, ran away from home to join a company of strolling players; and when itinerant business was at a standstill, she figured in the streets of London as a hawker. It was in the latter capacity that her not unprepossessing face attracted the attention of Aaron Kean, an architect, who took her under his protection, but subsequently abandoned her. Shortly afterwards she became the mother of Edmund Kean.

We have managed to find her baptism, in 1763 at St Bride, Fleet Street which nicely confirms her as George Saville Carey’s daughter.

A copy of Hoppner's painting of Mrs Kean. Original not found
A copy of Hoppner’s painting of Mrs Kean, a whole-length figure, standing, facing the spectator, in a cornfield… in white dress and blue satin shoes. Original not found

Mary Ann was one of several children that George Saville Carey (son of the poet Henry Carey*) and his wife Mary Ann née Phipp had, including two with the interesting names of Martha Udosia and Tempest Hazard.

Edmund Kean as Coriolanus. Garrick Club
Edmund Kean as Coriolanus. Garrick Club

Moving on to Edmund, there is no sign of a baptism for him, but it would appear that he was a child protégé and appeared on the stage when a mere 4 years old, with his mother, Mrs Carey, who we know was an actress and regularly appeared in the bill programmes for the London theatres. In his formative years, Edmund was simply known as Master Carey.

Who could his father have been? Well, we have seen references to it being an Edmund Kean, an architect’s clerk; an Aaron Kean, architect; Aaron Kean, a tailor; and Moses Kean, a ventriloquist who apparently took a keen interest in young Edmund’s career. Yet again, no categorical answer to that question.

We came across this newspaper article below advertising the first stage performance for a Mr Edmund Kean, who couldn’t be ‘our’ Edmund as he would only just have been born. Given the theatrical connections, this could either be his father or Edmund simply adopted the name in later life. There were three brothers, Aaron, Edmund and Moses who were all tailors by trade who lived at No. 9 St Martin’s Lane.

There were also rumours that Edmund’s mother was a Charlotte Tidswell (1766-1841), an actress, but that seems exceptionally unlikely, it’s possible that she may have been a relative, but more likely a family friend who was involved in Edmund’s theatrical education.

Edmund Kean as Richard III. Garrick Club
Edmund Kean as Richard III. Garrick Club

On 17th July 1808, Edmund married Mary Chambers at Stroud, Gloucestershire and a couple of years later they produced a son, Charles John, who, after attending Eton, went on to become an actor, although, not in the same league as his famous father.

After Edmund had a very public affair with Charlotte Cox, the wife of a London Alderman. He was then sued by Mr Cox for crim. con and damages of £800 were awarded against him.

Charles John Kean by Stump, Samuel John
Charles John Kean by Stump, Samuel John. National Portrait Gallery, London

Needless to say, this had an impact on his career and his loyal wife, Mary remained loyal no longer and in 1825, she left him and moved in to Keydell House, Catherington Hampshire, which her son bought from a Captain RD Pritchard, who lived there from about 1826 until 1842 and who, coincidentally we have written about before. Mary Kean died in 1849 and was buried in the parish church.

Edmund moved to Richmond where he spent his remaining years. By all accounts he outlived his fortune and died penniless, whether that’s true or not, like the rest of his life, we may never know.

His death came 15th May 1833 and given his theatrical status, a request was sent to the Dean of Westminster Abbey to have him buried there – this was declined, and he was buried instead at Richmond parish church following a post-mortem carried out a couple of days after his death. The newspapers sparing their readers none of the gory details of the postmortem, which is how we know his exact height.

It would appear though that in May 1833 there was a flu epidemic and presumably they were expecting that to be the cause of death, but having read the details of the autopsy, that seems unclear as to what the cause was. Interestingly his mother was living with him at that time as she too was unwell. Apparently, she took one last view of her son in his coffin and retired to her room where in just a few days, she too died. A request, by Charles, was made for her to be buried with her son, but there wasn’t space.

Edmund Kean by Northcote, James.  National Portrait Gallery, London

It seems that we will never know the full truth about Mary Anne Carey’s relationship with the tragedian, Edmund Keen, but at least we’ve been able to add a little more factual information to the myth.

Edmund Kean as Othello. National Portrait Gallery
Edmund Kean as Othello. National Portrait Gallery

Sources

Public Ledger and Daily Advertiser 20 May 1833 

Worcester Journal 30 May 1833

John Hoppner, R.A. by McKay, William Darling, 1844-1924; Roberts, W. (William), 1862-1940

Hawkins F.W.  The Life of Edmund Kean in two Volumes 1886

Highfill, Kalman, Burnim, Langhans. A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers …

* George Saville Carey was born 3rd December 1738 at Clerkenwell, the son of the poet Henry Carey and his wife Sarah Harrison. Despite reports to the contrary, he was not born posthumously. Henry Carey was reputedly the illegitimate son of George Savile, Marquis of Halifax, but so far we have not been able to confirm this one.  

Alexander Roslin (1718-1793)

Alexander Roslin  (1718-1793) was a Swedish portrait painter who worked in Europe painting the aristocracy, and whose work we have only recently become familiar with. This post, we have to confess contains nothing new and is somewhat self indulgent because we’re ever so slightly in love with his paintings. However, we thought, if you’ve never come cross him before you might enjoy taking a quick peek at his some of his work.

This hope hopefully gives a glimpse into the detail of his work and shows his skill at recreating fabric, jewels and flowers using the medium of paint. We would love to know what you think of his paintings and whether you like them … or perhaps not. Do let us know.

We begin with a portrait of Jeanne Sophie de Vignerot du Plessis, also known as the Countess of Egmont Pignatelli, who hosted a salon which gathered “the literary celebrities of the days”, including Voltaire and Rousseau, and opposed Madame du Barry. The recreation of her dress, we think is absolutely stunning, so much detail when you look at the small image. The idea of her being an edcuated woman being shown with the addition of music and a book. We love the little dog at her side, obviously wanting some attention.

Alexander Roslin, The Comtesse d'Egmont Pignatelli in Spanish Costume, 1763. Minneapolis Institute of Arts
The Comtesse d’Egmont Pignatelli in Spanish Costume, 1763. Minneapolis Institute of Arts

Next we have Anastasia Ivanovna, Countess of Hesse-Homburg, Princess Trubetskaya (1700-1755). Anastasia belonged to the leading members of the Russian Imperial court and aristocratic life, and often hosted the monarchs as guests in her home. She was also appointed Dame of St Catherine, (which is something we’ve looked at in a previous post about Princess Charlotte of Wales),and lady in waiting to Empress Elizabeth. She left for Germany in 1745, and did not return until 1751, after which she became a noted philanthropist. Again, she is accompanied by a book and her little dog, again looking for some attention from its mistress – perhaps a trademark of Roslin’s.

 

Anastasia Ivanovna, Countess of Hesse-Homburg, Princess Trubetskaya. National Gallery of Victoria, Melbourne
Anastasia Ivanovna, Countess of Hesse-Homburg, Princess Trubetskaya. National Gallery of Victoria, Melbourne

We move on to Reichsgräfin von Fries, née Gräfin Anna d’Escherny (1737-1807). As we haven’t managed to find out anything about this lady we’ll simply focus on the painting itself. Again we have an indication of her love of music, she’s sporting a plumed headdress and wearing a white satin gown with contrasting fur-trim, which is so realistic you could almost stroke it; the sleeves trimmed with the most exquisite lace.

Reichsgräfin von Fries, née Gräfin Anna d'Escherny (1737-1807). Christie's
Reichsgräfin von Fries, née Gräfin Anna d’Escherny (1737-1807). Christie’s

Marie Amelie, Duchess of Parma (1746-1804), was the daughter of Empress Maria Theresa and Emperor Francis I and the sister of Queen Marie Antoinette. This time no sign of music or books, just a fan, but the detailed bead work on the bodice is excellent.

This young woman’s identity seems to have become lost in the mists of time, but the detail in Roslin’s work remains in this portrait, even down to the detail in the corsage she’s wearing.

Unknown Lady, called Baroness de Neubourg-Cromière. Nationalmuseum, Sweden
Unknown Lady, called Baroness de Neubourg-Cromière. Nationalmuseum, Sweden

To finish, we have a portrait of Grand Duchess Maria Feodorovna (1759-1828), the Empress consort of Russia as the second wife of Tsar Paul I. Maria was described as ‘tall, fair, fresh, extremely shortsighted and inclined to be stout‘. This court dress, we think, makes quite a statement and naturally she’s wearing the Order of St Catherine. Apparently she dressed like this every day as she loved the pomp and ceremony associated with court life and made the same demand on her entourage – can you imagine being dressed like this, all day, every day?

Portrait of Grand Duchess Maria Feodorovna. The Hermitage Museum

Portrait of Grand Duchess Maria Feodorovna. The Hermitage Museum

Featured Image

Archduchess Marie Christine. The Atheneum

The Country Vicar's Fire Side.

The Eccentric Lincolnshire Vicar who keeps on giving.

We have written about Samuel Oliver on a several previous occasions and as I keep saying, ‘he just keeps on giving’. Following on from how popular his comments were in the last article regarding the burial of his parishioners, here we go again with some more notes I have just found that were filling the empty pages of the baptism, marriage and burial registers for the parish of Whaplode, in rural Lincolnshire. If you wish to read the images more clearly, just click on them.

Quite a risky thing to do, but we begin with his justification for keeping notes about his parishioners – he thought they would be helpful to future incumbents of his post! I wonder if they were, of whether they were more a reflection on his personality.

The Church of St Mary, Whaplode. The east end of the church. © Copyright Dave Hitchborne (Geograph) and licensed for reuse under this Creative Commons Licence.
The Church of St Mary, Whaplode. The east end of the church. © Copyright Dave Hitchborne (Geograph) and licensed for reuse under this Creative Commons Licence.

He clearly didn’t approve of the school teacher’s morals, describing him as an infidel, so much so that Samuel felt the need to take over the running of the school himself. 

Sunday November 8th, 1818

In the afternoon of this day, during the time of divine service, Joseph Blacksmith (Farmer of the great Tythes) and William Heeley (acting overseer of the poor); grossly insulted me, whilst officiating afterwards, Heeley annoyed some of the congregation. But on Wednesday Mr Blacksmith came to me with much apparent contrition and gave me five pounds as a commutation for punishment, which I sent immediately to the Society for promoting Christian knowledge. Heeley also came the same day, but without any appearance of penitence, and gave me seven pounds, which I have appropriated, wholly, to the Poor of this Parish. Dec 2nd, 1818.

Fenland Scene by J. Lamnier. (c) Rossendale Museum; Supplied by The Public Catalogue Foundation
Fenland Scene by J. Lamnier. (c) Rossendale Museum; Supplied by The Public Catalogue Foundation

The saga didn’t end there though:

On Sunday, December 20th, 1818, Jane Blacksmith, the mother and Staveley Blacksmith, the brother of the above named Joseph Blacksmith; grossly insulted me, the moment I came out of the church, without any provocation or shadow of reason. This I reported to the Arch Deacon, who sent a severe monition to the Church Wardens, which threw the whole parish into consternation; and at two Vestry meetings, after Staveley Blacksmith, Thomas Allen and John Burton, had affirmed the grossest falsehoods, which Blacksmith ad Burton acknowledged themselves to swear in court. After bringing a Holbeach attorney into the vestry to intimidate me, they all to a man promised to protect me from all insult in future. Staveley Blacksmith declared he never thought of insulting me in his life!!! This was the consequence of truth and resolution on my part. Sam’l Oliver, Curate.

or even here:

Thursday October 7th, 1819

This day the aforesaid Joseph Blacksmith came to my house and with much fulsome compliment and pretended penitence for his improper conduct on the 8th November last, he sat and drank some ale; also about half a bottle of wine. When, upon going away, finding no person in the kitchen, he deliberately set fire to some linen which was upon the clothes horse, before the kitchen fire and then endeavouring to run off! But the kitchen door (going into the porch) being difficult for him to get open, and the servant maid coming suddenly upon him; he could not escape, without detection and his diabolical purpose of involving the premises in flames, proved abortive! – Thus was my family miraculously preserved. Sam’l Oliver, Curate.

Thursday July 20th, 1820

This day at the funeral of the widow Delia Rose, the aforesaid Joseph Blacksmith came into the church, walked in a becoming manner up the middle aisle, he passed the pulpit, entered his pew and sat down., but whilst I was reading the lesson he bawled out, in a hoarse voice, ‘aren’t I to speak‘, and shortly after, before the lesson was ended, he said something else, which I could not correctly understand, but he said it in a manner which evidently conveyed an idea of intentional insult. He then followed me to the grave of the said Delia Rose, where he twice attempted to push me down whilst performing the ceremony, by throwing himself with violence against the portable shed under which I stood, made an inarticulate noise to burlesque the service, placing himself before me with a horsewhip in his hand, which he has been in the habit of using upon other people very dexterously and therefore I felt myself extremely apprehensive of experiencing its effects upon my own shoulders, before I could finish the service and make my escape.

I will leave you read in his own hand, Samuel Oliver’ final thoughts on his parish!!!

The Sedan Chair of the Georgian Era

Would you really have wanted to walk around the streets of 18th century? They would have been dirty, smelly places and you could find yourself up to your ankles in the proverbial, probably not a pleasant experience – then why not try the sedan chair and be carried around in style instead.

St James's Palace and Pall Mall. Lady Lever Art Gallery. A Sedan chair in the front, centrecentre
St James’s Palace and Pall Mall. Lady Lever Art Gallery. A Sedan chair in the front, centre of the painting

The name ‘sedan’ came from a town in France where they were first used. They were upright ‘boxes’ carried by two ‘chairmen’ by the use of long poles running from front to back as seen here. The door being at the front of the chair meant that the passenger could get in and out easily without the need for the poles to be removed.

Sedan Chair at No.1 The Royal Crescent, Bath. ©Sarah Murden
Sedan Chair at No.1 The Royal Crescent, Bath. ©Sarah Murden

If wealthy, you could purchase your own sedan chair with your own livery painted on it, or you could simply hire one, very much as you would do today when hailing a taxi. The ‘chairmen’ would have preferred to carry females as they would weigh less, making the journey less arduous for them, but of course, they didn’t get any say with that one.

The average cost of a chair would have been around £4,000 in today’s money, but of course, the grander it was, the higher the price. Here we have a receipt for one made in 1788.

Invoice for a sedan chair 1st May 1788. Yale Center for British Art
Invoice for a sedan chair 1st May 1788. Yale Center for British Art

Given the potential value of such an item they were ripe for having parts stolen, as reported in the Caledonian Mercury of April 1730

Last night the place adjoining to St James’s where her majesty’s sedan chair is kept, was by some persons broke open, and the four great tassels of gold, of considerable value, taken away. A sentinel is now constantly posted near the spot.

Royalty of course, had their own sedan chair maker, Mr Vaughan, who in 1733, made a ‘rich sedan for the Princess Royal for her marriage’. His son took over the family business and here we have the beautiful sedan chair, dated 1763, belonging to Queen Charlotte made by Samuel Vaughan

Samuel Vaughan. Sedan chair 1763
Samuel Vaughan. Sedan chair 1763

Not that you would know it from the image below, drawn in the 1770s, but by 1790 the popularly of Bath was such that regulations had to be set in place for sedan chair owners.

The Circus, Bath John Robert Cozens. 1773. Yale Center for British Art
The Circus, Bath John Robert Cozens. 1773. Yale Center for British Art

This is to give notice to the chairmen of this city, that if their chairs are found placed in any part of the streets other than those appointed by the mayor of the said city, for the standing of their chairs, they shall be obliged to suffer the penalties expressed in the City Act for regulating chairmen.

No chairs are to be placed on any terrace or footway whatever, except on the North and South Parade, St James’s Parade, Westgate, Edgar and Princess Buildings, Paragon and Axford buildings, Belmont and Oxford Row, and those to be kept full ten feet from the respective houses, except in Bond Street and those to be placed in the mid-way of the same street. And all chairmen, who attend at the theatre are to keep their respective chairs a full ten feet from chair-pole to chair-pole, directly opposite the theatre doorway.

All chairmen who are called upon to carry fare out of the liberties of this city, are particularly desired not to exact or make any other demand more than the usual rate of fares. Those who find themselves aggrieved by the chairmen, either by misplacing their chairs, extortion or insolent behaviour, may receive redress by application to the mayor at the Guildhall on Mondays and Thursdays, between 12 and 1 in the afternoon.

An Irishman in a Sedan chair, in which he walks not understanding what it is for, to the amusement of the two porters and a passing woman with a basket on her head. 28 January 1800. British Museum
An Irishman in a Sedan chair, in which he walks not understanding what it is for, to the amusement of the two porters and a passing woman with a basket on her head. 28 January 1800. British Museum

True or false this little tale from 1789 was quite amusing and if we’re honest we  could imagine it happening to some unsuspecting person–

A simple bumpkin, arriving in London, was very much taken at the sight of a chair, or sedan and bargained with the chairmen to carry him to a place he named. The chairmen, observing the curiosity of the clown to be suitable to the meanness of his habit, privately took out the bottom of the chair, and then put him into it, which when they took up their poles, the countryman’s feet were upon the ground, and as the chairmen advanced, so did he, and to make the better sport, if any place was dirtier than the rest, that they chose to go through; the countryman not knowing that others were carried or rather driven, in the same manner, so arriving at his lodgings he paid them what they demanded.

Returning to the country he related what rare things he had seen in London and told people that he’d been carried in a sedan. “A sedan, what is that?” His reply, “it is like our watch-house, only it is covered with leather, but were it not for the name of a sedan, a man might as well walk on foot”.

Sources

Derby Mercury 14 June 1733

Bath Chronicle and Weekly Gazette 09 December 1790

Featured Image

A tall female Macaroni sitting in a sedan chair carried by two footmen; the roof of the chair has been lifted to allow her coiffure to stick through, while a boy page stands behind. 17 July 1772 Etching with hand-colouring. British Museum

The Country Vicar's Fire Side.

An eccentric Lincolnshire vicar

This is a man who just keeps on giving! We have previously looked at Samuel Oliver, the vicar of Whaplode church in Lincolnshire when Jo discovered his weather reports jotted down in the parish registers, then I found myself back there whilst researching The Regency Poisoning of Mary Biggadike and was fascinated and slightly amused and slightly shocked by some of his comments in the burial registers from 1812 onward.

Country Characters. Thomas Rowlandson. MetMuseum
Country Characters. Thomas Rowlandson. MetMuseum

For any genealogist who searches through burial registers, you will no doubt be aware that many simply have the basic information, name and possibly their age.

Samuel Oliver’s registers were far more detailed, whilst providing the basics he also gave their address and next of kin/family, occupation, then any comments he wanted to share within the confines of the register. Little did he know that centuries later they would be viewed by all and sundry!

The Church of St Mary, Whaplode. The east end of the church. © Copyright Dave Hitchborne (Geograph) and licensed for reuse under this Creative Commons Licence.

They were too good not to share with you. We gain a real insight into what he thought of his flock, in his colourful descriptions.  Clearly, once they died he felt free to make his views known in the burial register I wonder if the grieving family knew what he thought?

So here we go:

Sarah, illegitimate daughter of Mary Roe, or Rose buried 24th March 1814.

This corpse remained nearby for a fortnight unburied, through the obstinacy of its mother and her friends.

John Rose, a pauper. Buried February 4th, 1817.

This immoral young man, after dissipating a handsome property, lived miserable and dyed (sic) wretched.

Ambrose Edward Lunn, Yeoman. 5th September 1821.

This man was for many years the officiating parish schoolmaster ‘till compelled to decline teaching!!! As he lived, so he died!!! in ethnicism

A Country Burial Lewis Walpole Library
A Country Burial. Lewis Walpole Library

Edward Palmer. Buried 14th December 1818.

This man has been, for several years, the longest inhabitant in the parish, but one; i.e. about 50 years resident.

Elizabeth Hardy, a blind pauper of the workhouse buried 19th January 1817.

This unfortunate young woman attempting to play with John Palin, a poor deranged man in the workhouse, he suddenly plunged a knife into her throat which entering under one ear end coming out under the other, caused her instant death.

Sarah Cooke, buried 5th March 1827.

She had been the mother of twenty children.

George Nutt, a farmer, buried 16th July 1816.

This man, a few years ago, out of frolic, took a half hogshead cask full of ale, in his hands, lifted it up to his head, and drunk out of the bung hole!!! He has left two sons, each of them able to do the same thing!!!  (a hogshead barrel contained 64 gallons of beer).

Henry son of Dorothy Copeland (widow), buried aged 5 on 13th September 1826.

The Copeland family is now extinct, in this parish! Sec commands exemplified????

John Barker, pauper. Buried 6th April 1829.  A worthy pious Christian

Joseph Culy, yeoman. Buried 6th October 1821.

I’m not quite sure of the translation of the Latin phrase, but roughly, I believe it’s describing him in not very complimentary terms as a wretch in death. If anyone is able to translate the phrase, we would love to hear from you.

Robert Collins Fisher, living in the workhouse. Buried 21st September 1829.

An audacious abandoned reprobate. This burial was conducted by Rev. N. Cogswell, but the footnote is clearly an addition!

Stephen Richardson. Buried 26th September 1827.

A poor ignorant profligate wretch; pretending to be an infidel!!!

Theophilus Thomas Smith. 30th March 1828.

An ignorant, presumptuous, profligate infidel.

And … finally, we have

John Limbard, a gardener, buried 31st December 1833.

A drunken, scurrilous blasphemer completely worn out with dissipation and immorality.

The Country Vicar's Fire Side.
The Country Vicar’s Fire Side. © The Trustees of the British Museum

Female dentists of the 18th century

As you may be aware we have previously written about 18th century dentistry and I was interested when I came across ‘City Women in the 18th Century’ which showed a trade card for a female dentist, Catherine Madden.

British Museum
British Museum

Catherine Madden of 53, St John’s Street, West Smithfield was working as a dentist between 1790 and 1799, whose cures were so efficacious that she guaranteed ‘no recurrence of the trouble’.

This started me wondering whether she was unique, as we hadn’t spotted any when writing the previous article. No, it seems, she was not unique. Women were working as some form of dentist dating back for centuries, as can be seen here.

1500 - 1600 female dentist. Wellcome Library
1500 – 1600 female dentist. Wellcome Library

The earliest advert I have come across to date, was from December 1738, for an Ann De La Mare. Ann was the widow of James De La Mare, operator for teeth to his Royal Highness the Prince of Wales.

Ann was giving the public notification that she had gone into partnership with a Mr John Baptist Landies, the son of Mr Landies, operator for teeth, in Paris, who ‘draws, cleans and sets artificial teeth etc in the best manner’.

There was a Mrs Clokowski apparently working in Bristol around 1775, but so far I haven’t managed to find any more details about her, so I’m not sure where she was advertising her services.

1777 saw a Mrs Levis or Lewis and her husband, both ‘surgeon dentists in all its particular branches’, who were running their business from Queen Street, Bath, but who were telling potential clients that for a period of time, they would be working at a Miss Hardwick’s muffin and lace warehouse, Marylebone Street, Golden Square. Mrs Levis would attend the ladies and Mr Levis, the gentlemen.  Free advice on procedures would be given for all difficult cases.

The same year we also have a Mrs De St Raymond, dentist, who was working from her home, No. 9, Kings-square Court, Soho. She was recommending her services to the nobility and gentry:

Her well known skill in the performance of chirurgical operations, for the various disorders of the mouth; especially the lightness of her hand, in removing all tartarous concretions, destructive to the teeth, and her dexterity in extracting stumps, splints and fangs of teeth. She also draws, fastens, fills up and preserves teeth, corrects their deformity, transplants the fore-teeth from one mouth to another. Likewise grafts on and sets in human teeth; makes and fixes in artificial teeth, from one to an entire set, and executes her newly invented asks for the teeth, and obturators for the loss of the palate.

In 1792 we have a Mrs Hunter, who worked from her home, No 78 Great Titchfield Street. Not only was she a dentist, but she also treated people’s complexion, so effectively a beautician too. She claimed to be able to relieve tooth ache and prevent it from returning with the need for extractions. She especially commended her services to women, who may prefer to be treated by another woman. She also treated children as she had a gentle touch, which would make the process less apprehensive for children.

She charged one guinea at the start of treatment and then four guineas per annum, which would include tooth powder and tincture; or half a guinea for each consultation after he first and half price for children.

The London Dentist. British Museum
The London Dentist. British Museum

These are the ones I have found a little information about, so far, but I’m sure there must be more, so if anyone comes across details of any other female dentists do let me know and I’ll update this post. It would be useful to get a reasonably complete record of women working in a profession where I thought there were none.

Sources

London Daily Post and General Advertiser, December 18, 1738

Morning Chronicle and London Advertiser, Saturday, January 11, 1777

Morning Herald, Saturday, June 16, 1792

Observer, Sunday, December 2, 1798

Featured Image

Published by Bowles and Carver. British Museum

Perfumed Gloves, Ear Covers and Revolving Shoes

Those Georgians certainly had entrepreneurial spirit, and we came across such an example of this some time ago in an article we wrote about the things that every respectable woman should own. In 1794, this gentleman, a Mr Nosworthy,  advertised the wares that he sold in his store on Queen Street, Norwich. At that stage his was simply one of many similar adverts we plucked from the newspapers as he sold the unusual item referred to as perfumed gloves.

It wasn’t until later that we found ourselves drawn back to him to take a closer look at exactly who he was, and guess what, he was the gift that kept on giving.

British School; Bishops Gate and Bridge, Norwich; Government Art Collection; http://www.artuk.org/artworks/bishops-gate-and-bridge-norwich-27819
British School; Bishops Gate and Bridge, Norwich; Government Art Collection

James was born around 1762 and married his wife Martha Slack, in 1783. They bought a shop in Norwich where they sold a whole variety of goods with the added bonus of Martha being a ladies hairdresser. Apart from working in their shop, she also travelled around the county offering her services and in 1789 she advised ladies that she would be in Great Yarmouth, some 20 miles away, on the 9th August, so if they required her services on that date they should book an appointment via the local grocer, Mr Groom on Green Street.

Despite being busy with their business they produced two children, a son, who died shortly after birth and a daughter, Martha Harriot.

In 1790 they had moved premises and expanded the business to include the hairdressing services of Martha, plus expanding into the perfumery market, selling ‘the best sort of foreign and English perfumery – Duty Free’.

James, it appears, was also an inventor and had invented ‘Ear Covers’, we really haven’t quite managed to work out what these were, they could have been akin to ear muffs for warmth, although it seems more likely that they had something to do with hairdressing, so if any of our readers have any suggestions … do tell.

The Old Fishmarket, Norwich. Yale Centre for British Art
The Old Fishmarket, Norwich. Yale Centre for British Art

This was a couple that meant business! Seeking out every opportunity to increase their wealth and social standing. When we first met Mr Nosworthy he was selling a whole host of items including everything you needed for sewing; toys for children, crockery and cutlery, stationery, fashion accessories such as purses, fans, parasols, umbrellas and perfumed gloves. He rapidly expanded his range to include everything from children’s rocking horses to wigs.

As his business grew he found it necessary to take on an apprentice, Jonathan Gallant. Business, it appears, was booming.

Two years later he expanded the business again, into selling gold and silver jewellery, everything from thimbles for 1 shilling to 10 guineas for a gold watch chain. He also bought old gold and silver and repaired and cleaned jewellery.  He also advised his customers that he had recently received a large quantity of Real Turkey Liquid Black for ladies’ Spanish leather and other kinds of shoes. He sold ladies gowns of all kinds and gown dye.

He also wished for it to be known by all his customers that he had engaged the services of one of the best ladies’ hairdressers from London, sadly he didn’t name the hairdresser.

We can only imagine how large the shop must have been, with all the stock he mentioned in his adverts, it must have been the size of a large modern department store. They even had a department to train hairdressers.  Business continued to grow over the following years.

Even James Woodforde, author of The Diary of a Country Parson referred to Mr Nosworthy in his diary, stating that he had purchased a bed from him. Was there nothing James didn’t sell?

The Haymarket, Norwich c 1825. David Hodgson. Yale Center for British Art
The Haymarket, Norwich c 1825. David Hodgson. Yale Center for British Art

In 1797 a merchant and banker, Thomas Bignold founded the ‘Norwich Union Society’, which was set up to insure houses, stock and merchandise from fire. The company was a mutual society, so policyholders received a share of the profits.

Guess who one of the other directors was? – none other than James Nosworthy, he really did have fingers in many pies. Bignold, then changed the company name to Norwich Union Fire Insurance Office, James remained a director.

Early 1808 Thomas Bignold created Norwich Union Life Insurance Society, still with James as a director, but things began to unravel for Bignold. After 1815 a recession began to take effect and claims against the Society increased until eventually his sons and other directors, mainly James Nosworthy, forced him out of the company and into retirement.

Having retired Bignold became something of an eccentric and formed another business, making shoes with REVOLVING HEELS – no, you haven’t misread that – ‘revolving heels’! No, we have absolutely no idea what they would have been like, let alone why he would have thought them necessary. This venture was destined for failure and finally bankrupt him. He ended up in prison, dying in 1835.

A View of Norwich. John Varley. Yale Center for British Art
A View of Norwich. John Varley. Yale Center for British Art

James however, died in 1821, leaving the majority of his estate to his wife, Martha and the residue to their daughter Martha Harriot for her sole use even though she had, by that time married the London agent for Norwich Union, Charles Andrew Hackett. Martha promptly advertised their cottage at Thorpe for rent, but she lived on until 1837, leaving everything to her daughter.

UPDATE

One of our lovely readers has found the answer to the revolving heels

Morning Post 10th October 1818
Morning Post 10th October 1818

And here we have an image of the revolving heel from 1905

London News 2nd May 1905
London News 2nd May 1905

Sources Used

Bury and Norwich Post 05 August 1789

Norfolk Chronicle 27 March 1790

Bury and Norwich Post 10 October 1792

Norfolk Chronicle 23 March 1793

Staffordshire Advertiser 29 June 1805

Norfolk Chronicle 19 March 1808

Stamford Mercury 20 November 1818

Featured Image

A Panoramic View of Norwich; Norfolk Museums Service

Drainage mills in the Fens, John Sell Cottman

The Regency poisoning of Mary Biggadike

Mary Biggadike was born May 1801 and baptised in the parish church, of Whaplode, a village in Lincolnshire, by the somewhat forthright vicar, Samuel Oliver.

In early 1818 she found herself pregnant and so, doing the right thing, James Cawthorn, a labourer of Whaplode walked her up the aisle her in August of that year. In due course, she gave birth to a daughter, Marian, who tragically survived for only a few months.

Two years later the couple had another child, a son, James, but by this time their marriage was well and truly ‘on the rocks’ and in March 1821, James clearly needed to find a way of extricating himself from the marriage as he had found a new love.

James found his means of escaping the relationship – but it was to come at the highest price of all, for in August 1821, he found himself indicted for the wilful murder of his wife on 23rd March 1821.

The indictment was that he

wilfully, feloniously, and of malice aforethought, did secretly mix and mingle with milk, flour and sugar, a certain deadly poison, viz. one drachm of arsenic, which he knowing it to be poison, did give to his wife of the 19th March 1821, intending that she should drink it.

He was also charged with assaulting Mary on the day of her death by strangling her.

Mr Franklin representing James wanted him to be charged on only one count, which eventually the prosecution agreed to and it was the charge of poisoning that they proceeded with. The first witness, John Smith who lived close by and knew the family well, he confirmed that he had seen Mary on Monday 19th and she appeared fit and well. He then saw her on Thursday 22nd, when she appeared extremely unwell, her face was swollen and her eyes black and bulging. His wife who also saw her said she thought that Mary had been beaten. At six o’clock the next day he heard that she had died in great agony.

Mary’s mother lived a mere 200 yards from her daughter and when called to give evidence, she said that the young couple had not been getting along well for six months prior to her daughter’s death.  She also confirmed that she saw her daughter every day from Sunday 18th March to Thursday 22nd March and that her daughter had been taken ill on the Monday. Mary’s sister Elizabeth had called upon her on Tuesday and at which time Mary was very sick and complaining of stomach pains.

Mary was convinced she was dying and told Mrs Smith that when her husband returned on the Monday he told her that he felt unwell and asked her to make him some ‘thickened milk’ and having eaten part of it, he asked her to go to the public-house and fetch him a pint of ale, leaving him alone in the house. On her return, he said he had eaten enough and that she should finish the remainder, which she did, and it was then that she was taken ill.

Next to be called to give evidence was Mr Franklin, a surgeon, of Holbeach, who said that Mary had a purple hue on her face, purple spots on her body and a small wound on her leg and internally she showed signs of inflammation. Franklin attempted to carry out tests on her body but was unable to prove conclusively that she had been poisoned.

Mary Sindall was called in to lay out the deceased and she confirmed that the prisoner had followed her upstairs and taking hold of Mary’s cold hand, said ‘Bless you! I little thought your death so nigh’.

Robert Collins, the constable of Whaplode, received James into his custody to take him to Lincoln Castle on the Coroner’s warrant, but just before setting out from Whaplode, James, who up to this point had remained calm, asked to hold his son before they left, at which point he broke down in tears at leaving his only child and as if he knew he would never be returning.

Landscape with a Stagecoach c1840. Metropolitan Museum
Landscape with a Stagecoach c1840. Metropolitan Museum

The carriage took them on to Spalding and when they arrived at the White Lion, James asked permission to write a letter. This letter was to the love of his life, Charlotte Tomlinson, a girl from the same village.  James asked the constable to deliver the letter to her, but instead, Collins kept it as evidence. James continually declared himself innocent of the crime and said in court that he was forced to write the letter, which was vehemently denied by the constable.

The letter was produced in court.

March 26th, 1821

Dear Charlotte – I for the love of you a desolate death must go through. I hope you will have a good Christian heart in you for to come up this afternoon, my dear, and let me bid you adieu. Love don’t feel yourself unhappy, I pay the debt for you. Come up today, love, for I am sure to be put to death. O! Charlotte, what must I go through.

James Cawthorn

It took the jury just minutes to find James guilty of murder and Mr Justice Park pronounced the sentence of death. He confirmed that James was to be executed on Thursday at midday and his body was to be delivered for dissection.  James remained unmoved.

The night before his sentence was to be carried out he made a full confession saying that he could not suffer enough for what he had done. He acknowledged that her murder was carried out by putting poison in the milk.  Having been used to church music, at his request, a psalm was sung at the preaching of the condemned sermon, and he took a part in the melody.

Mary was buried March 26th, 1821 at Whaplode church, aged just 20. Samuel Oliver, who baptised and married her, now buried her, with a note in the register (as he frequently did!) stating that she was

murdered by her husband in the night in a most deliberate manner! The inquest continued for three days!

The love of his life, Charlotte Tomlinson went on to marry in Whaplode, three years later.  The child James went on to have three children of his own who were baptised at Spalding – John, Elizabeth and Mary Ann Biggadike Cawthorn.

UPDATE

Following questions raised by one of our lovely readers I did some more digging and have just discovered this letter which James sent to Charlotte two days after the previous one above, which, it could be argued raises some doubt as to his guilt.

Featured Image

Drainage mills in the Fens, John Sell Cottman. Yale Center for British Art. Paul Mellon Collection.

18th Century Lip Salve

The desire for women to make their lips moist and luscious has existed for centuries, so we thought we would take a quick look at a few of the recipes suggested for home-made lip salve in the 18th century.

Mary Preston (d.1724), Marchioness/Duchess of Powis, in Peeress's Robes; National Trust, Powis Castle. Michael Dahl
Mary Preston (d.1724), Marchioness/Duchess of Powis, in Peeress’s Robes; National Trust, Powis Castle. Michael Dahl

The earliest advert we came across for commercially produced lip salve was at the beginning of February 1712 in the Daily Courant newspaper where the product was being sold by Mrs Markham, was a

highly esteemed lip salve for ladies of a charming and delightful scene. Price one shilling for the box

which would be about £5 in today’s money.  Mrs Markham, who also sold tooth powder, informed potential buyers that the ingredients used in her lip salve made the product safe to eat. Does that imply that other lip salves weren’t?

The Compleat City and Country Cook of 1736 suggests the following recipe

Take half a pint of claret, boil it in one ounce of beeswax and as much fresh butter and two ounce of alkermes root, bruised.

When all these have boiled together for a pretty while, strain it, let is stand till it is cold, take the wax off the top, let it stand again and pour it clear from dregs into a gallipot and use it at pleasure.

If I’m being honest, that strikes me as a waste of a good claret!

Reynolds, Joshua; The Hon. Mrs John Barrington; Gainsborough's House. 1758
Reynolds, Joshua; The Hon. Mrs John Barrington; Gainsborough’s House. 1758

Now, The Accomplished Housewife, of 1745 recommends the following recipe

Take half an ounce of Virgin’s Wax, half a pound of butter, half an ounce of Benjamin, half an ounce of Ackmony root (today known as alkanet root), half and ounce of fine sugar and a bunch of white grapes. Put all of these over the fire till they are melted, then strain it through a sieve and make it into cakes.

That one doesn’t sound quite as tasty as the claret one, but perhaps the flavour of white grapes might help.

In 1754, The Family Jewel and Compleat Housewife’s Companion recipe sounds quite palatable

To make the incomparable lip salve take of the finest sweet-scented pomatum, one drachm; orange-butter, half that quantity. Add to this a few drops of honey and lavender waters. Rub all well together with a knife. Use it on the lips as occasion requires. This is the greatest esteemed among the nobility and most certainly causes the lips to be of a fine coral red, and the breath most delightfully sweet.

By 1759 The Lady’s Assistant in the Economy of the Table, was advocating the following recipe

Two ounces of pomatum, a quarter of an ounce of alkanet root, a drachm of balsam of Peru (often used in perfumes and toiletries as a flavouring), a little piece of Virgin’s wax and five or six raisins of the sun.

Ten years later the recipe of choice was Monsieur Rouille’s Incomparable Lip Salve.

Orange butter, one drachm, conserve of jessamin, spermaceti, tincture of coral, each half a drachm. Honey water, twenty drops. Grind these together well in a marble mortar and use it morning and evening.

Marie Antoinette en chemise, by Louise Élisabeth Vigée Le Brun, 1783.
Marie Antoinette en chemise, by Louise Élisabeth Vigée Le Brun, 1783.

This next one from 1772 was interesting as it used Litharge, which is also known today as lead oxide and is poisonous, so please don’t try this making this one!

Take an ounce of Myrrh, as much Litharge in fine powder, four ounces of honey, two ounces of bees-wax, six ounces of Oil of Roses.

Mix them over a slow fire.

Gentry may add a few drops of Oil of Rhodium and some gold leaf.

A safer alternative would be

 Yellow Lip Salve

Take yellow bees wax, two and a half ounces, Quarter of a pint of Oil of sweet almonds. Melt the wax in the oil and let the mixture stand to cool. Once cold it acquires a fairly stiff consistency. Scrape it lightly with a spatula and it will become softer. What you scrape off, put into  marble mortar and once you have scraped away the whole, rub it in the mortar with a wooden pestle, to make it perfectly smooth and remove the lumps. Keep it in a lidded gallipot.

It is good for chaps in the lips, hands or nipples, and to preserve the skin, soft and smooth.

Gainsborough, Thomas; Mary Heberden; Yale Center for British Art; 1777
Gainsborough, Thomas; Mary Heberden; Yale Center for British Art; 1777

By 1785, hog’s lard was the popular thing to use.

Put it into a pan with one and a half ounces of virgin’s wax. Let is stand on a slow fire till it is melted. Take a small tin-pot and fill it with water and add some alkanet root. Let it boil until it is of a fine red colour. Strain, then mix with ingredients according to your fancy, and scent it with essence of lemon. Pour it into small boxes and smooth the top with your finger.

Sarah Siddons by Thomas Gainsborough, 1785 1785. National Portrait Gallery
Sarah Siddons by Thomas Gainsborough, 1785
1785. National Portrait Gallery

Finally, in the Morning Post and Daily Advertiser of 1785, we found this lovely advertisement

A Caution on Walnuts

Harrison begs to remind those ladies who eat walnuts, of his much-admire Lip Salve, which totally prevents that roughness and peeling of the lips.

Featured Image

Princess Augusta (1768-1840) c.1794 by Edward Miles. Royal Collection Trust 

George John Scipio Africanus

You may not be familiar with the name George John Scipio Africanus, neither was I until I recently saw his name on a Blue Plaque in Nottingham and wanted to find out more about his life and family.

George arrived in England from Sierra Leone, aged about three and was raised by the affluent Molineux family. Baptised in Wolverhampton, George was given to one of the family as ‘a gift’.

31 Mar 1766 AFRICANUS George John Scipio-a negro boy of Benjamin Molineux’s

He was well liked by the family who arranged for him to be educated and then sent to complete an apprenticeship in the family town of Wolverhampton.

An Alphabetical List of the Burgesses and Freeholders who polled June 1826
An Alphabetical List of the Burgesses and Freeholders who polled June 1826

After completing his apprenticeship, John moved to Nottingham, a county where the Molineux family had connections. There he met a Nottingham girl, Esther Shaw, who, according to the marriage certificate, unlike George, was unable to write, simply signing her name with the usual mark X.

Marriage Licence 3rd August 1788
Marriage Licence 3rd August 1788

Despite the obvious issues of Esther being unable to write and George being non-white, at a time before slavery had been abolished, the couple settled down to produce seven children – Elizabeth, Samuel, Sarah, Hannah, Ann, Samuel and George. Tragically, only one child was to survive into adulthood – Hannah.

British (English) School; Nottingham Castle from the Meadows; Nottingham City Museums and Galleries
British (English) School; Nottingham Castle from the Meadows; Nottingham City Museums and Galleries

In spite of the tragedy in their lives, George and Esther were hard workers, Esther ran a milliners and then together they ran an employment agency, employing servants for the wealthy which they set up early 1793. George had been a servant in the Molineux household, so understood what an employer would be looking for from potential employees. The couple remained in Nottingham for the remainder of their lives, continually expanding their business.

24th February 1793
24th February 1793

In 1834 George died, leaving Esther to continue the family business until her death in 1853, which was quite something for a woman to do alone at that time.

Nottingham Review and General Advertiser for the Midland Counties 30 May 1834 Obituary
Nottingham Review and General Advertiser for the Midland Counties 30 May 1834 Obituary

Esther was clearly not someone to be trifled with as we’ll shortly discover; on 7th April 1838, she was convicted and fined two shillings and six pence, plus twelve shillings and sixpence, for assaulting George Smith, a sweep, aged 9, with a brush.

Their daughter, Hannah, it would appear married unwisely, and clearly not really with her father’s blessing. Her husband was a watch and clock maker from Boston, Lincolnshire, one Samuel Cropper. They went on to have three children, Sarah who died in 1842 and was described as ‘sickly and infirm‘.  George Africanus, named in honour of Hannah’s father, who died at just one year, and Esther Africanus Cropper who was born 1840.

George, having become something of an entrepreneur and businessman was to leave a will, in which he left his wife Esther well provided for and also a bequest to his daughter Hannah – for her use only, under no circumstances was her husband to have any control of it. To say he didn’t approve of her choice would be putting it mildly. There could be absolutely no misunderstanding of his views in his will whatsoever.

A couple of years or so after George died, Esther, being a canny business woman took Hannah’s husband to court requiring back payment of maintenance for her daughter and her children. Apparently, Samuel had left the family home around 1825, when their youngest eldest child, Sarah was around three months old. Sarah required nurses to care for her, which presumably Esther funded. When Samuel eventually returned, he said he’d been working in France, Austria and Switzerland during that time. Esther decided it was payback time, and sued him for ten shilling per week for the time he had been away, which amounted to around £290 over the 10 years!

Samuel and Esther met again in the courtroom, this time due to Samuel becoming insolvent.

I would have thought it highly likely that George would have been impressed by his wife for her actions. Samuel’s behaviour clearly explains George’s will and George, it appears was ‘spot on’ with making sure his daughter benefited from his will to the exclusion of Samuel.

Whether Samuel sorted his debts remains unanswered, but for some reason Hannah and Samuel were reunited and produced their second and third children in fairly quick succession.

We now step very much out of our usual era but having disappeared down this proverbial rabbit hole, I wanted to know what became of George’s one and only granddaughter Esther Africanus Cropper, named after her grandmother, and whether any of George’s descendants are still alive today, so the hunt continued.

Esther and her husband to be, Charles Edward Turnbull, the son of a pianoforte maker from London, had their marriage banns read over the three weekends commencing 27th August 1865 at St Paul’s, St Pancras, London. The couple didn’t marry in London, but instead returned to Nottingham and married the following year, choosing however, to settle in London, where Charles was a toy merchant and ran a very successful business, founding Charterhouse Toys in 1872 (probably best known for their doll houses and miniature furnishings and toys).

On his death in 1929, he left Esther extremely well provided for with around £32,000 (just over £2 million in today’s money).  The couple had two boys, who worked in the family firm, but who never married, and a daughter, Margaret Hannah (George’s great granddaughter).

Margaret married in 1899, in Surbiton, Surrey and the couple had one son, Charles John Stuart Allen, who emigrated to Canada in the 1920’s, where he married Mary Georgina Stewart Williams in 1925. They had at least two children who, it seems feasible are either still alive today or who may have living descendants.

Charles died in 1960 in New York. It would be fascinating to know if this is the case and whether they know how important their ancestor George John Scipio Africanus was in both Nottingham and British history.

There is a black and white image of a portrait of George in existence, but it would be lovely to know where the original is, but I’ve had no luck as yet, tracking it down.

Descendant Chart for George Africanus © Sarah Murden (Click image to enlarge)
Descendant Chart for George Africanus © Sarah Murden (Click image to enlarge)

To find out more about George and to see some of the original documents visit George Africanus  or MyLearning

To find out more about Grace Dalrymple Elliott’s brother who had connections with slavery and Sierra Leone click on this link

Sources

Nottingham Review and General Advertiser for the Midland Counties 30 May 1834

Nottingham Review and General Advertiser for the Midland Counties 17 March 1837

Nottingham Review and General Advertiser for the Midland Counties 17 November 1837

Nottingham Journal 13 April 1838

Wolverhampton St Peter’s Parish Registers Index, baptisms (1538-1875)

Featured Image

Nottingham Market Place. William Goodacre. Nottingham Castle Museum and At Gallery. c1827.

Illustration to Crabbe's poems in the Royal Supplement Pocket Atlas. 1810. © The Trustees of the British Museum

The Wedding Goose

We came across this article, accidentally, as you do, and with our arguably warped sense of humour we found the wedding story somewhat amusing, so after much deliberation (well not much, if we’re being honest), we thought we would share it with you. Trigger warning, it doesn’t have a happy ending though!

Illustration to Crabbe's poems in the Royal Supplement Pocket Atlas. 1810. © The Trustees of the British Museum
Illustration to Crabbe’s poems in the Royal Supplement Pocket Atlas. 1810. © The Trustees of the British Museum

On 26th November 1811, a young couple, Thomas Paul, a shoemaker and Sarah Waite, a housekeeper to a Mr Hoges, were married at the parish church in Burgh Le Marsh in Lincolnshire.

Marriage Morning. © The Trustees of the British Museum
Marriage Morning. © The Trustees of the British Museum

After the wedding they were due to have their wedding breakfast in the neighbouring village of Orby where the groom’s parents lived, with their family and others guests. Things did not go according to plan however, as the Norfolk Chronicle of 28th December 1811 informs us:

A wedding lately took place between Mr Thomas Paul & Miss Sarah Waite, of Burgh in the Marsh, Lincolnshire, and the parties having gone through the church ceremony, went to the village of Orby, to dine with Mr Joseph Paul, the father of the groom.

The provident Mrs Mary Paul the elder, had prepared a goose to roast for dinner, into the body of which she had put, for stuffing – two penny loaves whole; and in her hurry on this joyous occasion, had added two ounces of gunpowder, which she mistook for black pepper.

The party were assembled around the comfortable blazing fire before dinner, enjoying by anticipation the parts they were going to play in the demolition of the hissing goose; when Mrs Paul took the poker to stir the fire; scarcely had she touched it, when raising the sparks, one of them kindled the combustible stuffing and by the explosion of the powder the goose was split into several pieces.

The explosion was very loud and the flying grease and limbs of the goose put the whole assembly to the rout in the utmost confusion.

None were killed in the affray, but several suits of white which the ladies wore were quite spoiled, and what was to have been the principal dish on the table was wanting at the feast.

So, the moral of this story, check all your ingredients carefully when stuffing poultry and don’t wear white when eating it!

Pehr Hilleström (1733-1816). Bukowskis
Pehr Hilleström (1733-1816). Bukowskis

We wondered what became of Sarah and Thomas after their spectacular wedding feast. In 1816 they had a son, William, followed two years later by twins, appropriately named Thomas and Sarah, and tragically just days after the twins were baptised, Thomas senior, aged 31, died, and three months later their infant daughter Sarah was to follow her father to the grave.

Sir Francis Blake Delaval (1727-1771), KB by Joshua Reynolds

Francis Blake Delaval, The Prankster

On August 6th, 1724 at St Ann’s Soho, Captain Francis Blake Delaval of Seaton Delaval Hall, near Newcastle Upon Tyne, married Rhoda Apreece, the heiress of Doddington Hall, which is somewhere we have previously written about.

Rhoda Apreece (d.1759), Mrs Francis Blake Delaval by John Vanderbank
Rhoda Apreece (d.1759), Mrs Francis Blake Delaval by John Vanderbank; National Trust, Seaton Delaval

The couple had eleven children and today we’re going to take a look at their eldest, the prankster, money loving son, named Francis Blake after his father. Francis was born in 1727 and as you would expect, was educated, as most young men of his social standing, at Oxford.

Sir Francis Blake Delaval (1727-1771), KB by Joshua Reynolds
Sir Francis Blake Delaval (1727-1771), KB by Joshua Reynolds; National Trust, Seaton Delaval

In 1749, aged just 21, he married a woman over twice his age, Isabella née Tufton, an exceptionally wealthy heiress and daughter of Thomas Tufton, 6th Earl of Thanet and Catherine Cavendish. Isabella was the widow of Nassau Powlett, a younger son of the 2nd Duke of Bolton (who had died in 1741).

We thought we would share with you the story of their meeting as it was by no means coincidental, but was totally conceived by Francis.  He wanted a wife with money and concocted a cunning plan to hook this extremely wealthy widow. Looks he said weren’t important, which was perhaps just as well, as Isabella was described as extremely plain.  Money was his motivator and she had plenty of it.

Samuel Foote by Joshua Reynolds. Garrick Collection
Samuel Foote by Joshua Reynolds. Garrick Collection

It was his closest friend and a man of great concern to the family, the actor, Samuel Foote that helped him to hatch this plan.  It was common knowledge that Isabella wanted to marry again, and it was also known that she was fascinated by gipsies and consulted with the famous Norwood gipsy. So, armed with this information, Francis surreptitiously arranged for her to see a gipsy who would tell her that she would shortly meet the man of her dreams. She was told to walk in the park the following Thursday where she would meet a tall, fair gentleman, remarkably handsome, dressed in blue and silver and that it was irrevocably fixed by fate that this man would become her husband.

Of course, when the day arrived, Isabella took a walk in the park and surprise, surprise, she met Francis exactly as the gipsy had foretold.

Three days later on March 8th, 1749, the couple were married at St Georges Hanover Square in a clandestine marriage and with that he immediately acquired her large fortune reputed to have been between £90,000 and £150,000 (around 17.5 million in today’s money). It is said that for helping to arrange this, Francis settled an annuity upon Foote which relieved his debts.

In 1751, Francis was elected as M.P. for Hindon in Wiltshire, then in 1754 became M.P for Andover, Hampshire – the latter being assured by Francis courtesy of the firing of a canon which dispensed 500 guineas worth of money to ‘help’ voters make the correct choice of candidate, he even hired the services of a celebrated fire eater to win over one obstinate voter.

View of the South (Park) Front of Seaton Delaval Hal by William Bell
View of the South (Park) Front of Seaton Delaval Hall by William Bell; National Trust, Seaton Delaval

At the age of just 25, Francis succeeded to his father’s estates. He inherited Seaton Delaval Hall, with his brother John inheriting Doddington upon the death of their mother, but long after his death young Francis was remembered at Doddington Hall for his frequent visits to the local pubs of Harby in Lincolnshire and the drinking and dancing parties that ensued, but mostly he has been remembered for his pranks, both at Seaton and Doddington.

Whilst at Seaton Delaval he became noted not only for the variety of entertainments given there, but for the practical jokes which he played on guests. Not just schoolboy pranks such as making apple-pie beds and the placing of ducks and chickens in peoples beds but also a system of pulleys which he had constructed so that when visitors retired to their bed they were suddenly let down through a trap door into a cold bath.

On one occasion a gentleman apparently was kept in bed for three whole days as Francis somehow managed to convince him it wasn’t morning yet. On another occasion he created a ‘set’ by using curtains which partitioned the rooms and whilst the people in each room were getting undressed he would suddenly let the dividing curtain fall, exposing them to each other. This was a trick which apparently took place in the Long Gallery at Doddington Hall.

The Long Gallery at Doddington Hall. Geograph © J. Hannan-Briggs
The Long Gallery at Doddington Hall. Geograph © J. Hannan-Briggs

Yet another prank was played upon a young man; Francis managed to persuade the rest of the gathering to go along with. He told everyone that someone known to them had just died. After supper the supposed dead man appeared in the room, dressed in a shroud, his face powdered. A young man of the party saw him, but everyone else declared that they had seen nothing. It gave the young man such a fright that he fell down in a fit and didn’t recover for quite a while.  After this, apparently no more such tricks were played.

Returning to his marriage, it was to be short lived as the couple didn’t get on at all well, in fact during one particularly ferocious argument Francis actually told Isabella about his plot to marry her.

Eventually, having had enough of his affair with an actress, Miss Elizabeth Roach or La Roche (as she was also known) who, according to rates returns, lived in Poland Street, Westminster, Isabella filed for a divorce in 1755, but in order for it to happen she had to admit to being unfaithful to Francis.

The couple had no children, but Isabella had a daughter from her marriage to Nassau and it was her daughter who inherited her estate when she died in 1763.

Despite the fortune Francis had inherited from his father and the monies from his marriage, he was a spendthrift and all money went through his hands like water, so much so that in 1755 an Act of Parliament was obtained to either sell Seaton or to mortgage it to pay off his debts.

Despite his behaviour, somehow in 1761 Francis was installed a Knight Companion of the Most Honourable Order of the Bath.

Francis also retained a property in London, No 11 Downing Street, which is slightly ironic given his obvious inability to manage money that it should now be used by the Chancellor of the Exchequer.

View of the North (Entrance) Front of Seaton Delaval Hall by Arthur Pond
View of the North (Entrance) Front of Seaton Delaval Hall by Arthur Pond; National Trust, Seaton Delaval; http://www.artuk.org/artworks/view-of-the-north-entrance-front-of-seaton-delaval-hall-170868

Francis died suddenly in 1771. His body was taken for burial at Seaton with a grand funeral where it was laid in state for all to see. Apparently, so keen were people to have a glimpse of the proceedings, that in the rush, one girl had her leg broken, a gentleman lost his watch and many people had their pockets picked.

The newspapers of the day said that Francis died leaving some £36,000 of which £10,000 was to be paid to his two illegitimate children by Miss La Roche however, his actual will read very differently and shows the benefit of hindsight, so we thought we’d share it with you in full

Foote was said to be distraught at his friends death and retired to his room for three days. Finally, Foote was advised that it would be a few days before the funeral as doctors were to dissect Francis’s head to which Foote replied:

and what in the world will they get there? I am sure I have known poor Frank these five and twenty years, and I never could find anything in it.

Sources:

The Dublin Penny Journal, Volumes 3-4

Sympson, Edward. Memorials of Old Lincolnshire

Cole R.E.G.  History of the manor and township of Doddington : otherwise Doddington-Pigot, in the county of Lincoln, and its successive owners, with pedigrees

146 Piccadilly – who lived in a house like this?

For all our regular followers you will no doubt be aware that as well as all of our other research, we have, in the background, been researching Dido Elizabeth Belle and her husband (If you’d like to read about all of our NEW research then follow the highlighted link).

For those aware of Dido’s life you will know that she died in 1804 and was buried at St George’s Field (it appears likely, according to Etienne Daly that her remains may well still be there) leaving her husband John with two sons, William and Charles, to raise alone.

146 Piccadilly, Mayfair, Marylebone St Johns Wood And Mayfair, Greater London. English Heritage
146 Piccadilly, Mayfair, Marylebone St Johns Wood And Mayfair, Greater London. English Heritage

As we have said previously, we know that by 1811 John Davinière was working as a steward/valet to John (known as ‘fish’) Craufurd, MP, and had found a new love in his life, Jane Holland, with whom he had a further two children, Lavinia (1809-1881) and Edward Henri (1812-1867), who was later to be placed in an asylum when John and Jane returned to France.

It was in February 1811 that John applied for naturalisation, having lived in England for over 25 years, confirmed in a letter written by William Augustus Fawkener, close family friend to the Craufords, just prior to Fawkener’s death in August of that year.  Fawkener was brother to Harriet Bouverie, the London beauty, society hostess, ardent supporter of Charles James Fox and close friend to the Duchess of Devonshire.

London society at that time was so small that everyone who was anyone was closely linked, so John would have been well aware of them all, but would of course, have been expected to remain tight lipped about the things he heard.

146 Piccadilly, Mayfair, Marylebone St Johns Wood And Mayfair, Greater London. English Heritage
146 Piccadilly, Mayfair, Marylebone St Johns Wood And Mayfair, Greater London. English Heritage

In the late 1790s, John Crauford and Charles Cockerell purchased the properties of 146 and 147 Piccadilly respectively, quite prestigious places to live at the time and just a stone’s throw from the then newly opened John Hatchards bookshop at 187 Piccadilly, the oldest surviving bookshop in Britain and a mere five minute walk to the world famous Fortnum and Mason (181 Piccadilly), who were, by this time selling every food you could imagine – and may you couldn’t – such as a fruits from overseas including Jordan almonds, guava jelly, green Madeira citron and preserved West India ginger, perfect products for the well-to-do of London.

146 Piccadilly, Mayfair, Marylebone St Johns Wood And Mayfair, Greater London. English Heritage
146 Piccadilly, Mayfair, Marylebone St Johns Wood And Mayfair, Greater London. English Heritage

On 25th August 1810, John Craufurd’s nephew, General James Catlin Craufurd, died in the Peninsular Wars.  James’ father had been Governor of Bermuda but had a serious gambling problem and it appears that little of his estate was left for James Catlin to inherit. So, when James died his wife, his will consisted of a mere two lines, confirming that should he die abroad his possessions should go to his wife, Ann Elizabeth Barnard (the sister of Sir Andrew Barnard), there was no mention as to what his possessions or estate consisted of, but it seems safe to assume that there wasn’t very much of it to give to her and with that Ann and her five children were taken in by James’ uncle. She did, however, at the instigation of the Duke of Wellington, receive a pension.

The property itself was quite substantial so could, house them all in relative comfort, along with all the other servants required including a servant, groom and footman. John was living at 9 Portman Place at this time, only about a mile away.

The neighbouring properties belonging to Sir Charles Cockerell, Sir Nathaniel Holland, Lady Smith Burgess, Sir Drummond Smith, Earl of Dysart and of course, Arthur Wellesley, Duke of Wellington at Apsley House which Robert Adam built in 1771 and he purchased in 1807.

Arthur Wellesley (1769-1852), 1st Duke of Wellington by Thomas Lawrence
Arthur Wellesley (1769-1852), 1st Duke of Wellington by Thomas Lawrence; English Heritage, The Wellington Collection, Apsley House

After the death of John Craufurd, his will confirmed that he had made financial provision for Ann Elizabeth and the children, all of whom he thought highly of,  upwards of ten thousand pounds, plus all the household goods and that shortly after his death she and her brood moved out and took a property close by on Stratton Street, she also pleaded poverty saying she had so little to bequeath to her children, in her will of 1823, a mere nine thousand pounds (if you can call half a million pounds in today’s money poverty!).

We still have no clues as to who Davinière worked for after this, as yet, but John Crauford left him fifty pounds annuity, plus one hundred pounds and all of his wardrobe to help him on his way and had supported John’s son, Charles’ application to join the East India Company.

We know that Davinière and Jane remained in England until at least 1819 when they eventually married, they then reappeared back in his native town of Ducey, France, where he was to ultimately die. You can find out more about their life here.

If you enjoy our blog, you might also enjoy our books.

Sources

Burnham, Robert & McGuigan Ron.  Wellington’s Brigade Commanders: Peninsula and Waterloo

Westminster Rates books 1634-1900

Featured Image

Piccadilly from Hyde Park corner turnpike from Ackermann’s Repository 1810

A Right Royal Face Off by Simon Edge

We are delighted to welcome the author, Simon Edge, journalist, critic and novelist, to our blog to tell us more about the challenges he face when writing his latest novel, due to be released in a few days time, A Right Royal Face Off: A Georgian Entertainment featuring Thomas Gainsborough and Another Painter. So, with that, we’ll hand you over to Simon:

My first novel was based on the life of the Victorian poet Gerard Manley Hopkins. The historical parts were set in the 1870s and 1880s and it did not require a huge effort to think myself into his era. Surrounded as we are by Victoriana – in our culture, our civic infrastructure and the clutter of antique fairs or auction rooms – it’s easy to have an instinctive feel for how the Victorians ate, got around, furnished their homes and so on.

Gainsborough's House Sign. © Simon Edge
Gainsborough’s House Sign. © Simon Edge

When I came to write a comic novel about Thomas Gainsborough and his rivalry with Sir Joshua Reynolds for the affections of the Royal Family, I found myself on less sure ground.

The historical events of A Right Royal Face-Off take place between 1777 and 1785, a century earlier than my previous period. Did I have any clear idea what forms of technology were new at that time, and what was about to be invented?

Was I confident of what well-to-do Londoners had for their dinner, or what time of day they ate it? Could I picture a Georgian hackney carriage, or a Georgian newspaper? No, no and no again.

These things are far from unknowable, of course. The works of Fielding, Swift, Sterne or Thackeray offer plentiful insights, and I wince as much as any other visitor to All Things Georgian at the anachronisms in a bad film adaptation of Jane Austen.

However, I didn’t have any instinctive sense of the difference between the 1770s and, say, the 1720s or the 1820s, so there was a high risk of howlers. Most readers don’t have that sense either, but if it’s worth doing historical fiction, it’s worth getting it right.

Gainsborough's House. © Simon Edge
Gainsborough’s House. © Simon Edge

I live very close to Gainsborough’s House, the painter’s birthplace museum in Suffolk, so I could examine his painting table, the kind of paintbox he might have used, the sort of mannequin he would have employed for human figures in his early paintings (painfully apparent in portraits such as ‘Mr and Mrs Andrews’), and so on.

Mr and Mrs Andrews by Thomas Gainsborough; The National Gallery, London; http://www.artuk.org/artworks/mr-and-mrs-andrews-114774
Mr and Mrs Andrews by Thomas Gainsborough; The National Gallery, London

However, I needed basic guidance on ordinary living – the kind of stuff that novelists needs to get our characters out of bed in the morning and to take them through the day.

The trick, especially when you have a deadline, is to find a good guide who can help you cut corners, and mine was Fanny Burney. Her novel Evelina, about a country innocent introduced to London ways, was published in 1778 – spot on for my needs. Joy of joys, my edition came with detailed footnotes explaining hairdressing fashions, the dates of the London season and the difference between a sedan chair, a hackney-coach and a chariot.

A painters mannequin. © Simon Edge
A painters mannequin. © Simon Edge

Another boon was A Country Parson, the diary kept by the Norfolk vicar James Woodforde between 1759 and 1802. First published in the 1920s, its attraction for generations of readers is its homely detail, with meticulous records of meals taken, conversations with servants, journeys made, and so on. Woodforde lived a rural life, but he came from a similar class to Gainsborough and I found him invaluable every time I needed to give my characters a good feed. For example, when Gainsborough’s journalist friend Henry Bate-Dudley drops in for lunch, I provide him with a lobster, some mackerel, veal cutlets, a mutton leg with caper sauce, and a pig’s face, followed by a pineapple, oranges, a melon, damson tarts and a syllabub. If that gives you indigestion just thinking about it, take it up with Parson Woodforde.

An 18th century paintbox. © Simon Edge
An 18th century paintbox. © Simon Edge

A major issue for anyone writing historical fiction is language, particularly if the narrative is in the first person. You need to avoid anachronism – no shots in the arm or rollercoaster journeys, for example. That may sound obvious, but these things have a way of sneaking in. I once made myself unpopular with a writer friend by objecting to his description of buddleia (named after the 17th-century Reverend Buddle) in a novel about Roman Britain. Nobody loves a smartarse, but that doesn’t mean I was wrong.

Making characters sound authentic to their period isn’t just about avoiding modern slang – you need phrases of the time, too. I plunged into Fielding’s Tom Jones and made lists of idiomatic expressions: ‘he gave loose to mirth’, ‘she opined’ or ‘you are of the vulgar stamp’.

Gainsborough's Painting Table. © Simon Edge
Gainsborough’s Painting Table. © Simon Edge

It took me back to my A-levels, trying to shoe-horn a list of idioms into French and German essays, and there is clearly a danger of trying too hard. Perhaps the best you can hope is that you fall into the right kind of linguistic groove. Total authenticity is not the aim.

One well-known literary novel from the 1980s, based on a brilliant idea, is virtually unreadable because it’s written in pedantically accurate 17th-century English. Better to suggest your period and not become inaccessible. A bestselling historical novelist friend insists this is all about word order: rearranging a sentence very slightly can create an impression of unfamiliarity, without forcing the reader out of their linguistic comfort zone.

Gainsborough's House, Garden Plaque. © Simon Edge
Gainsborough’s House, Garden Plaque. © Simon Edge

I also found profanity very useful. We know from Gainsborough’s letters that he was a fantastically sweary person, so in my version he constantly calls the servants addlepates, whoresons and coxcombs. No doubt some of those expressions are ruder than others, just as we have our acceptable swear-words and our beyond-the-pale ones nowadays, but I used them interchangeably. It’s a comic novel, not a doctoral thesis on 18th century idiom.

I hope it entertains people, because that is the primary intention, but I’ll also be delighted if readers feel at home in my version of Georgian England. My bestselling historical novelist friend told me that my 18th century world was “lightly but effectively drawn”. I took that as the highest compliment.

The Rule of Thumb

In the eighteenth century a woman had few, if any, rights and was effectively a possession of her husband. We came across the term ‘the rule of thumb’ which had been quoted in the film ‘The Duchess‘  by Lady Elizabeth (Bess) Foster when Georgiana, Duchess of Devonshire saw the bruising on Bess’s neck, caused by her husband and of course, we wanted to find out a little more about its origin.

Simple bodily pain; etched by Rowlandson. Lewis Walpole Library
Simple bodily pain; etched by Rowlandson. Lewis Walpole Library

We found what would appear to be the case in question, but unfortunately it contains no names, so it’s not been possible to track it down further. Judge Buller’s quote, IF the newspaper reports of September 1782 are correct and accurately reported, they report Judge Buller’s exact ruling for a man’s right to beat his wife.

At the last Assizes at W_____r, a man was tried for having beat his wife, so that she was supposed to die of the contusions and bruises. The prisoner was allowed counsel; and in defence of the man it was alleged, that a husband had the legal power of chastening his wife.

The judge objected to the pertinence of the allegation, because the prisoner used a faggot. It is allowed that a husband may correct his wife, but not with a faggot.

The council asked what size the stick should be, which might be so applied?

Judge Buller put out his hand and said,

Of the size of my thumb’.

All the Ladies of W_____r sent messages to his lodgings, to obtain the exact measure of his Lordships thumb; and the lawyers have given their opinion, that if a husband should use a stick differing in dimension the breadth of a hair from Judge Buller’s thumb, an action will lie, and heavy damages be recoverable by the wife.

Brown, Mather; Sir Francis Buller, 1st Bt; National Portrait Gallery, London

This newspaper article, if correctly quoted, we would take to mean literally the size of Judge Buller’s thumb i.e about 6cm in length and around 7cm circumference and not a stick the thickness of his thumb as became part of folklore.

There had apparently been a case of a man beating his wife to death with a pestle*, this however would have been considerably larger than a thumb and capable of inflicting severe damage due to its weight. In the 18th century a mortar and pestle was often made from metal or wood and could be considerably larger than the size of a thumb as can be seen in this image in which the pestle is metal and some 20cm in length and so would have been capable of inflicting serious injury, or in that particular case death.

Courtesy of Selling Antiques.co.uk
Courtesy of Selling Antiques.co.uk

If he didn’t literally mean his thumb, then it could be argued that what he was actually saying was that no man had the right to beat his wife.

Gainsborough, Thomas; Sir William Blackstone (1723-1780); All Souls College, University of Oxford
Gainsborough, Thomas; Sir William Blackstone (1723-1780); All Souls College, University of Oxford

The Norfolk Chronicle a month later on October  12th 1782, helpfully clarified the legal position as set down by Judge Blackstone:

As many laughable allusions have been introduced into the papers relative to a late judicial decision respecting an assault tried at ‘Nisi Prius’ in the country, and what a husband is legal warranted to chastise his wife with. The following is the Law relative to that matter, as laid down by the late Judge Blackstone:

The husband by the old Law might give his wife moderate correction; for as he is to answer for her misbehaviour, the law thought it reasonable to entrust him with this power of restraining her by domestic chastisement, in the same moderation that a man is allowed to correct his servants or children, for whom the master, or parent, is also liable in some cases to answer. But this power of correction was confined within reasonable bounds, and the husband was prohibited from using any violence to his wife.

The Civil Law gave the husband the same, or a larger authority, over his wife, allowing him for some misdemeanours to beat his wife soundly with whips and cudgels. But with us, in the politer reign of Charles the Second, this power of correction began to be doubted, and a wife may now have the security of the peace against her husband, or in return husband against his wife. Yet the lower ranks of people, who were always fond of the old common law, still claim and exert their ancient privileges; and the courts of law will permit a husband to restrain a wife of her liberty, in case of any misbehaviour. (Blackstone, Volume 1, p.444).

If you look at this caricature of Judge Buller, who became known as ‘Judge Thumb‘ holding a bundle of long sticks(faggots) with a thumb on the end it is dated  7th November,1782, so just after the case above had been heard, you will see the wording in the bubble, being shouted by the man ‘murder hey, it’s law you bitch, it’s not bigger than my thumb’.

Judge Buller. British Museum
Judge Buller. British Museum

This ruling apparently led to the placement of orders at several cane shops in London for sticks of exactly the size of Judge Buller’s thumb.

A shopkeeper sews up his wife's mouth to stop her from nagging. Coloured etching by T.L. Busby, ca. 1826
A shopkeeper sews up his wife’s mouth to stop her from nagging. Coloured etching by T.L. Busby, ca. 1826

In a case of 1796 Lord Buller’s ruling was cited, but wrongly so, perhaps perpetuating this misquote.

A dashing lady of the ton is suing for a separation in consequence of ill-usage from her husband. Besides confining her and obliging the lady to live on water-gruel for a week, he has used a stick, it is said, and thicker than Judge Buller’s thumb!

The Port Folio, Volume 6 of 1811 reported the case in question, but being some 30 years later the quote had been changed again stating that the case had been heard at Exeter Assizes, but so far we have found no evidence to support this.

The earliest reference we have come across to Rule of Thumb being used as a term was in 1717 but it was used in the context of accounting procedures, but there is apparently another reference in Sir William Hope’s The Compleat Fencing Master, 1692, but we couldn’t trace this citation to determine as to what it was referring, but to be honest that seems unlikely to be a reference to wife beating.

Sources

Derby Mercury 19 September 1782

Hampshire Chronicle 23 September 1782

Caledonian Mercury 07 October 1782

Bath Chronicle and Weekly Gazette 01 December 1796

An enquiry into the state of the union of Great Britain, and the past and present state of the trade and publick revenues thereof. By the Wednesday club in Friday Street.

Online Library of Liberty: Commentaries on the Laws of England in Four Books, vol. 1..  Chapter XV.: Of Husband and Wife.

Dennie, Joseph. The Port Folio page 239

Jacob, Giles. The Laws and Appeal of Murder of Lincolns Inn. 1719 *

Slavery in Guyana during the Georgian Era

We thought long and hard about whether to publish this on our blog, but agreed that, despite being almost unbearable to read, it was merely one short extract which doesn’t even come close describing the horrors that slaves endured during the Georgian Era on a very regular basis but decided it needed to be shared. We do however, warn you from the outset, this does not make for easy reading.

Dr George Pinckard (1768-1835)
Dr George Pinckard (1768-1835)

This extract comes from a newspaper article published in September 1806, but it is also available to read in Volume 3 of the work written by Dr George Pinckard. His 3 volumes are available to read online (see below).

This work, which would be interesting at any time, derives a peculiar interest at the present moment, from the light which is thrown on that great question, respecting the African Slave Trade, and the system of slavery which it feeds in our West-Indian colonies, now passing under the review of the legislature of this country. The facts recorded by Dr Pinckard, are the result of his own personal observation, serve strikingly to develop the real nature of colonial bondage and are therefore entitled to particular attention from the public. The following extract will furnish a specimen of the kind of information which is to be derived from these interesting volumes, while it will afford fresh proof of West Indian humanity. The circumstances detailed in it are stated to have occurred on the estate of an English planter at Demerara, where Dr Pinckard himself was stationed at the time, and are as follows:

Two unhappy negroes, a man and woman, having been driven by cruel treatment to abscond from the plantation at Lancaster, were taken a few days since, and brought back to the estate, when the manager, whose inhuman severity had caused them to fly from his tyrannical government, dealt out to them his avenging despotism with more than savage brutality. Taking with him two of the strongest drivers, armed with the heaviest whips, he led out these trembling and wretched Africans early in the morning, to a remote part of the estate, too distant for the officers to hear their cries; and there, tying down first the man, he stood by, and made the drivers flog him with many hundred lashes, until, on releasing him from the ground, it was discovered that he was nearly exhausted; and in this state the inhuman monster struck him with the but-end of a large whip, he fell to the ground; when the poor negro, escaping at once from his slavery and his sufferings expired at the murderers feet. But not satiated with blood, this savage tyrant next tied down the naked woman, on the spot by the dead body of her husband, and with the whips, already deep in gore, compelled the drivers to inflict a punishment of several hundred lashes, which had nearly released her also from a life of toil and torture.

Hearing of these acts of cruelty, on my return from the hospital, and scarcely believing it possible they could have been committed I went immediately to the sick house to satisfy myself by ocular testimony; when alas! I discovered that all I had heard was too fatally true: for, shocking to relate I found the wretched and almost murdered woman lying stark naked on her belly, without any coverings to the horrid wounds which had been cut by the whips, and with the still warm and bloody corpse of the man extended at her side, upon the neck of which was an iron collar, and a long heavy chain, which the now murdered negro had been made to wear from the time of his return to the estate.

The flesh of the woman was so torn, as to exhibit one extensive sore from the loins almost to her hams; not had humanity administered even a drop of oil to soften her wounds. The only relief she knew was that of extending her feeble arm in order to beat off the tormenting flies with a small green bough, which had been put into her hand for that purpose by the sympathizing kindness of a fellow slave. A more shocking and stressing spectacle can scarcely be conceived. The dead man and the almost expiring woman had been brought home from the place of punishment, and thrown into the negro hospital, amidst the crowd of sick, with cruel unconcern. Lying on the opposite side of the corpse was a fellow sufferer in similar condition to the poor woman. His buttocks, thighs and part of his back, had been flogged into one large sore, which was still raw although he had been punished a fortnight before.

The owner was challenged about the severity of his manager’s action and said that the slaves only got what they deserved. The law of the colonies restricted slave owners to lashings of up to a maximum of 39, but the fine being so small for excessive use meant that 100 lashes were very commonplace.

British (English) School; The Kneeling Slave, 'Am I not a man and a brother?'; Wilberforce House Museum
British (English) School; The Kneeling Slave, ‘Am I not a man and a brother?’; Wilberforce House Museum

Useful Slavery Resources

Legacies of British Slave-ownership

Volume 1

Volume 2

Volume 3

Featured Image

Guyana owners house at hope estate in Demerara, Mahaica region. Courtesy of  digital collections University of Wisconsin

The Eighteenth Century Gin Craze

In today’s world gin has seen something of  a resurgence, with gin bars popping up everywhere and flavoured gins becoming the drink of choice for many. So how do you take yours? Pink perhaps, with a tonic, ice and a slice – sound good, yes? Well, if we take you back to the 18th century we can offer you gin, but would have been a somewhat weaker gin than you’re used to today, as it was only about 30% proof – but how does the addition of oil of turpentine and sulphuric acid oil of vitriol (better known today as sulphuric acid or drain cleaner!) sound? No takers then, presumably? Despite this, gin became the drink of choice for the poor, including children, although, people really had little idea of what it was they were actually consuming.

'The Gin-Juggernath, or the worship of the Great Spirit of the age'. Wellcome Collection
‘The Gin-Juggernath, or the worship of the Great Spirit of the age’. Wellcome Collection

We can but hope that lessons have been learnt since the 18th century as can be seen in Hogarth’s caricature of Gin Lane which shows just what the effects of it could be. The detail in this caricature show the link between poverty and the demon drink, with people taking anything they owned to the pawn broker just to raise enough money to worship at ‘The Temple of Juniper’ and to feed their addiction to ‘Juniper water’ or ‘Madam Geneva’ as it was often referred to as.

Gin Lane.
Gin Lane. Courtesy of the Lewis Walpole Library

Gin became much more the drink of choice for England in the 1720s as it came from Holland, whereas, although available, it was brandy that had been the number one best seller, but as brandy was from France whom the British had been at war with, people were much more suspicious of anything French.

Gin houses were popping up everywhere, you could pretty much buy it in all the shops in London. It was even sold from wheelbarrows and ‘pop-up stalls’.

The battle of A-gin-court.
Courtesy of the Lewis Walpole Library

There were several Acts of Parliament designed to raise revenue, but also to reduce the obsession for gin drinking, the first being in 1732, when an Act was passed raising the retail tax to five shilling per gallon, but this didn’t stop people finding the money from somewhere, beg, borrow or steal, to buy what had arguably become an addiction.

The consumption of gin was becoming a real problem, with more women than men drinking it. The death rate was higher than the birth rate and infertility was on the rise. Hence the name ‘mother’s ruin’ a term for gin, which survives to this day.

'The Gin shop'. A satirical sketch on the dangers of drinking alcohol. British Museum
‘The Gin shop’. A satirical sketch on the dangers of drinking alcohol. British Museum

Gin drinking even led to one famous case heard at the Old Bailey where gin led to an horrific event. Just in case you’ve never heard of it, Judith Defour found herself on trial for the murder of her two and half year old daughter, Mary Defour, otherwise Cullinder.

Judith had placed her daughter in a London workhouse, but on the 27th February 1734, she took the child out for a few hours as she was permitted to do. Then she met up with a friend who was simply named Sukey.

The court document records the tragic story:

On Sunday night we took the child into the fields, and stripp’d it, and ty’d a linen handkerchief hard about its neck to keep it from crying, and then laid it in a Ditch. And after that, we went together and sold the coat and stay for a shilling, and the petticoat and stockings for a groat. We parted the money, and join’d for a quartern of gin.

Judith and her friend simply left the child to die in a ditch. Defour was found guilty of murder and sentenced to death on February 27, 1734. She was hanged at Tyburn on the 8th of March 1734.

Two years later in 1736, the famous Gin Act came into force. The tax paid by the retailer was raised to a whopping twenty shillings per gallon and the price of holding a spirit licence also increased. It was reported in The Scots Magazine in 1743, that:

The number of gin retailers in Westminster, Holborn, the Tower and Finsbury division, exclusive of London and Southwark was 7,044 plus 3,209 alehouses that did not sell spiritous liquors, and besides a great number of persons who retailed gin privately in garrets, cellars and back rooms or places not exposed to public view.

This increase in tax led to rioting in the streets of London. The passion for gin remained and was forced underground, so in 1743 the government had little choice to but to loosen its restrictions and allowed gin-shops to operate under the same terms as ale-houses.

Lettering within the image on a shop sign reads "Shave for a penny and a glass of gin." Wellcome Collection
Lettering within the image on a shop sign reads “Shave for a penny and a glass of gin.” Wellcome Collection

According to the Ipswich Journal of October 1736, licensees found ways of avoiding paying this hefty tax by selling the drink using somewhat fancy names, i.e. implying that it wasn’t actually gin, such as ‘Cuckold’s Comfort’, ‘Make shift’, ‘The Ladies Delight’ and ‘Sangree’.

The Gin Acts of 1736 and 1742 failed to be effective with an increase in crime, violent and the production of illegally distilled gin – it was a failure and was repealed.

People were actively encouraged to shop to the law anyone they believed to be producing or selling gin illegally, this simply led to more violence. In 1738 the next Gin Act all but outlawed gin and made it crime to attack informers. Yet again, it simply drove the trade underground.

By 1743 the population of England was just over six million and some seven million gallons of spirits was being consumed by them, a tenfold increase in only sixty years. Half a penny’s worth of gin was having more effect on a person than a pint of strong beer, which cost three times as much, so it’s hardly surprising people switched to the cheaper option.

The 1743 Gin Act failed too, as informers were being paid a £5 reward to inform, but those caught were being fined £10, which of course most simply couldn’t afford to pay, so the Commissioners ran out of money to pay informers.

The funeral procession of Madam Geneva, Sepr 29, 1751. Yale University Library
The funeral procession of Madam Geneva, Sepr 29, 1751. Yale University Library

The government eventually realised that there were major problems associated with gin drinking and in 1751 they bought in the Gin Act as a way to reduce consumption but raising taxes and fees for retailers to £2 and made licences only available to inns and taverns. Actively promoting of beer and tea as alternatives and eventually the mass craze for gin subsided and people simply switched their choice of beverage.

Sources

London Journal, Saturday, March 9, 1734

Caledonian Mercury 10 January 1744

The Scots Magazine 01 April 1743

Chester Courant 29 December 1829

A Collection of such Statues relating to his Majesty’s Customs 1734

Header Image

Allegory of Drink: Effects of Intemperance (verso) British School. Shakespeare Birthplace Trust

Lady Elizabeth Mills by Sir Joshua Reynolds.

Art Detectives: The Mysterious Sir Thomas Mills and Lady Elizabeth

Sir Thomas Mills by Joshua Reynolds.
Sir Thomas Mills by Joshua Reynolds. McCord Museum

As you will probably be aware by now, we have been busy researching Dido Elizabeth Belle and as part of this, we have looked at those within the inner circle of her extended family. This has led us to look at Sir Thomas Mills, who was reputed to be the ‘nephew’ of Lord Mansfield. We have tried to find confirmation as to Mills actual connection to Lord Mansfield, but without any success so far. Some accounts record him as Lord Mansfield’s ‘nephew’, others as a ‘consanguineal relative’ and others that he was really Lord Mansfield’s ‘illegitimate son’. Neither appear to be true.

He seems to have appeared from nowhere and the only clue as to his identity is that he had a sister, Elizabeth, who died in Edinburgh according to the newspapers on May 9th 1775, however, there’s no obvious burial for her.

The Scots Magazine 01 May 1775
The Scots Magazine 01 May 1775

It appears that Mills was born in Scotland around 1736-1738 to a mother who never left her native country.  To date, we’re unable to place Lord Mansfield in Scotland, but who knows, maybe he nipped back across the border for a brief liaison and Mills was the result, but it does seem highly unlikely.

Whatever the relationship, Lord Mansfield was extremely fond of him. He regularly dined at Caenwood House. Sylvester Douglas (Lord Glenbervie), a prominent lawyer and diplomat wrote of Mills, that he was illiterate but frank, friendly and dashing and had served with ‘distinguished bravery’. Mills was given the post of Governor of Quebec after his military service, it appears that Lord Mansfield had a hand in arranging this position.

It is rare for us to take such an immediate dislike to someone we write about, but this character is one with very few redeeming qualities. He was a spendthrift and it appears a liar too; spent money like water, getting himself and his family into debt. Everything we’ve read about him seems to be negative, so it seems strange that Lord Mansfield had such a soft spot for him, unless there’s something we’re missing!

Lady Elizabeth Mills by Sir Joshua Reynolds.
Lady Elizabeth Mills by Sir Joshua Reynolds. Courtesy of Philip Mould Ltd

We then came across this beautiful miniature by Sir Joshua Reynolds, which is of a Lady Elizabeth Mills, née Moffatt, who was baptised 29th January 1756 at St Mary Woolnoth, London, the daughter of Andrew and Katherine (née Creighton) Moffatt. Her father, Andrew was a merchant and both he and his brothers were heavily involved with the East India Company.

Andrew Moffatt by Lemuel Francis Abbott Courtesy of Nick Cox at Period Portraits
Andrew Moffatt by Lemuel Francis Abbott Courtesy of Nick Cox at Period Portraits

The family lived at Cranbrook House in the extremely affluent area of Ilford, Essex, opposite Valentines and next to Highlands, an area where all the well-to-do families who were connected with the East India Company lived.

Valentine's, the seat of Charles Raymond Esq
Courtesy of Valentine Mansion.com

In November 1774, Elizabeth married Sir Thomas Mills, when she was just 18, a marriage which would prove to be an interesting one.

Caledonian Mercury 12 November 1774
Caledonian Mercury 12 November 1774

A marriage settlement was made by Elizabeth’s father of some £10,000 (just under one million today) but despite this large sum of money, Mills continued to spend more than he earned and even had to be bailed out by his father-in-law on more than one occasion, to the extent that Andrew Moffatt made provision in his will of 1780, for his siblings, daughters and grandchildren, but specifically mentioned that his son-in-law was indebted to him to the tune of £5,000, a debt which he wanted to be reimbursed to the estate as soon as possible, he was clearly not impressed by his son-in-law! It was slightly strange, as he also left Sir Thomas £100. Which seems to make little sense in light of his debt. Andrew also left 20 guineas to his good friend Lord Mansfield for him to buy a ring in memory of him and money for Elizabeth’s sole use, exclusive of her husband.

Despite our view of Sir Thomas, Elizabeth must have felt something for him, as the couple produced three children – Andrew Moffatt Mills born just over 9 months after they wed; Elizabeth Finch Mills (1776) and finally Catherine Crichton Mills (1779).

According to the Oxford Journal of July 1772

When Sir Thomas was returning home in a chair, he was surrounded by four street robbers in Windmill Street, Haymarket, who stopped the chair, and one of them presented a pistol and demanded his money. Sir Thomas told them that he would not be robbed and endeavoured to seize the pistol, at this point one of the assailants fired, he missed Sir Thomas who burst open the chair door and attacked the robbers who then fled. There were no watchmen nearby and the chairmen didn’t even try to assist to apprehend the robbers.

Was this a ‘set-up’? It seems highly likely, in our opinion.

Sir Thomas Mills died 23 February 1793 and left no will and it appears with no money either to leave, but despite what the newspapers said, he was not named as a beneficiary of Lord Mansfield’s will, who died 20th March 1793.

Kentish Gazette 22 March 1793
Kentish Gazette 22 March 1793

His wife Elizabeth died in June 1816.

History tells us that the Moffatt family were plantation and slave owners in Jamaica, as the family went on to make claims in 1832 for monies owed for freed slaves.

Sources

Valentine’s Mansion and Gardens

Legacies of British Slave Ownerships

The Diary and Letters of His Excellency Thomas Hutchinson

The Westminster Magazine, Or, The Pantheon of Taste, Volume 8

Essex Parish Registers 1537-1997, Familysearch

Princess Charlotte (1796-1817) by Charlotte Jones, 1807.

Princess Charlotte of Wales’ account books

Amongst the wonderful resource of the ‘George III Papers’ which are now in the public domain, we came across some early account books for the teenager, Princess Charlotte of Wales, which make fascinating reading. Perhaps it’s just us, but don’t you just love rifling through old account books and diaries? It’s amazing what you can learn about people’s lives, that they’d never expect to be divulged.

Lady de Clifford by Joshua Reynolds (Wiki commons)
Lady de Clifford by Joshua Reynolds (Wiki commons)

We thought we would share with you just a few of the purchases made with her £10 a month ‘pocket-money’, given to her via Lady de Clifford, who replaced Lady Elgin as her governess. We did, however, notice that Charlotte managed to boost her monthly allowance, not by doing odd jobs, but from winnings made from playing card games – yes, she did make some loses too, in fact one week in particular she lost fourteen shillings each day, but overall it looks as if she this pastime was quite lucrative and she was clearly an accomplished card player, but not so good at chess, the only entries denote losses made and never any wins.

Much of her pocket-money was spent on charitable donations mainly to the poor, entries show a wide variety of such payments made most months, such as

Gave to a poor woman 10 shillings and six pence

Gave to a little girl one pound one shilling

A poor man five shillings

To a sailor two shillings and three pence

To a fisherman two shillings

She also clearly enjoyed reading as she paid twelve shillings for a German book, plus a further four shillings and sixpence to have it bound, then a few days later she spent five shillings on a book of maps. There were also regular payments for bibles and ten shillings and six pence for a copy of The Pilgrims Progress.

Charlotte clearly took an interest in art, as there were regular payments made to Paul Colnaghi, the appointed print seller to the Prince Regent who employed him to arrange the Royal Collection.

Miniature of Princess Charlotte by Charlotte Jones. c 1815. Royal Collection Trust
Miniature of Princess Charlotte by Charlotte Jones. c 1815. Royal Collection Trust

For some unknown reason she on 15th July 1808 she paid two pounds two shillings for 4 blackbirds – we have absolutely no idea what that was about!

As you would expect for a teenager she was becoming aware of fashion and jewellery. Eye jewellery was very popular and to keep up with the trends of the day Charlotte purchased ‘an eye with garnets’ at two pounds twelves shillings and sixpence. A coral necklace, perhaps the one worn in this miniature.

 Eye of Princess Charlotte (1796-1817) c. 1816-17. Royal Collection Trust
Eye of Princess Charlotte (1796-1817) c. 1816-17. Royal Collection Trust

Two red leather purses at a cost of fifteen shillings and six pence. A silver snuff-box at two pounds, eleven shilling and six pence and a slightly cheaper tortoiseshell snuff-box. Quite regular payments were made to a Mr Duncan, a tailor.

Miniature of Princess Charlotte by Charlotte Jones. Inscribed 1812. Royal Collection Trust
Miniature of Princess Charlotte by Charlotte Jones. Inscribed 1812. Royal Collection Trust

An umbrella, a parasol and a bonnet were bought for the autumn of 1808 and a pair of spectacles early 1809 along with a frock, a gown and some handkerchiefs.

Princess Charlotte of Wales (1796-1817) by Mrs Anne Mee (before 1814).
Princess Charlotte of Wales (1796-1817) by Mrs Anne Mee (before 1814).

Charlotte appear to have been taken an interest in music as she paid four pounds, eight shillings and six pence for a flageolet and nineteen shillings for a flute.

Less likely purchases for a Regency teenager included two swords, one of which she had engraved, a knife, and a medal of Lord Nelson.  Quite who all of her purchases were for we will never know, but it’s a fascinating read.

In our latest book, All Things Georgian, one of our stories relates one of the two sub-governesses to Princess Charlotte of Wales, a Mrs Martha Udny and coincidentally we have come across various references to payments made to her, simply referred to as Mrs U, in the account books.

Take a romp through the long eighteenth-century in this collection of 25 short tales. Meet actresses, whores and high-born ladies, politicians, inventors, royalty and criminals as we travel through the Georgian era in all its glorious and gruesome glory. In roughly chronological order, covering the reign of the four Georges, 1714-1830, set within the framework of the main events of the era and accompanied by over 100 stunning colour images. Available in hardback, April 2019.

Source Used

Account book of Princess Charlotte of Wales  – GEO/ADD/17/82

Featured Image

Princess Charlotte. Inscribed 1807 by Charlotte Jones. Royal Collection Trust. Princess Charlotte gave this portrait to her sub-governess, Martha Udny, in 1807 when she was 10 years old.

Mary Linwood (18th July 1755 – 2nd March 1845) – needlework artist

‘Mary Linwood was to needlework; what Chippendale was to carpentry’.

Hoppner, John; Miss Mary Linwood (1755-1845), Artist in Needlework; Paintings Collection

She was the daughter of Matthew Linwood and his wife Hannah Turner, (daughter of John Turner, a silversmith in Birmingham). The couple were married in Birmingham 19th May 1753, Matthew’s occupation was that of a linen-draper at that time.

The couple produced 6 children: Matthew (1754), Mary (1755), Samuel Whalley (1756), Sarah (1758), John (1760) and William (c.1762), but in March 1783 Matthew died. When Mary was only 9, her mother, Hannah opened a private boarding school in Leicester, and upon her death, Mary continued to run it for a further 50 years.

Matthew the eldest son and in turn his son, Matthew were to become a plater and buckle maker silversmiths in Birmingham, whilst two of Mary’s brother’s, Samuel Whalley Linwood and his brother, William, went off to Jamaica to make their fortune.

It was here that Samuel met a mulatto girl, Priscilla Reid and the couple produced four children George, 1788; Mary 1789; Jane 1791 and James 1794). Samuel died in Jamaica and was buried at Kingston on 11th June 1801. He must have had some financial help from his mother, Hannah, as in her will of 1805, she made specific reference to his death and monies owed amounting to over £750. Equally, she ensured that his four offspring were provided for. Whether she ever met these grandchildren we may never know.

Apart from taking over as the matriarch of the family, acting as a witness at her sister, Sarah’s marriage, sorting out the will for her sister when her husband, Samuel Markland died, Mary was renowned for her undoubted talent for producing tapestries creating stitches of different lengths on fabric made especially for her. Her works were mainly copies of works by the likes of Joshua Reynolds and in particular, Gainsborough.

Illustrated London News 24 March 1945
Illustrated London News 24 March 1945

It was at the end of 1844 that Mary was taken ill, with influenza during her annual visit to London for an exhibition of needlework. She was so ill that she was taken back to Leicester in an invalid carriage and died just before her 90th birthday.

The Ipswich Journal reported that many poor families would miss her benevolence. It reported that for at least the previous thirty years Mary would rise no later than 4.30am to capture as much daylight as possible and would work until sunset. She was described as possessing:

singular energy and enduring vivacity and was apparently producing work for well over fifty years. She was also well-known for dancing locally to see out the old year and welcome in the new year.

A Mr Gardiner said of her that:

Miss Linwood’s mode is analogous to that of a painter. She sketches the outline, then the parts in detail and brings out the whole of the design by degrees. I once saw her at work, accoutred as she was with pincushions all around her, stuck with needles, threaded with worsted of every colour, and having once touched the picture with a needle, instead of a brush, she would recede five or six paces to view the effect. Leicester was a convenient place for dyeing her worsteds, but still, there were some she could not obtain, but being a woman of great genius, she set to work and dyed them herself. Her works were displayed in London for almost forty years. They were arranged in two galleries on the north side of Leicester Square. A small room called the ‘Scripture Room’ opens from the first gallery. In this smaller room, there is ‘The Judgement of Cain’ and a copy of Carlo Dolci’s ‘Salvator Mundi for which she was offered and refused three thousand guineas. The judgement of Cain was her last piece of work and took her 10 years to complete and was finished when she was 75. She was also to meet Napoleon and Josephine on one of her visits to Paris.

Mary exhibited her work around Europe including France and Russia, where Catherine the Great offered £40,000 for the whole collection.

Napoleon Bonaparte. Victoria & Albert Museum
Napoleon Bonaparte. Victoria & Albert Museum

In her will, she bequeathed £100 to Leicester Infirmary, the remainder of her estate to family members. She bequeathed the Salvator Mundi to Queen Victoria, who accepted. She asked that if her works were not sold in one lot to a private collector that they should be split up and sold, with the proceeds being divided equally between seventeen recipients.

Courtesy of the Story of Leicester
Courtesy of the Story of Leicester

Mary died on 2nd March 1845 and was buried, at St Margret’s church, Leicester at which she was a regular attendee and where her parents were also buried.

Sources

24D65/A4.  Burial of Matthew Linwood senior parish register, 7th March 1783. St Margaret’s Leicester

The History and antiquities of the county of Leicester. Compiled from the best and most ancient historians (1795-1815) Matthew Linwood. Died 28th February 1783, aged 56.

Familysearch Jamaica parish registers

Miss Linwood’s gallery of pictures in worsted, Leicester square

Legacies of British Slave Ownership

Bailey’s western and midland directory; or, merchant’s and tradesman’s useful companion for the year 1783.

Exhibition of Miss Linwood’s pictures at the Hanover Square concert rooms. Admittance one shilling. 1798

A catalogue of the pictures, sculptures, models, designs in architecture, prints etc exhibited by the Royal Incorporated Society of Artists. 1776

Leicestershire Mercury 8th March 1845

The Ipswich Journal, Saturday, March 22, 1845

The birth of the future Queen Victoria, 24th May 1819

To mark the birth 200 years ago today of the future Queen Victoria we thought you might like to know a little more about the event itself.

Interestingly, she was born on the same date as her paternal grandfather, King George III, whose birthday was later changed to 4th June when the calendars were altered to the new Gregorian style from the Julian style.

We came across quite a detailed hour by hour account in a newspaper of the day to share with you.

The Duchess of Kent continued her airings in Kensington Garden to last Thursday. On Friday her Royal Highness was slightly indisposed, in which state she continued on Saturday and Sunday, when the symptoms of her Royal Highness giving birth to a Prince or Princess increased.

Victoria, Duchess of Kent (1786-1861) 1818. George Dawe. Royal Collection Trust
Victoria, Duchess of Kent (1786-1861) 1818. George Dawe. Royal Collection Trust
Edward, Duke of Kent (1767-1820) Signed and dated 1818 by George Dawe. Royal Collection Trust
Edward, Duke of Kent (1767-1820) Signed and dated 1818 by George Dawe. Royal Collection Trust

In the morning the Duke of Kent left Kensington Palace for Carlton House, to inform the Prince Regent of the state of his Royal Duchess. The room appointed for the confinement of the Duchess is on the east side of the palace, close to which is a public path from Kensington Gardens, which, as it would subject her Royal Highness to be disturbed by various noises, the gate leading to it was closed by command of the Prince Regent.

Princess Victoria, later Queen. 1819 signed 1819. Johann Georg Paul Fischer. Royal Collection Trust
Princess Victoria, later Queen. 1819 signed 1819. Johann Georg Paul Fischer. Royal Collection Trust

Dr Davis, the physician to the Duke and Duchess, having had the honour of being appointed accoucher to the Duchess, frequently visited her Royal Highness. On Sunday the doctor visited the Duchess three times, the last visit was at seven o’clock in the evening, when he returned to town.

At twelve o’clock the Duchess, and those in attendance upon her, being of the opinion that the time of her delivery was approaching fast, the Duke of Sussex’s carriage was sent off for Dr Davis at his residence in George Street, Hanover Square and the doctor returned in the carriage with all possible speed. At the same time messengers were sent off to the Members of the Privy Council appointed to attend upon this occasion, with summonses commanding their attendance agreeably to the laws of England for Royal births.

Victoria, Duchess of Kent with Princess Victoria (holding a miniature of her late father, Edward, Duke of Kent) by Sir William Beechey, 1821.
Victoria, Duchess of Kent with Princess Victoria (holding a miniature of her late father, Edward, Duke of Kent) by Sir William Beechey, 1821. © Royal Collection Trust

The Marquis of Lansdowne was the first Privy Counsellor who arrived, and he reached the Palace at a quarter before two o’clock Mr Canning arrived next at two o’clock, The Duke of Wellington came about a quarter of an hour after. The Duke of Sussex entered from his apartment in the Palace about the same time. Earl Bathurst, the Bishop of London and the Chancellor of the Exchequer followed. The Chancellor did not arrive until about three o’clock, owing to his being at Blackheath on a visit to his mother.

Lansdowne, Canning, Wellington & Bathurst
Lansdowne, Canning, Wellington & Bathurst

The Members of the Privy Council sat in the saloon adjoining the Duchess’s chamber, where, at a quarter past four o’clock they were satisfied of the delivery of the Duchess of a female child, which was testified by the following certificate:

The undersigned hereby certify, that her Royal Highness the Duchess of Kent was safely delivered of a female child, living, at a quarter past four o’clock in the morning of the 24th day of May 1819.

Signed David Davis, J Wilson – Domestic Physicians to their Royal Highnesses.

The room appointed for the nursery in the palace is that which was the North drawing room.

Expresses were sent off to the Prince Regent, the Duke and Duchess of York, the Duke and Duchess of Gloucester, the Princess Sophia of Gloucester, the Princesses Augusta and Sophia at Windsor.

Queen Victoria (1819-1901) when Princess Victoria c.1821-2. Emanuel Thomas Peter. Royal Collection Trust
Queen Victoria (1819-1901) when Princess Victoria c.1821-2. Emanuel Thomas Peter. Royal Collection Trust

The Duke of Kent has shown the most marked affectionate attention towards his amiable Duchess and did not retire to rest till nine o’clock, although His Royal Highness had been up the whole of the night and had very little rest on the preceding night.

Queen Victoria (1819-1901) when Princess Victoria 1823. Anthony Stewart. Royal Collection Trust
Queen Victoria (1819-1901) when Princess Victoria 1823. Anthony Stewart. Royal Collection Trust

Dr Davis remained in attendance till ten o’clock. The following statement of the event was issued from the Palace:

24th May 1819

The following Noblemen and Gentlemen, of his Majesty’s Privy Council attended at the accouchement of her royal Highness the Duchess of Kent – His Royal Highness the Duke of Sussex, his Grace the Duke of Wellington, the Archbishop of Canterbury, the Most Noble the Marquis of Lansdowne, the Right Hon. Earl Bathurst, The Right Hon. George Canning, the Bishop of London and the Chancellor of the Exchequer.

At a quarter past four o’clock, a.m. her Royal Highness the Duchess of Kent was safely delivered of a Princess.

F.A. WEATHERALL

Lieut. General and Comptroller

In addition to the above, General Weatherall, General More and Captain Conroyd, were in attendance. The Earl of Liverpool called at the Palace about eleven o’clock to make his respectful enquiries.

Dr Davis visited the Duchess again between two and three o’clock, after which the following bulletin was issued –

Her Royal Highness the Duchess of Kent and her infant continue in a favourable state.

J Wilson

David D Davis

Monday, three o’clock

A few days later the Morning Post reported

Considering the high destiny of the Royal infant, there is nothing which is more calculated to enhance the satisfaction of its parents in particular, and the nation at large, next indeed to that of its having been born in Old England, than this event. Should she be ever elevated to the throne of this mighty Empire, it must be the wish of every sincere lover of this country, that she may reign like her venerable grandsire, in the hearts of its inhabitants. The nation already begins to indulge the hope that the infant may be baptised by the much loved and cherished name of Charlotte.

The press didn’t get their wish when she was christened on June 24th 1819 as Princess Alexandrina Victoria, in the Grand saloon of Kensington Palace using the Royal gold font which had been moved from The Tower of London and the crimson velvet coverings from The Chapel Royal, St James’s Palace.

To find out a little more about Queen Victoria you might enjoy a couple of articles we wrote a while ago:

Princess Victoria and the gypsies, Part 1 and Part 2

Source:

Oxford University and City Herald 29 May 1819

Morning Post 31 May 1819

Morning Chronicle 25 June 1819

Featured Image

Princess ( 1819-1901), later Queen Victoria Signed & dated 1819, Johann Georg Paul Fischer. Royal Collection Trust

The Bathing Place at Ramsgate by Benjamin West

Regency Swimwear

We have previously written about the very popular invention of the Georgian bathing machines, so it’s time to take a look at what people wore to take a dip in the sea. It was in the Regency era that swimwear became really popular and very much a fashion item with the newspapers of the day advising potential bathers of what they ought to be wearing to be à la mode.

Women swimming in the sea at Brighton. Coloured etching by W. Heath. Wellcome Library
Women swimming in the sea at Brighton. Coloured etching by W. Heath. Wellcome Library

Clearly there was an issue with women sharing bathing wear and so a Mrs Bell of 26, Charlotte Street, Bloomsbury came up with new invention in 1814 by creating what she called the ‘Ladies Bathing Preserver’. Its aim was:

To relieve Ladies from the nauseous idea of wearing the bathing coverings furnished by the women at the sea-side, from which dangerous permanent illnesses have arisen, in consequence of their being worn by ALL KINDS of persons, however they be afflicted. Mrs Bell’s bathing preserver is made quite in a novel manner, to which is attached a cap, to be removed at pleasure, made of a delicate oil silk, the keep the head dry. The preserver is made of such light materials, that a lady may carry it in a tasteful oiled silk bag of the same size as an ordinary lady’s ridicule.

In her advert she told potential buyers that she also:

…sold her newly invented Circassian corset, bathing and sea-side walking dresses, which enable ladies to dress and undress themselves in three minutes, without any assistance, and prevents, so much recommended by physicians, the change of taking cold by too long delay in dressing.

The Circassian corset claim might have been a good marketing strategy because this type of corset had certainly been invented by the turn of the century, if not slightly earlier, so by the time Mrs Bell was advertising it, it wasn’t new!

The Circassian Corset is the only one which displays, without indelicacy, the shape of the bosom to the greatest possible advantage; gives a width to the chest which is equally conducive to health and elegance of appearance.

Circassian Ladies Corset and Seaside Bathing Dress, Fashion Plate from La Belle Assemblée, or Bell's Court and Fashionable Magazine. SPARC Digital
Circassian Ladies Corset and Seaside Bathing Dress, Fashion Plate from La Belle Assemblée, or Bell’s Court and Fashionable Magazine. SPARC Digital

The Morning Post of 1st August 1815 tells its readers what they should be wearing for the month for seaside bathing:

Sea Side Bathing Dress: This very elegant dress is composed of the newly introduced Berlin silk. It is made in the form of a pelisse, and is so contrived that the stays, petticoat, and pelisse are all put on in a few moments. A flounce of green gauze, crape, or muslin, edged with an exceedingly pretty silk trimming, ornaments the dress; which, when on, is so finished and elegant that no one could suppose it was possible to adjust it in a few moments. A Leghorn hat ornamented with a plume of straw colour feathers, and green plaid leather boots, finish this dress, which we look upon as a chef d’oeuvre in its way, since, independent of the advantage which it is to a lady to be able to dress and undress so quickly, the most fastidious belle must confess that nothing can possibly be more becoming than this Sea Side Bathing Dress. The Wellington corset, with which it is worn, is admirably adapted to display in the most easy and graceful manner the natural proportions of the shape; and the tout ensemble of this elegant and useful habit is simple, tasteful and in the highest degree appropriate.

For anyone wondering, like us, what the Wellington corset was, then the Kentish Gazette, 6 September 1814 has the answer. It was designed specifically for women who were pregnant or who had had children as it would repress that fullness which some ladies find rather troublesome in the present style of dress.

The Liverpool Mercury, in 1830, carried the following description of a new invention to aid swimmers and non swimmers to float in the sea, by the Abbé de la Chapelle which he called a ‘Scaphander’.

It was a type of jacket of cork, composed of cork and fastened round the boy by means of leather thongs, which pass between the thighs and over the shoulders. That the body of the swimmer may be in equilibrium with an equal volume of water, a jacket of this kind ought to contain TEN POUNDS OF CORK. It is added that the inventor, with this cumbrous jacket on, could hold a bottle and glass in his hands when in the water (now this is just what I need!).

The Bathing Place at Ramsgate by Benjamin West
The Bathing Place at Ramsgate by Benjamin West; Yale Center for British Art
Wedgwood jasperware teapot with Domestic Employment designs by Lady Templetown. V&A Museum

Artists, Workers and Tastemakers: Wedgwood and Women – a guest post by Sophie Guiny

Today we are thrilled to welcome to our blog,  Sophie Guiny. Sophie is a Wedgwood collector and researcher. She is also the newsletter editor for the Wedgwood Society of Washington, D.C.

Wedgwood jasperware teapot with Domestic Employment designs by Lady Templetown. V&A Museum
Wedgwood jasperware teapot with Domestic Employment designs by Lady Templetown. V&A Museum

In May 1759, 260 years ago this month, 29-year old Josiah Wedgwood founded his own pottery works. Born in a family of potters in Burslem, Staffordshire, young Josiah was struck by smallpox and the resulting damage to his leg (which would eventually be amputated) left him unable to operate a potter’s wheel. He turned his attention to design and experimentation with new clays and glazes, improving on known techniques and creating new styles and ceramics bodies, including the now iconic jasperware, which Wedgwood perfected around 1775. In both pursuits, women played a critical role as patrons, artists and factory workers.

Wedgwood jasperware portrait medallion depicting Josiah Wedgwood. Sophie Guiny's personal collection.
Wedgwood jasperware portrait medallion depicting Josiah Wedgwood. Sophie Guiny’s personal collection.

Josiah Wedgwood’s sense of innovation extended to marketing his wares in what was a crowded market. As the quality of his creamware (a type of ceramic made of pure white clay with a clear lead glaze) had garnered him royal orders, he petitioned Queen Charlotte for the right to use her name in selling his products. Starting in 1763, Wedgwood’s creamware was sold as Queen’s ware, and the Queen’s patronage became very visible on all advertising materials.

The Frog Service commissioned by Empress Catherine II of Russia in 1773 is a good case study of the role of women in Wedgwood’s business. First, as with the naming of Queen’s ware, Josiah Wedgwood aggressively courted royal and aristocratic female patrons, as they had the ability to influence the taste of other women, both in the aristocracy and in England’s burgeoning middle class. In a letter to his partner Thomas Bentley, Wedgwood muses, “Suppose you present the Duchess of Devonshire with a Set and beg leave to call them Devonshire Flowerpots.” This was never to be. But having Catherine the Great as a repeat customer (she had already ordered a service in 1768) was a marketing coup for which Wedgwood was prepared to incur financial losses.

Wedgwood jasperware portrait medallion of Catherine II, Empress of Russia. V&A Museum
Wedgwood jasperware portrait medallion of Catherine II, Empress of Russia. V&A Museum

The Frog Service comprised 952 pieces, and was to be decorated with a different view of England on each piece, an extremely ambitious task. The only repeating designs would be the border and the frog emblem, as the service was destined for a palace known as “Frog Marsh.” To realise the service, Wedgwood had to hire numerous skilled painters, which included a number of women: factory records show that at least half a dozen women were employed to paint the Frog Service, working on both the borders and the centre landscapes. The highest paid woman, a Mrs Wilcox, was paid eighteen shillings a week, which is just over half of what the highest-paid man earned (thirty-one shillings).

Wedgwood Queen’s ware dessert plate from the Frog Service painted with a view of 'Mr Hopkins' Gardens, Painshill, Surrey.' British Museum
Wedgwood Queen’s ware dessert plate from the Frog Service painted with a view of ‘Mr Hopkins’ Gardens, Painshill, Surrey.’ British Museum

Wedgwood catered to a variety of tastes, and was always trying to introduce new styles. Many pieces were decorated with classical designs, inspired by antiquity, and modelled by such noted artists as John Flaxman Junior and George Stubbs. It is worth noting, however, that in the 1787 company catalogue, Wedgwood gives a place of pride to designs made by three women artists: Elizabeth, Lady Templetown, Lady Diana Beauclerk, and Miss Emma Crewe. All three were gifted amateur artists, and their designs were used exclusively to decorate the very fashionable jasperware.

Lady Templetown, often misspelled as “Templeton”, perhaps based on Josiah Wedgwood’s own frequent misspelling in his letters, was inspired by sentimentalist literature (such as Laurence Sterne’s novels) and traditional domestic activities. Born Elizabeth Boughton in 1747, she came from an aristocratic, if not particularly wealthy, family and married Clotworthy Upton in 1769. In 1776, in recognition for his services to the royal family, Upton was made Baron Templetown of Templetown, County Antrim in Ireland, and Elizabeth became the first Lady Templetown. Left a widow with three children in 1785, she managed her family’s Irish estates until her son’s coming of age, and retired to Rome where she died in 1823.

Wedgwood jasperware brooch with The Bourbonnais Shepherd, designed by Elizabeth Lady Templetown after Laurence Sterne’s A Sentimental Journey Through France and Italy. V&A Museum
Wedgwood jasperware brooch with The Bourbonnais Shepherd, designed by Elizabeth Lady Templetown after Laurence Sterne’s A Sentimental Journey Through France and Italy. V&A Museum.

Her drawings caught the eye of Josiah Wedgwood who commissioned several designs from her starting in 1783. In a letter to Lady Templetown dated June 27, 1783, Josiah Wedgwood expresses: “a wish to be indulged in copying a few more such [figure] groups” in addition to what she had already lent him. She provided drawings or cut-outs in Indian paper of her designs, and William Hackwood, a sculptor employed by Wedgwood, modelled the actual reliefs to be applied on the jasperware. The etching below, now in the Victoria and Albert Museum, is based on one of Lady Templetown’s series of cut-outs on the theme of Domestic Employment. The jasperware version of this design (which is the mirror image of the cut-out) is on the teapot at the top of this post.

Peltro William Tomkins, “Book of Etchings from Papers cut by The Right Honourable Lady Templeton,” 1790. V&A Museum.
Peltro William Tomkins, “Book of Etchings from Papers cut by The Right Honourable Lady Templeton,” 1790. V&A Museum.

Emma Crewe’s designs were quite similar in inspiration to Lady Templetown’s, but much less is known about her life. She was born in 1741 and was the sister of John Crewe, a Member of Parliament and a staunch supporter of Whig party leader Charles James Fox.  It is likely that these personal acquaintances played a role in Emma’s designs being used by Wedgwood, as Josiah Wedgwood was also a committed Whig.

Wedgwood jasperware covered sugar bowl with The Reading Lesson, a design attributed to Emma Crewe. Sophie Guiny's personal collection.
Wedgwood jasperware covered sugar bowl with The Reading Lesson, a design attributed to Emma Crewe. Sophie Guiny’s personal collection.

Lady Diana Beauclerk’s designs were of a different style, although they too feature boys and cherubs at play. She was born Lady Diana Spencer in 1724 in one of Britain’s most prominent families: she was the great-granddaughter of the first Duke of Marlborough and grew up at Blenheim Palace. In 1757, she married Lord Bolingbroke, but her unhappy marriage was dissolved in 1768. That same year, she married Topham Beauclerk. The Beauclerks were part of the literary and artistic society of the time, counting among their inner circle such luminaries as Horace Walpole and Joshua Reynolds, and her life was the source of some gossip, which had been featured on this blog. Lady Diana Beauclerk died in 1808, having spent the last years of her life mostly blind and in much reduced circumstances (her husband Topham died in 1780).

According to Beatrice Erskine’s 1903 Lady Diana Beauclerk Her Life and Work, the first contact between Lady Diana Beauclerk and Josiah Wedgwood occurred in 1780 through their mutual friend Charles James Fox.

Wedgwood jasperware wine cooler with Bacchanalian Boys designs after Lady Diana Beauclerk, c. 1783. V&A Museum
Wedgwood jasperware wine cooler with Bacchanalian Boys designs after Lady Diana Beauclerk, c. 1783. V&A Museum

It is likely that Josiah Wedgwood chose to hire women artists and to publicise their work because he thought that it would appeal to the market, showing a softer side than scenes inspired by the Iliad, or portrait medallions of Roman emperors. Wedgwood has reproduced Domestic Employment and Bacchanalian Boys countless times since the eighteenth century, showing the long-lasting appeal of the more feminine designs.

However, Josiah Wedgwood was ahead of his time on many social and political issues, from his commitment to the anti-slavery movement  to his position in favour of the independence of the American colonies, and was involved in the latest scientific research of his time through his membership in the Lunar Society. So it is not inappropriate to think that hiring women artists may have gone beyond commercial considerations and reflected Josiah Wedgwood’s progressive positions.

For more on this topic:

  • The Wedgwood Museum is part of the World of Wedgwood experience in Barlaston, Staffordshire
  • Both the British Museum and the V&A have large collections of Wedgwood, including works by women designers
  • The Frog Service is in the collections of the Hermitage Museum  in Saint Petersburg
  • The most comprehensive reference book is Robin Reilly, Wedgwood (two volumes), Macmillan & Co, 1989.
  • For more on Wedgwood during and beyond the Georgian era, the Wedgwood Society of Washington, D.C. publishes a bi-monthly newsletter.

An Eighteenth Century game of ‘Degrees of Separation’

In this post, we thought we would play a quick game of ‘six degrees of separation’. For anyone who is unaware of the concept, you will no doubt be familiar with the phrase ‘it’s a small world’ and it so it is. It’s been quite surprising that throughout our research, we’ve noticed just how relatively small London was in the 18th century. Everyone who was anyone knew each other and this has become quite obvious whilst exploring the life of Dido Elizabeth Belle.

So, in today’s game we show the close connection between Prince George (later George IV) and Dido Elizabeth Belle. On the face of it, they would appear to be poles apart, George, the then-future monarch and Dido the daughter of a mulatto slave. But the distance between them is only a few steps.

George IV when Prince of Wales by Richard Cosway, watercolour on ivory, circa 1780-1782
by Richard Cosway, watercolour on ivory, circa 1780-1782

We begin the game with Prinny, who, in the early 1780s had a relationship with our lovely courtesan, Grace Dalrymple Elliott, who gave birth to a daughter who, Grace claimed was his. Georgina was the only illegitimate child that Prinny made payments to, so perhaps that was his way of acknowledging that she was his.

Grace Dalrymple Elliott by Thomas Gainsborough.
Grace Dalrymple Elliott by Thomas Gainsborough.
The Frick, New York.

Now, Grace counted amongst her closest friends, Lady Seymour Worsley, for those who haven’t come across her before, she’s the one who found herself in court in February 1782, for criminal conversation, a euphemism for sex.

Amongst the men with whom Lady Worsley allegedly had an affair, was George, Viscount Deerhurst, later to become the 7th Earl of Coventry.  Deerhurst was a bit of a ‘player’ and had previously eloped to Gretna Green with Lady Catherine Henley.

George, 6th Earl of Coventry. National Trust.
George, 6th Earl of Coventry. National Trust.

His father the then, 6th Earl of Coventry, totally disapproved of his son’s behaviour and banished him from the family home, so George took himself off to stay on the Isle of Wight, at Appuldurcombe, the home of Sir Richard Worsley and his wife, Lady Seymour Worsley – big mistake! He apparently ended up having a relationship with Lady Worsley (he was one of many, she was rumoured to have had well in excess of 20 lovers), but it was her infidelity with George Maurice Bisset that was the final nail in her coffin and she found herself in court, but George, Viscount Deerhurst, also found his name on this list of people with whom she had allegedly had ‘criminal conversation’.

Lord Mansfield was the trial judge in the case of Crim. Con. and he was also the guardian of Dido Elizabeth Belle. The trial took place in February 1782, so no doubt Dido, aged 20 would have been fully aware of it.

Dido Elizabeth Belle. Scone Palace.
Dido Elizabeth Belle. Scone Palace.

To add to the royal connection, Lord Mansfield, counted George III amongst his friends and a regular visitor to Caenwood (Kenwood) House, so it’s perfectly feasible that the royal family would have met or at least seen Dido.  So it really was a small world.

William Murray, 1st Earl of Mansfield by Jean Baptiste van Loo
William Murray, 1st Earl of Mansfield by Jean Baptiste van Loo. © National Portrait Gallery, London

Try this game for yourselves and if you can make connections like this from people in the 18th century we would love to hear from you as there must be plenty more out there.

Harriette Wilson (1786-1845), courtesan, and her siblings

For anyone not familiar with Harriette Dubochet who used the assumed surname of Wilson whilst alive, (although when buried her baptismal name was given) we would definitely recommend both volumes of her memoirs published in 1825, as they make fascinating reading and are online via Internet Archive.

Harriette lived life to the full and was virtually penniless at the end. Her death certificate gives cause of death as ‘old age’, although in all likelihood a cause of alcohol related disease might have been more accurate. As well as finding religion toward the end of her life, she also found the bottle. She was apparently extremely fond of brandy, to the point of dependency and was reported to have been having a tipple or several just 24 hours prior to her death.

We came across this extract from Frances Wilson’s book, The Courtesan’s Revenge and wanted to check out what became of Harriette’s siblings and possibly find Harriette’s burial.

Harriette’s place of burial has always been something of a mystery, but we can now reveal that she was buried at Brompton Cemetery and the location of her grave is still visible.

Search Brompton Cemetery for Harriett Du Bochet to see where her grave is located within the grounds. Click on image to enlarge
Search Brompton Cemetery for Harriett Du Bochet to see where her grave is located within the grounds. Click on image to enlarge

The newspapers were not at all kind to her in life as can be observed in this article about her in 1826.

The present appearance of this unfortunate woman makes it difficult to conceive that she could ever have been attractive, either as to person or manner: her features are now ugly and coarse, her person bad and her manners vulgar, with a harsh discordant voice.

A correspondent informs us that the notorious ‘Harriette Wilson’ resides at Chelsea and has become a convert to Popery,  and is a very active promoter of the objects of the virtuous priesthood! What next? Is she a candidate for the office of  a Lady Abbess, or Principal of a Nunnery?

And even more derogatory about her death:

We have now done with this woman, and we hope no stone will be erected to commemorate her memory and disgrace the place of her burial.

Satirical print depicting the courtesan, Harriette Wilson.
© The Trustees of the British Museum

Back to her memoirs, she thought nothing of naming and shaming the gentlemen in whose company she and three of her sisters, Amy,  Frances, better known as Fanny  and Sophia spent much of their youth.

Harriette Wilson receives Wellington in a room hung with pictures of those who figure in her Memoirs. Print by Isaac Robert Cruikshank, 1825.
Harriette Wilson receives Wellington in a room hung with pictures of those who figure in her Memoirs. Print by Isaac Robert Cruikshank, 1825. © The Trustees of the British Museum

When Harriette wrote to the Duke of Wellington advising him she was about to publish her memoirs and that to keep his name out she wanted money from him, his famous response was reputed to have been ‘publish and be damned‘, so with that she went ahead and published (the famous phrase is probably not strictly accurate).

The courtesan, Harriette Wilson.
© The Trustees of the British Museum

We’re not planning to revisit the memoirs in this article as there’s already more information about Harriette and her memoirs online than you can shake a stick at. We will, however, say that in a letter we came across, Harriette was described as being ‘the worst and wickedest bitch in the world’.

Harriette Wilson's last letter-or a new method of raising the wind!!
Print by Isaac Robert Cruikshank, 1825. © The Trustees of the British Museum

Harriette was one of 15 children (11 girls and 4 boys, not all of whom survived childhood), born to Amelia Gadsden, not Cook as previously named elsewhere, Amelia was raised by John Cook and his wife, which is probably where the error has come from and John James Dubochet, a Swiss coal merchant.

1784 Electoral Register. Carrington Street, Coal Merchant
1784 Electoral Register. Carrington Street, Coal Merchant

We have noticed that John seems to have had several occupations including that of a stocking cleaner, a mathematician and watch maker, but we have found no evidence to support this, on the children’s baptism and in his will, proven in 1826, he continued to give coal merchant as his occupation.

Little is known of several of Harriette’s siblings in particular that of the boys. The family seems to have been of mixed repute.

Rose (1799 – ?)

After her baptism there appears to be no proof that she survived into adulthood.

Jane (1779-1857)

Known in Harriette’s memoirs as Diana, remained single and taught the piano from her home 34 Chapel Street, in the St Marylebone area of London.

Mary (1784 – ?)

Mary was referred to as Paragon, in Harriette’s memoirs. She married an Irish gentleman, Richard Borough(s), in 1812 in Dublin, and the couple went on to have four children, Mary, John, Henry and Augusta Sophia. At least one child was baptised in France so it looks likely that they remained  there at least until Richard died at Calais in 1847.

Charlotte (1801 – 1873)

Charlotte, born 1801, married  a surgeon and apothecary, William Jones Percival in 1825. The couple moved  about with William’s business, from Poplar to Soham, Suffolk and finally to Birmingham  to raise their family, where William ultimately took on the post of surgeon at the Kings Norton and Union Workhouse. After his death Charlotte moved to Aberystwyth to live with one of her three daughters, Mary Sophia and her husband the renowned Dr Charles Rice Williams and it was there that she died in 1873.

Julia Elizabeth (1814-1883)

Like her sister Jane, Julia also remained single and spent her later life living with her, by then, widowed sister and former courtesan, Sophia, Lady Berwick (1794-1875), at 7 Clarendon Crescent, Leamington Spa, Warwickshire. After the death of her sister, Julia moved to The Mansion, Richmond (now home to Richmond Golf Club).

Miniature of Sophia Dubochet, Lady Berwick by Richard Cosway, c.1812.
Miniature of Sophia Dubochet, Lady Berwick by Richard Cosway, c.1812. Attingham Park © National Trust

Frances (Fanny) (1782-1815)

Also a courtesan who, according to Harriette, produced three children with her lover, then upon his death, moved on to have a relationship with a Colonel Parker, who in all likelihood was John Boteler Parker, the son of Sir Hyde Parker. She took his name as if they were married although they were not.  Frances was buried in 1815, at Kensington as Frances Parker, her assumed surname.

Amelia, aka Amy (1781-1838)

Amelia, like her sisters, was a courtesan who had a relationship with George Campbell, 6th Duke of Argyll, with whom, according to Harriette she had a son around 1810, although there’s appear no proof of this and no baptism that we have found so far.

She did however marry the musician Nicholas Robert Charles Bochsa, in 1818 despite him still being married to the Marquis Ducrest’s daughter who was, apparently still alive. Bochsa was both famous and infamous throughout the Georgian and Victorian eras!

He was believed to have been born around 1789 in France, where he studied music at the Paris Conservatoire. Regarded as a child protégé he could play both the flute and piano competently, by the age of just seven. In 1813, he apparently became harpist to the Imperial Court, however, by 1817 he allegedly became involved in counterfeiting, fraud and forgery and fled to London to avoid being prosecuted.  In his absence he was sentenced to twelve years hard labour and a fine of 4,000 Francs, so clearly, he was unlikely ever to return to his place of birth.

By 1821, the couple were the height of respectability, with Bochsa, in 1822, becoming one of the founders of the prestigious Royal Academy of Music, London together with John Fane, 11th Earl of Westmorland.

Nicholas Bochsa
Nicholas Bochsa

He was however, required to sever his ties with the Academy when news of his previous misdemeanours were discovered and two years later he was bankrupt, but became the musical director of the King’s Theatre, London. Newspapers began reporting that he not only committed the crimes of forgery and fraud, but also that he was a bigamist. We can find no proof of the final accusation, but there was probably some truth in his dubious reputation, as he found himself with a five-pound fine, this time for assault.

On 27th December 1837 Amelia died at her home, 2 Orchard Street, St Marylebone from an inflammation of  the intestines and was subsequently buried at Kensal Green Cemetery.

Bochsa eloped with Mrs Anna Bishop, the wife of Sir Henry Rowley Bishop. Frances Wilson, in her book, queried whether Bochsa had eloped with Anna Bishop prior to Amy’s death; the jury’s out on that one, but clearly he wasn’t with her on the day she died as her death was not witnessed by him, but by a John Knight, a collector, who lived there with his wife, Sarah, eight children and their servants.

Bochsa and Bishop left England and reappeared eventually on the other side of the world, having spent the subsequent years touring Europe, America, Mexico and then Australia, where Anna appeared on stage as his protégé. They continued to perform on the stage until his death in 1856, in Sydney.

Harriette’s male siblings were Charles Frederick (1791 -?), Henry Cook , John Emmanuel and George Edward. Very little is known about the first three boys and in all likelihood Charles died during childhood, although there is no evidence of a burial for him.

John Emmanuel (1790-1821)

Apart from his birth and death, the only snippet of information about John comes from the marriage entry for his sister, Sophia, where he was present as a witness.

Henry Cook (1804-1855-9)

After his baptism, there is little known of  Henry, apart from one mention of a brother to Lady Berwick in Naples, Italy in 1848. We eventually discovered his death dated simply as being sometime between 1855 and 1859, in Naples (British Armed Forces and Overseas deaths and burials records).

George Edward (1796-1847)

George married Christiana Hadden in 1816 and the couple had 4 children. At the baptism of their youngest child, George was a piano maker, then, by the time his youngest daughter married he had died, but had been ‘of the Treasury‘.

The Cyprian's Ball at the Argyle Rooms
Harriett Wilson and her publisher, Stockdale, in front of the harp. Lewis Walpole Library

We also wrote a guest post a while ago about Harriette. In case you missed it why not hop over to Mike Rendell’s blog to find out more.

Sources used

The London Gazette 1839

Berkshire Chronicle, 14 March 1829

John Bull 10 May 1840

Bell’s New Weekly Messenger  06 April 1845

Croome Collection at Worcestershire Archives.

The National Archives; Kew, England; Prerogative Court of Canterbury and Related Probate Jurisdictions: Will Registers; Class: PROB 11; Piece: 1708

Monmouthshire Merlin 16 September 1848

Travels of Anna Bishop in Mexico, 1849

Wilson, Frances. The Courtesan’s Revenge

The Barber's Shop, 1760s

More 18th-century career choices

Following on from our previous articles about career choices in the eighteenth-century, from 1761, we have some more to share with you, so, here goes.

Barber-Surgeon's Shop; unknown artist
Barber-Surgeon’s Shop; unknown artist; The Royal College of Surgeons of Edinburgh

The Barber

The boy, intended for this business, ought to be genteel, active and obliging. To have sweet breath and a light hand. The business of a barber is shaving and making periwigs. The former requires these qualifications and the latter, some ingenuity to imitate all the various fashions introduced by the folly of mankind. But in this trade little learning is necessary. Reading, writing and the common rules of arithmetic being sufficient. There are, however, some periwig makers who do not shave.

The barbers and periwig makers also make a kind of periwig for the ladies; among which they have imported a sort, impudently called the French, as if they intended to affront all the fair who wore them, Téte Moutons, or sheep’s heads. But the English ladies, from their complaisance for that nation, wear the wig, give it the French name and pocket the affront.

Cutting and curling of hair is also another branch of the barber’s business, though others apply themselves wholly to it and are therefore called hair cutters. The wages of a journeyman barber are but small, but if he has a good set of acquaintance and can be settled in a shop advantageously situated, he may set up with fifty pounds.

The Barber's Shop, 1760s
The Barber’s Shop, 1760s. Yale Center for British Art, Paul Mellon Collection

Bellows maker

This is a very useful and extensive business, bellows being not only made for families, but also for organs, for blowing fresh air into mines and for carrying on a great number of mechanic arts, in many of which they are of very different sizes and constructions, and some of the prodigiously large. It is a profitable business for the master.

Young Woman using a pair of Bellows (Fire); Philippe Mercier
Young Woman using a pair of Bellows (Fire); Philippe Mercier; Dumfries and Galloway Council (Dumfries Museum)

Blue maker

They make blue of indigo mixed with cheap materials for the use of the calico printers and dyers, and for bluing of linen when washed, but have nothing to do with the fine colours used in painting. It is a laborious business and is imagined to hurt the nerves. Those who keep shop get a good living. They take an apprentice from ten to twenty pounds, but they give low wages to a journeyman who works from six to eight.

Card maker

The making of playing cards is a very easy business and requires neither judgment, strength nor ingenuity. It consists of pasting several sheets of paper upon each other and then printing off this card paper from wooden blocks. After which the court cards are coloured, the paper glazed and the cards cut out.

A game of quadrille, c.1740 by Hubert-François Gravelot
A game of quadrille, c.1740 by Hubert-François Gravelot. Yale Center for British Art, Paul Mellon Collection.

The chocolate maker

As the making of chocolate is hard work, mostly performed over a charcoal fire, which is apt to affect some constitutions, the boy who is to be put apprentice to it, ought to be strong and hardy. Chocolate is made of a fruit called cacao produced in the West Indies and other parts of the world. This is a kind of nut about the size of a walnut, which being stripped of its thin shell is worked upon a stone, till it is equally mellow, and then put into tin moulds in which it hardens, and from them receives the form of cakes. To perfume it they mix it with venello (vanilla).

Making chocolate, via History Extra.
Making chocolate, via History Extra.

Comb maker

The making of combs is divided between two branches – the ivory and the horn comb makers. The ivory comb makers buy the ivory plates, rasps them to a proper thickness and saws the teeth. They also make combs of box, tortoiseshell and sometimes of horn, in which case they buy the horn ready prepared.

The horn comb maker cuts the ox’s horn into several rings and splits each, when hot, pulls them open and then pressing them between hot iron plates until they are of a proper thickness, shapes them, and afterwards saws the teeth. The horn comb maker does not make combs of ivory etc.

Trade card of Thomas Hedges, comb maker.
Trade card of Thomas Hedges, comb maker. © The Trustees of the British Museum

Dial plate enameller

Those of this business make enamelled dial plates, which they sell to the watchmakers. They take the brass plates, cover them with white enamel when wet, make the numerals, and fix the enamel by fire.

British, 18th century gold and enamel watch by William Rivers;
British, 18th century gold and enamel watch by William Rivers; Met Museum

Fellmonger

This is a very nasty, stinking trade, much exposed to wet and cold, therefore not fit for weakly lads. The fellmongers buy up the skins of sheep and lambs, from which they discharge the wool, make the sheepskins into pelts, leather for breeches, alum leather etc. They take from five to twenty pounds with apprentices, who require only a common education. They give very poor wages to their journeymen.

Worker in a fellmonger's yard, 1805.
Worker in a fellmonger’s yard. Bristol Libraries

The hatter or hat maker

The hatters, or hat makers, are those who work the wool, hair or fur into a proper substance for a hat. This is called felt. It is very slavish work, the men being continually stopping over the steam of a hot kettle and requires strong lads, who are taken apprentice with ten or fifteen pounds and frequently with nothing. But when out of their time, they may get, as journeymen fifteen or eighteen pounds a week, or set up in this branch with one hundred pounds.

Hat Maker
Hat Maker; New York Public Library

Hour glassmaker

This is a branch which requires very slender abilities to become a master of. He is partly a turner and buys his glass from the glasshouse. There are not many of them, though there are more hourglasses made than is generally imagined, especially for the sea, there not being a ship without several kinds of them, such as hour, half hour, quarter hour and minute glasses. The master will take an apprentice with five pounds who when out of his time may earn ten or twelves pounds a week or with twenty pounds may set up for himself.

The ink maker

Those who are solely employed in making black and red writing ink and ink-powder are but few in number because most retail stationers make ink to supply their own customers. The ink makers take no apprentices since whatever their secrets they may be possessed of it is in their own interest to keep them concealed.

Henry Hoare (1784–1836), Son of Sir Richard Colt Hoare, as a Boy, Writing a Letter by Samuel Woodforde c.1796/7; NT Stourhead

The Loriner or bit maker

The loriner makes bits and all the ironwork belonging to a bridle, together with the stirrups. It is an ingenious and laborious branch of the smith’s business and the beauty of the work consists of filing and polishing.

British (English) School (a painting of the ‘King’s Arms’ inn in Manchester; Compton Verney

Pastry Cook

This is a profitable business and requires a boy of activity and industry. The pastry cooks of London have many of their shops elegantly fitted up with carved work, gilding and looking glasses. They daily make all kinds of pastry and sometimes also deal in confections and jellies. They take ten or twenty pounds with an apprentice, who, when out of his time, may have about twenty pounds a year and his board by serving as journeyman, or if he sets up as a master, it will require 300 pounds at least to fit up a genteel shop  with built-in ovens  etc, but he may set up in a less splendid manner with a hundred pounds.

Detail from Mock Turtle, Puff Pastry by Thomas Rowlandson. Royal Collection Trust (from their website: a buxom female chef rolls out pastry as she is caressed by a lascivious footman wearing green livery. On the table are coddling tarts, apple dumpling and batter pudding.)
Detail from Mock Turtle, Puff Pastry by Thomas Rowlandson. Royal Collection Trust (from their website: a buxom female chef rolls out pastry as she is caressed by a lascivious footman wearing green livery. On the table are coddling tarts, apple dumpling and batter pudding.)

Snuff Box maker

The use of snuff has naturally produced the introduction of snuff boxes which are made not only of all kinds of metal, either plain, chased or embellished with stones, enamel, shells etc but of ivory, coal or even paper. This has introduced several different trades some of which the makers take ten or twenty pounds with an apprentice, in others not more than five pounds.

A man buying snuff; Thomas Rowlandson
A man buying snuff; Thomas Rowlandson; Yale Centre for British Art, Paul Mellon Center

 

Eighteenth-century bathing machines

During the eighteenth and into the nineteenth-century it became fashionable and beneficial to enjoy the pleasures of swimming in the sea so, in order to preserve modesty, bathing machines were invented. These allowed the swimmer to enter the contraption fully clothed, undress and get into the water virtually unseen; to swim then return to the machine to get dressed again and leave through the entrance they had arrived through – all very discreet.

Holidaymakers on Scarborough Beach by T. Ramsay
Holidaymakers on Scarborough Beach by T. Ramsay; Scarborough Collections

Scarborough, Yorkshire was reputed to have been an excellent place to swim in the 1730s, but as to whether they had bathing machines we’re really not sure.  Certainly, by the 1770s as you can see above, the bathing machine was very much in evidence.

The first reference we came across of a bathing machine was in the Caledonian Mercury, dated 14th August 1750, although such a machine was believed to exist prior to this.

That the BATHING MACHINE will, from Monday next, be attended close from half flood to half ebb, every lawful day by Thomas Weir Carter in Leith; his station with the same is to be upon the sands to the west of the glasshouse, in order to carry such ladies and gentlemen who want to bathe. And no weather needs to stop the use of it, as by the contrivance persons may bathe securely, without being any ways exposed to the weather. It will hold four persons easily, furnished with pins to hang up their clothes, and clean napkins will be there ready for rubbing.

In 1754, the Whitehall Evening Post carried an advertisement for the

New invented machine for bathing in the sea. The machines move on four wheels, on which is erected a commodious dressing room, furnished in a genteel manner. The machine is contrived, that the persons who bathe descend from out of the above room into the bath, which forms itself in the natural sea, seven feet in length and five in breadth, all enclosed and railed, which renders it both secure and private. The machine during the last season met with genteel approbation; and in order to make still more useful, the proprietors have this season provided an additional machine with proper conveniences for bathing at all times. A woman is appointed to attend the ladies if desired.

As the fashion for swimming in the sea along with its reputed benefits grew, more and more coastal towns had their own machines, set up on the beach from Tynemouth, in the north, to Brighton in the south and everywhere in between.

Figures and Bathing Machines in the Bay below Tynemouth Castle by Ralph I Waters
Figures and Bathing Machines in the Bay below Tynemouth Castle by Ralph I Waters; Laing Art Gallery

One of the most famous people to develop a bathing machine was a Quaker, Benjamin Beale. However, in 1767 there was an immense storm in Margate and his bathing machines were damaged, as they had been twice before, in 1763 and 1764. His loss on this occasion was estimated to be worth over £1,000 and it totally wiped out his business. So much so that Sir John Shaw and a Dr Hawley, of Great Russell Street, sought assistance for him, to enable him to rebuild his business. This was successful and the business was rebuilt, and Benjamin continued his trade until his death in 1775.

On the Sands at Brighton Figures Walking on the Shore by John Dixon. Yale Centre for British Art
On the Sands at Brighton Figures Walking on the Shore by John Dixon. Yale Centre for British Art

As the fashion for sea swimming caught on others developed their own business too, such as these trade cards shows for the ‘The Dunn’s machine’ and ‘The Phillpot’s machine’.

In 1770, Margate became so popular that it even produced its own holiday guide containing

a particular account of Margate, with respect to its new building, assemblies, accommodations, manners of bathing, remarkable places in its neighbourhood and whatever else may be thought necessary for the information of strangers.

Swimming in the sea was a risky affair and there were quite a few incidents recorded of accidental death due to drowning. Other incidents were less dramatic, but somewhat embarrassing, such as the one noted in the St James Chronicle of 1778 when a bathing machine containing ten people capsized. Most escaped to shore… but minus their clothes. There were also reports of people having a few too many drinks, climbing into the bathing machines to sleep off their excesses and the tide changing and them waking up the next morning to find themselves in the sea.

British Museum
British Museum

Apparently, in 1794, two dignified ladies decided as a wager to swim from one bathing machine to another, one was seized with a cramp, but not being out of her depth was rescued. Hopefully, the wager wasn’t too high!

Men and women were segregated for the sake of women’s modesty, but occasional incidents happened where women had to be saved by a gentleman when they swam out of their depth – a few red faces there then!

Margate, Kent a woman diving off a bathing wagon into the sea Coloured etching, ca 1800 Wellcome Library
Margate, Kent a woman diving off a bathing wagon into the sea Coloured etching, ca 1800 Wellcome Library

Here’s a bit of newspaper gossip for you from The Public Advertiser, October 1791.

Man caught in bathing machine with woman, both naked at the time.

Sorry to spoil your fun, it transpired that they were actually husband and wife, but still, it made the newspaper.

Of course, when in Weymouth, the royal family enjoyed a swim, especially George III but apparently his daughter, the Princess Royal, less so as she appeared to feel the cold more and looked half-frozen after her swim.

To finish we couldn’t resist sharing this image of Prinny, The Prince Regent – no words!

Prince of Wales. 1819. Wellcome Library
Prince of Wales. 1819. Wellcome Library

Featured Image

Bathing Machine on Southsea Common. c1788. Yale Centre for British Art

Bug breeders in the dog days by Thomas Rowlandson.

How bed bugs were dealt with in the Georgian era

Admit it – many of you are scratching already, aren’t you? I was whilst writing this if I’m honest. One of our readers asked about turpentine being used to kill head lice and this set us off to find out more about the subject and somehow ending up looking at how they dealt with bed bugs (buggs as they were known, somewhere we lost that second ‘g’) in the eighteenth century.

Wellcome Library
Wellcome Library

They were clearly a major problem, with many cures being offered to eliminate these little critters such as this from ‘The family jewel, and compleat housewife’s companion or, the whole art of cookery made plain and easy’ by Penelope Bradshaw in 1754.

If your room is very bad, take a pound of rolled brimstone, if there’s only a few, then lay it on the charcoal and get out of the room as fast as you can, or it will take away your breath. Shut the door close, with the blanket over it; and be sure to set it so as nothing can catch fire; if you have any India Pepper throw it in with the Brimstone. Do not open the door under six hours, and then let the door stand open an hour before you go in to open the windows, then brush and sweep your room very clean, wash it well with boiling water. Get a pint of spirits of wine, a pint of spirit of turpentine and an ounce of camphire, shake all well together, and with a bunch of feathers wash your bedstead very well, sprinkle the rest o over your feather-bed and about the wainscot and room.

If you find great swarms about the room, and some not dead, do this over again, and you will be quite clear. Every Spring and Autumn wash your bedstead with half a pint, and you will never have a bug; but if you find any come in with new goods, boxes etc only wash your bedstead and sprinkle it all over your bedding and bed, and you will be clear, but be sure to do it as soon as you find one. If your room is really bad it will be well to paint it.

A Tit Bit for the Buggs
British Museum

Here we have an advert from the Daily Post of Thursday, May 18, 1738 from a gentleman offering to eliminate the critters:

Whereas I have for several years, with success, made it my business to destroy those numerous vermin call’d BUGGS, at a reasonable price, being done without the least damage to either bed, bedding or furniture, be the same ever so good; and what is used is without any offensive smell. I likewise undertake hospitals, or other large buildings, and after I have destroyed them, if any should happen the following year to be brought in by people’s cloaths, from other houses, which may happen to new furniture rather than to those I have cured and cleaned, owing to the Power of Nature of what is used, then and in such case I promise to cure them gratis. Those noble persons waited upon my directing to me, JOHN WILLIAMS, at the following coffee-houses, viz. Janeway’s in Cornhill, Richard’s near Temple-Bar.

Summer amusement - Bugg hunting by Thomas Rowlandson.
Summer amusement – Bugg hunting by Thomas Rowlandson. Beinecke Digital Collections

And this one from Peter Braniff in the Public Advertiser, Saturday, May 17, 1760.

BUGGS, be the ever so intolerable, are effectively destroyed, no cure, no money by Peter Braniff at Number 4, the upper end of Union-court, Holborn, opposite St Andrew’s church; and as his name is so well-known to thousands of people of the best rank, who have employed him to their satisfaction, he refers them for a character before he is employed, which can be had in any division or neighbourhood all over London. Further satisfaction, to enquire at the British Lying-in Hospital, or the City of London Hospital.

British Museum
British Museum

So, how much did it cost to get rid of beds buggs – well, that of course varied upon the size of the room and quite frankly, Peter Braniffs’ charges were confusing to say the least, but given that he had a wife and six children support he would have wanted to make as much money as possible. (Peter died in 1769, of consumption, possibly an occupational hazard).

From 5 shillings to seven shillings and six pence, to ten shillings and six pence, to five shillings and some a guinea. Those who please to favour him with their commands, shall be waived on, and shall have twelve months’ time for trial, provided the sum be large. N.B. What he makes use of has no smell neither does it hurt the furniture, and if no alteration is made after he has done, the Buggs will never return, nor breed any more in them during life.

Of course, institutions such as hospitals and the workhouse were expected to maintain high standards of cleanliness, as we see here in this extract from ‘An Account of several work-houses for employing and maintaining the poor’ 1732:

Nurses take care to search all the beds for fleas, buggs and other vermin, once a week, of oftener if occasion; and to have all their beds made, and to sweep and clear their respective wards, every Monday between the hours of eight and ten; that every ward be washed once a week or oftener, as need shall require, and the windows be kept open in all, except the sick-wards, every day during dinner, to air the rooms, except in very rainy weather.

Sleep well tonight everyone and don’t let the bed buggs bite!

If you’d like to find out about flea traps follow the highlighted link – it’ll only make you scratch even more, you have been warned!

Bug breeders in the dog days by Thomas Rowlandson.
Bug breeders in the dog days by Thomas Rowlandson. Beinecke Digital Collections

 

Three Graces in a High Wind (a scene taken from nature, in Kensington Gardens). © The Trustees of the British Museum

Invisible dresses? Oh, knickers!

With the turn for the century, fashions began to change from the tight-laced bodiced dresses to a softer, flimsy and floating style, often made from lightweight fabrics. Presumably it was this change of style that required women to preserve their modesty, so, on that note we’re delighted to welcome a new guest to our blog, Sarah Waldock,  who describes herself as ‘a Regency romance author with a morbid interest in drains and underwear’.

Fashionable Furbeloes, 1801

The post has come about following conversations we’ve had with Sarah Waldock, about one of our previous articles regarding whether Georgian women wore knickers or not! So we’ll hand over to her to tell you more.

The Fashions of the Day – or Time Past and Time Present: The Year (1740) a Lady's Full Dress of Bombazeen – The Year (1808) Lady's Undress of Bum-be-seen
The Fashions of the Day – or Time Past and Time Present: The Year (1740) a Lady’s Full Dress of Bombazeen – The Year (1808) Lady’s Undress of Bum-be-seen; Met Museum

This goes back to an assertion I made that yes, there were drawers worn by ladies in the Regency period as I had seen ads for them. Only when I uncovered the following ad, two words – invisible dresses – leaped out at me.

Radford’s Hosiery, 52 Cheapside

All manner of hosiery, gloves, flannels, drawers, ladies’ invisible dresses….

So going a bit further, I found

Mrs. Morris, once Mrs. Robertshaw, invisible dresses, petticoats, drawers and waist coats of real Spanish lamb’s wool, Welch Flannel Warehouse, 100 Oxford Street.

Plainly Mrs. Morris is a cut above Mr. Radford, being in Oxford Street where you pay three guineas a lungful to breathe [not that Cheapside was especially cheap; the name comes from the same source as Chapman, a peddler, from OE for goods for sale].

Digging around, I initially discover Mr. Radford advertising as far back as the 1st of January 1806 both the ‘Newly invented’ invisible petticoat and drawers, which is the earliest mention of drawers I had yet to find – at that point.

And then a bit of luck.

An unnamed seller advertises on Tuesday 17th September 1811;

New-invented invisible dresses [I hear you say, hang on, Radford and Morris had them in 1810; it’s the way of making them which is new invented] all in one, of a superior style for ladies and children … for ready money only, at no. 16 Poultry.

 

Fashion plate from Ackermann's Repository of Arts.
Fashion plate from Ackermann’s Repository of Arts.

All in one, which is interesting; it suggests that invisible petticoats and waists have been combined.   And in the same year, 21 December, 1811, Mr. Radford is back with his own take on this:

 New-invented Brunswick invisible dresses that are such a preventative against colds and are patronised by the Royal Family.

There are also ads from him advertising them for ladies and children, reinforcing the idea that these are practical garments, no mere modesty pieces. These garments are for warmth to prevent the silly and fashionable chits in muslins from dying of pneumonia at winter balls.

A hint to the ladies, or, a visit from Dr Flannel. "Mrs Jenny said your Ladyship complain'd of being cold about the loins... so I have just stept in with a warm flannel petticoat." © The Trustees of the British Museum
A hint to the ladies, or, a visit from Dr Flannel. “Mrs Jenny said your Ladyship complain’d of being cold about the loins… so I have just stept in with a warm flannel petticoat.” © The Trustees of the British Museum

I then looked up ‘Brunswick’ in the ‘Fairchild Dictionary of Textiles’. It gave me:

“A twilled wool and cotton fabric similar to cassimere”[Cassimere was a soft woollen twill cloth invented in Bradford and often combined with cotton, silk or mohair].

Petticoat dating from the very early 19th Century which would have been worn under a sleeved, trained dress and over a loose knee length chemise and a corset which covered the exposed bust area.
Petticoat dating from the very early 19th Century which would have been worn under a sleeved, trained dress and over a loose knee length chemise and a corset which covered the exposed bust area. John Bright Collection.

Now, Mr. Radford was also advertising cotton invisible petticoats in June and July of 1806, so maybe they were there as modesty pieces as well.  I don’t have any more on that, nor on whether they were stockinet flesh coloured garments, like the drawers mentioned by Nicky Roberts in ‘Whores in History’ [Harper Collins 1992] to be worn under the notorious dampened muslins.  It wasn’t mentioned. However I am seeing, I hope not spuriously, a connection between drawers and invisible gowns, which is an impression strengthened by a few more ads.

And this one from Mrs. Robertshaw [before she was Mrs. Morris] is the winner.

30th September 1806

SPANISH LAMBSWOOL INVISIBLE PETTICOATS

Mrs. Robertshaw begs leave to inform those ladies that found their invisible petticoats shrunk last winter that she has a kind so much improved that she will warrant them never to shrink even in the commonest wash, at the same time will be found equally as soft, pliant and warm. Everybody that has tried them allows them to be a much pleasanter article than ever before invented, being so very elastic[a word merely meaning at the time having some stretch or give] and of so beautiful a white, and, like all these comforts will add quite as little to size as her patent lambs’ wool so much approved of last winter.  Likewise invisibles and stays all in one; well adapted to ladies that are confined; also under waist coats and drawers of the same description. 

The ad goes on to invite mail order purchase, but what seems suggestive here is that the drawers are also for warmth as the implication is that they are also lambswool [and possibly either knitted or woven as a knit-weave like gents’ pantaloons]

The implication is also that this is not the earliest date.

Progress of the Toilet, plate 1. © The Trustees of the British Museum
Progress of the Toilet, plate 1. © The Trustees of the British Museum

So this is the ad I found, on 21st October 1805.

Spanish lamb’s wool invisible petticoats; Mrs. Robertshaw…. large assortment of her large assortment of real patent invisible petticoats which ladies will find soft, warm and pleasant at the same time adding little to the size.

Patent.  A suggestive word, though I have a gut feeling that a lot of advertisers threw it around without applying for a patent.  However, it does suggest that warm underclothes under skimpy top clothes was a recent response to the changes in fashion, having to be lightweight themselves rather than adding a quilted petticoat as one might do in earlier times.

Progress of the Toilet; dress completed. © The Trustees of the British Museum
Progress of the Toilet; dress completed. © The Trustees of the British Museum

The latest ad I found was in 1815, Friday 22nd December.  Mrs. Morris is no longer reminding people that she was Mrs. Robertshaw before.

Ladies opera dresses, drawers, waistcoats, invisible petticoats – Mr. [sic] Morris manufacturer to the Royal Family respectfully informs those ladies that have patronised her patent invisible petticoat, opera under-dresses, drawers and waistcoats …. that she has manufactured an entire fresh and extensive assemblage.

I searched up to 1820 but could find no more ads.  But after 1816, the year without a summer, the climate warmed up.  Could it be that woolly longjohns and flannel petticoats disappeared for a lack of need for them?

Three Graces in a High Wind (a scene taken from nature, in Kensington Gardens). © The Trustees of the British Museum
Three Graces in a High Wind (a scene taken from nature, in Kensington Gardens). © The Trustees of the British Museum

As to earlier, in 1804 Mr. Radford was bad-mouthing those who sold inferior quality whilst proclaiming his own cheap but quality hosiery.  He mentions flannels again.  Was this a euphemism for flannel drawers? I haven’t tracked that down.

On 13th November 1804 he is advertising elastic cotton and other drawers in with his hosiery, gloves, lace mitts and lace sleeves. He is mentioned on 12th May 1803 as a hosier, and taking on the rent somewhere in an article too faded for me to read.

Mrs. Robertshaw however turns up in December 1804, or rather, Mr. W, Robertshaw does, at the same address, 100 Oxford Street, with  a hosiery and pantaloon warehouse with fresh Spanish lambs wool and Angola waistcoats and drawers.  Mrs. Robertshaw.

…begs the attention of the ladies to her patent Bath and elastic lambs wool petticoats and drawers, which ladies will find soft, warm and pleasant at the same time to add very little to size.

So, they are not yet invisible!  Bath was a soft woollen cloth comparable to superfine; Bath suiting was often used for men’s jackets.  It moulded nicely to the muscular form of the Corinthian.

Apart from the existence of W Robertshaw, Hosier, 100 Oxford Street in January 1804, the Robertshaws too disappear.    Two families of Hosiers, whose brief, decade-long production of underwear excites the interest two hundred years later.

Eighteenth-century watch papers

In a recent article, we looked at disability in the 18th-century and about people with no arms using their feet as an alternative, some of whom created the most beautifully delicate watch papers. One of our readers asked what more we knew about watch papers, our reply being –’not very much!

Always up for a challenge though, we set about seeing what else we could find, and we confess, this article is a little self-indulgent with some lovely images of watch papers which remarkably have survived in some cases for over two hundred years, most will have been lost or damaged over time, making survivors quite rare.

It was believed that initially watch papers were a form of protection for the mechanism itself, which may well be correct, they then developed into the equivalent of a trade card, which for our regular readers you will be aware that we have looked at before and have a great interest in.  Early eighteenth-century watch papers appear to have been made of either paper or very fine linen. This developed in the later part of the century to include crotched or silk watch papers.

Watch papers would have been a fabulous of advertising your wares, inside the watch so every time the wearer opened it they would see an advert for the watchmaker and see what else they sold. As you can see from this image:

Victoria & Albert Museum c1820
Victoria & Albert Museum c1820

The Cambridge Intelligencer September 1795 carried the following advertisement

COPPERPLATE PRINTING IN GENERAL

Barford begs leave to inform his friends and the public, that he prints mezzotints, fine engravings, banker’s cheques, tutor’s bills, watch papers and music.

The British Museum has several watch papers and this one was used by John Oglethorpe, born 1823, who appears on the census returns as being of Kirkby Thore, Cumbria where was he described himself as a watch cleaner and repairer, a trade he would have learnt from his father Samuel.

British Museum
British Museum

This beautiful watch shows the watch paper placed inside with the makers’ name clearly visible both on the mechanism itself and on the advert on the watch paper – Thomas Bullock of Claverton Street Bath, who we discovered was trading there in 1770.

The next belonged to Camerer and Cuss, New Oxford Street. The watch paper is very plain, and we haven’t been able to locate the company, however, it nicely fits into the Georgian era, as they were trading ‘since 1788’.

Our next one shows the watch paper of a gentleman by the name of Goldsworthy. He was an Edward Goldsworthy of Exeter, who died in April 1824, aged 73 in Chelsea.

British Museum
British Museum

Edward was working in his home city of Exeter and here we see him in 1788 taking on an apprentice clock-maker.

Tempus Fugit! This one seems a little morbid, reminding you of impending death each time you open the watch. It is an advert for George Frankcom of Portsea, Hampshire. Frankcom must have moved to Hampshire after completing his apprenticeship which he began in 1792.

To finish, we have very kindly been given a stunning watch paper to include, by Mike Rendell (Georgian Gentleman)

Richard cut it out when his first wife died – it must have taken hours. It shows her coffin in a template, with her name, age and date of death. I still have the pen knife he would have used to make it (i.e. the knife he used to make pens from quills). It is incredibly sharp even after 250 years! He must have had excellent eyesight – and a very steady hand).

 

John Nicholson’s ‘The Learned Pig’

The Georgians enjoyed nothing more than a spectacle be it the ‘freak shows’ or the sight of new animals, but something which caught their attention in the 1780s was a pig … no ordinary pig, but one who could perform tricks, so we thought as a bit of light relief, we would share a few anecdotes about this curious animal and leave you to draw your own conclusions as to the truth of any of it.

By all accounts the pig had previously been owned by a Scotsman, Samuel Bisset, although there were also reports that it was a native of Ireland, educated in Chester, so, we’ll leave you to draw your own conclusions from that.

After the death of Bisset, the pig became the property of a John Nicholson, who toured the country with his ‘learned pig’. The pig was not the first creature who he had worked with, oh no!  Nicholson  possessed a peculiar power over animals, he taught a turtle to fetch and carry, a hare to beat a drum with its hind feet; he taught six cocks to perform a country dance; his three cats to play several tunes on the dulcimer with their paws and to imitate Italian opera, but he became best known for conquering the natural obstinacy and stupidity of a pig by teaching him to unite the letters of any person’s name, count the number of people in the room, the hour and minutes of any watch, etc.

The Wonderful Pig. British Museum
The Wonderful Pig. British Museum

Mid 1784, Nicholson took the pig on tour, covering Leeds, Wakefield, The Assembly Rooms in Derby, Nottingham, Northampton and onward to London.

In April 1785 however, Nicholson was invited along with his learned friend to attend Brooks’s gentlemen’s club, one of the oldest in London, to perform at a private exhibition, which according to the newspapers didn’t go quite as expected:

A good deal of confusion arose to the master of the pig and the company present, from the improper questions which were put to this grunting philosopher. He counted the company well enough; but when he was asked how many Patriots were present, snorted at every member, and looked around for fresh orders.

How many are there present who are six pence clear of encumbrances? The pig stood still.

How many honest gentlemen? The pig would not stir.

Here the master was obliged to apologise and in a confounded passion whipped the pig and beat a hasty retreat.

Despite this slight hiccup, by all accounts this was a lucrative little earner for Nicholson as he was reputed to be making over one hundred guineas a week with his ‘grunting philosopher’.

A visit to the Irish Pig!
Yale Centre for British Art

There was great excitement when it was announced that the learned pig was visiting a town, with newspapers giving all the hype you would expect.

We hear from Colchester, that there is arrived in that place, and to be seen during the fair, that most sagacious animal the learned pig, that so long and so deservedly engaged the attention of the nobility and gentry at Charing Cross and afterwards at Sadler’s Wells, where he met with universal applause to the end of the season. The above curiosity is expected in Ipswich as soon as Colchester Fair is over.

Three Pigs in a Byre by George Morland
Three Pigs in a Byre by George Morland; Kinloch Castle, Rum (Scottish Natural Heritage)

We couldn’t resist including this article from the Chester Chronicle of 1792.

Nicholson’s learned pig has, we hear, lately arrived from Oxford, where he was admitted a fellow of Brazen-Nose* college, and is now returned to his seat at Bunbury, in this county, with those two profound marks of erudition A.M. annexed to his name – the learned in that neighbourhood say ‘it would do your heart good to hear him grunt Greek’.

Pigs by T. Horsley
Pigs by T. Horsley; The Bowes Museum

The idea of a performing pig was not restricted to just this one, apparently there were several, but who knows. As we’ve said, the concept of a talking pig was a money spinner, but also a great excuse to poke fun at the government, nobility and academia, so we’ll end this with a little ditty we came across.

Gruntledum, gruntledum, gruntledum, squeak,

I hope very soon to be able to speak;

Thou’ my gristly proboscis I find that I can

Already cry ‘aye’, like a parliament man:

Like a maid I can squeak, like a lover can whine,

And snort like an Alderman laden with wine.

Gruntledum, gruntledum, gruntledum, squeak,

I hope very soon to be able to speak.

Farmyard Scene by George Morland
Farmyard Scene by George Morland; Doncaster Museum Service

* In case you wondered, no this is isn’t a typo on our part!

Sources

Cumberland Pacquet, and Ware’s Whitehaven Advertiser 21 September 1785

Northampton Mercury 04 April 1785

Northampton Mercury 25 April 1785

Ipswich Journal 29 October 1785

Bury and Norwich Post 04 January 1786

Sussex Advertiser 03 July 1786

Chester Chronicle 16 March 1792

Resuscitation in the Eighteenth Century

The Royal Humane Society was founded in London in 1774 by two eminent medical men, Dr William Hawes (shown in the header picture at the bedside) and Dr Thomas Cogan, who were keen to promote techniques of resuscitation.

We think of resuscitation as something relatively modern, however, in 1775, The Royal Humane Society produced a booklet entitled ‘Address for extending the benefits of a practice for recovery from accidental death’.

It would appear that after several fatal drownings they felt it beneficial to write a booklet to advise people how to assist someone who appeared to be dead and a variety of techniques that could be used to revive them. We thought we would share some with you.

Firstly, the body should, if found outdoors, be taken by hand cart or other means available indoors where it would be warmer. It should be stripped with all speed, warmed in blankets in front of a fire, gently moved and shaken. Rubbing the body, especially the backbone, the belly, the breast, neck and head is one of the most efficacious operations. Some recoveries it is said were owed to that alone. It should be performed with cloths, often of flannel, warmed and sprinkled over with brandy, rum or gin and a volatile spirit.

A bed warmed naturally or artificially is of great use or stone bottles filled with hot water, also heated bricks, wrapped in a flannel should be efficaciously laid at the feet, sides and hands.

Resuscitation set, Europe, 1801-1850 Wellcome Library
Resuscitation set, Europe, 1801-1850 Wellcome Library

The next stage was to blow smoke of common tobacco into the intestines via the bowels. It was said to be easier to administer with the use of a fumigator. Bellows could be used to force up either vapour or common air. The use of tobacco should only be used on strong bodies i.e. men. For weak and delicate persons i.e. women and children, the use of dried rosemary, marjoram and mint should be used instead. At the same time, the belly must be gently moved and pressed upward with the hand. This must be continued until signs of life are obtained.

Plate illustrating the resuscitation of a drowned woman Wellcome Library
Plate illustrating the resuscitation of a drowned woman. Wellcome Library

The idea was to get the blood circulating again. This should be continued for an hour or two.

Do not become discouraged if it takes longer

Towards the latter end, volatile spirits and salts may have a beneficial effect. Wine and cordials had the greatest effect once the body had recovered a little from its insensible state but must be given at not more than a spoonful at a time and must be allowed to go down slowly.

A surgeon preparing to let blood by cupping, his apprentice warming the cupping glass. Oil painting attributed to Jan Baptist Lambrechts. Wellcome Library
A surgeon preparing to let blood by cupping, his apprentice warming the cupping glass. Oil painting attributed to Jan Baptist Lambrechts. Wellcome Library

Bleeding should not be omitted once the blood has warmed up enough to get a drop out of the veins.  However, before the blood was liquified this would have no effect and once circulation had started. The use of ligatures necessary to stop blood loss would counteract the attempt to revive circulation.

Dr John Fothergill by Gilbert Stuart. Pennsylvania Academy of the Fine Arts
Dr John Fothergill by Gilbert Stuart. Pennsylvania Academy of the Fine Arts

Next, we have the eighteenth-century version of what today we refer to as Cardio Pulmonary Massage, better known as (CPR) or mouth-to-mouth. It was a Dr John Fothergill, of Yorkshire, who gave a lecture to the Royal Society in London in 1745 about mouth-to-mouth.

To put blood in motion force air in at the mouth, holding the nose and stroking the breast, to distend the lungs and raise the chest with the hand to them act on each other and produce motion, are happily attempted: also, such irritation which causes retching and sneezing, are properly excited in the throat and nose with a crow feather, or some stimulating drug.

The booklet reports that many recoveries despaired of were obtained by an uninterrupted treatment of five or six hours duration.

The air of the room in which the treatment is performed being better than that immediately breathed by the operator, a small clean bellows may be used by a second person, while the first holds it in the mouth and keeps the nostrils closes. Some dextrous persons attempt to convey the air through a metal pipe, called a ‘cannula’, having a crooked end, which with the finger, they cautiously guide into the wind-pipe, to produce a more immediate effect.

Smirke, Robert; Young Man Lifted from a River, Apparently Drowned; Government Art Collection.

The public was advised that if anyone appeared to have died suddenly either by choking, drowning, strangulation or suffocation they should immediately be taken to the nearest hospital or parish workhouse where treatment could be administered.  Watermen were advised that if they found a body which appeared not to have been in the water for long that they should carefully roll it or hold it upside down to remove the water from inside the body.

One of the main concerns that people naturally had, was about people being buried alive. This guide attempted to prevent such events from happening.

Featured Image

A man recuperating in bed at a receiving-house of the Royal Humane Society, after resuscitation by Dr William Hawes and JC Lettsom from near drowning. Watercolour by R. Smirke. Wellcome Library

A Morning Ramble, or, The Milliner's Shop; Carington Bowles after Robert Dighton, 1782.

Employment opportunities for girls in the eighteenth-century

Not all women in the eighteen-century were able to marry a wealthy aristocrat, in fact very few did, the majority had to hold down a job as well as running the home and raising children. We thought today we would follow on from an earlier article in which we looked at eighteenth-century careers and have picked out a few of the career options listed in Joseph Collyer’s book of 1761, that were deemed suitable for girls and women, of which of course, there were only a limited number, far fewer choices than for men.

Basket Maker

There are several sorts of basket-maker. Some who form baskets of green oziers (willow), chiefly for the use of gardeners. These are the most considerable branches; for some of the masters employ many hands, and also rent large ozier plantations; which not only produce sufficient for themselves, but many to spare. This part of the work requires no other abilities but strength and application. Another sort of basked makers make finer works with rods stripped, split, halved and dyed; or with split cane or dyed straw of various colours. The workers in the finer sort of baskets, which are chiefly to be found in the turner’s shops, require less strength and more ingenuity. This is chiefly carried out by girls and women who make the smaller wares.

A young girl and child carry baskets on their heads
A young girl and child carry baskets on their heads. Wellcome Library

Bodice Maker

This was once a trade of universal use, but now bodices are worn by none but the poorer sort of women and girls in the country. They are made of canvas and whale-bone or cane and sometimes leather. Women are principally employed in making them; they can get six or seven pounds a week and require no great qualification. Their apprentices are generally parish children, whom they take with little or nothing. As their dealings are mostly in the country, they require a pretty large stock; most of them now deal also in ordinary stays, by which means they make a handsome livelihood.

Strawberrys, Scarlet Strawberrys from The Cries of London, 1795.
Strawberrys, Scarlet Strawberrys from The Cries of London, 1795. The strawberry seller wears a simple canvas or leather bodice. Yale Center for British Art, Paul Mellon Collection

Button Maker

The greatest part of the mohair, silk and horsehair buttons are made in the county and sent up to shops in town. Those made here are chiefly livery buttons, or some patterns particularly bespoke. Those who work at this are chiefly women, who are paid by the dozen and are able to get but a poor living. The boy or girl designed for the business of making gold and silver buttons ought to have some fancy and genius, that they may be able to invent new fashions. They should also have good eyes and a dry hand. The lace-man furnishes them with all the material for his buttons, except the moulds and pays him for the work when done.

Portrait of a Trumpeter in Livery (called ‘Valentine Snow, 1685–1759, Sergeant Trumpeter’); Michael Dahl I (1656/1659–1743) (style of); National Trust, Fenton House

Cap Maker

These are shopkeepers who make and sell caps for men or women to travel in and also men’s morning caps. They deal in many sorts of millinery goods, such as ladies’ hats, bonnets, cloaks, cardinals, short aprons, hoods, handkerchiefs, or almost anything made of black silk or velvet. Their apprentices ought to be smart girls of a genteel appearance, they should work well at their needles and be ready accomptants. They serve only five years and are kept the first part of their time close to the needle. Once qualified they may be cap-makers but may also be shop women to the milliners, the haberdashers or to any buying and selling trade proper for women.

A Morning Ramble, or, The Milliner's Shop; Carington Bowles after Robert Dighton, 1782.
A Morning Ramble, or, The Milliner’s Shop; Carington Bowles after Robert Dighton, 1782. © The Trustees of the British Museum

Child’s coat maker

This branch of business is generally performed by women and is a pretty profitable employ. They take ten or fifteen pounds with a girl; who ought to be ingenious, handy and a tolerable needle-woman. The boning part is hard work for the fingers, but the rest is easy enough. As the apprentice must appear neat and gentle, and, when out of her time, must depend on a good acquaintance this trade is not fit for the children of people in low circumstances; but for those a little above the vulgar it is a very proper one. A journey-woman may get a pound a day in summer, but they are generally out of business some of the winter months.

Fan Painter

Fan painting is an ingenious business and requires skill in drawing, in perspective, in the proper disposition of the lights and shades and in laying on the colours. This business is however almost ruined by the introduction of printers fan-mounts. Therefore it would be a pity that any ingenious girl, who has a taste for drawing should be put apprentice to it.

Fan depicting the gardens of Chiswick Villa, 1757.
Fan depicting the gardens of Chiswick Villa, 1757. Met Museum

The Gilder

The gilding of metals is a very profitable and at the same time a dangerous business with respect to those who perform the work, occasioned by the quicksilver used in this art, which is apt to affect their nerves and render their lives a burden to them; whence the trade is but in a few and some of them women.  Gilding is performed with the following amalgam of gold and Quicksilver. The gold is then heated in a crucible and when just ready to flow, three or four times the weight of quicksilver is poured upon it and immediately quenched in water, both together become a soft substance like butter. When the artist intends to gild, the piece is rubbed with aqua fortis and then covered with the amalgam. When is all covered over and smother it is held over a charcoal fire, by which means the mercury evaporates and the gold remains upon the piece. The artist then rubs off all the roughness and at the same time spreads the gold with an instrument called a scratch brush, the work is then burnished to give the colour wanted.