Lotions, Potions and Pills – Druggist Trade Cards

We have looked at trade cards on a couple of previous occasions and it appears that many of our readers like them as much as we do. So, today we’re going to look at a specific trade – that of a druggist or chymist.

Wellcome library
Wellcome Library

Our first offering is a lovely card for a Joseph Leaper, who was running his business in Bishopsgate, London. We love that not only did he make up lotions and potions, but also diversified into coffee, tea, chocolate and snuffs, a real 18th-century entrepreneur.

Joseph Leaper. Wellcome Library
Joseph Leaper. Wellcome Library

As the card is giving away few clues we can’t be sure whether it relates to him Joseph senior or junior who took over the business on his father’s death in 1750. His will made no clear mention as to who was to take over the business after his death, but family were clearly important to him and he made provision for both his children grandchildren and so if this trade card postdates Joseph senior’s death, then it’s safe to assume his son Joseph took over the reins In Joseph senior’s will he specifically wished to be buried with his wife in Whitechapel, or, if he died in Derbyshire, to be buried at Osmaston, near Derby. Joseph senior got his wish to be buried with his wife and didn’t make it to the pretty village of Osmaston. He was buried 21st May 1750 at St Mary’s, Whitechapel.

The next one conjures up quite a dramatic image, someone clearly spent a great deal of time designing this. Something this detailed and imaginative would probably have been expensive to produce. You could spend hours just reading the symbolism contained within it.

Richard Siddall. Wellcome Library
Richard Siddall. Wellcome Library

Richard Siddall who was operating his business from the Golden Head, Panton Street, near the Haymarket. He was a maker and seller of all manner of chymical and Galenical medicines. He also sold ‘The Elixir for the Asthma and for gout and rheumatism’.

We know that he was already trading from that address when he married on 9th November 1751, as the London Magazine, or, Gentleman’s Monthly Intelligencer, Volume 20 as it confirms his marriage to Miss Sukey le Febre (sic), fourth daughter to John le Febre (sic). In May 1753 Richard was declared bankrupt, so we have no idea what became of him after that. We do, however, know that his business was taken over by Daniel Swann, as he used an identical trade card showing the same address, just with a name change.

Our third one is for GJ Beavan who was trading at 114 High Street, Cheltenham, so, a fashionable spa town, an ideal place to visit for the upper classes and potentially lucrative for the businessman.

GJ Bevan Wellcome Library
GJ Bevan Wellcome Library

This one tells us little about who Beavan was, but we do know that his company took over the business from Paytherus, Savory and company who also owned a warehouse on Bond Street, London and who were involved from 1793, in the production of Cheltenham Salts. Beavan’s was certainly trading under its new name from 1818 onwards according to the newspapers and we see this advert below for one of their products in 1832.

Cheltenham Chronicle 18 October 1832
Cheltenham Chronicle 18 October 1832

The final one belonged to John Kempson Esq., a druggist of Snow Hill, London and according to Yale Centre for British Art was dated c1770. This helps us to narrow it down and we have found that John died in 1788 whilst getting into his carriage at his home in Cheam, Surrey. His will confirms that the main beneficiary of his estate was his wife, to whom he left £1,000, so not an inconsiderable sum of money. John was buried at St Dunstan church, Cheam on 6th November 1788, aged 77.

John Kempson. Yale Centre for British Art
John Kempson. Yale Centre for British Art

It would appear that John didn’t work alone but had a chemist Richardson Ferrand working with him according to a newspaper report in the Hull Advertiser and Exchange Gazette of May 19th, 1804.

Sources

Derby Mercury 11th May 1753

Worcester Journal 29 September 1808

Chelmsford Chronicle 07 November 1788

Featured Image

Showing the effect of taking Cheltenham Salts c,1820

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Beauties of the age – sketches by Thomas Orde, 1st Baron Bolton

This blog is a little different in so much as it is primarily looking at some sketches that we came across whilst doing a spot of research at North Yorkshire archives. We were looking for a specific 18th-century person when the archivist told us that they had a book of sketches by Thomas Orde, 1st Baron Bolton (1740-1807), that she thought we might like to see.

Thomas Orde married the daughter of the 5th Duke of Bolton, Jean Browne Powlett and assumed the name Orde-Powlett in 1795. He was then created 1st Baron Bolton two years later.

Upon opening the sketchbook, we were amazed by who we found and are excited to share them with our lovely readers. These sketches have probably been safely preserved in the archives and rarely if ever been looked at for years.

So, bear in mind these are private sketches, never published as works of art, but merely drawings by Thomas. There are quite a few sketches in the collection which were drawn at an event in Buxton 1777 but they are mainly family ones, apart from one of the Duchess of Devonshire. So far we haven’t found any references to any event that took place in Buxton matching that year, so we can only presume it was a private gathering but presumably he took his sketchbook with him and you can almost imagine him sitting there sketching people. We are aware that other sketches are in the public domain, but we can’t find anywhere that shows these beauties. As to whether the individuals would have been flattered by their likenesses, who can say. Others are not dated, so we have no idea when or where they would have been sketched.

We have put the sketches alongside known portraits of the sitters, we would love to know what you think.

We begin with Emma, Lady Hamilton. This one is not dated.

Emma, Lady Hamilton, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Emma, Lady Hamilton, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Romney, George; Emma Hart (c.1765-1815), Lady Hamilton, as Euphrosyne (?); National Trust, Trerice;

Next we have Anne, Marchioness Townsend. She looks decidedly ‘matronly’ and not at all glamorous in this sketch unlike her portrait by Reynolds. We’re not at all sure she would have been flattered by this sketch.

Marchioness Townsend, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Marchioness Townsend, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Anne, Viscountess Townshend by Joshua Reynolds
Anne, Viscountess Townshend by Joshua Reynolds

Next, we have Mary Isabella, Duchess of Rutland. Note the fashionable ‘high hair’.

Mary Isabella, Duchess of Rutland, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Mary Isabella, Duchess of Rutland, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Lady Mary Isabella Somerset, 4th Duchess of Rutland original by Joshua Reynolds
Lady Mary Isabella Somerset, 4th Duchess of Rutland original by Joshua Reynolds

Then we have the beautiful Georgiana, Duchess of Devonshire and her sister, Henrietta Ponsonby, Countess of Bessborough.

Duchess of Devonshire, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Duchess of Devonshire, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
The Duchess of Devonshire by Thomas Gainsborough, 1783.
The Duchess of Devonshire by Thomas Gainsborough, 1783.
Countess of Bessborough, sketch by Thomas Orde, 1st Baron Bolton, Courtesy of North Yorkshire Archives
Countess of Bessborough, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
1793 portrait of Henrietta, Countess of Bessborough by Angelica Kauffman
1793 portrait of Henrietta, Countess of Bessborough by Angelica Kauffman

There’s another one of Georgiana, Duchess of Devonshire, this one is dated and was sketched at Buxton.

Duchess of Devonshire, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Duchess of Devonshire, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives

Last, but by no means least we present the actress, Mrs Sarah Siddons.

Mrs Sarah Siddons, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Mrs Sarah Siddons, sketch by Thomas Orde, 1st Baron Bolton. Courtesy of North Yorkshire Archives
Mrs Siddons, 1785 by Thomas Gainsborough. National Portrait Gallery NG683
Mrs Siddons, 1785 by Thomas Gainsborough. National Portrait Gallery NG683
Dido Elizabeth Belle

Dido Elizabeth Belle – an update

As many of our readers are aware, over the past few months we have been researching the life of Dido Elizabeth Belle and her family in addition to our usual eclectic mix of posts. Some information about her life has now been in the public domain for a number of years, including the film made about her life, ‘Belle’, but since we began we have uncovered some new pieces of information about her life, that of her siblings and her husband and of course, there’s been renewed interest in her since the BBC programme about the painting itself.

Today we want to share some more information that we have received from one of our lovely readers, Chris Goddard, about John Davinieré.*

In one of our earlier posts we gave the witness to Dido’s marriage as being John Coventry, Chris however, has suggested that it might have been a John Courtoy, a peruke-maker and one of the wealthiest men in London at that time. Both men’s signatures being extremely similar. If this is the case, quite what Courtoy’s connection to Davinieré was we’re really not sure as yet, apart from them both being French. That mystery is still ‘work in progress’.

With the help of Chris, we have also pieced together a little more of what became of the Davinieré family when they returned to France, after the death of Dido.

The town of Ducey where John Daviniere and his wife Jane lived
The town of Ducey where John Daviniere and his wife Jane lived

We know that John, his second wife Jane Holland and their son Edward returned to John’s place of birth, Ducey, France and that Edward returned to England for a brief spell to witness his brother’s marriage in London.

The newspapers in France confirm that their son, Edward was involved in an incident. It was reported that Edward Henry Davinieré, aged 30, described as a medical student at the time, was forcibly committed to an asylum in Dinan, as he had threated to ‘blow out the brain’ of the mayor of Ducey and that he made threats against the mayor’s wife and her servant, following arguments with his father. Was Edward Henry unstable, was that possibly their reason for leaving England in the first place? This new piece of information brings with it its own questions for which more research is still required.

It would appear that perhaps in light of this incident, John felt it was time for a move, so advertised his beautiful house for sale.

Beautiful property for sale presently. It consists of a superb mansion, with kitchen, dining room, living room, three bedrooms, three closets and an attic; it is freshly parqueted, panelled, painted and carpeted – a laundry, cellars, shed, stable, wine press, vault and latrine; a garden, fruit and vegetable garden and an orchard; in total about eighty acres, is closed by beautiful hedges of bleached thorns, and is located near the village of Ducey, a very small distance from the departmental road of Alençon to St Malo. The house is furnished with a rich new furniture, that will be sold with the house if the purchaser wishes. To visit this property and discuss the price, contact Davinieré who occupies it.

We know that John died in 1847 (his 9 page inventory is still a work in progress), leaving his widow Jane, a landowner/annuitant (le rentière) and their son Edward in France and that their daughter Lavinia Amelia was living with her husband family in London, but until now we didn’t know for certain whether mother and son remained in France. It appears that they did, as we have found Jane in January 1851, listed on a type of ‘census’ for Avranches, just a few miles from Ducey, no further information provided, just her name as the widow of Daviniere.

Jane (or Jeanne-Marie Holland), as she was referred to, died at her home on Rue Ormont, Avranches, France in March 1851 at which time all her household belongings were sold off. The death notice gave her age as 53, this can’t possibly have been correct given the ages of her children though, Lavinia being 39 and Edward, 41. Perhaps a lady never tells her true age would be a wise assumption in this case and that 63 would appear much closer to the truth.

On 21st April 1851, the late Jeanne-Marie Holland, widow of Louis Jean Charles Davinieré’s house and possessions were sold off. After his mother’s death, Edward was placed in the asylum in Pontorson during which time there was a guardianship case involving his sister who lived in England.

Pontorson Asylum
Pontorson Asylum

Edward Henry died at Pontorson on 29th May 1867.

From La Manche Archives
From La Manche Archives
Death of Edward Henry with both parents clearly named.
Death of Edward Henry with both parents clearly named. From La Manche Archives

At this stage, with the continued interest in the life of Dido, we thought it might be a good idea to provide links to all the individual articles under one roof. This will no doubt be added to as more information comes to light, so please do feel free to check back from time to time.

Dido Elizabeth Belle portrait – BBC Fake or Fortune

Dido Elizabeth Belle and John Davinieré, what became of them?

Dido Elizabeth Belle – we reveal NEW information about her siblings

Dido Elizabeth Belle – A new perspective on her portrait

The Eighteenth Century Fashion for Turbans

Other articles/books that have been written about Dido and/or her family in the past that you might find interesting.

Adams, Gene.  Dido Elizabeth Belle: a black girl at Kenwood: an account of a protégée of the 1st Lord Mansfield

Byrne, Paula. Belle: The True Story of Dido Belle

Gerzina, Gretchen. Black London: Life before Emancipation

Minney, Sarah. Inside Out: Abolition of the British Slave Trade special

Stringfield, Margo. Real Story of ‘Belle’ has Pensacola Connections

There are also numerous blogs and books in addition to ours that have told part of Dido’s story which we’re sure you will find with by a quick online search.

If you have any questions or any additional information about Dido we would love to hear from you. New snippets of information seem to be appearing almost daily, which is great news and they are enabling us to piece together unknown bits of her life.

* We should also like to acknowledge Judy Jerkins who started the ball rolling with her research into the life of Courtoy and David Godson who has written an account of Courtoy’s life.

 

St Peter Port, Guernsey

Guest Post by Regan Walker – The Isle of Guernsey During the French Revolution

We are always delighted to welcome back the lovely and very informative author Regan Walker. Today she’s going to tell us about what the island of Guernsey would have been like during the French Revolution. So, without further ado, we will hand you over to Regan.

My newest novel, A Fierce Wind, is set in England, France and the Isle of Guernsey during the French Revolution. It’s an exciting story of love in time of war when loyalties are torn and love is tested and when the boy Zoé Donet knew as a child turns out to be the man of her dreams. Since Guernsey has been of particular interest lately, I thought to give you an idea of what life might have been like there in the late 18th century.

Storming of the Bastille, July 14, 1789
Storming of the Bastille, July 14, 1789

With the storming of the Bastille on July 14, 1789, French émigrés began flowing into England and other parts of Europe in successive waves that became a huge tide of emigration. (The number is believed to be one hundred and sixty thousand.) Some fled to Guernsey, one of the Channel Islands, then called “the French Isles” even though they were dependencies of the British Crown. A considerable number of royalist and Catholic émigrés took refuge on Guernsey and a portion of those settled on the island, giving up hope of ever returning home.

Lying so close to France (less than twenty miles from Normandy), the islands not only provided sanctuary to the fleeing French, but they were used by the British as a base from which to monitor the movements of ships in and out of the Normandy’s ports. Hence, it was not surprising that Frederick West, the hero in A Fierce Wind, who lives on Guernsey, became a spy for the English while working with his French brother-in-law to ferry émigrés to London.

Freddie’s superior in London was Evan Nepean, Undersecretary of the Home Office and, after 1794, Undersecretary of War. One of his chief interests during the revolution was intelligence and Captain Philippe d’Auvergne on the Isle of Jersey was a primary contact. In addition to his duties as commander of the flotilla of small gunboats that protected the isles and administrator of the French émigrés, d’Auvergne was a British spymaster.

St Peter Port, Guernsey
St Peter Port, Guernsey

 Although the Islands have been loyal to the English crown for eight hundred years, the native people would have been of Norman and Breton stock. In the late eighteenth century the majority of Guernsey’s population conversed in Guernsey-French (derived from the old Norman-French with Breton words tossed in), but in the capital, St Peter Port, they also would have had a working knowledge of both French and English.

Jerbourg Point, Guernsey
Jerbourg Point, Guernsey

During the Revolution, people might have been starving in Paris, but on Guernsey, they generally ate well. Good weather and good soil produced a rich bounty of fruits and vegetables. Figs and oranges grew on Guernsey. Healthy cows provided fine milk, butter and cheese, and most households kept a pig or two. Oysters, fish and lobsters abounded. Guernsey fishermen also brought home cod from Newfoundland. Wine and spirits were plentiful, too, and always had been since the isles were home to many privateers.

Even before the French Revolution, Guernsey was an entrepôt, a place for temporary storage of goods and provisions held free of any duty for exportation to another port or country. Being a free port, the British Parliament had no right to levy taxes in the Isles and the Isles themselves had no desire to levy taxes on goods brought to and then exported. Thus Guernsey and the rest of the Isles could import goods from any country, not an enemy of Britain, free of British taxes.

Berthelot Street, St. Peter Port, Guernsey
Berthelot Street, St. Peter Port, Guernsey

There were no bonded warehouses in England in the 18th Century, so warehouses were built on Guernsey to store and mature wine and spirits until they were needed in England. During the war with France, Guernsey warehouses were filled with brandy, wine, tea, rum and tobacco, all in high demand and taxed in England. In my story, Freddie’s brother-in-law keeps a warehouse on Guernsey to store his goods.

The first newspaper printed on Guernsey appeared in 1789 under the title of Gazette de L’Ile de Guernesey. It was published every Saturday in French and its size was that of a small sheet of letter paper. It contained local news and items from the Paris journals. In 1791, its publication was discontinued for a short time, but it re-appeared in 1792, under the same title.

In 1794, during the Reign of Terror, the first mail packet sailed from Weymouth to Jersey. Informed that postal packets would be crossing the English Channel to and from the islands, the Admiralty asked that “His Majesty’s Cruisers be directed to keep as far as may be an eye on the Packet Boats to prevent their being taken by the Enemy.” Indeed, protecting one particular packet leads to a battle on the English Channel in my story.

Guernsey was a hopping place!

A Fierce Wind by Regan Walker (The Donet Trilogy, Book 3)

Love in the time of revolution

France 1794

Zoé Ariane Donet was in love with love until she met the commander of the royalist army fighting the revolutionaries tearing apart France. When the dashing young general is killed, she joins the royalist cause, rescuing émigrés fleeing France.

One man watches over her: Frederick West, the brother of an English earl, who has known Zoé since she was a precocious ten-year-old child. At sixteen, she promised great beauty, the flower of French womanhood about to bloom. Now, four years later, as Robespierre’s Terror seizes France by the throat, Zoé has become a beautiful temptress Freddie vows to protect with his life.

But English spies don’t live long in revolutionary France.

A Fierce Wind on Amazon:

Buy from Amazon US

Buy from Amazon UK

Buy from Amazon Canada

Regan’s links:

Author website

Facebook

Regan Walker’s Readers on Facebook

Pinterest storyboards

Sources Used

St Peter Port, 1680-1830: The History of an International Entrepôt By Gregory Stevens-Cox

The History of Guernsey with Occasional Notices of Jersey, Alderney and Sark by Jonathan Duncan

The Channel Islands by Joseph E. Morris

Guernsey & The French Revolution – The Guernsey Magazine/A Monthly Illustrated Journal

French Emigration to Great Britain in Response to the French Revolution By Juliette Reboul

Refugees of the French Revolution: Émigrés in London, 1789 1802, by Kirsty Carpenter

View of Port Royal, Jamaica by Richard Paton, 1758

A Serial Killer on the island of Jamaica, 1773

Their Sentence, Pride and Malice I defy

Despise their power, and like a Roman die.

We were busy researching something completely different about Jamaica and stumbled across this story. Whilst we’re unable to add anything much to it we thought it was worth sharing with you – a bit gruesome, but we do write about All Things Georgian, after all.

A view of Harbour Street, Kingston from - A picturesque tour of the island of Jamaica
A view of Harbour Street, Kingston from – A picturesque tour of the island of Jamaica

This story begins on 16th March 1773 in Spanish Town, Jamaica with the hanging of a Lewis Hutchinson, aka, Mad Master; but what warranted such a sentence?

Accounts of what led up to his hanging vary, and quite who he was, we’re unable to ascertain. Reports say he was from Scotland, but there’s no trace of a Lewis Hutchinson being born or having lived there, so far as we can tell. One newspaper report initially referred to him as James Hutchinson but then part way through changed his name to Lewis – so we’re none the wiser.

During the 1770s there were plenty of Scottish men who established sugar plantations in Jamaica, aiming to make their fortunes with the use of slaves to work the plantations. Hutchinson was no different. He owned the Edinburgh Castle plantation in the St Ann district of Jamaica and had around 24 slaves. (The Legacies of British Slave-ownership Project notes that after the time of Hutchinson, Edinburgh Castle had just under 100 slaves).

Kingston and Port Royal from Windsor Farm from A picturesque tour of the island of Jamaica
Kingston and Port Royal from Windsor Farm from A picturesque tour of the island of Jamaica

Hutchinson, it would seem had a penchant for shooting any white man who came anywhere close to his land. Now, Dr Jonathan Hutton, an English doctor owned the close by Bonne Ville plantation with around 60 slaves, 30 male and 30 females and spent his time between Jamaica and his home in Lincolnshire.

The story goes that Hutchinson had a dispute with Dr Hutton over land boundaries, as Hutchinson felt that Hutton had encroached onto his land and this angered him greatly; so one evening when Dr Hutton was riding home accompanied by one of his slaves who was carrying his sabre when Hutchinson took the sabre from the slave and told the slave to pass on his compliments to Dr Hutton and to tell him that he had taken his sabre. Hutton either ignored or didn’t realise what had taken place.

Planter and his wife, attended by a servant c1780. Yale Center for British Art
Planter and his wife, attended by a servant c1780. Yale Center for British Art

Sometime later, Hutton and his young daughter, Mary, aged about 8 years were out riding when they encountered Hutchinson who, without provocation, struck the doctor with the sabre which had previously taken.

Dr Hutton was severely injured and was carried back to the estate to recover, but his recovery was poor. He managed to travel to Kingston to make a formal complaint about Hutchinson, but nothing appeared to have been done about it, and as he was so ill, he gave up and decided to make the long journey back to England for treatment. Once there he had an operation for trepanning. He eventually returned to Jamaica a year or so later and sought to have Hutchinson arrested.

Jamaica: a sugar plantation. Coloured aquatint by P. Fumagalli, ca. 1821 Wellcome Collection.
Jamaica: a sugar plantation. Coloured aquatint by P. Fumagalli, ca. 1821 Wellcome Collection.

A soldier by the name of Callender and some other men were sent to Edinburgh Castle to arrest him, but Hutchinson realised what was about to happen; he fired a shot at Callender and killed him. He was eventually overpowered and arrested and taken to Spanish Town gaol.  His castle was searched, where some 43 watches were found, along with a large quantity of clothing and other objects which proved that, as people had suspected, he had committed other murders.

If his slaves were to be believed, he murdered many people and threw their dead bodies down an extremely deep sink hole near the property. There were also rumours that he drank his victims’ blood and then dismembered them.

A West Indian Creole woman attended by her black servant c1780. Yale Centre for British Art.
A West Indian Creole woman attended by her black servant c1780. Yale Centre for British Art.

Another story that circulated was that he had befriended a young white man who was taken ill. Rumours were that Hutchinson had aided the young man’s recovery and when recovered Hutchinson sent him on his way.

It seems that as the young man left the castle, Hutchinson waited, made his way to the rooftop of the castle, took aim and fired a shot which killed the young man. How true that story is no-one can confirm.

Hutchinson was, however, only tried for the one crime and as such was hanged only for that. Over time people have investigated the claims of the dead bodies being thrown down the sinkhole but after much searching, there seems to be no substantive evidence to support this claim.

Young Mary Hutton, aged only eight at the time of her father’s attack, returned to London at some stage with her mother Christiana and on the 8th September 1778, although still a minor, was married at St Catherine Coleman church, London to a John Pottinger. The couple returned to Jamaica where Mary and her husband continued to run her father’s plantation, Bonne Ville; they had 45 enslaved people there in 1792 and after the abolition of slavery, Mary made two claims totalling £1,000.

Just as aside, for any of our readers or their family who play Assassins Creed 3, did you know that Edinburgh Castle is featured in it?

Sources used

A picturesque tour of the island of Jamaica

Caledonian Mercury 26 June 1773

Historic Jamaica by Frank Cundell

Legacies of British Slave owner database

Featured Image

View of Port Royal, Jamaica Richard Paton (1717–1791) National Maritime Museum

 

Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.

Dido Elizabeth Belle portrait – BBC Fake or Fortune

For those of us who watched BBC’s Fake or Fortune recently which took a look at the stunning painting of Dido Elizabeth Belle and her cousin Lady Elizabeth, we were delighted that the team were finally been able to put a name to the artist which has been unknown for so long, and confirmed – as we suggested – that it was not painted by Zoffany.

Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.
Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.

In our previous blog about the painting we did speculate that it may have been by David Martin but also offered ours and Etienne Daly (an expert in all things Dido)’s opinion that it was more likely to have been by Allan Ramsay given his familial connections. Well, we now have an answer – or do we?

As we’ve been asked whether our opinion has changed after viewing the programme, we decided to look at the evidence provided. This is quite a long post, so bear with us.

Our answer to the posed question is, in short, not totally, although we’re not and never have professed to be art experts. For us, there are still some questions which have remained unanswered.

If we’re trying to give Dido back her rightful place in society we need to start at the beginning of the programme and correct the first statement made about Dido.

Dido Elizabeth Belle was NOT born into slavery.  Whilst her mother had been a slave who was brought to England by Sir John Lindsay, Dido was born in England and not as a slave, but the natural daughter of an aristocrat. We know this from the snippet of information written by Thomas Hutchinson in his diary. Why would he fabricate this fact? He had nothing to gain and was merely repeating what he been told on previous occasions by Lord Mansfield.

I knew her history before, but my Lord mentioned it again. Sir John Lindsay having taken her mother prisoner in a Spanish vessel, brought her to England, where she was delivered of this girl.

Next, Dido’s freedom was technically given by Lord Mansfield on 17th April 1782 when he wrote his will and not upon his death in 1793; she would have been just coming up to her 21st birthday, so perfect timing.

Along with confirming her freedom, Lord Mansfield gave her £100 per year, which he subsequently increased to £300 per year and then in a later codicil, of 1786, then a further payment of £200 ‘to set out with’. That seems a strange comment for him to have made, but, it could be argued that if he thought he was to die shortly, that Dido would need to be self-sufficient as she may no longer have been able to live at Kenwood after his death.

Although Dido had never been a slave, this document was important as it would legally have affirmed her social status so that there could be no possible misunderstanding after his death, whenever that should come, and to ensure that there was no possibility of her ever being regarded as a slave. After Lord Mansfield’s death, she became a free woman with status, an heiress in her own right, which showed a good deal of foresight on Lord Mansfield’s part and ensured that she was financially secure.

Portrait of Lady Marjory - screenshot from BBC Fake or Fortune
Portrait of Lady Marjory – screenshot from BBC Fake or Fortune

Now, moving on to the portrait itself, based upon the scientific findings of Philip Mould and his team it would certainly appear likely that the portrait above, in the family’s private collection, was painted by the same person who painted the portrait of Lady Marjory. However, the programme left us to accept that (a) it was a painting of Lady Marjory and (b) that it was painted by David Martin and (c) some ten years previously, without explaining how they knew these facts. From our perspective and for clarity, it might have been helpful if those explanations of the provenance were offered.

Assuming it was Lady Marjory (- 19th April 1799), niece to Lord Mansfield, the similarities in style between the paintings was clear to see – the face shape, the lips, the fingers on the cheek. We know that Lady Marjory and Dido were close as Dido was a beneficiary in Lady Marjory’s will, so perhaps the pose was Dido’s attempt to emulate Lady Marjory’s portrait, although Lady Marjory’s attitude looks pensive, whereas Dido’s is slightly mischievous.

Portrait of Lady Marjory and Dido and Lady Elizabeth together - screenshot from BBC Fake or Fortune
Portrait of Lady Marjory and Dido and Lady Elizabeth together – screenshot from BBC Fake or Fortune

Whilst the technology has confirmed that the portrait of Lady Marjory and Dido were painted using the same paint, for us, it doesn’t confirm that they were by the same artist. Surely it’s feasible that two artists could have used the same paint – after all Martin was Ramsay’s protégé, so perhaps both used the same supplier? Theoretical, of course.

The expert, at the end of the programme, was also able to confirm, based on the evidence, that it was by Martin, but equally, he acknowledged that Martin had been Ramsay’s protégé. So, again, although Martin was a respected artist by that time in his own right, couldn’t either he, Ramsay or both have worked on the painting of Dido as a favour to the family, especially as Allan Ramsay was her uncle? We still hold the opinion that, given the playful nature of the portrait, it was definitely painted by someone with whom the girls felt relaxed and comfortable with. Arguably, either artist would fit the bill.

It was very interesting to note that the portrait was unframed, according to the 1796 inventory. Had it been a commission you would have expected it to be presented in a frame or framed by the family shortly after and given her status within the family it seems desperately sad that so soon after her marriage it had been stored away along with broken furniture etc. We also wondered why it hadn’t been retained by Dido as a keepsake if the family no longer had it on display.

Payment made to David Martin in 1776 from Lord Mansfield's accounts. Screenshot from Fake or Fortune
Payment made to David Martin in 1776 from Lord Mansfield’s accounts. Screenshot from Fake or Fortune

As suggested by that record in the accounts book, if the payment to David Martin was for the portrait of Dido,  then at best, Dido would have only been 15 years old; she does not look like a girl of 15, she looks to be late teens in our humble opinion.

The date of the painting has long been regarded as 1779 when it was attributed to Zoffany. We don’t think it is likely to have been painted much before that given that Dido was born in 1761; if dated to 1779 she would be about 18 at the time of it originally being painted. We do know that in 1779 her father, Sir John Lindsay was in England, so maybe he was aware of the painting and rather than being a commissioned piece is struck us that it was more likely to have been a keepsake or memento which, it could be argued would explain why there was no obvious payment for it.

Captain Sir John Lindsay (1737-1788 by Allan Ramsay)
Captain Sir John Lindsay (1737-1788 by Allan Ramsay); Glasgow Museums

Also, it was on the 19th October 1776 that Lord Mansfield was raised from Baron to Earl, following which several copies of an earlier portrait by David Martin were produced, showing his elevated status.

Martin, David; William Murray (1705-1793), 1st Earl of Mansfield, Lord Chief Justice; National Galleries of Scotland

The original portrait at Kenwood is of Lord Mansfield prior to becoming an earl and dated 1775 (on Art UK) – note the difference between that and the one held at the Scottish National Portrait Gallery, dated 1777 (below) and painted after his elevation.

Was the 1776 payment for completion of the earlier portrait, or for the copies made subsequently rather than for the portrait featuring Dido?

William Murray (1705-1793), Baron Mansfield and Lord Chief Justice by David Martin; English Heritage, Kenwood (hint: look closely at his ermine)

Following the programme, Philip Mould has now added some exciting news which didn’t make it into the programme; the portrait we see today is not the original, as such, but rather it was added to at a later date by a different artist. The change to the portrait really does make a huge difference to the perception of Dido and her position within the painting and society in general.

And finally, Etienne Daly has visited Kenwood House frequently and has been trying to work out whereabouts the painting was done within the ground.

Could this be the very spot where the portrait was painted (the bare patch in the foreground)?

© Sylvia & Etienne Daly
© Sylvia & Etienne Daly

We are still trying to piece together the life of David Martin, but this is proving tricky. If we’re able together to do so, we will write another post in due course.

To find out more about what became of Dido Belle and John Daviniere follow the highlighted link and to learn more about Dido’s siblings follow this highlighted link.

 

A stunning 18th-century building – Newark Town Hall

Newark is an ancient market town in Nottinghamshire and taking pride of place in the town’s centre is the Georgian Town Hall, built by John Carr (1723 – 1807) in 1774, using pale grey Mansfield stone.

John Carr by Sir William Beechey
John Carr by Sir William Beechey

Carr gained notoriety for his work on the Crescent at Buxton, Derbyshire and of course the beautiful Harewood House amongst many other Georgian buildings.

The Crescent, Buxton, Derbyshire by John Rubens Smith
The Crescent, Buxton, Derbyshire by John Rubens Smith; Buxton Museum & Art Gallery

This weekend Newark is one of many places across the country taking part in the Heritage Open Days, from 13th, 14th and 15th September 2018. So, if you manage to arrange to visit it’s well worth it.

The view from Newark Town Hall's balcony. © Joanne Major
The view from Newark Town Hall’s balcony. © Joanne Major

On Friday and Saturday, guides will greet visitors in the Market Place before giving them a tour of the beautiful building with its restored ballroom.

Newark Town Hall's ballroom. © Sarah Murden
Newark Town Hall’s ballroom. © Sarah Murden

The building is still a working Town Hall and the tour will also include the Mayor’s Parlour which we’ve already had the privilege of seeing.

Newark Town Hall's ballroom ceiling. © Sarah Murden
Newark Town Hall’s ballroom ceiling. © Sarah Murden

On the ground floor are the old butter market and the town’s prison cells.

The old Buttermarket, Newark. © Sarah Murden
The old Buttermarket, Newark. © Sarah Murden

The Town Hall houses a museum and is also a fun place for children for children as they can try on ceremonial robes or an elegant Georgian dress.

Discover more by clicking here.

A Duel in Hyde Park 1783

On the evening of the 3rd September 1783, Lieutenant Colonel Frederick Thomas sat down and wrote his will.

London, Sept. 3, 1783

I am now called upon, and, by the rules of what is called honour, forced into a personal interview with Colonel Gordon. God only can know the event, and into his hands I commit my soul, conscious only of having done my duty. I therefore declare this to be my last will and testament and do hereby revoke all former will I have made at any time. In the first place I commit my soul to Almighty God, in hopes of his mercy and pardon. I leave 150l in bank notes to my dear brother, John Thomas Esq. I also bequeath unto him whatever sums may be due to me from the agent of the 1st Regiment of Guards, reserving a sufficient sum to pay my debts and bequeath to him all my books and household furniture and everything of which I am now possessed. I give and bequeath to Thomas Hobbs. My servant 50 which I request my brother will pay him. What debts may be now owing I request my brother will immediately discharge.

Fred Thomas

P.S. I commit this into the hands of my friend Captain Hill, of the first Regiment of Guards.

Why is this will significant? It’s not the most interesting or especially informative. Well, because the following day, Fred Thomas had an ‘interview’ with a Colonel Gordon, but not an interview for a job, or a chat or a disciplinary meeting. He was meeting a Colonel Cosmo Gordon for a duel and was clearly wanting to ‘put his house in order’ before the event. The postscript was added to his will after the event took place.

Fred’s opponent was Colonel Cosmo Gordon, the third son of William Gordon, 2nd Earl of Aberdeen (1679-1746) and his wife Anne, who was living in the parish of St. George, Hanover Square.

William, 2nd Earl of Aberdeen; British (Scottish) School
William, 2nd Earl of Aberdeen; British (Scottish) School; The National Trust for Scotland, Haddo House
Lady Anne Gordon, 3rd Wife of the 2nd Earl of Aberdeen, with Her Son, Alexander, Lord Rockville; British (Scottish) School
Lady Anne Gordon, 3rd Wife of the 2nd Earl of Aberdeen, with Her Son, Alexander, Lord Rockville; British (Scottish) School; The National Trust for Scotland, Haddo House

The two gentlemen in question had a long-standing military dispute and General Gordon accused Lieutenant Thomas of besmirching his good name and demanded satisfaction as you can see in this letter from Gordon to Thomas

Cosmo Gordon, Great Marlborough-street, 20th of June 1783, seven o’clock.

 Sir,

 Having had a full and honourable acquittal of the charge you brought against me, I desire you will give me personal satisfaction, and meet me with a friend and two brace of pistols and a sword, at the Ring, in Hyde Park.

 Your injured obedient servant,

Cosmo Gordon 

Addressed to Colonel Thomas.

View near the Ring in Hyde Park, looking towards Grosvenor Gate, during the Encampment 1780 by Paul Sandby.
View near the Ring in Hyde Park, looking towards Grosvenor Gate, during the Encampment 1780 by Paul Sandby. The Royal Collection Trust.

The duel went ahead on the morning of 4th September 1783:

At six in the morning, the pair met at the Ring in Hyde Park to fight the duel. It was agreed upon by their seconds, that, after receiving their pistols, they should advance (eight paces being the usual distance apart required), and fire when they pleased.

On arriving within about 8 yards of each other they presented and drew their triggers at virtually the same time, but only the Colonel’s pistol went off. Fred having adjusted his pistol, fired at the Colonel, who received a severe contusion on the thigh.

Their second pistols were fired without effect and their friends called to reload them. After which they advanced to almost the same distance and fired. Fred fell, having received a ball in his belly causing a wound one inch long but fourteen inches in depth. body. He received immediate assistance from the surgeon, who was in attendance.

Whilst the injury appeared severe it was not instantly fatal. From the said 4th to the 5th day of September, Frederick languished, but on the 5th day of September, the said Frederick Thomas died as a result of his injury. An inquest was held by Thomas Prickard on 6th September 1783.

Cosmo Gordon was charged with murder and appeared at the Old Bailey but was eventually found NOT GUILTY.

Frederick Thomas was buried a few days later, on the 10th of September 1783 and his name appears in the burial registers of St George’s Hanover Square, which covered St George’s Fields, Bayswater, at this date.

Sources:

Stamford Mercury 25 September 1783

The Old Bailey Online, City of Westminster Coroners: Coroners’ Inquests into Suspicious Deaths

The History of Duelling by John Gideon Millingen

City of Westminster Archives provided confirmation of the entry in the burial register

Featured Image:

A Military Encampment in Hyde Park, 1785. Inscribed in pen with brown ink, verso, center: “Drawn on July [1785?] | by | James Malton”, Signed and dated, verso, in pen with brown ink, “1875 | by | James Malton” Paul Mellon Collection, Yale Centre for British Art

18th-century business women – trade cards

We have looked at trade cards in a previous blog and if we’re honest this post is slightly self-indulgent as we’re fascinated by them. Today we thought that we would focus on the trade cards for those women who chose to run their own business or were forced out of necessity to continue running their husband’s business after his death as they would most likely have no other source of income.

There is an assumption that all women in the eighteenth and early nineteenth-century needed or wanted a husband to secure their position in society, although for some this was not the case. Whether they succeeded on not we may never know, but they certainly tried to be self-supporting.

We have previously looked at Eleanor Coade, businesswoman extraordinaire, a force to be reckoned with and we have our very own ‘Georgian Heroine’ Rachel Charlotte Williams Biggs, who, whilst not running a business in the way you would expect, lived life on her own terms in a male-dominated world. She was paid by the government for her work as a sort of spy, reporting back to them about life in France around the time of the French Revolution and organising the major event of the golden jubilee for George III, almost single-handedly such. So, women were not all sitting around gossiping and drinking tea, looking pretty and waiting for ‘Mr Right’ to sweep them off their feet.

Women have always run businesses and in the eighteenth-century having your own business card and advertising in the newspapers was an excellent way of self-promotion, so we’re going to take a look at some such cards.

Our first and the earliest and most unusual card we found is for Dorothy Pentreath (1692-1777), known as Dolly, as her trade card states; she was ‘the last person who could converse in the Cornish language’ – she also sold fish for a living.  Dolly was apparently not averse to cursing people in her native language when annoyed, oh and was possibly a witch! So multi-talented – quite a woman it would seem.

Dorothy Pentreath of Mousehole, Cornwall. Wellcome Library
Dorothy Pentreath of Mousehole, Cornwall. Wellcome Library

There are many for occupations traditionally associated with women, such as fabric and frock sellers, but we wanted to look at the unusual ones, so our next offering is a seller of plates for coffins, near Newgate, London.

Bodleian Library. John Johnson Collection
Bodleian Library. John Johnson Collection

Susanna Passavant took over a going concern from the late William Willdey, jeweller and toyman, Plume of Feathers, Ludgate Hill, opposite the Old Bailey.

Trade card for Susanna Passavant. British Museum
Trade card for Susanna Passavant. British Museum

Next, we have one for Mrs Wood, a midwife in 1787, whilst a common occupation, this is the only trade card we have come across to date, for a midwife offering her services.

British Museum
British Museum

Sarah Greenland, tobacco and pipe maker, who was possibly also an exporter of her goods.

British Museum
British Museum

We love this next one, Mary Wiggett, chimney sweep. Mary took over the business after her husband died and remained at ‘The Broom ‘. Her unique selling point was that she would ‘make foul chimneys clean, and when on fire, puts them out with all expediency’.

Trade card for Mary Wiggett, chimney sweep. British Museum
Trade card for Mary Wiggett, chimney sweep. British Museum

This next one is quite sad. This was dated 19th June 1830, Martha Banting of Bampton, Oxfordshire was notifying people that her son John was no longer a part of the business, but that she would continue trading alone. On the 26th June 1830, Martha wrote her will – it was proven on the 28th July 1830. Despite her demise, her children inherited the business, so hopefully, they continued trading under the Banting name.

Bodleian Library. John Johnson Collection
Bodleian Library. John Johnson Collection

Our final offering is Dorothy Mercier, printseller, stationer. Dorothy née Clapham was the widow of the artist Phillipe Mercier (1689- 1760). She would buy and sell old prints and frames. She also sold writing paper, vellum, drawing paper, lead pencils, chalks, paintbrushes, watercolours, so she would have been very popular with the artists of the day. Oddly she also sold ladies fans. She was also something of an artist as she was selling her own paintings of flowers too. Quite the entrepreneur.

Victoria and Albert Museum
Victoria and Albert Museum

The Heatwave of 1808

Here in Britain temperatures have been incredibly high this year, which for those who like the heat it’s been glorious, but this is nothing new. 210 years ago in July 1808 Britain also experienced high temperatures. Given the British obsession with the weather, we’ve taken a look at how the newspapers reported this unusual weather.

The Scots Magazine confirmed that the previous winter was remarkable for its duration and severity and that the summer ‘had made ample amends, not merely its genial warmth, but by maintaining a steady high temperature which we have not for many years been accustomed’.

'A Calm' by James Gillray (1810)
‘A Calm’ by James Gillray (1810). Courtesy of Princeton University Library

Reports from Brighton confirm that due to the excessive heat more and more people were visiting the resort. Their days seem to be divided into stages – dipping in the morning, sailing at noon, pony trotting and walking in the evening and the theatres and libraries at night.

Too much and too little, or, Summer clothing for 1556 & 1796
Too much and too little, or, Summer clothing for 1556 & 1796. Lewis Walpole Library

Whilst the Morning Advertiser of 21st July reported that:

despite this spell of very hot weather, the ladies did not alter their dress, for in fact, for some years past, they have had scarcely any covering to leave off!

A gentleman named Macrae, a native of Ross-Shire chose one of the hottest summers on record to walk from Vauxhall to Manchester in 69 hours.  To ensure that he kept his feet supple for the walk he kept a quantity of oil in his shoes, but due to the excessive temperatures his feet were very badly blistered, and he was extremely fatigued which he blamed on the weather rather than the exertion.

Having checked the Diary of Miss Fanny Chapman for July 1808, we can confirm that she too found the heat excessive.

The diary of Fanny Chapman

London is said to have resembled an oven, the brick walls of the houses tended to accumulate the greater effect of the heat; in the shady side of the streets, the temperature was 100 degrees or two degrees above blood heat and five degrees more than is requisite to melt bees-wax.

It seems that the Northampton coroner, Thomas Marshall, was kept busy during July, as due to the excessive temperatures there was an unusually high number of sudden deaths. There were reports that the same thing was happening in Bedfordshire and Buckinghamshire, mainly to people who were working on the land.

The heat wave not only took its toll on humans but also on animals with between 40 and 50 post horses on the great north road being said to have:

fallen sacrifice to exposure to this extreme heat; some dropping down dead in the harness, and other expiring soon after they had completed their journey.

A harvest scene with workers loading hay on to a farm wagon by James Ward c.1800
A harvest scene with workers loading hay on to a farm wagon by James Ward c.1800. Yale Center for British Art

Crops benefitted from the dry weather allowing farmers to harvest their crops early, but the honeycomb in bee-hives melted, and apparently, honey was seen running out from the base of the hives. Butter being transported to market turned to oil before reaching its destination.

Summer Amusement at Margate, Thomas Rowlandson.
Summer Amusement at Margate, Thomas Rowlandson. Lewis Walpole Library

In Kent, the cherry garden, a beautifully romantic spot about a mile and a half from Folkestone, was the place to be seen during the summer of 1808; the favourable state of the weather drew very elegant and numerous company there in early July for dancing on a platform similar to that at The Dandelion, near Margate.

Boats at Breydon. Joseph Stannard c.1825.
Boats at Breydon. Joseph Stannard c.1825. Yale Centre for British Art

Norfolk reported of its annual Water Frolic, generally called the Narrow Waters, a waterway between Breydon and Burgh flats which was covered with boats, barges and other small craft ready to witness a race which took place at one o’clock for a silver cup. Many spectators also lined the shore, making the most of the glorious weather.

British Museum
British Museum

The 1808 heat wave lasted until the end of  July when thunderstorms and torrential rain took their revenge – so maybe we still have a few more days of it this year!

Featured Image

Shady Retreats for Summer or  The Tip of the Ton! British Museum.

The Next Dance, George Goodwin Kilburne,

Madame de Staël in London

14th July 1817 saw the demise of the Swiss author, woman of letters and political thinker, aged 51, Madame Germaine de Staël.  She was regarded as a witty socialite and always wore the most fashionable if daring clothing. Living through the French Revolution and opposed to Napoleon, she spent much of the time in exile.

Madame de Staël by François Gérard
Madame de Staël by François Gérard

In late June 1813, she arrived in London, with her daughter and was seen at all the fashionable places and social events, proving herself to be exceptionally popular and invited to all the best society parties. The newspapers were full of details of her attendance at events – everyone wanted to meet her.

Little known fact – she had ugly feet!

The presence of Madame de Staël in London has set all the journalists an magazine writers at work, to collect anecdotes of her conversational powers, her age, her appearance, her fine arm and her ugly feet. With respect to the latter, the following story is told. The French are famous for their neat quibbles – Madame de Staël was once at a place in Paris, where there was a pedestal, which, vain of her arm, she mounted, and put herself in an attitude to display it; but unluckily, which in this situation, she exhibited one of her feet. A French wit approached, and pretending to look more immediately at the pedestal, without noticing her feet, exclaimed ‘O le villain Pie-De-Stal!’

Windsor and Eton Express 01 August 1813

During her stay in London, she took great interest in the British education system and the newspapers reported her visits to various schools in London; she also managed a visit to Oxford University in December 1813.

H.R.H. the Prince Regent received by the University and City of Oxford, June 14, 1814 by George Jones.
H.R.H. the Prince Regent received by the University and City of Oxford, June 14, 1814 by George Jones; The Ashmolean Museum of Art and Archaeology.

In 1814 Paris had surrendered to the Allied troops and Napoléon, when he saw there was no option left, had abdicated his position of Emperor, surrendered to his opponents on 11th April and was exiled to the island of Elba.

“L’empereur Napoleon Ier (1769-1821) signant son abdication au chateau de Fontainebleau le 4/04/1814” Detail Peinture de Gaetano Ferri (1822-1896) d’apres Francois Bouchot (1800-1842) 1843 Dim 1,3×1,61 m versailles, musee du chateau ©DeAgostini/Leemage

This was regarded as a cause for celebration and we came across a report of her attendance as one of the honoured guests, at a ‘Fete’ in honour of The Peace. The account gave such a detailed description of the venue we simply had to share it with you.

On Friday night Breadalbane House in Park Lane was opened, for the first time two years, with a Fete, given expressly in honour of the late glorious change in the political hemisphere. To this entertainment were invited all the illustrious branches of the House of Bourbon. The most distinguished personages, the most fashionable youth of both sexes were present and exhibited an emulous display of the most superb dresses, enchanting beauty, and refined wit.

Lord Petre's (later Breadalbane) House (demolished), plans in 1783. 'Park Lane', in Survey of London: Volume 40, the Grosvenor Estate in Mayfair, Part 2 (The Buildings), ed. F H W Sheppard (London, 1980), pp. 264-289. British History Online
Lord Petre’s (later Breadalbane) House (demolished), plans in 1783. ‘Park Lane’, in Survey of London: Volume 40, the Grosvenor Estate in Mayfair, Part 2 (The Buildings), ed. F H W Sheppard (London, 1980), pp. 264-289. British History Online

On entering, the company were introduced into a hall, decorated with natural and artificial flowers, curiously interwoven, among which the white rose and laurel leaves were conspicuously blended.

The Next Dance, George Goodwin Kilburne,
The Next Dance, George Goodwin Kilburne, Wikimedia Commons

Ascending the grand geometrical staircase (a fine piece of architecture), a very pleasing object presented itself to view; it was festoons, garlands and wreaths of white roses and laurel leaves. In the principal room appeared objects of singular splendour, superb mirrors, ottomans, chairs, sofas, fauteuils, and jardinières of burnished gold, exquisite paintings with all the warmth and colouring of the Italian school; bronzes, porcelain and ormolu; inestimable specimens of rare bijoutry and other articles of vertu.

Here the floor was painted in watercolours, in which the artist inimitably described the fall of despotism by allegorical figures, with the rising sun of the Capets, personified by a bust of Louis XVIII. ‘Vivent Les Bourbons’ and the lily appeared on every side.

A Ballroom by Patrick William Adam
A Ballroom by Patrick William Adam; City of Edinburgh Council

It is impossible to give a just idea of the charming coup d’oeil presented by the former capacious room lighted by superb chandeliers and filled with elegant dancers. The music commenced at half-past eleven o’clock, with ‘The White Cockade’ led off by the Earl of Kinnoull and Lady Elizabeth Campbell. Next followed the Prince Regent. A double set was increased by four. The spirit and animation displayed was uncommonly gratifying and without prejudice, we may stage, that Lady Elizabeth Campbell excelled.

Thomas Robert Hay, Eleventh Earl of Kinnoull (1785–1866) by Sir Henry Raeburn, 1815.
Thomas Robert Hay, Eleventh Earl of Kinnoull (1785–1866) by Sir Henry Raeburn, 1815. North Carolina Museum of Art

The waltzing commenced at one o’clock. Here was an admirable display of refinement in that mode of exhibiting ‘the light fantastic toe’. The Duke of Devonshire and Miss Mercer Elphinstone; Lord Maitland and Lady Susan Ryder; Earl of Fife and Lady Westmorland; Countess of Jersey and the Hon. Mrs Fitzroy. At two o’clock supper was announced. The company promenaded down the stairs into the library. On the staircase were the colours of the different Allies – Russia. Austria, Prussia and England.

Miss Mercer Elphinstone
Miss Mercer Elphinstone

Here another object of powerful influence rivetted the attention of every individual; it was a display of gold plate, antique and exquisitely wrought. These glittering objects, dazzling the senses into confusion- candelabras, tripods, urns, cups and salvers. A horseshoe table in this room and several long ones in the two adjoining apartments supped two hundred and fifty persons.

Regency dinner table.
Image sourced via Pinterest.

The most exquisite wines, the costliest preserves, the finest pineapples, grapes and produce of hot and succession houses, were in abundance. In short, everything that could recommend an entertainment was remembered.

Study of Fruit by George Gray
Study of Fruit by George Gray; Laing Art Gallery

Adding not a little to the effect may be enumerated the lighting of upwards of 200 wax candles, were used. Although the crowded rooms produced heat, the effect was not disagreeable, owing no doubt, to the use of wax instead of oil. The latter is a most pernicious custom, and we are happy to hear, will be nearly exploded this season, the Marchioness of Salisbury having likewise set the example.

Highest Life in London Society.
Highest Life in London Society. NYPL

The dancing recommenced with reels, at three o’clock and the whole concluded at six in the morning. An elegant dejeune was then served up, and the visitants soon after retired.

By September 1814, Madame de Staël had returned to Paris and was apparently

no longer in vogue. Her literary vagaries found no countenance from the French Court, and as for the middling classes, these persons do not understand, or even attempt to read her works.

We can share with you an interesting comment made by our Georgian Heroine, Mrs (Rachel) Charlotte Williams Biggs, written to a close friend in early April 1814, which conjured up quite an amusing image.

Clearly, Charlotte’s perception of Madame de Staël was somewhat different from views elsewhere expressed about her relationship with Napoleon. Could she see that Madame de Staël would fall out of favour?

Madame de Staël & her disciples will now be out of fashion & I doubt not but that she feels disappointed and mortified – she liked the principle of Buonaparte’s power, and only objected to that portion of it which was exercised against herself – I recommend the sending all these people to Elba, they would be like confined spiders & soon destroy each other.

A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs. The bizarre but true story of an astounding woman persevering in a man’s world

Sources: 

Morning Chronicle 22 June 1813

Liverpool Mercury 31 December 1813

Morning Post 30 March 1814

Morning Post 25 April 1814

Morning Post 17 September 1814

Dido Elizabeth Belle and John Davinieré, what became of them?

For our regular readers, you will by now have probably gathered that as well as all the other research we usually do, we have also been investigating the life of Dido Elizabeth Belle.  Dido, her life and family have become something of an obsession for us of late and we have been busy piecing it together and trying to rectify some of the misinformation that currently exists.

Gugu Mbatha-Raw as Dido Elizabeth Belle & Sam Reid as John Davinieré
Gugu Mbatha-Raw as Dido Elizabeth Belle & Sam Reid as John Davinieré

We have recently shared with you new information about Dido’s siblings who were born in Jamaica, but in today’s post we are taking a look at what happened to the real Dido Belle, who, at the end of the film Bellewalked off into the sunset’ with her man, the lawyer, John Davinieré.

*SPOILER ALERT FOR THOSE WHO HAVE SEEN THE FILM BELLE*

 Ducey as it looks today. Courtesy of Wikipedia
Ducey as it looks today. Courtesy of Wikipedia

John was not, the son of the local Reverend in Hampstead, nor was he a lawyer and as such would have had absolutely no involvement in the Zong massacre case. A little creative licence used with that one! 

John Davinieré as he was known in England, was born Jean Louis Charles Davinieré in the town of Ducey in the Normandy region of France and was one of several children born to Charles Davinieré and his wife Madeleine Le Sellier. He was baptised on 16th November 1768, and so was several years Dido’s junior.

He left his native France for England towards the end of the 1780s, so, just prior to the French Revolution; the date of his departure from France is not quite clear as it appears in a couple of places later in his life at which time he gave differing years for his arrival into England. However, on coming to the country, he found work as a steward or valet, again the terminology of his occupation varies slightly.

No-one knows how he would have met Dido, but it seems likely that the Murray or Ramsay family would have been involved in some way. We do know that Allan Ramsay had painted a portrait of the 6th Earl of Coventry in the 1760s and Dido’s marriage entry provided us with a snippet of information in the shape of one of the witnesses – John Coventry, who was the third son of the 6th Earl of Coventry who owned a townhouse on Piccadilly so it seems quite likely that this would have been who John initially worked for as a steward. The other witness was Dido’s close friend, Martha Darnell.

St George's, Hanover Square by T. Malton, 1787
St George’s, Hanover Square by T. Malton, 1787

According to the Westminster rates books, not long after their marriage on 5th December 1793, at St George’s, Hanover Square, the couple moved into a newly built house, 14, Ranelagh Street North, near St George’s Hanover Square.

They appear to have lived a happy life and with it, the arrival of 3 sons, of which two, Charles (1795-1873) and William Thomas (1800-1867) survived into adulthood, John, Charles’s twin brother, did not survive. They wouldn’t exactly have been destitute as Dido received not only an inheritance from Lord Mansfield who died in 1793, but also, in 1799 upon the death of Lady Margery Murray, she received a further legacy as ‘a token of her regard for Dido’.

John Crauford. National Portrait Gallery.
John Crauford. National Portrait Gallery.

In July 1804, Dido was sadly to die, leaving John to raise the two young boys alone. The actual date of her burial remains unknown as there were many burials at St George’s Fields that month and most unhelpfully there were not dated. Dido’s was number 56 out of  73, so it was probably towards the end of that month.

It is believed that her remains were removed during the development of that site, but no conclusive evidence exists to substantiate this as the whole site was not redeveloped, so it seems quite feasible that they may still be there.

The entry in the burial register for Dido July 1804
The entry in the burial register for Dido July 1804

Shortly after Dido’s death John left Ranelagh Street and the next sighting of him was a few years later on Mount Street, then nothing until we came across him being mentioned in the will of his employer, John Crauford, of Errol, Perth and Kinross who described John as his valet, leaving him a couple of bequests upon his death. Crauford also provided a reference for Davinieré’s son, Charles when he joined the Madras Army, so he clearly thought quite highly of the family.

It appears that John didn’t remain single for very long, as he met and ultimately married his second wife, Jane Holland. The marriage took place in 1819 at St Martin in the Fields, but not until some years after they had produced a couple of children, Lavinia (1809-1888) and Edward Henry (born 1812). This time the marriage was simply witnessed by two ‘serial marriage witnesses’, so no aristocracy present on this occasion.

Their daughter, Lavinia was to marry Louis Henri Wohlegmuth, a naturalised Frenchman in 1843 and confirmed her father’s name on the marriage register, but neither John nor Jane were present at the marriage as the newspaper confirmed that they had returned to John’s native town of Ducey, France, where John was to remain until his death on 31st March 1847.

From La Manche Archives
From La Manche Archives

Upon his death, he left his possessions to his wife Jane and named all four children – Charles, Guillame (William), Lavinia Amelia and Edward. The lives of the first three children are reasonably well documented, they were well-educated as a document dated 8th February 1811, relating to Charles confirms, but we know very little about Edward except that he travelled between Le Havre and England on 24th August 1837 which was quite possibly in order to be a witness at his half-brother, William Thomas’s marriage which took place in September of that year and was clearly still alive when his father died, but then seems to have vanished into the mists of time, but if anyone knows what became of him, we’d love to hear from you.

As there is no sign of either John’s widow, Jane or Edward the most obvious conclusion is that they remained in France.  The trail has, for now, gone cold on that front, but at least we are briefly able to add a little new information to the story of Dido Belle and John Davinieré.

To find out more about the painting of Dido Elizabeth Belle that first sparked our interest in her follow the highlighted link.

Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.
Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.

Featured Image

Piccadilly from Hyde Park Corner Turnpike, from Ackermann’s Repository, 1810

The Man Behind Pears’ Soap

The development of cosmetics and perfumes have been part of life since time immemorial, but did you know that the original Pears’ soap was a product of the Georgian era? A bar of soap that is still used today by many, had it origins in 18th century London.

The iconic Pears' Soap advert; Bubbles by John Everett Millais, 1886.
The iconic Pears’ Soap advert; Bubbles by John Everett Millais, 1886. Wellcome Library

Andrew Pears was born on 4th April 1768 the elder son of William, a farmer and Elizabeth Pears at St Ewe, near Mevagissey, Cornwall. He and his two siblings, Edward and Maria appear to have been raised by their father, their mother died when he was around 7 years old.

A penny barber by Thomas Rowlandson. Lewis Walpole Library
A penny barber by Thomas Rowlandson. Lewis Walpole Library

At the age of 21, Andrew moved to London to serve an apprenticeship as a barber; eventually owning his own business.

Pears' soap 100 years on. Wellcome Library
Pears’ soap 100 years on. Wellcome Library

On 6th February 1794, he married Elizabeth Spencer at St Marylebone church. Elizabeth became pregnant almost immediately, for, on the 9th of November 1794 their first child, Elizabeth was born, followed two years later by their daughter, Mary Ann.

Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane. 1798. Yale Center for British Art
Entrance to Oxford Street or Tyburn Turnpike with a View of Park Lane. 1798, Yale Center for British Art

Andrew was concerned about the use of products on the skin especially lead-based cosmetics and towards the end of 1802 he was advertising a product which was

produced from vegetables only, is allowed by many of the Nobility and Gentry to be the most simple and necessary affiliate to nature ever offered to a discerning public. It ameliorates, beautified and renders the skin perfectly fair and delicately transparent, without the possibility of its use being perceived; and by a trifling attention to its application, the beauties of this composition may be assimilated to every complexion.

Was that the first advert for what has now become known as Pears’ soap?

The Cheltenham Chronicle of 15th August 1811 carried an advert for his transparent product in which he described it as being ‘an object of importance to all who are solicitous to possess the advantage, which Lord Chesterfield denominates ‘a letter of recommendation on all occasions’  and certainly the present and future ages must feel themselves indebted to the inventor of the curious chemical process, by which Soap is separated from all the impure and noxious substance with which, in its crude state, it is invariably united; this refinement is manifested in its Transparency and Fragrance’.

By 1815 his business was booming.

Pears’s Transparent Soap

This soap stands unrivalled as a discovery of the highest importance, for its superior excellent in cleansing the skin – reserving it from the effects of the weather, sea, air etc an improving its appearance. It removes every blemish from its surface, and by due perseverance never fails to render it delicate, clear and beautiful.

Prepared by A. Pears, 55 Well Street, off Oxford Street, London and at 1 shilling and 6 pence, 2 shilling and 6 pence per square. Also, gentlemen’s’ shaving cakes, at 1 shilling and 2 shilling and 6 pence.

He also diversified into

Pears’s Rose Colour or Pink Saucers

This is an entirely new invention for drawing in water colours, painting on velvet, tinging the cheeks, lips etc dyeing silk, lace, muslin, feathers, artificial flowers etc

It is necessary the public should be cautioned with respect to any spurious articles of this nature as the superior excellence of Pears’s Pink Saucers has excited many to imitate what they cannot equal: therefore, it is necessary to observe the name on the back of the saucer, as no other can be depended on to be of superior quality.

Prepared by A. Pears, at his Rouge, Carmine, Transparent Soap and Pink Saucer Manufactory, as above.

In October 1821 tragedy struck and Andrew’s wife Elizabeth, aged 44, died.

1841 census - Andrew and Francis Pears
1841 census – Andrew and Francis Pears

Andrew continued with the business and we see him here on the 1841 census with his grandson, Francis, Andrew describing his occupation as perfumer. He continued building up the family business until his death, at the family home, 55 Wells Street, St Marylebone and was buried at All Souls’ Cemetery, Kensal Green on the 4th May 1845.

In his will, he left various legacies, but the bulk of his estate he left to his grandson Francis. Francis was then to marry and in due course, their daughter married a Thomas J Barratt who joined his father in law in the family business at which point began its expansion into the product it has become today.

Sources

Johnson’s British Gazette and Sunday Monitor(London, England), Sunday, August 1, 1802

The Repository of Arts, Literature, Commerce, Manufactures, Fashions and Politics 1815

The National Archives; Kew, England; Prerogative Court of Canterbury and Related Probate Jurisdictions: Will Registers; Class: PROB 11; Piece: 2018 

The Skin, Baths, Bathing, and Soap. By Francis Pears

Featured Image 

Pears’ Soap advert: The Special Commission. Wellcome Library

 

A humorous scene at the regatta, 1775

The first Thames Regatta, 23rd June 1775

A proposal was made in April of 1775 to hold a Regatta or Water Ridotto on the Thames. It was scheduled to run on a day between the 20th and 24th June, weather dependent. An event to see and to be seen at although, according to the Morning Chronicle of 20th June 1775, the Duchess of Devonshire expressed concerns about ‘being mixed with the mob and asked the Duke why he couldn’t hire the Thames for the day’. True or not, said in jest or not, we’ve no idea!

Georgiana, Duchess of Devonshire by Thomas Gainsborough, 1787
Georgiana, Duchess of Devonshire by Thomas Gainsborough, 1787; Chatsworth House

Nonetheless, plans were made for the event and they went as follows:

Between twelve and thirteen hundred tickets were to be issued and the parties were to supply their own boat or barge and were to congregate under Westminster Bridge early evening.

The centre arch to be left open for the race boats manned by watermen, twelve of which, with rowers each were to start to fix-row against the tide to London Bridge and back again; the three boats which first clear the centre arch of Westminster bridge on their return to claim the prize which would be proportioned accordingly as they came in.

First prize was 10 guineas each, with coats and badges

Second prize seven guineas each, with coats and badges of inferior value

Third prize – five guineas each with coats and badges

Also, every successful waterman would be given an ensign to wear for one year on the Thames, with the word REGATTA, in gold characters inscribed and the figures 1,2, or 3 according to the order in which he arrived at the end of the race.

After the race, the whole procession in order would move on to Chelsea and land at the platform of Chelsea Hospital and from there proceed to the Rotunda at Ranelagh in which an excellent band of vocal and instrumental music would be ready to perform as the company arrived. Boats with musical performers would also be stationed at Westminster bridge and attend the procession on the Thames.

Westminster Bridge by Antonio Joli
Westminster Bridge by Antonio Joli; Parliamentary Art Collection

Applications had to be made to the manager of the Regatta for seats in the public barges which were being loaned for the event by city companies.

The rowers of the private barges were to be uniformly dressed and in such a manner as to accord with someone of the three marine colours, chosen by the marshals of the Regatta – the white, the blue or the red. The blue division was to take the four northern arches of Westminster bridge; the red division to take the four arches next to the Surrey shore and St George’s division, the two arches on each side of the centre.

Ticket for the Regatta Ball at Ranelagh, 1775. Francesco Bartolozzi.
Ticket for the Regatta Ball at Ranelagh, 1775. Francesco Bartolozzi. Yale Centre for British Art

The whole procession to move up the river, from Westminster bridge at seven o’clock in the evening with the marshal’s division rowing ahead about three minutes before the second division; and the same interval of times before the second and third divisions.

The company would embark, using the several sets of stairs adjacent to Westminster bridge, as well on the Lambeth side between five and six o’clock, ready to begin at seven o’clock. The marshal’s barge of twelve cars, carrying St George’s ensign (white field, with red cross) would be to the west of centre.

The Interior of the Rotunda, Ranelagh, London; Canaletto; Compton Verney
The Interior of the Rotunda, Ranelagh, London; Canaletto; Compton Verney

A circular arrangement of tables, with proper intervals, would be placed around the Rotunda at Ranelagh on which supper would be prepared in the afternoon, and the doors were to be thrown open at eleven o’clock. The several recesses on the ground floor to serve as sideboards for the waiters and for a variety of refreshments.

A band of music consisting of one hundred and twenty vocal and instrumental performers would play in the centre of the rotunda during supper time. The garden of Ranelagh was to be lit up and a temporary bower erected and decorated around the canal for dancing. The platform of Chelsea hospital to be open for the great convenience of those disembarking.

The Royal Hospital, Chelsea by Daniel Turner
The Royal Hospital, Chelsea by Daniel Turner; Kensington and Chelsea Local Studies

The plan at this stage was that the event should take place on the 20th June, but a signal would be given by the committee to confirm the weather was suitable for it to go ahead. A red flag would be displayed at ten o’clock over the centre arch of Westminster bridge and the bells of St Margaret’s would ring from ten o’clock until one o’clock. Without such notification, it was to be understood that due to inclement weather it would not take place and would be postponed until the 21st of June. If the weather continued to be unsuitable then it would be postponed until the following day, i.e. 22nd June.

A humorous scene at the regatta, 1775
A humorous scene at the regatta, 1775. Lewis Walpole Library

Despite the inclement weather, the event took place on Friday 23rd June 1775, with the flag being finally raised at 10 o’clock and yes, despite the earlier report, the Duchess of Devonshire did attend.

 

Sir Joseph Banks’ fishing trips in Lincolnshire

Sir Joseph Banks, Bt by Joshua Reynolds
Sir Joseph Banks, Bt by Joshua Reynolds; National Portrait Gallery, London

Just in case you weren’t aware of Sir Joseph Banks, he was born in London, but when he was 21 he inherited the impressive estate of Revesby Abbey in Lincolnshire from his father.  After leaving university, minus a degree, he became a renowned British naturalist, patron of the natural sciences, travelling the globe, ultimately he became president of the Royal Society from 1778 until his death in 1820.

Weighing the fish after a haul. The tall gentleman in the foreground of the people is Sir Joseph Banks with a net full of fish. Boston Stump in the background. Yale Center for British Art.
Weighing the fish after a haul. The tall gentleman in the foreground of the people is Sir Joseph Banks with a net full of fish. Boston Stump in the background. Yale Center for British Art.

In March 1779, Banks finally settled down and married Dorothea Hugessen. The couple spent most of their time in  London, however, each autumn they made a trip back to Banks’ ancestral Lincolnshire.

Cookery near Langrick Ferry, Lincolnshire. Yale Centre for British Art
Cookery near Langrick Ferry. Yale Centre for British Art

During these visits, apart from numerous other things that he had to attend to on his estate, Banks, his wife Dorothea and his younger sister, Sarah Sophia, who lived with them, made several fishing trips to survey the fish in the river Witham.

A page from the journal detailing Sir Joseph Banks' fishing trip in Lincolnshire. Yale Center for British Art
A page from the journal. Yale Center for British Art

A record of these trips was brought to our attention so, naturally, we had to find out more. A copy of the book itself is available via the Yale Centre for British Art, ‘Sir Joseph Banks’s fishery book of the River Witham in Lincolnshire, 1784-1800’. The book itself contains records of the number of fish in the river along with their measurements, which unless you’re interested in fishing it isn’t terribly exciting, but it also contains information about the weather and any unusual events, such as the eclipse of 5th September 1795. Sadly, we only have space to include some of the sketches in this post, so for more information, we recommend checking out the book itself on the Yale website (it has been scanned page by page, so it’s not the easiest of books to navigate, so a little patience is required).

The windmills at Chapel Hill, Lincolnshire. Yale Center for British Art.
The windmills at Chapel Hill. Yale Center for British Art.

By far the most fascinating aspect of this book is the sketches, we doubt they were meant for public viewing, but simply a reminder and a way of describing their trip to friends and family – the way we do today with our cameras, but for historians, they provide a fascinating snapshot of life during that period.

T. Wilsons house, near the Witham, Lincolnshire taken during an eclipse of the sun. You can just make the woman looking up towards the sky. Yale Centre for British Art
T. Wilsons house, near the Witham, taken during an eclipse of the sun. You can just make the woman looking up towards the sky. Yale Centre for British Art

On their travels, they took along a large number of friends who ate with them on the river bank or on the boat. Note the canopy in this next image, which was used to shelter under when it rained, which it often did!

Going to dinner near Coppin Sike (Copping Syke, Lincolnshire). Yale Centre for British Art. Note the formality of the occasion, the lady, quite possibly Lady Banks, on the right being escorted onto the boat.
Going to dinner near Coppin Sike (Copping Syke). Yale Centre for British Art. Note the formality of the occasion, the lady, quite possibly Lady Banks, on the right being escorted onto the boat.

They also took along some ‘would be’ artists who drew sketches along the route they were travelling, which ran from the Kyme Eau, which runs through the centre of the tiny village of South Kyme, (which is a few miles from the town of Sleaford), when it became the Witham, for a distance of around 15 miles through neighbouring villages of Dog Dyke, Langrick Bridge, Anton’s Gowt until it reached the outskirts of the port of Boston.

The Kyme Eau, at South Kyme, Lincolnshire as it looks today meandering through the countryside to where it joins the Witham at Chapel Hill. ©Sarah Murden
The Kyme Eau, at South Kyme, as it looks today meandering through the countryside to where it joins the Witham at Chapel Hill. ©Sarah Murden
A scramble for fish. Yale Centre for British Art
A scramble for fish. Yale Centre for British Art

The book contains sketches of the routes taken on each occasion plus 26 colour illustrations of places and people.

One name kept recurring in the sketches, ‘Eno’s House’. At first, we thought perhaps it was a reference to an acquaintance until we tracked it down to being the name of the landlord, Edward Eno, who, with his wife Rosamond, was the landlord of The Monson Arms, near Anton’s Gowt, on the bank of the river. His son, Hildred Eno, took over as the landlord in the 1850s. The pub no longer exists as such, but there is a house on the bank of the river which could just possibly be it.

Eno's house on Frith Bank. Yale Centre for British Art
Eno’s House on Frith Bank. Yale Centre for British Art
Frith Bank, Lincolnshire.
Frith Bank, Lincolnshire. Google Maps

The book is well worth taking a look at to give you an idea of how rural Lincolnshire looked back in the late 1700s.

List of pictures and their respective artist from the journal of Sir Joseph Banks' fishing trip in Lincolnshire.
List of pictures and their respective artist

We have recently been researching Sir Joseph Banks for another project, but more about that at a later date.

Featured Image

Tattershall from the Witham September 1794

Guest Post by Naomi Clifford – A new life in America: The emigration of Abraham Thornton

We are delighted to welcome back to our blog fellow Pen and Sword author, Naomi Clifford who loves nothing better than nosing around old archives to find stories of forgotten people.

Today Naomi’s going to share with us some information about her latest book, so we’ll hand straight over to her.

—‖―

In Ford Madox Brown’s painting The Last of England, painted in the middle of the 19th century, a young couple on the deck of a ship bound for Australia gaze grimly out to sea, the White Cliffs of Dover behind them. Perhaps they have left hunger and trauma behind them. Perhaps they are merely convinced that better fortunes lie overseas.

Ford Madox Brown’s The Last of England (1855). © Birmingham Museums Trust.
Ford Madox Brown’s The Last of England (1855). © Birmingham Museums Trust.

Emigration grew throughout the early part of the century: the Irish potato famine, changes in farming and industry, high taxes – all contributed to a great movement of people to dominions across the water. Many went to Australia and Canada but America was perennially popular.

Although there are no reliable statistics before about 1800, it has been estimated that in the first decade of the 19th century more than 20,000 people emigrated to America from the United Kingdom, most of them from Ireland and the Highlands of Scotland. A good proportion of them earned their passage by hiring themselves out as indentured servants, their labour sold on by the captain after landing. Some were veterans of the long wars with France, who had been unable to settle or find employment. Others simply found life in Britain and Ireland untenable: wages were low and food prices were high. The steerage of packet ships crossing the Atlantic was stuffed with the labouring poor and their families, who no doubt earnestly hoped for significantly better prospects overseas.

Abraham Thornton, who in the middle of September 1818 left the family farm at Shard End in Castle Bromwich, Warwickshire and travelled to Birmingham to catch the stagecoach to Liverpool, was not one of these.

Abraham Thornton worked as a bricklayer for his father, a respected builder in Castle Bromwich. This portrait, sketched in court, was published in The Observer on 8 February 1818.
Abraham Thornton worked as a bricklayer for his father, a respected builder in Castle Bromwich. This portrait, sketched in court, was published in The Observer on 8 February 1818.

His reason for quitting England was simple: he was hated, notorious throughout the country. In the opinion of most people, he had escaped his rightful fate: swinging on the gallows for the brutal rape and murder of Mary Ashford.

Mary Ashford, a farm servant working for her uncle, went to a party in an inn near Erdington on Whit Monday 1817 and left accompanied by Abraham Thornton and others. Her body was found in a stagnant pond early the next morning. Engraved by J. Thompson from a portrait by John Partridge.
Mary Ashford, a farm servant working for her uncle, went to a party in an inn near Erdington on Whit Monday 1817 and left accompanied by Abraham Thornton and others. Her body was found in a stagnant pond early the next morning. Engraved by J. Thompson from a portrait by John Partridge.

Thornton, the only suspect in Mary’s death, was tried at Warwick Assizes in August 1817, but to the surprise of many was acquitted. Rumours that witnesses and jurymen had been paid off by his father were rife and a few months later Mary’s brother started a civil prosecution in London. The case gripped the country, partly because early on in the proceedings Thornton challenged his accuser to hand-to-hand combat, and the rest of the case was devoted to deciding whether this could legally take place. The public was appalled when the case collapsed. Thornton seemed once more to have evaded justice.

Canning Dock & Custom House, Liverpool, engraved by T. Hughes after a picture by W. H. Bartlett, published in Finden's Ports and Harbours..., 1842. Steel engraved print, good condition. Size 18 x 14.5 cms including title, plus margins. Ref F8482. Image courtesy of ancestryimages.com.
Canning Dock & Custom House, Liverpool, engraved by T. Hughes after a picture by W. H. Bartlett, published in Finden’s Ports and Harbours…, 1842. Steel engraved print, good condition. Size 18 x 14.5 cms including title, plus margins. Ref F8482. Image courtesy of ancestryimages.com.

Once in Liverpool, Thornton browsed the newspapers for a suitable passage. He booked a place on the American-owned packet ship The Independence which was scheduled to sail for New York on the 25th. Fixed sailing dates was a recent innovation, brought in by a group of New York Quaker businessmen who developed the idea of creating a ‘shipping line’ by contracting several vessels to sail on specific dates between established ports. In autumn 1817 they advertised the first service in the Black Ball line, using large three-masted square-rigged schooners. Sailings started in January 1818.

Soon two ships were travelling across the Atlantic each month each way. Rather than follow the trade winds across the Atlantic, the American captains preferred the most direct route – it was rougher but faster. Thompson incentivised his team: If an eastbound sailing was completed in under 22 days or westbound in under 35, the captain was given a new coat, and a dress for his wife.

Liverpool Mercury, 18 September 1818. © Board of Trustees of the British Library.
Liverpool Mercury, 18 September 1818. © Board of Trustees of the British Library.

The Independence was not one of the Black Ball ships (rival shippers were quick to copy Thompson). In the end, however, Thornton was prevented from boarding after he was recognised by a fellow passenger who objected to the prospect of being at close quarters for at least six weeks with a possible murderer.

Hull Packet, 3 November 1818. © Board of Trustees of the British Library.
Hull Packet, 3 November 1818. © Board of Trustees of the British Library.

Aged 25, and of average height, broad and beefy, with a square jaw and thinning dark hair swept forward over a bald patch, Thornton was easy to recognise. His portrait had appeared in numerous pamphlets while the case was in play and had been printed in The Observer.

It is quite possible that in Liverpool he wore the same black hat, black coat and beige leggings he had on at his numerous court appearances in London. There was also something less tangible but equally notable – an aloof confidence, which had so struck the newspaper journalists who saw him in court that they remarked on it in their reports.

Liverpool Mercury, 18 September 1818. © Board of Trustees of the British Library.
Liverpool Mercury, 18 September 1818. © Board of Trustees of the British Library.

A few days after failing to board The Independence, Thornton managed to leave England. He bought a place on The Shamrock which was aiming to leave ‘immediately’ for Baltimore, which probably meant ‘as soon as the agent had booked sufficient cargo and passengers’.

Baltimore. Engraving by J. B. Neagle after the drawing by J. R. Smith, probably 1825-1829. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. The New York Public Library. 
Baltimore. Engraving by J. B. Neagle after the drawing by J. R. Smith, probably 1825-1829. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. The New York Public Library.

Most of those who disembarked The Shamrock would have moved on pretty swiftly – Baltimore was the primary gateway to the West. Thornton, however, apparently headed north to New York and into almost complete obscurity.

Back in England, there were rumours about what had happened to him but none can be verified. Like many a traveller before and after him, he found protection in the vastness and anonymity of the US.

The Murder of Mary Ashford: the crime that changed English legal history by Naomi Clifford.

Over the years, the Ashford-Thornton case became known primarily for its effect on the statute book – it led directly to the rescinding of two medieval laws, appeal of murder and trial by battle – rather than the question of Thornton’s guilt or innocence. His solicitor and others speculated that Mary had not been raped and murdered but had drowned herself in remorse for ‘transgressing’ with Thornton in a field on their walk home. Naomi Clifford has uncovered evidence to show that the truth about the events of that night has been hiding in plain sight for 200 years…

The Murder of Mary Ashford: The Crime That Changed English Legal History is published by Pen & Sword. Introductory price £11.99.

To discover more, check out Naomi’s blog, Love, Life and Death in the Georgian era. Naomi is also on twitter.

Previous titles by Naomi Clifford are The Disappearance of Maria Glenn and Women and the Gallows 1797-1837: Unfortunate Wretches, both published by Pen and Sword.

Notes 

Daniel Fearon, Fearon, Henry. Sketches of America: A Narrative of a Journey of Five Thousand Miles (1818). London: Longman et al.

James Flint, Flint’s Letters from America: 1818-1820 (1822). Edinburgh: W. & C. Tait.

A cup of tea anyone, made the 18th century way?

We’ve looked our favourite subject of hot chocolate, then coffee, so now it’s time for a post about eighteenth-century tea drinking.

Two Ladies and an Officer Seated at Tea, c.1715; Dutch School
Two Ladies and an Officer Seated at Tea; Dutch School; Paintings Collection Victoria and Albert Museum, c.1715.

At the beginning of the 1700s, according to the Daily Courant of 1705, green tea was very popular, but it was to be served correctly i.e. with milk. Tea at that time was extremely expensive at 10 shillings per pound, in comparison with chocolate which sold at 3 shillings a pound; chocolate with added sugar was only 2 shillings and 6 pence a pound.

A Tea Party; Joseph van Aken
A Tea Party; Joseph van Aken; Manchester Art Gallery

There appear to have been two main types of tea on the market Bohe-Tea (black tea) which was often drunk to relieve cholic pains and to aid the explanation of wind and green-tea which helped the suppression of urine and was more efficacious than sage, etc. The use of mineral water when making tea could cure all ills – so we are told! So now you know!

Teatotalism by Edward Bird, c.1795
Teatotalism by Edward Bird, c.1795; Wolverhampton Arts and Heritage

From the Domestic Management book of 1800, we have the following step by step guide to making the perfect cuppa.

As it frequently falls to upper maids and footmen to make tea apart, for company it is felt that a little know how to make it well, a little instruction is required.

The tea-pot should be of a size proportioned to the number of persons that are to be served and the size of the cups.

If six persons are to drink tea, the pot should hold as much as will fill nine cups. One tea-spoonful is sufficient for each person to have three cups of tea; which is the general quantity drunk by each. Six tea-spoons full is about half an ounce; there being 13 in one ounce.

These should be put into the pot, and boiling water poured on, till the pot is one-third full. It should thus stand a quarter of an hour, which will draw a good tincture.

A Lady Taking Tea; Jean-Baptiste Simeon Chardin
A Lady Taking Tea; Jean-Baptiste Simeon Chardin; Hunterian Art Gallery, University of Glasgow

In the meantime, boiling water should be poured into the cups, to heat them; for unless the tea is served hot it is little better than slop. When the tea is sufficiently drawn, the teacups should be emptied. The pot filled with boiled water (not water that has been boiled but boiling).

The tincture of tea in the pot will make the whole sufficiently strong, and the boiling water added, will make the whole sufficiently hot. After filling the six cups, the pot will remain one-third full, as before, and will still draw the tea, and add fresh strength to it.

British School; Tea Service on a Tray; British School
Tea Service on a Tray; British School; Paintings Collection Victoria and Albert Museum

When the cups are returned, if the kettle is at hand (as it always should be), the cups should be washed with clean boiling water and emptied into the basin and not washed in the basin, into which the slop has been thrown.  After this, fill up the pot a second time, and pour it off immediately, and the second round of cups will be equally strong and hot, as the first. The tea, then in the pot left, will be also one-third of its contents, which is so to continue, till the cups are to be filled a third time.

Ladies at tea by Thomas Rowlandson.
Ladies at tea by Thomas Rowlandson. Yale Center for British Art, Paul Mellon Collection

The cups being a second time, returned and washed, pour more boiling water into the pot, so as to fill it two-thirds, and then, after filling the cups a third time, the pot will be quite empty, and the strength of the tea all served; whereas many, by pouring too much water on the leaves at last, will make the last round of tea very weak, and leave two or three cups of good tea in the pot, to be thrown away. By this mode of making tea, it will be all uniformly strong and all serve up hot.

Mrs Ellen Sharples by Rolinda Sharples, c.1814.
Mrs Ellen Sharples by Rolinda Sharples, c.1814. Bristol Museum and Art Gallery

Should any of the company want a fourth, or fifth cup, another tea-spoonful of tea should be added to the pot, a little boiling water poured over it, and time allowed it to draw, or extract its strength, and the whole should be managed as before. It is the best way, and most agreeable to everyone, to send round the sugar and cream with the cup, and let each person take what he pleases.

If tea is made in an adjoining room and sent in, the best method is to put a tea-spoonful of tea for each person, into a pot that will contain as many cups as there are persons, and fill it up, letting it stand a quarter of an hour, or longer; and when it is to be served, pour as much tea from the pot as will fill up each cup one third full, and fill it up from the kettle with boiling water. This will make the tea equally as good as if managed in the other way.

The Tea Garden; George Morland
The Tea Garden; George Morland; Tate

After all of that, we think we deserve a good strong cup of tea, made using a tea bag!

Featured Image

Mercier, Philippe; A Girl with a Tea Cup; National Galleries of Scotland.

 

Third time lucky for the actress, Ann Street Barry (1733-1801)

Ann Street was born April 8th, 1733, the daughter of James Street, an eminent apothecary of Bath. Her brother William later became the mayor of Bath.  On March 17th, 1754 at Bedminster, Somerset Ann married the actor, William Dancer who, by all accounts appears to have been the most unpleasant of men.

'Lady Molineux' by James Watson, printed for Robert Sayer, after Tilly Kettle.
‘Lady Molineux’ by James Watson, printed for Robert Sayer, after Tilly Kettle. © National Portrait Gallery, London

The couple performed on stage in London around 1758, where Ann became the doyenne of the tragedies. This marriage was short-lived as in 1759 Dancer died, leaving Ann a mere 26-year-old widow, but as she was already having a close relationship with a fellow actor, the renowned Spranger Barry she sought solace in his arms.

Barry, born 1719, was an Irish actor, who had originally been trained by his father as a silversmith but was said to be a descendant of Lord Santry. Certainly, he lived like a lord. He married a woman who bought with her a £15,000 dowry, so life was good. The problem was that he spent money like water and became bankrupt very quickly. So, with an interest in the theatre, he took to the stage, to earn more money.  Barry first performed at Smock Alley, Ireland and was affectionately known as the ‘silver-tongued actor’ and rapidly became regarded as a brilliant actor.

Spranger Barry. The Garrick Club Collections
Spranger Barry. The Garrick Club Collections

The couple met whilst working in Dublin and began an affair prior to the death of Ann’s first husband, then after his death, they decided to move to the bright lights of London where Barry had worked previously. The couple continued their stage work performing on the stage at Drury Lane, then Covent Garden.

Crow Street Theatre, Dublin
Crow Street Theatre, Dublin

On January 10th, 1777 Barry died at their home in Cecil Street and was buried in the cloisters at Westminster Abbey, but his rival throughout his career, Garrick was buried inside!  He did, however, leave Ann a well provided for widow. She was named in his will as the sole beneficiary of his not insignificant estate. He left her a house in Streatham, Surrey, leasehold plus the Theatre Royal, Crow St, Dublin along with a property adjoining it. Having written his will he did however lease the Dublin theatre to a Thomas Ryder, so quite how much Ann benefitted from this legacy we do not know for sure, but in a letter written by John Ord (barrister), in ‘Letters Addressed to Mrs Bellamy occasioned by her Apology’ it would seem that Ann’s solicitor advised John Ord, that Mr Barry had died insolvent, and that the theatre in Dublin would not pay the creditors there.

John Ord, by  H. Edridge, 1806
John Ord, by  H. Edridge, 1806

John Ord then tried to personally sue Ann and husband number three, who she married within two years of becoming widowed, was a Thomas Crawford, a successful young lawyer, again from Ireland, for the money owed, but somehow Ann’s husband

‘kept out of the process of the Court of Chancery; and though Mrs Crawford performs at Covent Garden, her person is safe, having made her husband the scapegoat’.

Quite how and when Ann met husband number three we can’t work out and there is no sign of a marriage for the couple, but a variety of documents confirm that they were a couple, so it seems feasible that they were married in Ireland.

A less than flattering comment about Ann appeared in the Kentish Gazette, 27th October 1797
A less than flattering comment about Ann appeared in the Kentish Gazette, 27th October 1797

Ann’s final performance on the stage was in mid- April 1798 at the Theatre Royal, Covent Garden and some two years later she died, on November 29th, 1801, at her apartments in Queen Street, Westminster. Ann was buried alongside her second and apparently favourite husband, Spranger Barry in Westminster Abbey having outlived her third husband.

Sources used

A Century of Great Actors 1750-1850

The Life of John Philip Kemble

Letters addressed to Mrs Bellamy, occasioned by her Apology

Bury and Norwich Post December 9th, 1801

True Briton April 14th, 1798

Featured Image 

© Victoria and Albert Museum, London

How to manage your servants in the 18th century

For this post, we are revisiting a book we’ve used before, The Art of Conducting a Family with Instructions to Servants to take a look at some of the guidance for employing servants at the end of the 1700s.

Fidelity

Servants are an invaluable acquisition, but they have no interest at heart but their own. The more extravagant a family is, the better they fare. Economy they hate. Service, they say, is no inheritance.

Maidservant; British School
Maidservant; British School; The National Trust for Scotland, Brodie Castle;

Wastefulness

Servants like to see their masters and mistresses spending their money and servants enjoy wasting it for them regardless of whether it can be afforded or not.  A good servant should be as careful and frugal of their master’s property as they would be if it their own.

The Careless Servant; Francis Wheatley
The Careless Servant; Francis Wheatley; Walker Art Gallery

Respect

A servant owes his master respect and should never answer back and only speak when spoken to. Whether servants are hired by the week or the year, their whole time is their master’s; and if they wilfully waste that time, by idly omitting what they are ordered to do, or by staying longer on messages or errand, it is as bad as picking their master’s pocket; for it is robbing the master of that time the servant has contracted to give him, and for which he is paid.

The Scullery Maid; Jean-Baptiste Simeon Chardin
The Scullery Maid; Jean-Baptiste Simeon Chardin; Hunterian Art Gallery, University of Glasgow;

Leave

If a servant asks permission to take leave and it is declined, under no circumstances should he/she take it regardless but wait until a more convenient time.

A Game of Quadrille by Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45) c1740. Yale Center for British Art
A Game of Quadrille by Hubert-François Gravelot, 1699–1773, French, active in Britain (1733–45) c1740. Yale Center for British Art

Disagreements

If the master and mistress have any disagreements the servant must never interfere.

An Old English-Gentleman pester'd by servants wanting places.
An Old English-Gentleman pester’d by servants wanting places. British Museum

Loyalty

As a wife is bound in duty to obey the injunctions of her husband, should it so happen that a master gives a servant one direction, and the wife or mistress contradicts it, or gives counter-orders, it is the duty of the servant to tell his mistress, when she gives those counter-orders, that his master has ordered otherwise; and that it is his duty to obey the master rather than his wife or mistress.

Displeased with servants. Lewis Walpole Library
Displeased with servants. Lewis Walpole Library

No Singing or Romping

No servant should ever sing, whistle or talk loudly in the hearing of any of the master’s family, nor make any other noise about the house, so as to disturb, nor particularly should the men and maids romp in the kitchen.

A Master Parson with a Good Living by Carington Bowles
A Master Parson with a Good Living by Carington Bowles. © The Trustees of the British Museum

Tread lightly

When a servant enters the room where the master or mistress is, they should tread lightly and never speak but in a quiet voice. They should equally go up and down stairs lightly.

Tight Lacing. Lewis Walpole Library
Tight Lacing. Lewis Walpole Library

Doors

When entering a room, if the door is closed, they should close it after them and close it again when they leave. Whilst speaking to the master they should not keep the door open and fiddle with the knob of the lock, but shut it gently, by turning the bolt, and opening it again, when they retire. Nothing is more insolent, or gives more offence, that slamming a door.

Silence is golden

Quietness adds to the comfort of every family and the more quiet and orderly servants are, the more they are valued.

Answering back

Servants should never answer their master or mistress back.

No Spitting

A servant should neither blow his nose or spit in his master’s presence and, if possible, neither sneeze nor cough.

Answering the bell

Attentive servants will always come at the first ring of the bell. Tread lightly and speak in an under-voice, yet so as to be heard distinctly, and will whisper to their master or mistress. They will not thrust their heads in the face of their master or mistress nor poison them with offensive breath.  To avoid anything disagreeable on this score, such as attend the room, servants will be clean of their person and will on no account eat onions, garlic or shallots.

Taking instructions

When a servant is receiving directions, he should be attentive, look in his master’s face, and not leave the room until the master has finished giving his instructions. If this was always done, there would not be so many mistakes nor would the ignorance of servants be so much complained of.

A Trusty Maid; Geroge H Hay; Hospitalfield Arts
A Trusty Maid; Geroge H Hay; Hospitalfield Arts

Books and Papers

A servant should not presume to take a book out of a master’s room or library to read, nor take away or remove any paper that may lie about, without first asking whether it is of any use. Many a valuable paper has been destroyed by the ignorance and carelessness of servants.

Augustus Frederick, Duke of Sussex (1773-1843) c.1792-3. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

The First Duke of Sussex

In light of the news that His Royal Highness, Prince Harry, will become the Duke of Sussex upon his marriage to Meghan Markle, we thought we should take a brief look at the previous holder of the title.

Prince Augustus, Duke of Sussex (1773-1843). Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017
Prince Augustus, Duke of Sussex (1773-1843). Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

Prince Augustus Frederick was the sixth son of King George III and had this title conferred upon him in November 1801. Even then there was fake news, as we quickly found out. The media were frantically reporting that Prince Augustus Frederick was to become the Duke of Cambridge and that his brother Adolphus was to be the Duke of Sussex. Quite how the media managed to get it back to front we’re really not sure, but it took them almost a month to get the titles correct. Either way, we have two brothers granted the titles Duke of Cambridge and Duke of Sussex.

Finally, on 30th November 1801, this statement appeared naming the correct holders of the titles

The King has been pleased to grant his most dearly beloved son Prince Augustus Frederick and to the heirs male of his Royal Highness’s body lawfully begotten, the dignities of Baron of Arklow, Earl of Inverness and Duke of Sussex, of the United Kingdom and Great Britain and Ireland.

The King has also been pleased to grant to his most dearly beloved son Prince Adolphus Frederick and to the heirs male of his Royal Highness’s body lawfully begotten, the dignities of Baron of Culloden, Earl of Tipperary and Duke of Cambridge, of the United Kingdom of Great Britain and Ireland.

The conferring of the title upon Prince Augustus Frederick meant that his heirs would also automatically be granted the title, but this was not to be the case as the prince married Lady Augusta Murray. Their marriage contravened the Royal Marriages Act  as they were first married abroad, then married in England but without fully identifying themselves, nor did they seek permission from the monarch.

Lady Augusta Murray by Richard Cosway. Gregory Allicar Museum of Art at Colorado State University
Lady Augusta Murray by Richard Cosway. Gregory Allicar Museum of Art at Colorado State University

The couple did, it was reported, attend church three times to have their banns read, but the clergyman who married them assumed that Frederick was the prince’s surname as no title was given.

5th December 1793 at St George's Hanover Square, the couple were married as Augustus Frederick and Augusta Murray
5th December 1793 at St George’s Hanover Square, the couple were married as Augustus Frederick and Augusta Murray

This married was annulled but the couple remained together and had two children, both of whom would of course now be illegitimate. However, the union was not to last and in 1801, the couple went their separate ways.

Prince Augustus was married a second time in 1831, to Lady Cecilia Gore, but managed a second marriage that contravened the Royal Marriage Act as once again he did not seek royal approval also and possibly, more importantly, the marriage was morganatic, i.e. she was not a royal princess. Despite this, they remained together until his death in April 1843.

Cecilia, Duchess of Inverness, miniature by Jane North. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017
Cecilia, Duchess of Inverness, miniature by Jane North.
Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017

It has been announced that Apartment 1 at Kensington Palace is being renovated ready for the new Duke and Duchess of Sussex to move into. Interestingly, this apartment was the former home of the first Duke of Sussex and his second wife, Cecilia, too.

London Courier and Evening Gazette 07 January 1805
London Courier and Evening Gazette 07 January 1805

When they occupied it the apartment was much larger and encompassed the one now known as 1A, which is currently the home of Prince William, Duke of Cambridge and his family.

A Front View of the Royal Palace of Kensington, 1751. At the far left, at right angles, stands what is now Apartment 1 which is being renovated for the new Duke and Duchess of Sussex. Linking that to the main palace is the apartment now occupied by the Duke and Duchess of Cambridge, Apartment 1A.
A Front View of the Royal Palace of Kensington, 1751. At the far left, at right angles, stands what is now Apartment 1 which is being renovated for the new Duke and Duchess of Sussex. Linking that to the main palace is the apartment now occupied by the Duke and Duchess of Cambridge, Apartment 1A. Yale Center for British Art, Paul Mellon Collection.

We have written about other royal marriages too. Did you know that a Romany girl married one of Prince Harry’s direct ancestors? Which scandalous elopement is one of the skeletons in the royal family’s closet? Click here to find out more.

Sources Used 

Kentish Gazette 31 January 1794 

Chester Chronicle 31 January 1794

Featured Image

Augustus Frederick, Duke of Sussex (1773-1843)  c.1792-3, Watercolour on ivory | RCIN 420975 by Edward Miles (1752-1828). Courtesy of the Royal Collection.

 

Windsor Castle in the Georgian Era

Having looked at the landau and royal weddings, how could we not report on Windsor Castle. So, we have some news for you from the Georgian Era.

The Norman Gate and Deputy Governor's House, Windsor Castle; Paul Sandby
The Norman Gate and Deputy Governor’s House, Windsor Castle; Paul Sandby; Yale Center for British Art, Paul Mellon Collection

Breaking News

In October 1804 his Majesty, King George III was determined to no longer reside at the Queen’s House, in the Park, but to remain altogether at Windsor, those who have apartments in Windsor Castle, including the George, Prince of Wales and other Princes, have been desired to remove, as their apartments will in future be required for the accommodation of his Majesty’s family. Orders have been given, it is said, to remove the Royal Library, one of the finest in the country, and everything else connected with the convenience or pleasure of his Majesty’s residence at Windsor, from the Queen’s house, in the Park. The Duke of Gloucester will also quit Cranford Lodge, and the Honourable George Villiers, brother to Lord Clarendon, will in future reside there, and have a very confidential place in the superintendence of his Majesty’s private concerns. He will now come to town only on specific occasions.

View of Windsor Castle from the River Thames; British (English) School
View of Windsor Castle from the River Thames; British (English) School; National Trust, Anglesey Abbey.

In Traffic News

In our next piece of news, we hear of something which many of us living in the UK today will be familiar with – the high volumes of traffic. Clearly, it was no different in 1789!

Part of Windsor from Datchet Lane; Paul Sandby
Part of Windsor from Datchet Lane; Paul Sandby; Royal Collection Trust

The King’s most Excellent Majesty has been graciously pleased to make a road from Windsor over Cranbourn Chance thro’ Windsor Forest, leading to the rural villages of Winkfield, Warfield and Binfield to Reading, which is allowed to be the most delightful ride of any in this kingdom, from the many beautiful and picturesque views of seats and parks of several noblemen and gentleman the whole way.

The great annoyance generally complained of by persons travelling the other road, are the frequent obstruction by droves of oxen, sheep and cattle, stage-coaches, road-waggons and carriages, is such a to render if very disagreeable.

The pleasant and elevated situation of Windsor and its castle, dignified by royalty, has ever been the just admiration of foreigners and natives alike.

Windsor Castle from the Old Bridge; Augustus Wall Callcott
Windsor Castle from the Old Bridge; Augustus Wall Callcott; Laing Art Gallery.

Improvements to Windsor Castle

Also, from 1801 we hear the King finds much amusement in inspecting the improvements at Windsor Castle and the building of the Royal Palace at Kew. His Majesty, George III, rises regularly at seven o’clock, breakfasts at eight with the Royal family; from nine till eleven views the progress of the workmen. Every window in the castle is to be replaced with stained glass.

George III on on of Windsor Castle's terraces; Peter Edward Stroehling, c.1807
George III on one of Windsor Castle’s terraces; Peter Edward Stroehling; Royal Collection Trust

Visitors to Windsor

On 27th October 1804, the Kentish Gazette reported that:

Sunday morning the royal family attended divine service at St. George’s Chapel, Windsor. As their majesties passed through the courtyard, the 10th Regiment of Light Dragoons and the Staffordshire militia were drawn up, the bands of each playing. A number of spectators were assembled to see their sovereign.

The Staffordshire Militia on Parade at Windsor Castle; Arthur William Devis
The Staffordshire Militia on Parade at Windsor Castle; Arthur William Devis; National Army Museum

We have some sad news to bring you from 18th May 1800.

William Dick Esquire, Governor of the Poor Knights and for nearly 40 years King’s Clerk, and Clerk of the papers at the Mint and the oldest messenger in his Majesty’s service has died at Windsor Castle, aged 91.

And finally, …

New for the 9th February 1801 was the production of:

Transparent Spring Blinds

Amongst the many ingenious and useful inventions which characterise the present age, the above new idea may be said to have a more than common share of attraction. Transparencies on a small scale drawn on silk, have been much admired; but the taste of the artist has been hitherto confined within very narrow bounds. The invention, above named, gives ample scope for the exercise of talents, and from a happy combination of art and nature, the glowing tints are preserved, and the perspective being kept up by a minute attention to trifling objects in the foreground, the general landscape appears with the happiest effects.

The elegance and utility of this article promise to render it of the first estimation in the eyes of the fashionable world. The Queen has already patronised the idea and a set being made already for Buckingham House and Windsor Castle, from drawings taken of different parts of the country to which her Majesty is most attached.

Windsor Castle; David Cox the elder
Windsor Castle; David Cox the elder; Lady Lever Art Gallery

Featured Image

British (English) School; View of Windsor Castle from the River Thames; National Trust, Anglesey Abbey.

Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.

Dido Elizabeth Belle – A new perspective on her portrait

In our previous blog about the turban that Dido Elizabeth Belle was wearing in the portrait of her with her cousin, the Honourable Lady Elizabeth Murray, we mentioned that the portrait was reputed to have been painted by Johann Zoffany and we promised to give you an update with some new information, so here we go.

We now know more about the turban, courtesy of one of our lovely readers, Etienne Daly, who has been diligently researching Dido for some considerable years now.

The turban that Dido was wearing was not merely a fashion statement but was a gift to her from her father, Sir John Lindsay, so it was not part of a portrait ‘costume’ as had been assumed.

Sir John was invested as a Knight of the Bath in an extravagant ceremony in India on 11th March 1771.

A sketch of Sir John Lindsay KB, Prince Of Arcot (and father of Dido Elizabeth Belle), as he would have looked around the time of his investiture at the Chepauk Palace, Madras, India on 11th March 1771 when he was the King's ambassador to India. By Ian Sciacaluga.
A sketch of Sir John Lindsay KB, Prince Of Arcot (and father of Dido Elizabeth Belle), as he would have looked around the time of his investiture at the Chepauk Palace, Madras, India on 11th March 1771 when he was the King’s ambassador to India.

At that time he was presented with ‘a very rich dress of gold brocade, made after the European manner with the star upon the left breast,’ a ring with several titles engraved on it in Persian and a turban, all given by Nawab Muhammed Ali Khan Wallajah. It is also understood that, at the same time, Sir  John was bestowed the title of Prince of Arcot by the ruling Nawab who was an ally of the East India Company.

Muhammad Ali Khan, Nawab of Arcot by Tilly Kettle, c.1772-1776. © Victoria and Albert Museum, London
Muhammad Ali Khan, Nawab of Arcot by Tilly Kettle, c.1772-1776. © Victoria and Albert Museum, London

We think it seems a lovely gesture that she would wear it as a ‘nod’ to her father, in the only known portrait of her. 

Dido Elizabeth Belle

If you look closely at the turban you will notice that it sparkles; it was studded with gold and diamonds. You will also note the presence of a black ostrich feather at the back of the turban. Now, this was a fashion statement! It is also worth mentioning that the fashion of the day was to wear rouge and Dido was no exception to this.

Ostrich feathers were all the rage in the mid-1770s and Dido’s uncle, Viscount Stormont bought some back from Paris in 1774. Perhaps he gave one to Dido and following the fashion, she added it to the turban?

The preposterous head dress, or the featherd lady, 1776.
The preposterous headdress, or the featherd lady, 1776. © The Trustees of the British Museum

Viscount Stormont also presented one to the Duchess of Devonshire on his return, and being the fashion doyenne of the day, she sent the fashion world into a spin by adding it to her hat. This sparked the caricaturists into a frenzy, creating the most elaborate caricatures with the largest of plumes, as you can see above.

The Duchess of Devonshire by Joshua Reynolds.
The Duchess of Devonshire by Joshua Reynolds.

It has to be said that the Duchess of Devonshire was mocked mercilessly and according to the British Museum:

Lady Louisa Stuart wrote in her old age of “the outrageous zeal manifested against the first introduction of ostrich feathers as a headdress. This fashion was not attacked as fantastic or unbecoming or inconvenient or expensive, but as seriously wrong or immoral. The unfortunate feathers were insulted mobbed burned almost pelted…”. 

Massachusetts colonial governor Thomas Hutchinson by Edward Truman
Massachusetts colonial governor Thomas Hutchinson by Edward Truman. Massachusetts Historical Society

When Thomas Hutchinson, Governor of Massachusetts, dined with Lord Mansfield in 1779 he met Dido and recorded the following in his diary:

A black came in after dinner and sat with the ladies, and after coffee, walked with the company in the gardens, one of the young ladies having her arm within the other. She had a very high cap and her wool was much frizzled in her neck, but not enough to answer the large curls now in fashion. She is neither handsome nor genteel – pert enough.

We now move on to look at the artist of the portrait. It has long been reputed to have been painted by Johann (John) Zoffany, but this is now disputed, and to this day it remains ‘artist unknown’.

It is acknowledged that Zoffany went to Europe for several years, finally returning to England at some stage in 1779 the very year that the portrait was reputed to have been painted.

From the account of his life, John Zoffany, R.A. his life and works: 1735-1810, it tells us that he remained in Coblenz well into the summer of 1779. Although not impossible, it certainly would have given him little time to have painted Dido on his return. So, if we discount Zoffany that leaves only a few other possible artists, two of whom we think were feasible. One would be Allan Ramsay’s protégé, David Martin (1737-1797), who was known to the family as he painted the stunning portrait of Lord Mansfield.

William Murray (1705-1793), 1st Earl of Mansfield; David Martin
William Murray (1705-1793), 1st Earl of Mansfield; David Martin; English Heritage, Kenwood

The slight difficulty we have with the portrait of Dido and Lady Elizabeth Murray being painted by Martin is that again there is a question as to whether he was still living in England in 1779 or if he had returned to his native Scotland (although he retained his property in Dartford until 1782). Certainly, we know that in 1780 Martin was in Scotland when he was admitted to the Royal Company of Archers. Again, the dates are tight!

David Martin self-portrait. National Galleries of Scotland
David Martin self-portrait. National Galleries of Scotland

If it was definitively painted in 1779, then it is feasible that he could have at least had some input into the work, especially as Ramsay had severely injured his hand a few years previously which stopped him taking on any major projects.

The other difficulty we have with Martin is that Etienne has checked Lord Mansfield’s accounts. These proved inconclusive.

So, that leaves only the principal painter to the King (George III), Allan Ramsay, and although we don’t have the expertise to validate this, with the research we have done it would appear far more likely that it was painted by him. Why? Well, there are several reasons to suppose this.

Allan Ramsay, self portrait c.1755-1756.
Allan Ramsay, self-portrait c.1755-1756. National Galleries Scotland.

Firstly, we understand that the portrait was commissioned by Lord Mansfield, but there is no record in his accounts of him paying for any such portraiture.

Secondly, given the socially precarious position Dido held in Georgian society, then why not ‘keep it in the family’? Especially when you have an extremely distinguished portrait artist as an uncle to call upon, in the guise of none other than the Scottish portrait painter, Allan Ramsay who was married to Margaret Lindsay, the sister of Sir John Lindsay.

The Artist's Wife: Margaret Lindsay of Evelick, c 1726 - 1782 by Allan Ramsay.
The Artist’s Wife: Margaret Lindsay of Evelick, c 1726 – 1782 by Allan Ramsay. National Galleries Scotland

Thirdly, despite an earlier family ‘falling out’ over Ramsay being not regarded as a suitable match for Sir John’s sister, Margaret, we know that the family had been reconciled and Ramsay was, at this time, close to Dido’s extended family. Amongst his paintings, there was one, if not two portraits of Sir John Lindsay himself, so again, it would seem natural for him to paint his illegitimate daughter. Ramsay also named Lord Mansfield and Sir John Lindsay in his will, another sign of the close familial ties.

Captain Sir John Lindsay (1737-1788) by Allan Ramsay
Captain Sir John Lindsay (1737-1788) by Allan Ramsay; Glasgow Museums

Finally, the posing of the subjects in the painting appears very relaxed and informal as if being painted by someone the girls knew well and were comfortable with.

Hopefully one day someone will be able to validate the artist and settle that unanswered question once and for all, perhaps one for the BBC’s Fake or Fortune to investigate!

To see the portrait of Dido and Lady Elizabeth in situ, it would be well worth a visit to Scone Palace, Perth, Scotland or to the home, where she spent many of her years, Kenwood  House (Caenwood as it was formerly known as), Hampstead.

During our research into the life of Dido, we have also discovered NEW information about Sir John Lindsay’s other illegitimate children and  NEW information about what became of Dido and her husband John Davinieré. To find out more follow the highlighted links.

Sources:

The History of the Royal Company of Archers: The Queen’s Bodyguard for Scotland by Sir James Balfour Paul

General Evening Post, September 14, 1771 – September 17, 1771

English Common Law in the Age of Mansfield, by James Oldham

John Zoffany, R.A. his life and works: 1735-1810

Landscape with Carriage and Horses by William Ashford (1746-1824).

The Georgian Landau

It has been announced that HRH Prince Harry and Meghan Markle have chosen to use the Ascot Landau carriage at their wedding, assuming the weather stays fine, so we thought we would take a very quick look at the Landau, as it was first used in Britain in the 18th-century, but  was named after the German city of Landau in the Rhenish Palatinate where it was first produced. Today, the royal family presently have five Landau’s, all of which are post-Georgian.

Miseries of human life, 1808.
Isaac Cruikshank c1808. Lewis Walpole Library

A Landau is a coachbuilding term for a four-wheeled luxury convertible carriage. Its main feature was that it had a low body which gave maximum visibility of the occupants and their clothing, so ideal for processions and for the gentry in all their finery to be seen by onlookers.

1827-1828 Landau. British Museum
1827-1828 Landau. British Museum

The earliest reference to a Landau being used in England that we have found dates to July 1738 in the London Evening Post.

Last night his Grace the Duke of Marlborough, accompanied by Lord Hervey, Henry Fox Esq and another person of distinction, arrived in town in a landau and six, from Sir Robert Walpole’s seat at Houghton Hall in Norfolk.

Princess Amelia (1711-1786) by Christian Friedrich Zincke, c.1729-30.
Princess Amelia (1711-1786) by Christian Friedrich Zincke, c.1729-30. Royal Collection Trust

Clearly even in the 1750s the public enjoyed catching a glimpse of members of the royal family as this report from Bath in August 1752 describes.

Princess Amelia, (daughter of George II) arrived here in an open Landau, attended by a large retinue, and escorted by some of the Oxford Blues. Her Royal Highness passed through the city and went on to the seat of Ralph Allen Esq. The bells rang, the cannon were fired, and the flag was displayed on the Tower. Her Royal Highness walked publicly about on Saturday and yesterday, and numbers of people flocked from all parts of the country to see her.

1809 - Patent Landau - Ackermann's Repository
1809 – Patent Landau – Ackermann’s Repository

Ascot, was, as it is today, the place to see and to be seen. Amongst others was have a report from June 1786 in the London Chronicle that ‘their majesties were yesterday on the Ascot race ground, in an open Landau, with the younger branches of the Royal family. They partook of a cold repast in their carriage, consisting of ham and chicken’. It seems highly unlikely that Prince Harry and his new bride will be dining in theirs, to be honest!

One clearly had to be looking at one’s best when on display as the comment about the Prince of Wales showed in this report from the Whitehall Evening Post of May 1800 ‘The Prince of Wales, on Friday, took an airing in his open landau and looked considerably better than his Royal Highness has been for some months past.’

The Vis-a-Vis Bisected

It was quite common for the newspapers to report when a member of the aristocracy had a new landau built as can be seen here in this advertisement in the Morning Post, 4th November 1818.It was quite common for the newspapers to report when a member of the aristocracy had a new landau built as can be seen here in this advertisement in the Morning Post, 4th November 1818.

This one gives you an idea of how much they cost from The Suffolk Chronicle; or Weekly General Advertiser & County Express. 13 April 1816

TO BE SOLD

A very handsome Landau Barouche, town-built, nearly new, the property of a gentleman going abroad. Price 80 Guineas.

1816 Landau, wind-up side windows and fore-runner to the convertible car
1816 Landau, wind-up side windows and fore-runner to the convertible car

That was a cheap one in comparison to this one in the Hampshire Chronicle of July 1816 for a Landaulet, which was a cutdown or coupe version of the Landau

TO BE SOLD A BARGAIN

A handsome Landaulet, nearly as good as new on its first wheels; cost 320 guineas – lowest price 200 guineas.

It seems that no expense was spared when a new landau was required.

It seems that no expense was spared when a new landau was required.

Our final image is a sketch of  Landau by the coachbuilders Hooper & Co. Unfortunately, this sketch is not dated, but the company was founded in 1805. The seal says that by then they were ‘coachbuilders to her Majesty and the Prince of Wales’.

Carriage Design: A Square Landau undated Pen and black ink, watercolor and collage Sheet: 5 1/2 × 10 1/4 inches (14 × 26 cm) Yale Center for British Art, Paul Mellon Collection
Carriage Design: A Square Landau undated Pen and black ink, watercolor and collage Sheet: 5 1/2 × 10 1/4 inches (14 × 26 cm) Yale Center for British Art, Paul Mellon Collection

Sources used

London Evening Post (London, England), July 20, 1738 – July 22, 1738

General Advertiser (1744) (London, England), Thursday, August 13, 1752

Featured Image

Landscape with Carriage and Horses – William Ashford – Ulster Museum

Sketch of a ball at Almack's 1815, from The reminiscences and recollections of Captain Gronow, being anecdotes of the camp, court, clubs and society, 1810-1860. Beau Brummell is to the left, deep in conversation with the Duchess of Rutland.

The Cut of the Clothes: A Story of Prinny and Beau Brummell

It is our pleasure to welcome a new guest to our blog. She writes under the nom de plume of Erato. Her latest book is a fictional account of the relationship between Prinny, the Prince of Wales and the infamous George Bryan ‘Beau’ Brummell.

Why should a story about beauty and fashion be about a bunch of men? — When Beau Brummell takes centre stage, what else can the book be about?

The Regency Dandy, Beau Brummell
Beau Brummell

Many modern grooming habits, which we take for granted today, were established by Beau Brummell. These include the exclusively drab colours for men’s formalwear, the absence of lace and frills, and the practice of bathing daily. (Brummell’s bathing habits were so mystifying to the Regency gentlemen that they actually lined up at his house to watch him bathe every morning — a lengthy procedure, as the Beau was quite thorough about it, taking as much as two hours to complete his washing).

A Dandy, c.1818.
A Dandy c.1818. Lewis Walpole Library

In The Cut of the Clothes, we learn about Brummell from the viewpoint of his famous friend and rival, the Prince of Wales, later Prince Regent, later King George IV. It was the Prince’s support that allowed Brummell to claim the sort of influence he obtained over the London ton, but soon the young Beau began to overshadow his mentor’s influence. Famously, when someone once asked what Brummell would do if he lost the Prince’s support, he quipped, I’ll cut young George and make a fashion of the old one. (The old one being the Prince’s father, George III.)

The practice of social “cutting” was what led to perhaps the most famous piece of Brummelliana: when the Prince at last became fed up with Brummell’s insults, he cut Brummell, and made his decision clear at a party.

As it is told in The Cut of the Clothes, from the Prince’s viewpoint:

He had lately won an almost unheard of £20,000 at the table. To commemorate this achievement, he and his core dandy friends were to throw an extravagant ball; one which I daresay must have consumed a goodly portion of the funds it was meant to celebrate having gained. Every body who was any body in the ton was to be there. Frances, Isabella, even Caroline were invited (though I understood the lattermost to have left the country for Italy by then, praise be to God.) Lord Byron would be there. Frederica and my brother were to attend. Not a name was missing from the guest list, but for one. It was mine.

George Gordon, 6th Lord Byron, 1807-1809 by George Sanders.
George Gordon, 6th Lord Byron, 1807-1809 by George Sanders. Royal Collection Trust.

This was surely no oversight; the Beau must have known I had cut him, and have therefore influenced his friends (with whom I was still connected) not to invite me as any guest of their own. And yet, as Prince Regent, I did not need an invitation.

It was like a modern droit du seigneur: if I chose to attend at any ball or assembly, invited or not, it was considered an honor to the hosts to have me there. Naturally, Mr. Brummell was to be at this event, and I surely had no desire to see him again; but I took into consideration how many others whom I dearly loved and wish’d to see, would be there.

Was that wretch to deprive me of my company, of my happiness? Never! I wrote to the hosts of this party, announcing my plans to attend notwithstanding their little oversight about inviting me. There was no need to ask their permission.

George IV when Prince Regent by Sir Thomas Lawrence, 1814.
George IV when Prince Regent by Sir Thomas Lawrence, 1814.
© National Portrait Gallery, London

The fashionable Argyle [also Argyll] Rooms had been rented to accommodate this glorious event. It is a most splendid location: the entrance hall is painted with frescos of Corinthian pilasters and compartments, footed with green marble. It was there, waiting to greet the guests, that I saw my four hosts in all their tasteful finery: Alvanley, Mildmay, Pierrepoint and, naturally, the Beau himself. They were lined up, two to each side, in suits so well tailored that there was not a single wrinkle between them.

It was my polite duty to greet them. I began at the left side, speaking first to Mildmay; then across to Pierrepoint. Beside him was Brummell, eyes glaring at me despite his false smile. I passed him over, making every display of not having noticed him at all, as if the man were no more visible to me than a f–t. People around us saw what I had done; I could feel a sudden chill to course through the whole room. I had just affronted the great Beau Brummell, and made known to everybody my cut of his company. I crossed back to the left to greet Alvanley, and that done, was about to make my way up to the vestibule and stairs.

Then loudly, loudly, oh! so loud, there was a cry from behind my shoulder in the voice which I knew belong’d to Brummell:

            Aw, Alvanley, who is your fat friend?

Every person who stood in that passageway cringed. There was a moment of silence as nobody knew what to do. Then I heard, dreadfully, the rising sound of a giggle: a crescendo that soon became a mighty roar of laughter. Everybody was laughing, and this delight was being had at my expense. Brummell was plainly quite pleased with himself to have thus humiliated me. 

If you have ever wondered “Who was Beau Brummell?” then you might like to read the account of his reign as the king of fashion in The Cut of the Clothes.

 

The Royal Ass, 1780.

A long-eared Aesculapius

Ok, we’ve got you interested now, we had to look up the word! The word Aesculapius being the Latin name for a god of medicine.  Whilst researching asses’ milk we came across a newspaper with that title as its heading.

The story was about a gentleman who took regular exercise on horseback and whose chief drink was asses’ milk. He was asked by an invalid friend, to whom a doctor was daily administering pills and potions, how he managed to keep in such excellent health. The gentleman’s reply was ‘my physician is a horse and my apothecary an ass’.

Whilst the poor ass was mocked by the public during the Georgian era for its stupidity and with comparison made to the Prince Regent, its milk was proving to be very beneficial.

At a time when more and more of us are becoming interested in nutrition and looking for more ‘superfoods’, it’s good to know that the Georgians were no different in their pursuit of a long and healthy life. Asses’ milk was believed to have a beneficial effect on the body, either to bathe in (Cleopatra style) or to drink. Napoleon’s sister is also reported to have used asses’ milk for her skin’s health care.

Pauline Bonaparte by François Joseph Kinson, 1808.
Pauline Bonaparte by François Joseph Kinson, 1808. Museo Napoleonico

It was highly recommended for gout, scurvy, coughs, colds and asthma, however, even then people were aware of the possibility of intolerance, with people raising the issue of ‘lactose intolerance’ even then, although the term itself wasn’t used and that it might cause stomach problems.

One of the main cures for venereal disease at that time was mercury, but who knew – asses’ milk could relieve the side effects of mercury! It was even recommended for women who were in pain after childbirth. For babies, asses’ milk was recommended if they suffered from wind or diarrhoea. It was even used to bathe in to relieve the pain of haemorrhoids too.

According to Oracle Bell’s New World of 1789, asses’ milk mixed with spa water was exceptionally beneficial.

A Glass of Milk; William Redmore Bigg
A Glass of Milk; William Redmore Bigg; Lancashire County Museum Service

Asses’ milk largely went out of fashion in the late 1790s when Sir John Hill’s Pectoral Balsam of Honey replaced it as a ‘cure for all ills’, as, whilst it looked like asses milk it was more palatable, and people were better able to tolerate it.

For those familiar with Teresa Cornleys, ‘the hostess with the mostest’, ultimately she fell out of favour with the great and the good and ended up in prison On her release, she became known as Mrs Smith seller of asses’ milk, in Knightsbridge. Even during this period of her life, she tried to restore her life to its former glory by hosting breakfasts for the people of fashion.

Certain City Macaronies, Drinking Asses Milk, 1770.
Certain City Macaronies, Drinking Asses Milk, 1770. LWL

In 1799, according to Courier and Evening Gazette:

A Parisian Journal says –

We are assured that a remedy had been discovered for disorders of the breast. His remedy is found at St. Domingo, where it is called the gum of the Bois de Cochon. It is produced from a tree, well known in the ci-devant Spanish part of the island. This gum, reduced to oil, and a coffee cup full taken in a basin of asses’ milk, morning and evening, produces a radical cure, provided the disorder is only at its second stage or even at the third. It procures considerable relief. It is for the faculty to judge of this receipt.

Portrait of Maria Luisa of Spain (1745-1792), Holy Roman Empress.
Portrait of Maria Luisa of Spain (1745-1792), Holy Roman Empress.

The St James’s Chronicle of June 1790 reported that the Queen of Hungary’s health was deteriorating since she arrived in Vienna, so much so that the doctors thought it necessary for her to drink asses’ milk.

Featured Image

The Royal Ass, 1780. Yale Centre for British Art

Sources Used

Observations on the theory and cure of venereal disease by John Andree. 1779

An essay concerning the nature of ailments and the choice of them, according to the different constitutions of human bodies by John Arbuthnot. 1731

An essay on the diseases most fatal to infants by George Armstrong. 1767

Daily Journal, Thursday, April 19, 1722

Riot at the King’s Theatre on 1st May 1813

On Saturday 1st May 1813 at the King’s theatre a serious disturbance broke out, proceeding apparently a call from the audience for the reappearance of Madame Catalani, who had withdrawn her services from the theatre as they had not paid her monies owed for previous performances.

Mme Angelique Catalani de Valabregue, J.F. Moeller (1797-1871). 1829
Mme Angelique Catalani de Valabregue, J.F. Moeller, 1829. Courtesy of National Museum of Denmark

At the start of the performance (Pucitta’s La caccia di Enrico IV), there were some hisses and boos, which increased as the performance continued, with calls of ‘Off, Off’ Taylor! Manager’. No-one took any notice and the curtain dropped amidst the noise, which rendered the latter part of the performance inaudible.

After a brief interval, the curtain rose again for the next part of the performance and the boos and hisses grew louder. The performance continued with the actors playing the role of dead French soldiers strewn across the stage, noises began behind the scenes too and the performance stopped. The audience had at this point stormed the stage, the scenery of trees and mountains now began to shake; the ‘dead’ French soldiers got up and joined their companions, the dancers fled the scene like a flock of sheep.

A riot at the King's theatre, Haymarket, London, on 1 May 1813.
A riot at the King’s Theatre, Haymarket, London, on 1 May 1813. Coloured etching by W.H. Brooke after Satirist, 1813. Wellcome Collection

The actors in black formed a complete contrast to the soldiers. Here, in true Buonaparte style, the drop fell, to prevent the public discovery of the chaos ensuing on stage, but they could not hide it all, as the feet of the flying Frenchmen now visible due to the shortness of the drop. The drop was now torn to pieces and the audience discovered the victors who were cheered.

A gentleman now, for the time came forward, surrounded by the storming party, and after much difficulty was heard. He was addressed by an orator or two in the pit and was told that an apology for his misconduct would be expected in all the newspapers. He bowed submissively enough and gave a brief apology to the audience, although this was barely audible. The actors tried to tidy and clear the stage so that the performance could continue, but were stopped in their tracks by a party of guards who entered from the left of the stage with charged bayonets. Another fight broke out until the guards were ordered off the stage by their commanding officer. Some of the performers dressed as soldiers had their weapon thrown into the orchestra among the lamps and desks.  The orchestra panicked and fled the impending danger, gathering up every violin, bassoon and trombone and their music books as fast as possible.

Peace now seemed likely to be restored. Those who have fought bravely moved to the side boxes, shaking hands with those in the lower circle and bowing to those above, as if they had been actors performing a play. But this tranquillity was soon to come to an end as some in the gallery disapproved of the conduct of the conquerors and from among them, a short, young man walked backwards and forwards on the stage, in contempt of remonstrances, with triumphant insolence, shouting some unintelligible words in a vulgar manner. This offender was intoxicated and was dragged to the front of the proscenium and an apology insisted on upon his bended knee, or if he was not prepared to do this he would be thrown off the stage into the orchestra. They managed to get him down onto his knees, but he showed no remorse and was unwilling to apologise. His coat was pulled off, along with his waistcoat and his cravat was grabbed so tightly that he was almost throttled, he was twisted and squeezed about until he apologized properly.

The King's Theatre, Haymarket
The King’s Theatre, Haymarket by Bartholomew Howlett. Courtesy of Yale Center for British Art

All thoughts of resuming the performance were well and truly over, another spokesman made his appearance, none other than Mr Robert ‘Romeo’ Coates. Somewhat surprisingly, he quickly managed to get silence from the audience, which was somewhat surprising as he was usually received with laughter and ridicule (he really was the worst actor of the day).

Lothario, as performed by Mr Coates at the Haymarket Theatre Decemr 9th 1811
Lothario, as performed by Mr Coates at the Haymarket Theatre . © The Trustees of the British Museum

He began:

Ladies and Gentlemen, it is a great misfortune, we must allow, to be deprived of the talents of Madame Catalani, but it is of no use for us to go a rioting.

Here the party on the stage thought fit to be content with their own exertions, and with very little ceremony they drove Mr Coates off the stage. Many now left the stage and retired to the boxes. The clock was just striking twelve and the curtain finally fell.

Mr Coates again attempted to address the audience from the pit, but without any luck at all. The company departed.

Afterwards, the Lord Chamberlain issued an order, that no-one should ever be admitted behind the scenes, under penalty of withdrawing the licence from the theatre.

Sources Used

Windsor and Eton Express 2 May 1813

London Courier and Evening Gazette 3 May 1813

Featured Image

The Gay Lothario, 16th March 1813. Courtesy of the Met Museum

 

Church at Marylebone by James Miller.

Art Detectives: Miss Mary Hatton by George Romney

We came across this portrait by George Romney, in the Frick Collection purely by chance, and wanted to know more about who the sitter was, so off we disappeared down one of our proverbial rabbit hole in search of more information about her.

Miss Mary Finch Hatton by George Romney, 1788.
Miss Mary Finch Hatton by George Romney, 1788. The Frick Collection

Our first port of call was the Frick itself, who were extremely helpful and sent us all the information they had about the painting. So, exactly who was this enigmatic woman?

We knew that  Dido Elizabeth Belle’s cousin Lady Elizabeth Mary Murray had married into the Finch-Hatton family, but we hadn’t come across this lady within the family, which slightly surprised us, as she would have been somewhere around the same sort of age as both Dido and Elizabeth, perhaps a little older, but not much.

Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany. Now attributed to David Martin
Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany. Now attributed to David Martin

Some sources had suggested that the portrait was possibly Lady Elizabeth Murray, but somehow that didn’t seem to fit, we couldn’t see a likeness at all.  There was another suggestion that she was a  different Lady Mary Hatton, the daughter of Daniel Finch-Hatton, 7th Earl of Winchilsea, but it couldn’t possibly be her, as she died in 1761 and the portrait wasn’t painting until 1788, also her appearance confirmed that it had to post-date 1761.

Eventually, we came across a book, Pictures in the Collection of Henry Clay Frick which contained the same portrait and confirmed for us that she was:

Miss Mary Hatton, the daughter of Sir John Finch-Hatton of Longstanton Hall, Cambridgeshire and wife of Hale Wortham Esq.

Further information from Romney’s own ledger tells us the number of sittings it took to complete the painting, where Mary was living at the time and how much was paid.

It seems quite feasible that this was a pre-wedding painting, as Mary married a gentleman named Hale Wortham at St Marylebone, on 4th December 1788, the very year it was painted or perhaps her mother wanted a painting of her daughter as a keepsake.

Church at Marylebone by James Miller.
The church at Marylebone by James Miller. Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

However, with more research, we discovered that even this information wasn’t quite accurate, she was not the daughter of Sir John Finch-Hatton, but his sister and that she was the eldest daughter of Sir Thomas Hatton, 8th Baron of Longstanton, Cambridgeshire (1728-1787).

The marriage allegation for Harriot Askham and Sir Thomas Hatton
The marriage allegation for Harriott Askham and Sir Thomas Hatton

Sir Thomas and his wife Harriott Dingley (daughter of Dingley Askham Esq), married 22nd April 1752 and had 8 children – Mary, in the portrait, was the eldest and born 4th October 1754 at Conington, Cambridgeshire.

Her siblings were Harriet (1755); Frances (1757); John (1758) later to become the 9th Baronet; Elizabeth Ann (1759); Susanna (1761); Anne (1763) and the youngest, Thomas Dingley Hatton (1771) who became the 10th and final Baronet.  When Sir Thomas died in 1788 he helpfully named all his children individually in his will, so we were now certain we had the correct person.

An entry in the Dictionary of National Biography suggests that before Mr Wortham, Mary’s hand in marriage had been sought by Dr Richard Farmer of Emanuel College, Cambridge.

At this time he [Farmer] formed an intimacy with Sir Thomas Hatton, bart., of Long Stanton, Cambridgeshire, and for some time aspired to the hand of his eldest daughter. The marriage was postponed on account of Farmer’s want of means, and when after many years this objection was removed, he found on mature reflection that his habits of life were too deeply rooted to be changed with any chance of perfect happiness to either party. Such is George Dyer’s version of the story; but Cole says: ‘Dr. Coleman told me, 3 May 1782, that he had it from sufficient authority, that Sir Thomas Hatton had refused his eldest daughter to Dr. Farmer, but upon what foundation he knew not. The lady is 27 or 28, and Dr. Farmer about 47 or 48. It will probably be a great mortification to both, as to every one it seemed that their regard for each other was reciprocal. Dr. Farmer’s preferment is equal to 800l. per annum; and I guess the lady’s fortune, there being six daughters and two sons, not very great’

Richard Farmer by George Romney. Emmanuel College, University of Cambridge
Richard Farmer by George Romney. Emmanuel College, University of Cambridge

We still hadn’t worked out where the Finch-Hatton mistake had come from in her name, she was simply Mary Hatton, not Finch-Hatton. Even at her death, there was no reference to the Finch part of her surname. According to the Oxford Journal 1st November 1828 and the London Evening Standard, 21st October 1828:

Mary, relict of the late Colonel Wortham and eldest daughter of Sir Thomas Hatton, Baronet of LongStanton, died 17th October, aged 74.

So we moved on the checking her will which was proven on 20th November 1828. Mary left a number of bequests to each of her living sisters, Anne, Elizabeth Ann, Susanna and Frances, all just named as Hatton, not a ‘Finch-Hatton’ in sight. She also left £200 (which is around £13k in today’s money) to Addenbrookes hospital.

Finally, this led us to the will of one of her siblings, Anne who died in 1832 and in her will she left part of the family estate to a relative – Rev Daniel Heneage Finch-Hatton, the son of Lady Elizabeth Murray, so it seems likely that is where the erroneous addition to Mary’s surname came from, but quite what their connection was to the Finch-Hatton’s we still haven’t managed to confirm, so, more work required!

Sources and Notes:

Dictionary of National Biography, 1885-1900, Volume 18: Farmer, Richard by Thompson Cooper

A Genealogical and Heraldic History of the Extinct and Dormant Baronetcies of England, Ireland and Scotland by John Burke and Bernard Burke, 1841

Pictures in the Collection of Henry Clay Frick: at One East Seventieth Street, New York, 1910

Birth/baptism of Mary and her siblings – Familysearch online

The will of Sir Thomas Hatton (1788) – The National Archives; Kew, England; Prerogative Court of Canterbury and Related Probate Jurisdictions: Will Registers; Class: PROB 11; Piece: 1161

The will of Mary Wortham nee Finch (1828) –  The National Archives; Kew, England; Prerogative Court of Canterbury and Related Probate Jurisdictions: Will Registers; Class: PROB 11; Piece: 1748

The will  of Anne Finch (1832) – The National Archives; Kew, England; Prerogative Court of Canterbury and Related Probate Jurisdictions: Will Registers; Class: PROB 11; Piece: 1799

Hale Wortham died February 19th, 1828 (Cambridge Chronicle and Journal 29 February 1828)

The Duties of a Georgian Footman

A Couple of Antiques or my Aunt and my Uncle.
© The Trustees of the British Museum

A while ago we took a  look at the below stairs roles of the household maid, the laundry maid and the cook, now we come to the role of the footman. Once again, we’re using the information provided by a certain Mrs William Parkes.

Charming well again.
© The Trustees of the British Museum

She firstly explains that the role of the footman varies greatly dependant upon the size of the household and its position within society. In a small household employing only one footman his typical morning would commence with the rougher part of the work of his department such as cleaning cutlery. Next, he would clean the household shoes and brush clothes.

He would also be required to assist the housemaid with cleaning the polished furniture in the library, dining and drawing room.

He would then prepare to serve breakfast by first making himself ready, then by setting the breakfast table, making sure that everything was ready on the table; seeing that the water was on the fire at the proper time so that no delay would arise when the family gathered in the breakfast room.  He would also be responsible for ensuring that crockery was clean by washing the china and ensuring that glassware was as bright as possible. After the family had eaten it was his role to clear everything away and ensure that the breakfast room was tidy. That would largely take up most of his morning, but he also had to be ready to answer the bells in the house and to open the hall door.

The Card Party or the Utility of Paper
© The Trustees of the British Museum

His next job was to wait at table. It was the footman’s responsibility to lay the dinner-cloth, set each place with the correct cutlery, a tumbler, wine-glass and a chair. He also had to announce dinner once everyone was present at the table.

He should remain quiet at all time but be ready to assist as soon as required. Bread, wine or water, when handed round, should be presented with the left hand and upon the left side of the person served. The footman should take care never to reach across the table, nor to put his hand or arm before anyone. He should tread lightly and speak quietly when answering a question.

The Last Gasp; or, toadstools mistaken for mushrooms.
© The Trustees of the British Museum

As great care was required when cleaning cutlery with ivory, ebony or silver handles this role also fell to the footman – there’s nothing more disagreeable than carelessly cleaned cutlery!

A good steady servant will keep his clothes and person clean and neat; he will be particularly careful in washing his hands, being called upon constantly to wait and hand so many various things. In many families, the footman, is very properly, not allowed to deliver any small thing, not even a card or letter, except on a waiter.

© The Trustees of the British Museum
The Favourite Footman; or, Miss Well Mounted. © The Trustees of the British Museum

A good footman, when sent out, will not waste his time but will execute his errands quickly, and return to his business. Punctuality is a very important quality in the footman, who must be ready to serve his master or mistress at any time required.

Within a large establishment, the footman would be under the constant watch of either the housekeeper or the steward and would probably never be seen by the master or mistress.

Kentish Gazette, 20 September 1780.
Kentish Gazette, 20 September 1780.

The newspapers of the day were full of adverts from people seeking employment as a footman and others from employers seeking a footman. The key attributes required appeared to be honesty, cleanliness and sobriety and for the prospective candidate to have worked for their previous employer for at least a year.

Featured Image

Taking an airing at Brighton, the donkies, or the humours of fashion. British Museum

18th Century Bristol

Many people immediately think of places such as Bath, Harrogate and Cheltenham when thinking about iconic eighteenth-century towns and cities, but Bristol still retains much of its Georgian era heritage. Following a trip to the city recently we thought it would be interesting to take a look at some of the old buildings.

Bristol stands on the river Avon and is spanned by the Clifton Suspension Bridge, which opened in 1864, but was based on a design by Isambard Kingdom Brunel in 1753 as a means of crossing the Avon Gorge and the design was contributed to by the inventor, Sarah Guppy.

View of the Avon and Hotwells Showing the Foundations for Windsor Terrace by Thomas Leeso Rowbotham
View of the Avon and Hotwells Showing the Foundations for Windsor Terrace by Thomas Leeso Rowbotham; Bristol Museums, Galleries & Archives.

Bristol was well-known as a centre for trade and was the second largest port until the mid-eighteenth century when Liverpool took over the position as it had more capacity. Bristol’s main trades were in sugar, coffee, tobacco and chocolate which were produced in Caribbean by the slave trade.

One of the main streets in Bristol  that has survived largely intact is that of Corn Street, which now accommodates banks, shops, restaurants and an indoor market, known as St Nicholas Market.

Corn Street, Bristol © Sarah Murden
Corn Street, Bristol © Sarah Murden

Within the market itself there is an old pub, known as the Rummer, which has stood there since 1742 and is still open today.

The Rummer Hotel © Sarah Murden
The Rummer Hotel © Sarah Murden

The building had side structures with two storeys of shops and offices which were used by insurance dealers. One of these became the Corn Exchange and was formally opened on 18th October 1813.

The Exchange, Bristol © Sarah Murden
The Exchange, Bristol © Sarah Murden

From the Cheltenham Chronicle, 28 October 1813

On Monday last the new established Corn Market in the Exchange, Bristol was regularly opened. The boxes in which samples are exhibited upon the plan of Mark Lane, London, form a line on the south side. Considerable business was transacted; and no doubt great benefit will be derived from the establishment. The market days are Monday and Thursday. A very respectable party dined together at the Rummer Tavern, after business was over to celebrate the opening.

The Corn Exchange building which leads into the markets was built around 1740, by John Wood the Elder.  Outside the building are four pillars, known as ‘the nails’.

The Nails, Corn Street, Bristol © Sarah Murden
The Nails, Corn Street, Bristol © Sarah Murden

The oldest pillar is reputed to date back to the end of the Elizabethan era. The second oldest was given by Bristol merchant Robert Kitchen, who died in 1594. The other two are dated 1625 and 1631. On top of the pillars were ‘containers’ with slightly raised edges which were used by merchants, the money would be placed inside the container without risk of it falling out. It is said that the phrase ‘paying on the nail’ originates from the use of these (it’s a great story, but probably not true).

Also, on the front of the building there is a clock, You can see from this photo that there are two ‘minute’ hands, one in red, the other black. The reason for this is that Bristol had its own time which was ten minutes slower than Greenwich Mean Time but, with the advent of the railways, it was necessary to have a standard time, i.e. GMT, but Bristol also retained its own local time.

The Corn Exchange clock, showing the 2nd minute hand, ten minutes behind GMT © Sarah Murden
The Corn Exchange clock, showing the 2nd minute hand, ten minutes behind GMT © Sarah Murden

The Commercial Rooms

The Commercial Rooms, Bristol © Sarah Murden
The Commercial Rooms, Bristol © Sarah Murden

In November 1808 funds were raised to build an exclusive club for merchants to meet. The sum of £10,000 was raised within a 24-hour period, but it wasn’t until February 1810 that adverts began to appear in the newspapers for tradesmen to apply via sealed bids to carry out the work and the first stone was laid on 19th March 1810.  The portico is of the Grecian Ionic order, with the three statues above personifying the City, Commerce and Navigation. The first president of the Commercial Rooms was John Loudon McAdam, the inventor of Tarmac.

Fry’s Chocolate

Those like us who are lovers of chocolate, will be pleased to know that Bristol was also renowned for its chocolate manufacture; way back in the late 1720s Joseph Fry senior invested in an apothecary, Walter Churchman who found the ideal way to produce chocolate and set up a factory, Castle Mills. He then bought the patent and on his death his son, Joseph Storrs Fry inherited the business and eventually in 1847, the Fry’s chocolate cream bar as we know it today was born.

Below is an advert from 1750 for his chocolate detailing how to eat it and its benefits.

Chocolate advert, 1750

Advert for Frys chocolate - Caledonian Mercury 11 May 1801
Advert for Fry’s chocolate – Caledonian Mercury 11 May 1801

Royal York Crescent, Clifton

The Royal Crescent, Bristol perched high above the city. © Sarah Murden
The Royal Crescent, Bristol perched high above the city. © Sarah Murden

The area of Clifton stands above the city and was where the affluent of Bristol live, to avoid the squalor of the city itself in the Georgian Era. The main street was the Royal York Crescent. A plan, known as ‘The Bristol Tontine’ was devised on 26th December 1782 by Mr James Lockier, a merchant, to build the Crescent, consisting of 46 houses. There would be 700 shares at £100 each, after the properties were built they were to be sold making the shareholders a substantial profit.

Their aspect was to be nearly due south with views of the Clifton Hill. Each house was to be 25 feet in front and 54 feet in depth. They would have drawing room 27 feet by 23 feet, dining room 27 feet by 17 feet, with excellent lodging rooms, good offices and everything that can contribute to render them desirable dwellings for families of respectability and consequence, with a spacious terrace and shrubbery in front.

It was a fascinating city to visit and far too much to see to include everything in this post, but hopefully it gives a flavour of the city. It was an amazing to see places that would have been so familiar to our Georgian Heroine who lived there in the early 1800s, both in the city itself and also at Clifton.

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View over the Avon. British School. Bristol Museums, Galleries and Archives

Ann Catley – The Feisty Diva

Ann was born around 1745, one of two daughters born to Robert Catley and his wife Jane. Her younger sibling was Mary, also known as Polly. Family life was not easy, her father was a coachman, then publican of a tavern in Norwood, London. Her mother was a washerwoman and expected Ann to follow in her footsteps. As a young girl, she was expected to help her mother with the laundry, washing it and returning it when clean.

Miss Ann Catley in the Character of Euphrosyne, 1777.
Miss Ann Catley in the Character of Euphrosyne, 1777. Yale Center for British Art, Paul Mellon Fund.

When she was fifteen she was regarded as a talented singer and was apprenticed for £200, to a William Bates, a music teacher. This was the start of her career in the theatre and one to which she would become very accomplished and one which would serve her well. Her first appearance was aged seventeen, at Vauxhall in the summer of 1762 and later that year she appeared for the first time on the stage at Covent Garden and remained with the company until 1784.

Covent Garden Piazza and Market by John Collet
Covent Garden Piazza and Market by John Collet; Museum of London

However, unknown to her father things were not quite as they seemed with Bates, the two did not get on well, and he regarded Ann as difficult and threatened to return her to her father and to sue him, instead in 1763, he sent her to Sir Francis Delaval, allegedly to continue her education, but the reality was somewhat different.

Francis Blake Delaval (1727-1771) (after Joshua Reynolds, 18th century)
Francis Blake Delaval (1727-1771) (after Joshua Reynolds, 18th century); Wikimedia

This whole sorry saga made headline news when a court case ensued, heard before the leading judge of the day, Lord Mansfield who was shocked by what had been going on. Behind the scenes a lawyer had drawn up a contract which stipulated that Bates should receive profits from Ann’s signing, Delaval should pay Bates £200 for Ann.  Ann had effectively been sold as a mistress. The judge was appalled by this and declared that the sale of Ann was grossly against common decency. He ordered that Ann be released from Delaval and that she should not be returned to her father.

During her time with Delaval she reputedly had two children and another, Edward, who, she claimed was the son of King George III’s son Edward, Duke of York, this seems unlikely as he died 1767, and there appears to be no evidence of Ann having children until the end of 1768, but rumours abounded about her having relationships with a variety of gentlemen. Ann was now left to her own devices with three children to provide for she continued working in theatres around Britain, earning significant sums of money, so the likelihood of her need to make money in other ways seems unlikely.

Ann, took her sister Mary in to look after her children, but, by all accounts, she treated her sibling dreadfully. Mary was abused both verbally, Ann had a very sharp tongue and even sharper nails. She frequently caused Mary to have a black eye or a bloody nose.

Ann, did, however, have some sort of moral compass as this anecdote confirms. A married and somewhat debauched gentleman paid a great deal of attention to Ann. Ann repelled his advances, but he kept trying and on this occasion sent her a hamper of champagne of the most expensive champagne money could buy. Ann had had enough of this, she received the hamper with thanks. But that evening she sent it back to his home address, with a card directed to his wife informing her of the fact. At supper that night at dinner, the wife proposed a glass of champagne. Her husband was furious at his wife’s extravagance and she said that it had been given to her as a present and showed him the card, sent by Ann. The outcome of that is left to your imagination.

A Priestess of Bacchus (Anne Catley), c.1779; John Raphael Smith after John Dowman.
A Priestess of Bacchus (Ann Catley), c.1779; John Raphael Smith after John Dowman. Yale Center for British Art, Paul Mellon Collection

Ann was very much the ‘darling of the theatre’ at that time and a fashion icon, with ladies wishing to emulate her, having their hair ‘Catleyfied’. Whilst working in Dublin, there were in 1763, rumours that Ann was pregnant, but if so, no proof of a birth seems to exist, but ‘fake news’ is nothing new. Around 1767, Ann met Francis Lascelles and to the world, they appeared as husband and wife, however, to date, no proof of this marriage exists.

Francis, whether the father to all of Ann’s children or not, Francis accepted responsibility for them when he gave his name as the father at their baptisms. The children were

Rowland (possibly known as Francis)

Rowland Lascelles was born 13th November 1768 and baptised at St James on December 18th 1768
Rowland Lascelles was born 13th November 1768 and baptised at St James on December 18th 1768

Edward Paoli

Edward Paoli, born 25th August 1770, baptised 3rd Sept 1770 at St Martin in the Fields
Edward Paoli, born 25th August 1770, baptised 3rd Sept 1770 at St Martin in the Fields

Hugh

Hugh baptised 6th July 1772 at St Paul's Covent Garden
Hugh baptised 6th July 1772 at St Paul’s Covent Garden

Frances

Frances, baptised 18th April 1774 at St Paul's, Covent Garden
Frances, baptised 18th April 1774 at St Paul’s, Covent Garden

Rowley

Rowley born January 7th, baptised 20th February 1775 at St Martin in the Fields. It would appear that father and son's names were mixed up
Rowley born 7th January, baptised 20th February 1775 at St Martin in the Fields. It would appear that father and son’s names were mixed up

Jane

Jane, born 19th August 1776, baptised 3rd September 1776 at St Martin in the Fields
Jane, born 19th August 1776, baptised 3rd September 1776 at St Martin in the Fields

Elizabeth

Elizabeth born 30th March 1784 baptised 28th April 1784 Percy Chapel St Pancras
Elizabeth born 30th March 1784 baptised 28th April 1784 Percy Chapel St Pancras

Edward Robert

Edward Robert Lascelles born 16th May 1786 baptised 23rd June 1786 at Percy Chapel, St Pancras
Edward Robert born 16th May 1786 baptised 23rd June 1786 at Percy Chapel, St Pancras

Charlotte (always named as their second daughter) and George Robert, for whom no baptisms have been found to date.  Both children were named in her will.

In 1780, some difference had arisen between Ann and the theatre managers concerning the terms upon which she was to be engaged, for the season. One of the managers called upon her, at her lodgings on Drury Lane to settle it. The maid was going to show the gentleman upstairs and to call the mistress ‘No, no’ cried the actress, who was in the kitchen, and heard the Manager’s voice,

‘there is no occasion to show the gentleman to a room, I am busy below making apple dumplings for my brats. You know whether you have a mind to give me the money I ask, or not. I am not one of your fine ladies, who get a cold or a toothache and can’t sing. If you have a mind to give me the money, say so; my mouth shall not open for a farthing less. So good morning to you – and don’t keep the girl there in the passage; for I want her to put the dumplings in the post while I nurse the child’.

We can only assume that Ann got her own way on that occasion as she appeared to do with most things, she was nothing, if not feisty. The couple seemed to live in harmony with their brood and during her later years, Ann had become very charitable and frequently helped the poor with gifts and money.

Helpfully, Ann left a will, which, without saying as much, confirms her status as being unmarried, it was written as Miss Ann Cately (sic). At that time, had she been married her estate would have automatically transferred to her husband, whereas Ann was able to make her own will and left virtually everything including a house that she purchased for her daughters, to her surviving children who she named as Francis (presumably Roland), Rowley, Frances, Charlotte, Jane, George Robert, Elizabeth and Edward Robert.

When Francis Lascelles died some ten years later on 2nd September 1799, he too acknowledged the children so it would appear that they were all well provided for.  Francis, Rowley, Frances, Charlotte, Jane, George Robert, Elizabeth and Edward Robert.

Francis Lascelles buried 13th September 1799 Richmond, St Mary Magdalene, Surrey, aged 54.
Francis Lascelles buried 13th September 1799 Richmond, St Mary Magdalene, Surrey, aged 54.

The couple owned a handsome house near Brentford where Ann was to spend her remaining days until her death in the middle of October 1789 from consumption which she had suffered from for some considerable time. Ann was buried on 14th October 1779 at St Mary’s, Little Ealing as Mrs Ann Lascelles*.

17 October 1789 Norfolk Chronicle
17 October 1789 Norfolk Chronicle

*Source ODNB.

UPDATE 18.4.2018

Thanks to one of our lovely readers we have been alerted to the above portrait which appears to be a relatively unknown painting of Ann (Nancy) Catley. It was loaned by John Rhodes of Potternewton House, Leeds, (a major art collector in the north of England), to the National Exhibition of 1867.

The label on the reverse of the painting records it as having been painted by Sir Joshua Reynolds, We finally managed to track down a record of it exhibited at the above exhibition. So hopefully this really is a portrait of Ann.

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Portrait of Ann Catley courtesy of Lewis Walpole Library

 

Eighteenth Century Agony Aunts, Part Two

We continue our look at the replies to questions by our eighteenth-century agony aunts, we hope you enjoy them. We have to confess, the first one caused much hilarity here at All Things Georgian, both in terms of the question and its response!

Be not over hasty to bury those who die from an apoplexy

Question: A friend of mine was watching her friend who was busy making cheese when he suddenly fell head first into the vat of curd with just his feet sticking out. Someone went to fetch help and managed to get him out. The doctor tried to bleed him, but to no avail, so he was put to bed to get warm, but nothing would revive him, so he was pronounced dead. When it came time to bury him, a knocking could be heard on the coffin. The coffin was opened, and he was alive. Could you tell me how he managed to stay so still as to be presumed dead?

Answer: This must have been a very strong apoplectic fit during which time spirits entered his body, chiefly into his heart, making it seem to have stopped. Our advice is not to be too hasty to bury someone, make sure they are in fact dead first.

The Dead Alive!
The Dead Alive! Lewis Walpole Library

A young woman will not bed with her husband

Question: We have been married for a while now and my wife promised she would never change once married, but now we are married she won’t sleep with me. Can she lawfully do this?

Answer: NO! she entered a contract with you in the presence of God,  ‘to obey, to serve, honour and keep you, in sickness and in health, forsaking all others, as long as you both shall live’, so she is in breach of that contract.

Scene in a Bedchamber; British School, c.1700
Scene in a Bedchamber; British School, c.1700; V&A

A gentleman of 500 pounds a year keeps me company

Question: I am a young woman with about 500 pounds in my account. A very charming young man of about the same wealth keeps me company, but he is adamant that he won’t marry. I love him very much but I’m not sure it is reciprocated. What should I do?

Answer: – Get rid of him, he’s not worth the trouble, look for someone worthy who will love you and marry you.

A beau desires to make himself acceptable to the ladies

Question: You give such wise advice that I simply had to write to you to ask what I need to do to create a good impression of myself amongst the Beau Monde. Please help me.

Answer: From the tone of your question it does sound as if you need some assistance. We would recommend that you are brisk in your repartee; let every action captivate the air, the flourish when taking snuff, the twirl of the wig will work wonders. Be witty, but not impertinent. Make sure that you are right on point when following the fashion of the day. Make sure you write your letters neatly and fold them nicely and ideally add a drop of scent to them. We hope these suggestions will be of assistance to your future happiness.

A young lady with 800 pounds pines for a husband

Question: I live in the country but do visit the town. I have 800 pounds, but I still can’t find myself a husband, why is that?

Answer: We see two issues with this –  firstly, you live in the country so unless you are able to spend more time in the town you will never meet a suitable husband as he will need time to get to know you. Secondly, 800 pounds really isn’t enough to catch a good husband, you need at least 1,000 pounds, so get saving.

In Fashion, Out of Fashion.
In Fashion, Out of Fashion. Lewis Walpole Library

Love more difficult to conceal than reveal

Question: There is a young lady that I am in love with, but I don’t think she even realizes it, she doesn’t know me, and I am not acquainted with anyone in her household. I am going abroad shortly, and I would like her to know before I depart. What should I do?

Answer: It is harder to conceal your feelings than to reveal them, so if she isn’t aware by now of your existence or your feelings by now then we feel that she isn’t worth your trouble.

Lovers in a Landscape by Pieter Jan Van Reysschoot, 1740
Lovers in a Landscape by Pieter Jan Van Reysschoot, 1740

 A wife desires to know if she should live with her husband

Question: My husband has been cheating on me and now has an illegitimate child with the other woman which he denies. He has also had other affairs and has acquired something worse. He says he is sorry and it won’t happen again, so should I forgive him? Your speedy answer is sincerely sought.

Answer:  We would recommend keeping him on a tight rein. If he truly reforms then maybe remain with him, if not, you need a ‘plan B’.

Husband discovered in act of kissing a maid . Courtesy of Lewis Walpole Library
Husband discovered in the act of kissing a maid. Courtesy of Lewis Walpole Library

An ugly old maid

Question: What is unhappier than an ugly old maid?

Answer: It is possible for a handsome young maid, to be unhappier than an ugly old one; for happiness consists in our own mind and not in the opinion of others. Therefore, an ugly old maid, who thinks she neither looks old or ugly is happier than a handsome young maid, who is not content with the beauty nature has given her and is continually trying to improve it.

An Old Maid on a Journey by James Gillray

 

The Misses Van by Lady Salisbury, 1791.

Eighteenth Century Agony Aunts

We came across the following publication which caused us more than a little amusement, so we thought we would share a few snippets with you. The Gentleman and Lady of Pleasure’s Amusement published 1759. The book is a series of questions about eighteenth-century dilemmas with the author(s) offering replies – something akin to agony aunts of the day.

For ease of reading, we have updated the questions and their replies into today’s language. So, here below is a sample of the 80 questions in the book, with more to follow next week.

A woman swearing a child.
A woman swearing a child. Lewis Walpole Library

A young lady is pregnant and not sure how it happened.

Question: I am in the prime of life and not unattractive, one of two daughters to a loving and industrious father. I now think I am pregnant, not sure how or when it happened, but I’m worried that my father will disinherit me.  My question being, is it possible for me to have become pregnant whilst asleep as that is the only way it could have happened, and didn’t know about it? Also, is it legal for me to kill the embryo so that my father doesn’t find out?

Answer: It is highly unlikely that you could have become pregnant without knowing it unless you were very drunk or having a swooning fit. Given that neither of these seem likely, we are sure that you will be fine, so stop worrying about it. In answer to your second question – that would be murder and treated accordingly.

A gentleman in love with two sisters.

Question: I’ve been dating two sisters, both equally beautiful and talented. I know I can’t have them both, what should I do?

Answer: As you appear to love them both, you can’t pretend to either, as we presume you expect a whole heart in return for only half of yours!

The Misses Van by Lady Salisbury, 1791.
The Misses Van by Lady Salisbury, 1791. Yale Center for British Art, Paul Mellon Collection

A young gentleman twice married to one lady

Question: Before I reached the age of consent (21) I married a young lady, without telling my family. Now that I am of the age of consent, can I lawfully marry her a second time in the presence of my parents?

Answer: Yes, effectively you are renewing your vows, it is not illegal to marry the same person twice, it is only illegal to marry someone else whilst still married to the first person.

The Village Wedding, Thomas Falcon Marshall
The Village Wedding, Thomas Falcon Marshall; Fylde Borough Council

An Old Maid has an inclination for a young man

Question: I’m an old maid and going grey, but I’d like to marry a ‘toy boy’, but I’m not sure he would want me, although I have plenty of money, but … there’s a wretched old bachelor in the way who declares his love for me – or perhaps just my money. What should I do?

Answer: As you’re grey already, speed is necessary for any decision, so we’ll reply with haste. Whichever appears first, lock them in, throw away the key and keep them there – haste is paramount.

An advertisement for a husband! Lewis Walpole Library
An advertisement for a husband. Lewis Walpole Library

The Devil

Question: What sex is the devil?

Answer: By his roughness one assumes male, but as he often appears in petticoats, we believe him a hermaphrodite.

A wife wants to read her husband’s mail

Question: Is it acceptable for me to read his mail without his consent?

Answer: Goodness, if you opened his mail once, where could that lead? But seriously, a good husband wouldn’t object to you reading his mail – once opened by him, of course.

Anonymous Letter by Thomas Rowlandson
Anonymous Letter by Thomas Rowlandson. Lewis Walpole Library

I promised to marry her

Question: I made a promise to marry a young lady whilst under the influence of drink, although I didn’t really mean it. My uncle, who is my guardian expects me to marry a young, wealthy widow, what should I do as the young lady says I’m committed to her and that I can’t go back on my promise which I did repeat again when sober?

Answer: Whilst it wasn’t very clever to have proposed to her when under the influence, you did repeat it when sober. Hard luck, you’ve made the commitment, so you must follow it through.

The Proposal by Thomas Clater
The Proposal by Thomas Clater; Stockport Heritage Services

An apprentice to trade for himself

Question: I’m not asking for myself, but, an acquaintance of mine is an apprentice to a surgeon and a friend of his contracted a disease from a young girl. He approached the apprentice for a cure for the condition. The apprentice provided the cure and was paid for it. Is it acceptable for him to keep the payment or should it belong to his master?

Answer: Whilst employed by the master they are duty bound to give it to their master or to advise their master what has occurred and find out how the master wishes to deal with it.

We do hope you have enjoyed some of these anecdotes from our eighteenth-century agony aunts.

The trial of Lord Baltimore for alleged rape

Frederick Calvert was born in the early 1730s, son of Charles Calvert, 5th Baron Baltimore. His father was a Gentleman of the Bedchamber in the service of Frederick Louis, Prince of Wales, the son of King George II. Educated at Eton, Frederick Calvert was subsequently described as being ‘one of their less reputable pupils’ for reasons which will become clear.

Frederick Calvert, 6th Baltimore.
Frederick Calvert, 6th Baltimore. Wikimedia Commons

In his early twenties upon the death of his father, Frederick inherited the title 6th Lord Baltimore and shortly after married Diana Egerton, the daughter of Scroop Egerton, 1st Duke of Bridgewater. This marriage was a disaster and the couple formally separated after only three years of marriage due to his obsession with other women. He was very much a young man of means, spending money like water, taking mistresses left, right and centre, with forging a career full of extravagance and licentiousness.

Frederick Calvert, 6th Lord Baltimore. Courtesy of thepeerage.com
Frederick Calvert, 6th Lord Baltimore. Courtesy of thepeerage.com

It is reputed that his obsession for sexual gratification was such that he converted his house into a something more akin to a seraglio and that it was most certainly not the sort of place that any respectable woman would consider visiting. He even used Elizabeth Griffenberg, wife of Dr Griffenberg and Anne Harvey otherwise known as Anne Darby to find suitable women for his pleasure.

It was in 1768 however, that he found fame, but for all the wrong reasons. In March 1768, he found himself on trial, accused of raping a young woman, Miss Sarah Woodcock. Also accused, as accessories to the fact, were Griffenberg and Harvey.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
A Perspective View of Tower Hill. Yale Center for British Art, Paul Mellon Collection

Sarah, the daughter of Joseph Woodcock was a milliner and lived near Tower Hill in London with her father and sister. It was in November 1767 that Mrs Harvey visited her shop, was impressed by her beauty and recommended her to Lord Baltimore as someone he might enjoy meeting. With that, he visited her shop twice on the pretext of buying articles from her. He then invited her to attend the theatre with him, but she said that due to her strict upbringing she refused to attend such a venue.

Baltimore, not one to accept failure, was alleged to have hatched a plan to get Sarah to his house by using Mrs Harvey, who was to visit Sarah and persuade Sarah to make up a pair of bespoke laced ruffles for a lady who, if she liked them would become a good customer. Harvey called the next day and paid for the ruffles and asked that they plus some other items be brought to her house in Shoreditch, to which Sarah duly complied. Sarah was then persuaded to travel with Harvey to meet the lady she had spoken of. On reaching the destination she was greeted by Baltimore and Dr Griffenberg and persuade to stay for tea. The evening drew on and Sarah explained that her absence would be noticed, and she needed to get home. Somehow, despite her anxiety, Baltimore persuaded Sarah to stay longer and to have supper with them.

A Milliner's Shop.
A Milliner’s Shop. Yale Center for British Art, Paul Mellon Collection

At this stage, Baltimore began to behave improperly toward her with assistance from Harvey and Mrs Griffenberg. Sarah again attempted to leave but was told that no coach could be summoned to take her home and that she would have to stay. They all tried to persuade her to go to bed, but Sarah would not settle and walked about the entire night. In the morning Sarah spotted a young woman walking past the window, she tried to summon her to ask her to let her father know that she was being held there against her will. This attempt to free herself proved unsuccessful.

Baltimore and Dr Griffenberg appeared and were astonished at her behaviour as Baltimore had promised that she could go home at twelve o’clock. Sarah said she wished to leave immediately. Baltimore, on the other hand, had other ideas and declared his undying love for her and showed her a letter he had prepared to send to her father, along with two hundred pounds, reassuring him that his daughter was safe. Sarah disbelieved him, again she tried to reach the window to shout for help but in vain. Sarah by then realised that she could not escape and wept for hours. A letter, it appeared had been sent to her father to meet someone named Smith for Sarah received a reply not from her father, but from her sister.

Sarah was then to spend another night under the roof Baltimore, still distressed, she only calmed when talking to Harvey about a young man who she was very fond of and that they were to settle in business as soon as the marriage should take place.

The following morning Sarah again pleaded with Baltimore to let her go home. At this stage, he became angry and threatened to either throw her out of the window, or send her home in a wheelbarrow, with her petticoats tied over her head, but still, he would not let her leave. Sarah by this time was becoming ill and Baltimore insisted she drink some medicine. After supper he made six several attempts to ravish her within two hours; but she repulsed by him in such a determined manner, that it was impossible for him to accomplish his dishonourable purpose. The following day she was taken to his country estate at Epsom, where she experienced several more acts of indecency. They then returned to London, where Sarah hope to attract the attention of someone she knew in her bid for freedom.

William Murray, 1st Earl of Mansfield by Jean Baptiste van Loo
William Murray, 1st Earl of Mansfield by Jean Baptiste van Loo. © National Portrait Gallery, London

Sarah’s friends, especially a Mr Davis worked out where she might be being held, so went to Baltimore’s house and briefly attracted her attention before Harvey stopped this dialogue. Mr Davis then informed her father of his discovery who immediately took advice from a friend who recommended he apply to Lord Mansfield for a writ of habeas corpus. In the meantime, Baltimore told her that she should see her father and he said he would make a settlement on her for life if she would acknowledge that she had been well treated. This she agreed to, in the hope of obtaining her freedom. She was then told that Mrs Harvey had been taken into custody. The attorney called at Lord Baltimore’s house with a writ of habeas corpus.

A View of Bloomsbury Square in London, 1787.
A View of Bloomsbury Square in London, 1787. Yale Center for British Art, Paul Mellon Collection

Eventually, he was permitted to speak to Sarah and seemingly ascertained that she was there by her own consent, but that she was anxious to see her father. With this he left, but all parties were summoned to Lord Mansfield’s house in Bloomsbury Square, where Sarah was examined by Lord Mansfield and she told him that she was willing to live with his lordship, but that she desperately wished to see her family and friends first until she realised that he had the power to free her from the situation.

Mrs Griffenberg and Harvey were arrested and taken into custody, a warrant was issued for the arrest of Baltimore. Having been apprehended Baltimore and the women were granted bail to appear at trial in Kingston, Surrey.  The case with all its graphic detail was heard and somehow Baltimore appeared totally convincing. It took the jury just one hour and twenty minutes to reach their verdict – all three were found – not guilty.

Have escaped conviction he decided that there was nothing more for him in England, so sold his entire estate, packed his bags and left for Europe accompanied by an entourage of women. In 1770 he wrote his will, perhaps knowing that his life was to be short-lived. To give him his due, he tried to ensure that as many of his illegitimate children would benefit from his estate. Quite whether he made provision for all of them, remains unknown.

On 4th September 1771 Frederick, Lord Baltimore, proprietor and Governor of Maryland died in Naples from a fever.

The City of Naples.
Yale Center for British Art, Paul Mellon Collection

His body was returned to London, where it lay in state at the Great Room of Exeter Exchange on the Strand. After mourners had retired, a mob broke into the room where the body lay, stripped the room of everything and were preparing to throw the corpse and coffin out of the window, but were prevented at the last minute by a guard who spotted them. Ultimately, he was taken for burial in the family vault.

That concludes the life the of Frederick Calvert, but what became of Sarah after her ordeal? Well, reader, you may well be relieved to know that she found happiness as just a few months later, on 2nd August 1768 Sarah’s name appeared in the marriage register at St Botolph Without Bishopsgate.  She married the young man John Davis. If that name looks familiar it is because he was the gentleman referred to in the court case.

Marriage of John Davis to Sarah Woodcock in the presence of her father Joseph
Marriage of John Davis to Sarah Woodcock in the presence of her father Joseph

Sources used:

Manchester Mercury 15 October 1771

Middlesex Journal or Chronicle of Liberty, January 23, 1772 – January 25, 1772

Eton School Archives

The Ipswich Journal 26 October 1771

Newgate Calendar online – full trial

 

Wagers at White’s

White’s is the oldest gentleman’s club in London. It was founded in 1693 when it was a chocolate house where people visited to drink hot chocolate and have a chat. Towards the end of the 1700s White’s took rooms on St. James’s at which time they limited membership to a certain number of male subscribers and remains exclusive today.

In the second half of the Eighteenth Century, the passion for making wagers reached its height, in those days many members of White’s were almost addicted to chance. Men would stake their guineas lavishly on any chance that might occur to them, bets ranged from a few shillings to hundreds of pounds.

White's Club Coat of Arms by Grignion, Charles, 1721-1810, printmaker. Courtesy of Lewis Walpole Library
White’s Club Coat of Arms by Grignion, Charles, 1721-1810, printmaker. Courtesy of Lewis Walpole Library

Never failing subjects for wagers were the duration of a person’s life, the increase of a lady’s family right through to which raindrop on a window pane would reach the bottom first, but curiously enough the Betting Book contained very few wagers on legitimate matters such as sport and athletics. We thought we would share with you some of the bets placed.

William, the 5th Lord Bryon’s love affairs always proved a popular topic for discussion and therefore an obvious choice to place a wager on. Who would he marry?

September 12th, 1746 – Mr James Jeffreys bets Mr John Jeffreys one hundred guineas that Lord Byron is married to Miss Shaw before Michaelmas 1748. If Lord Byron or Miss Shaw die or either of them marries any other person Mr James Jeffreys loses his hundred guineas.

A kick-up at a hazard table! Rowlandson. Courtesy of Lewis Walpole Library
A kick-up at a hazard table! Rowlandson. Courtesy of Lewis Walpole Library

October 20th, 1746 – Mr James Jeffreys bets Mr Fanshaw fifty guineas that Lord Byron is married to Miss Shaw on or before Lady-day next.  A Captain Draper also went five guineas with Mr Jeffreys in this bet.

It appears that Mr James Jeffreys won his bet as Lord Byron did, in fact, marry Miss Elizabeth Shaw, the daughter and heiress of Besthorpe, Norfolk on March 28th, 1747.

A Worn Out Debauchée. Duke of Queensbury. Courtesy of Yale Center for British Art
A Worn Out Debauchée. Duke of Queensbury. Courtesy of Yale Center for British Art

March 3rd, 1784 – The Duke of Queensbury bets Mr Grenville ten guineas that Mr Fox does not stand a poll for Westminster if the parliament should be dissolved within a month from today. If a coalition takes place between Mr Pitt and Mr Fox this bet is to be off.

A more curious bet Mr Talbot bets Mr Beau Brummell five guineas that one of the editors of the three papers, the Examiner, the British Press and the Chronicle, is committed to prison for libellous matter contained in one of the said three papers before March 29th, 1812.

November 18th, 1817 Mr Bouverie bets Ld. Yarmouth a hundred and fifty that H.R.H the Duke of Clarence has not a legitimate child within 2 years of this day.

Mr Bouverie must have won, as the Duke of Clarence, who became King William IV had no legitimate children.

William IV, when Duke of Clarence (1765-1837). Signed and dated 1791 by Richard Cosway. Courtesy of Royal Collection
William IV, when Duke of Clarence (1765-1837). Signed and dated 1791 by Richard Cosway. Courtesy of Royal Collection

On November 4th, 1754, is entered the following wager, Lord Montfort wagers Sir John Bland one hundred guineas that Mr Nash outlives Mr Cibber. This refers to two very old men, Colley Cibber the actor, and Beau Nash. Below this entry is written in a different hand ‘Both Lord M. and Sir John Bland put an end to their own lives before the bet was decided’.

The first of these tragedies took place on New Year’s Day, 1755. Lord Montfort’s death and the circumstances of it attracted great attention.  He had come to the end of his fortune and had spent vast sums of money on his house, lived in extravagance and no doubt lost heavily at White’s.

The final blow seems to have been the loss of sixteen hundred a year by the deaths on the same day of the Earl of Albemarle and Lord Gage, who presumably paid him annuities during their lives. After this, he became reckless and even staked his life on receiving a government appointment. He hoped to be appointed as the governor of Virginia or to be granted Mastership of the Royal Hounds – he received neither. Immediately after this, he enquired of his friends as to the easiest mode of self-destruction. He allayed these suspicions by asking the same friends to dine with him at White’s that evening. He and his friends saw in the new year together. The following morning Lord Montfort sent for his lawyers and witnesses and having made a will, asked if it would hold good even though a man should shoot himself. He was informed that it would. On receiving this, he asked the lawyer to wait for a minute, stepped into an adjoining room and shot himself.

In September of the same year, the second party to this wager, Sir John Bland of Kippax Park, found himself in financial difficulties reputed to be due entirely to gambling. Walpole said that he had flirted away his whole fortune and that during a single sitting had lost about thirty-two thousand pounds. Sir John shot himself on the road from Calais to Paris.

It could be argued that given members ability to bet on virtually anything that possibly they found it difficult to amuse themselves!

Sources Used

London Evening Standard 22 September 1892

Bourke, Algernon Henry, 1854-1922. The history of Whites [with the Betting Book from 1743 to 1878 and a list of members from 1736 to 1892]

Featured Image

A Club of Gentlemen. Yale Center for British Art, Paul Mellon Collection

Hellgate – He Lived for The Moment

Once upon a time, there were three brothers, with the surname Barry and with the nicknames ‘Newgate ’alias Augustus, as this was said to be the only prison he had been in.  Henry, known as ‘Cripplegate’ due to his club foot and then there is the one we are going to look at, Richard Barry, the 7th Earl of Barrymore, better known as ‘Hellgate’ as this was the gateway he was destined to enter.

Richard as a child - how angelic! © National Portrait Gallery, London
Richard as a child – how angelic! © National Portrait Gallery, London

Richard was born 1769, the eldest surviving of the four sons born to the 6th Earl of Barrymore and his wife Lady Amelia Stanhope during their short marriage. As the eldest son, Richard naturally inherited his father’s title when he died in August 1773 in Ireland from a fever.

The death of the 6th Earl left Amelia in their London home at Portman Square, to raise alone, a daughter plus the three boys. The youngest, Augustus was born only a few days before his father’s death.

This must have been a dreadful time for her, so she placed Richard under the care of the Reverend John Tickell, Wargrave, Berkshire until he was old enough to go up to Eton which he duly did from 1784 until he was 18.  However, in 1780 Lady Barrymore, aged just 31, died in France, after a lingering illness, her body, preserved in spirits was returned to England for burial. This left the four children, orphans, who were in part raised by their grandmother, Countess Harrington, who appeared to have little control of them allowing them free reign to do as they pleased, so of course, they ran wild.  The death of both parents must have had a profound effect on the children, especially Richard, which might explain the way he lived the rest of his life, for live his life he did in a way that today we call ‘living life on the edge’.

Scrub & Bonniface, or, Three brave lads against one poor Roscius Newgate invt. ; Cripplegate direxit ; Hellgate fecit. Lewis Walpole Library.
Scrub & Bonniface, or, Three brave lads against one poor Roscius Newgate invt. ; Cripplegate direxit ; Hellgate fecit. Lewis Walpole Library.

He rented a house in Wargrave and with his passion for the theatre he borrowed an advance on his inheritance which he would receive when aged twenty-one and had a theatre built opposite the house to indulge his passion. His inheritance was estimated to be around eleven thousand pounds a year, a nest egg which had been accumulating year on year since the death of his father, so around £190,000 when he reached his majority and from then on around £24,000 per year.

Richard certainly enjoyed the finer things in life and was a prolific gambler, lover of horse racing and of boxing and bare fist fighting, both watching and participating in as well as hosting parties for the great and the good of the day including the Prince Regent. He lived at a time when clubs were all the rage and he was a member of most, and if they did not exist he created them, such as the ‘Two O’Clock Club’, which was named for the hour of the morning they met. The ‘Star and Garter’ which was a tavern they met in.

George IV by Sir Thomas Lawrence. © National Portrait Gallery, London
George IV by Sir Thomas Lawrence. © National Portrait Gallery, London

He had an immense passion for gambling and would gamble on virtually anything. One of his more obscure bets took place in 1788 when the newspapers reported a bet between Richard and the Duke of Bedford, that he could produce a man who could eat a live cat. Quite what the sum of this wager was we may never know but he did win his bet two weeks later by producing a man who tore the cat limb from limb and devoured every morsel.  Later that year Richard continued with another of his passions, that of the theatre by performing at the theatre in Brighton.

A Royal Salute
Courtesy of Yale Center for British Art

On another occasion, he wagered that he could beat a Mr Bullock in a race around Brighton. Richard left the gentleman to set the course, the gentleman was somewhat rotund and set the course in incorporate a very narrow lane that Richard was unaware of. Richard gave him a thirty-five-yard start, then he set off, assuming this race would be easy to win. However, when they reached the narrow lane he could not pass Mr Bullock and so Richard lost the bet.

To add to his many vices, Richard had a fondness for the ladies and they for him in return, after all what was there not to like him, on receiving his inheritance he would be exceptionally wealthy, he was tall, very handsome, excellent physique, charming, witty, a skilled boxer, handy with a sword and an excellent horseman. He even learnt a language, which he was reputedly taught by the Duchess of Bolton, which was unintelligible to anyone who was not a party to the secret language, thereby allowing those ‘in the know’ to converse about everyone around them without them understanding a word of it.