Map of Parson's Green, showing Peterborough House and its surrounding gardens.

Parson’s Green, Fulham: seclusion, secrets and novels

Parson’s Green in Fulham still has two green, open spaces in the heart of its residential area. Back in the eighteenth-century, Fulham was a pleasant rural village outside the bustle of London complete with farms and market gardens that supplied the capital with fruit and vegetables, and Parson’s Green was a hamlet within the manor of Fulham where several fine villas were located.

Parson's Green, Fulham by William Pengree Sherlock, early 19th century.
Parson’s Green, Fulham by William Pengree Sherlock, early 19th century. © The Trustees of the British Museum

Named after the village green and the parsonage where the rectors of St Anne’s, the Fulham parish church lived, it is perhaps best remembered today as the home of the novelist, Samuel Richardson.

Samuel Richardson's House at Parson's Green.
Samuel Richardson’s House at Parson’s Green. © The Trustees of the British Museum

Nearby was Peterborough House, a grand mansion set within large – and once immaculately designed – gardens. The house (originally called Brightwells, or Rightwells) was a large square building with a gallery around the rooftop, many large rooms and furnished with taste; rich frescos decorated the walls and a collection of fine paintings also hung there. Originally a fourteenth-century building, it had been remodelled and rebuilt in the early Stuart style. Passing through several owners, eventually it was inherited by Margaret (née Smith), wife of Thomas Carey, second son of Robert, Earl of Monmouth who refurbished the building and renamed it Villa Carey. By descent it passed to Charles, the celebrated 3rd Earl of Peterborough and Monmouth, and it was under his watch that the house enjoyed its heyday. Alexander Pope was a frequent visitor and a musical academy was instituted by the earl’s second – but secret – wife, the singer, Anastasia Robinson. Although Anastasia and her mother discreetly lived nearby rather than under the earl’s roof, she presided at his side as mistress of the house during entertainments.

Charles Mordaunt, 3rd Earl of Peterborough (1658-1735) by Charles Jervas (c.1675-1739). Burghley House Collections.
Charles Mordaunt, 3rd Earl of Peterborough (1658-1735) by Charles Jervas (c.1675-1739). Burghley House Collections.

Peterborough House passed to the 4th Earl of Peterborough and after his death, his widow Robinaiana (Grace Dalrymple Elliott’s maternal aunt) leased it to Richard Heaviside, a rich Lambeth timber merchant who was climbing the social ladder.

Map of Parson's Green, showing Peterborough House and its surrounding gardens.
Map of Parson’s Green, showing Peterborough House and its surrounding gardens.

Although now fading into disrepair, the real beauty of Peterborough House, the impressive pleasure grounds which surrounded it, were still largely intact. By the 1780s, some of the land had been leased to market gardeners but there remained much of the former glory of this garden, a pleasant wilderness with shady cypress trees, inset with statues and fountains. Beyond the high brick walls on three sides of the mansion, market gardens dominated down to the riverbank while the front of the mansion faced the green with its picturesque pond. It was perfectly secluded and that was perfect for Heaviside’s nefarious activities. As we relate in our latest book, A Georgian Heroine, he abducted – for the second time! – a young girl who was a neighbour of his in Lambeth, Charlotte Williams and had her brought by boat to Peterborough House. You can discover more about Charlotte’s ordeal by clicking here. Suffice to say, it was akin to the plot of Clarissa, one of Samuel Richardson’s novels, the irony in the situation being that Richardson had lived, and written many of his works, in a villa which stood close by Peterborough House in Parson’s Green.

View of Parson's Green, Fulham, 1795. The walls are those surrounding Peterborough House, around the time that Meyrick pulled down the original mansion.
View of Parson’s Green, Fulham, 1795. The walls are those surrounding Peterborough House, around the time that Meyrick pulled down the original mansion. © The British Library

In time, and with the house and estate in ruins (part of the house had been torn down) Heaviside sold Peterborough House to John Meyrick who razed what was still standing to the ground and had a new mansion constructed in its stead.

Peterborough House, Parson's Green, Fulham, after 1797.
Peterborough House, Parson’s Green, Fulham, after 1797.

The parsonage from which the hamlet took its name stood on the west side of the green until it was demolished around 1740 and replaced with two new houses. Writing of it in 1705, Bowack said, “the house in which the rectors of Fulham used to reside, is now very old, and much decayed. There is, adjoining to it, an old stonebuilding, which seems to be of about three hundred or four hundered years standing, and designed for religious use; in all probability, a chapel for the rectors and their domestics. Before the said house is a large common, which, within the memory of several ancient inhabitants now living, was used for a bowling-green”.

Cricket matches were also held on the green; two notable matches between teams from Fulham and Chelsea were contested there in 1731 and 1733.

A game of cricket, unknown artist after Francis Hayman, 18th century.
A game of cricket, unknown artist after Francis Hayman, 18th century. Yale Center for British Art, Paul Mellon Collection

In later years, Maria Fitzherbert, George IV’s ‘clandestine’ wife lived in East End House on the east side of Parson’s Green

Fair at Parson's Green by Thomas Rowlandson.
Fair at Parson’s Green by Thomas Rowlandson. Sothebys

Sources:

Fulham, pp.344-424, The Environs of London: Volume 2, County of Middlesex. Originally published by T Cadell and W Davies, London, 1795

An Infamous Mistress: The Life, Loves and Family of the Celebrated Grace Dalrymple Elliott, Joanne Major and Sarah Murden, Pen and Sword, 2015

A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs, Joanne Major and Sarah Murden, Pen and Sword, 2017

Advertisements

The Duties of a Georgian Footman

A Couple of Antiques or my Aunt and my Uncle.
© The Trustees of the British Museum

A while ago we took a  look at the below stairs roles of the household maid, the laundry maid and the cook, now we come to the role of the footman. Once again, we’re using the information provided by a certain Mrs William Parkes.

Charming well again.
© The Trustees of the British Museum

She firstly explains that the role of the footman varies greatly dependant upon the size of the household and its position within society. In a small household employing only one footman his typical morning would commence with the rougher part of the work of his department such as cleaning cutlery. Next, he would clean the household shoes and brush clothes.

He would also be required to assist the housemaid with cleaning the polished furniture in the library, dining and drawing room.

He would then prepare to serve breakfast by first making himself ready, then by setting the breakfast table, making sure that everything was ready on the table; seeing that the water was on the fire at the proper time so that no delay would arise when the family gathered in the breakfast room.  He would also be responsible for ensuring that crockery was clean by washing the china and ensuring that glassware was as bright as possible. After the family had eaten it was his role to clear everything away and ensure that the breakfast room was tidy. That would largely take up most of his morning, but he also had to be ready to answer the bells in the house and to open the hall door.

The Card Party or the Utility of Paper
© The Trustees of the British Museum

His next job was to wait at table. It was the footman’s responsibility to lay the dinner-cloth, set each place with the correct cutlery, a tumbler, wine-glass and a chair. He also had to announce dinner once everyone was present at the table.

He should remain quiet at all time but be ready to assist as soon as required. Bread, wine or water, when handed round, should be presented with the left hand and upon the left side of the person served. The footman should take care never to reach across the table, nor to put his hand or arm before anyone. He should tread lightly and speak quietly when answering a question.

The Last Gasp; or, toadstools mistaken for mushrooms.
© The Trustees of the British Museum

As great care was required when cleaning cutlery with ivory, ebony or silver handles this role also fell to the footman – there’s nothing more disagreeable than carelessly cleaned cutlery!

A good steady servant will keep his clothes and person clean and neat; he will be particularly careful in washing his hands, being called upon constantly to wait and hand so many various things. In many families, the footman, is very properly, not allowed to deliver any small thing, not even a card or letter, except on a waiter.

© The Trustees of the British Museum
The Favourite Footman; or, Miss Well Mounted. © The Trustees of the British Museum

A good footman, when sent out, will not waste his time but will execute his errands quickly, and return to his business. Punctuality is a very important quality in the footman, who must be ready to serve his master or mistress at any time required.

Within a large establishment, the footman would be under the constant watch of either the housekeeper or the steward and would probably never be seen by the master or mistress.

Kentish Gazette, 20 September 1780.
Kentish Gazette, 20 September 1780.

The newspapers of the day were full of adverts from people seeking employment as a footman and others from employers seeking a footman. The key attributes required appeared to be honesty, cleanliness and sobriety and for the prospective candidate to have worked for their previous employer for at least a year.

Featured Image

Taking an airing at Brighton, the donkies, or the humours of fashion. British Museum

A Mad Dog in a Coffee House, Thomas Rowlandson, 1809.

A brief history of coffee in the Georgian era

Oxford holds the distinction of being the location of the first coffee-house in England; an establishment trading under the sign of the Angel was opened in 1650, acting as a centre for gossip, news and academic discussions in equal measure. Coffee-houses were soon open in London and elsewhere and their popularity grew. Their heyday was the eighteenth-century. In time, they adapted to meet the requirements of their clientele; Lloyd’s Coffee House was a favourite haunt of merchants and sailors and so shipping information was shared and deals conducted. It is better known today as the insurer, Lloyd’s of London. The Grecian Coffee-House in Devereux Court just off Fleet Street catered for the Whigs while the nearby Rainbow attracted Freemasons and French refugee Huguenots. Slaughter’s (later Old Slaughter’s) establishment, on St Martin’s Lane, boasted an artistic clientele while the British Coffee-House on Cockspur Street was popular with the Scots in London and privy to Jacobite plotting. Some, such as Moll King’s coffee-house in Covent Garden, catered for lower tastes.

A Mad Dog in a Coffee House, Thomas Rowlandson, 1809.
A Mad Dog in a Coffee House, Thomas Rowlandson, 1809. Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

So, how to make the perfect cup of Georgian era coffee? Mrs Maria Eliza Rundell, in A New System of Domestic Cookery, 1808, gives us a recipe.

To make Coffee

Put two ounces of fresh ground coffee, of the best quality, into a coffee-pot, and pour eight coffee-cups of boiling water on it; let it boil six minutes, pour out a cupful two or three times, and return it again; then put two or three isinglass-chips into it, and pour one large spoonful of boiling water on it; boil it five minutes more, and set the pot by the fire to keep it hot for ten minutes, and you will have coffee of a beautiful clearness.

Fine cream should always be served with coffee, and either pounded sugar-candy, or fine Lisbon sugar.

If for foreigners, or those who like it extremely strong, make only eight dishes from three ounces.  If not fresh roasted, ay it before a fire until perfectly hot and dry; or you may put the smallest bit of fresh butter into a preserving pan of a small size, and, when hot, throw the coffee in it, and toss it about until it be freshened, letting it be cold before ground.

Isinglass is a clarifying collagen, produced from the swim bladders of fish, prior to 1795 from sturgeon but after that also from cod; nowadays we’d use gelatin.  Lisbon sugar, otherwise known as clayed sugar, was manufactured in the colonies of France, Spain and, as the name suggests, Portugal.  Wet pipe-clay was laid on top of the sugar and water poured over which removed the molasses.  Sugar candy is formed of large crystals of sugar, today known as rock candy or sugar.

Girl with a tray, Philip Mercier, late 1740s.
Girl with a tray, Philip Mercier, late 1740s. The State Hermitage Museum

Coffee, then as now, was a popular breakfast drink and an alternative to chocolate. Mrs Rundell also gives us a recipe for the ideal breakfast coffee.

Coffee Milk

Boil a desert-spoonful of ground coffee, in nearly a pint of milk, a quarter of an hour; then put into it a shaving or two of isinglass, and clear it; let it boil a few minutes, and set it on the side of the fire to grow fine.

This is a very fine breakfast; it should be sweetened with real Lisbon sugar of a good quality.

Breakfast by Jean-Étienne Liotard, c.1752.
Breakfast by Jean-Étienne Liotard, c.1752. Bayerische Staatsgemäldesammlungen – Alte Pinakothek München

While tea was often drunk from a dish, or saucer, coffee (and chocolate) was usually – but not exclusively – drunk from cups with or without handles (often referred to as a coffee can). Saucers of the time were generally deeper than those we use today, and where coffee was tipped from the cup into the saucer, it was possibly in order to cool the drink more quickly.

The Woman Taking Coffee by Louis Marin Bonnet, 1774.
The Woman Taking Coffee by Louis Marin Bonnet, 1774. © President and Fellows of Harvard College

An advert for a sale of chinaware in 1750 suggests that handled coffee cups were sold without saucers and that those with saucers were predominantly intended for breakfast.

A neat assortment of CHINA WARE, consisting of Table and Tea Table China, Soup Dishes, Fruit or Salad ditto, Bowls of all Sizes, Tea Pots, Milk Pots, Spoon Boats, Variety of Tea Cups and Saucers, Handled Coffee Cups, Coffees and Saucers, or Breakfast Cups, Chocolates and Saucers, Water Plates, Bread and Butter, or Breakfast ditto, Quart and Pint Mugs, Coffee Pots, Sauce Boats; with several other Pieces too tedious to mention.

Newcastle Courant, 28th July 1750

We’ve all heard of reading your fortune in the tea leaves in the bottom of your cup, but coffee grounds prove just as useful.

Telling fortunes in coffee grounds, 1790.
Telling fortunes in coffee grounds, 1790. Lewis Walpole Library

Here’s luck in the bottom, dear Jane, only see!

My dream & my coffee in a wedding agree.

But ah! my dear Sister, what fate me befall.

I fear I can wait, for no wedding at all.

In coffee ‘tasseography’ it is generally considered unlucky to read your own cup. If you want to know how to read fortunes in coffee, it is explained here. Wavy lines are good, straight ones bad, circles denote money and human figures are positive omens, as are dogs but other animals are not so lucky.

Three Women Telling Fortune in Coffee, 1780s, Pehr Hilleström.
Three Women Telling Fortune in Coffee, 1780s, Pehr Hilleström.
(Stockholms universitets konstsamling, J. A. Berg Collection #158)

In the 1770s, advertisements began to appear for English coffee, made to a balsamic recipe from herbs, barks and plants which extolled a myriad of health benefits for those who partook. A typical letter of fawning recommendation, published in regional newspapers alongside information on where the coffee could be bought, described the grateful customer as previously suffering from headaches, drowsiness, trembling, belching, wandering pains which flew from one part of the body to another, loss of appetite and more. A canister of this magical coffee, and a cup morning and evening, instantly banished all the complaints. (It perhaps was akin to dandelion coffee, a known coffee substitute.)

Mrs Ellen Sharples by Rolinda Sharples, c.1814.
Mrs Ellen Sharples by Rolinda Sharples, c.1814. Bristol Museum and Art Gallery

Towards the end of the eighteenth-century, in Britain coffee declined somewhat in popularity, losing out to tea which was cheaper and simpler to make.

18th Century Bristol

Many people immediately think of places such as Bath, Harrogate and Cheltenham when thinking about iconic eighteenth-century towns and cities, but Bristol still retains much of its Georgian era heritage. Following a trip to the city recently we thought it would be interesting to take a look at some of the old buildings.

Bristol stands on the river Avon and is spanned by the Clifton Suspension Bridge, which opened in 1864, but was based on a design by Isambard Kingdom Brunel in 1753 as a means of crossing the Avon Gorge and the design was contributed to by the inventor, Sarah Guppy.

View of the Avon and Hotwells Showing the Foundations for Windsor Terrace by Thomas Leeso Rowbotham
View of the Avon and Hotwells Showing the Foundations for Windsor Terrace by Thomas Leeso Rowbotham; Bristol Museums, Galleries & Archives.

Bristol was well-known as a centre for trade and was the second largest port until the mid-eighteenth century when Liverpool took over the position as it had more capacity. Bristol’s main trades were in sugar, coffee, tobacco and chocolate which were produced in Caribbean by the slave trade.

One of the main streets in Bristol  that has survived largely intact is that of Corn Street, which now accommodates banks, shops, restaurants and an indoor market, known as St Nicholas Market.

Corn Street, Bristol © Sarah Murden
Corn Street, Bristol © Sarah Murden

Within the market itself there is an old pub, known as the Rummer, which has stood there since 1742 and is still open today.

The Rummer Hotel © Sarah Murden
The Rummer Hotel © Sarah Murden

The building had side structures with two storeys of shops and offices which were used by insurance dealers. One of these became the Corn Exchange and was formally opened on 18th October 1813.

The Exchange, Bristol © Sarah Murden
The Exchange, Bristol © Sarah Murden

From the Cheltenham Chronicle, 28 October 1813

On Monday last the new established Corn Market in the Exchange, Bristol was regularly opened. The boxes in which samples are exhibited upon the plan of Mark Lane, London, form a line on the south side. Considerable business was transacted; and no doubt great benefit will be derived from the establishment. The market days are Monday and Thursday. A very respectable party dined together at the Rummer Tavern, after business was over to celebrate the opening.

The Corn Exchange building which leads into the markets was built around 1740, by John Wood the Elder.  Outside the building are four pillars, known as ‘the nails’.

The Nails, Corn Street, Bristol © Sarah Murden
The Nails, Corn Street, Bristol © Sarah Murden

The oldest pillar is reputed to date back to the end of the Elizabethan era. The second oldest was given by Bristol merchant Robert Kitchen, who died in 1594. The other two are dated 1625 and 1631. On top of the pillars were ‘containers’ with slightly raised edges which were used by merchants, the money would be placed inside the container without risk of it falling out. It is said that the phrase ‘paying on the nail’ originates from the use of these (it’s a great story, but probably not true).

Also, on the front of the building there is a clock, You can see from this photo that there are two ‘minute’ hands, one in red, the other black. The reason for this is that Bristol had its own time which was ten minutes slower than Greenwich Mean Time but, with the advent of the railways, it was necessary to have a standard time, i.e. GMT, but Bristol also retained its own local time.

The Corn Exchange clock, showing the 2nd minute hand, ten minutes behind GMT © Sarah Murden
The Corn Exchange clock, showing the 2nd minute hand, ten minutes behind GMT © Sarah Murden

The Commercial Rooms

The Commercial Rooms, Bristol © Sarah Murden
The Commercial Rooms, Bristol © Sarah Murden

In November 1808 funds were raised to build an exclusive club for merchants to meet. The sum of £10,000 was raised within a 24-hour period, but it wasn’t until February 1810 that adverts began to appear in the newspapers for tradesmen to apply via sealed bids to carry out the work and the first stone was laid on 19th March 1810.  The portico is of the Grecian Ionic order, with the three statues above personifying the City, Commerce and Navigation. The first president of the Commercial Rooms was John Loudon McAdam, the inventor of Tarmac.

Fry’s Chocolate

Those like us who are lovers of chocolate, will be pleased to know that Bristol was also renowned for its chocolate manufacture; way back in the late 1720s Joseph Fry senior invested in an apothecary, Walter Churchman who found the ideal way to produce chocolate and set up a factory, Castle Mills. He then bought the patent and on his death his son, Joseph Storrs Fry inherited the business and eventually in 1847, the Fry’s chocolate cream bar as we know it today was born.

Below is an advert from 1750 for his chocolate detailing how to eat it and its benefits.

Chocolate advert, 1750

Advert for Frys chocolate - Caledonian Mercury 11 May 1801
Advert for Fry’s chocolate – Caledonian Mercury 11 May 1801

Royal York Crescent, Clifton

The Royal Crescent, Bristol perched high above the city. © Sarah Murden
The Royal Crescent, Bristol perched high above the city. © Sarah Murden

The area of Clifton stands above the city and was where the affluent of Bristol live, to avoid the squalor of the city itself in the Georgian Era. The main street was the Royal York Crescent. A plan, known as ‘The Bristol Tontine’ was devised on 26th December 1782 by Mr James Lockier, a merchant, to build the Crescent, consisting of 46 houses. There would be 700 shares at £100 each, after the properties were built they were to be sold making the shareholders a substantial profit.

Their aspect was to be nearly due south with views of the Clifton Hill. Each house was to be 25 feet in front and 54 feet in depth. They would have drawing room 27 feet by 23 feet, dining room 27 feet by 17 feet, with excellent lodging rooms, good offices and everything that can contribute to render them desirable dwellings for families of respectability and consequence, with a spacious terrace and shrubbery in front.

It was a fascinating city to visit and far too much to see to include everything in this post, but hopefully it gives a flavour of the city. It was an amazing to see places that would have been so familiar to our Georgian Heroine who lived there in the early 1800s, both in the city itself and also at Clifton.

Featured Image

View over the Avon. British School. Bristol Museums, Galleries and Archives

Ann Catley – The Feisty Diva

Ann was born around 1745, one of two daughters born to Robert Catley and his wife Jane. Her younger sibling was Mary, also known as Polly. Family life was not easy, her father was a coachman, then publican of a tavern in Norwood, London. Her mother was a washerwoman and expected Ann to follow in her footsteps. As a young girl, she was expected to help her mother with the laundry, washing it and returning it when clean.

Miss Ann Catley in the Character of Euphrosyne, 1777.
Miss Ann Catley in the Character of Euphrosyne, 1777. Yale Center for British Art, Paul Mellon Fund.

When she was fifteen she was regarded as a talented singer and was apprenticed for £200, to a William Bates, a music teacher. This was the start of her career in the theatre and one to which she would become very accomplished and one which would serve her well. Her first appearance was aged seventeen, at Vauxhall in the summer of 1762 and later that year she appeared for the first time on the stage at Covent Garden and remained with the company until 1784.

Covent Garden Piazza and Market by John Collet
Covent Garden Piazza and Market by John Collet; Museum of London

However, unknown to her father things were not quite as they seemed with Bates, the two did not get on well, and he regarded Ann as difficult and threatened to return her to her father and to sue him, instead in 1763, he sent her to Sir Francis Delaval, allegedly to continue her education, but the reality was somewhat different.

Francis Blake Delaval (1727-1771) (after Joshua Reynolds, 18th century)
Francis Blake Delaval (1727-1771) (after Joshua Reynolds, 18th century); Wikimedia

This whole sorry saga made headline news when a court case ensued, heard before the leading judge of the day, Lord Mansfield who was shocked by what had been going on. Behind the scenes a lawyer had drawn up a contract which stipulated that Bates should receive profits from Ann’s signing, Delaval should pay Bates £200 for Ann.  Ann had effectively been sold as a mistress. The judge was appalled by this and declared that the sale of Ann was grossly against common decency. He ordered that Ann be released from Delaval and that she should not be returned to her father.

During her time with Delaval she reputedly had two children and another, Edward, who, she claimed was the son of King George III’s son Edward, Duke of York, this seems unlikely as he died 1767, and there appears to be no evidence of Ann having children until the end of 1768, but rumours abounded about her having relationships with a variety of gentlemen. Ann was now left to her own devices with three children to provide for she continued working in theatres around Britain, earning significant sums of money, so the likelihood of her need to make money in other ways seems unlikely.

Ann, took her sister Mary in to look after her children, but, by all accounts, she treated her sibling dreadfully. Mary was abused both verbally, Ann had a very sharp tongue and even sharper nails. She frequently caused Mary to have a black eye or a bloody nose.

Ann, did, however, have some sort of moral compass as this anecdote confirms. A married and somewhat debauched gentleman paid a great deal of attention to Ann. Ann repelled his advances, but he kept trying and on this occasion sent her a hamper of champagne of the most expensive champagne money could buy. Ann had had enough of this, she received the hamper with thanks. But that evening she sent it back to his home address, with a card directed to his wife informing her of the fact. At supper that night at dinner, the wife proposed a glass of champagne. Her husband was furious at his wife’s extravagance and she said that it had been given to her as a present and showed him the card, sent by Ann. The outcome of that is left to your imagination.

A Priestess of Bacchus (Anne Catley), c.1779; John Raphael Smith after John Dowman.
A Priestess of Bacchus (Ann Catley), c.1779; John Raphael Smith after John Dowman. Yale Center for British Art, Paul Mellon Collection

Ann was very much the ‘darling of the theatre’ at that time and a fashion icon, with ladies wishing to emulate her, having their hair ‘Catleyfied’. Whilst working in Dublin, there were in 1763, rumours that Ann was pregnant, but if so, no proof of a birth seems to exist, but ‘fake news’ is nothing new. Around 1767, Ann met Francis Lascelles and to the world, they appeared as husband and wife, however, to date, no proof of this marriage exists.

Francis, whether the father to all of Ann’s eleven children or not, accepted responsibility for them when he gave his name as father at their baptisms, the children were Rowland (1768), Edward Paoli (1770), Hugh (1772), Frances (1774), Rowley and Francis (both 1775), Jane (1776), Elizabeth (1784), Edward Robert (1787), Charlotte and George Robert, for whom no baptisms can be found, but who were named in her will.

In 1780, some difference had arisen between Ann and the theatre managers concerning the terms upon which she was to be engaged, for the season. One of the managers called upon her, at her lodgings on Drury Lane to settle it. The maid was going to show the gentleman upstairs and to call the mistress ‘No, no’ cried the actress, who was in the kitchen, and heard the Manager’s voice,

‘there is no occasion to show the gentleman to a room, I am busy below making apple dumplings for my brats. You know whether you have a mind to give me the money I ask, or not. I am not one of your fine ladies, who get a cold or a toothache and can’t sing. If you have a mind to give me the money, say so; my mouth shall not open for a farthing less. So good morning to you – and don’t keep the girl there in the passage; for I want her to put the dumplings in the post while I nurse the child’.

We can only assume that Ann got her own way on that occasion as she appeared to do with most things, she was nothing, if not feisty. The couple seemed to live in harmony with their brood and during her later years, Ann had become very charitable and frequently helped the poor with gifts and money.

Helpfully, Ann left a will, which, without saying as much, confirms her status as being unmarried, it was written as Miss Ann Cately (sic). At that time, had she been married her estate would have automatically transferred to her husband, whereas Ann was able to make her own will and left virtually everything to her surviving children including a house that she purchased for her daughters.

The couple owned a handsome house near Brentford where Ann was to spend her remaining days until her death in 1789 from consumption which she had suffered from for some considerable time.

UPDATE 18.4.2018

Thanks to one of our lovely readers we have been alerted to the above portrait which appears to be a relatively unknown painting of Ann (Nancy) Catley. It was loaned by John Rhodes of Potternewton House, Leeds, (a major art collector in the north of England), to the National Exhibition of 1867.

The label on the reverse of the painting records it as having been painted by Sir Joshua Reynolds, We finally managed to track down a record of it exhibited at the above exhibition. So hopefully this really is a portrait of Ann.

Featured Image

Portrait of Ann Catley courtesy of Lewis Walpole Library

 

Eighteenth Century Agony Aunts, Part Two

We continue our look at the replies to questions by our eighteenth-century agony aunts, we hope you enjoy them. We have to confess, the first one caused much hilarity here at All Things Georgian, both in terms of the question and its response!

Be not over hasty to bury those who die from an apoplexy

Question: A friend of mine was watching her friend who was busy making cheese when he suddenly fell head first into the vat of curd with just his feet sticking out. Someone went to fetch help and managed to get him out. The doctor tried to bleed him, but to no avail, so he was put to bed to get warm, but nothing would revive him, so he was pronounced dead. When it came time to bury him, a knocking could be heard on the coffin. The coffin was opened, and he was alive. Could you tell me how he managed to stay so still as to be presumed dead?

Answer: This must have been a very strong apoplectic fit during which time spirits entered his body, chiefly into his heart, making it seem to have stopped. Our advice is not to be too hasty to bury someone, make sure they are in fact dead first.

The Dead Alive!
The Dead Alive! Lewis Walpole Library

A young woman will not bed with her husband

Question: We have been married for a while now and my wife promised she would never change once married, but now we are married she won’t sleep with me. Can she lawfully do this?

Answer: NO! she entered a contract with you in the presence of God,  ‘to obey, to serve, honour and keep you, in sickness and in health, forsaking all others, as long as you both shall live’, so she is in breach of that contract.

Scene in a Bedchamber; British School, c.1700
Scene in a Bedchamber; British School, c.1700; V&A

A gentleman of 500 pounds a year keeps me company

Question: I am a young woman with about 500 pounds in my account. A very charming young man of about the same wealth keeps me company, but he is adamant that he won’t marry. I love him very much but I’m not sure it is reciprocated. What should I do?

Answer: – Get rid of him, he’s not worth the trouble, look for someone worthy who will love you and marry you.

A beau desires to make himself acceptable to the ladies

Question: You give such wise advice that I simply had to write to you to ask what I need to do to create a good impression of myself amongst the Beau Monde. Please help me.

Answer: From the tone of your question it does sound as if you need some assistance. We would recommend that you are brisk in your repartee; let every action captivate the air, the flourish when taking snuff, the twirl of the wig will work wonders. Be witty, but not impertinent. Make sure that you are right on point when following the fashion of the day. Make sure you write your letters neatly and fold them nicely and ideally add a drop of scent to them. We hope these suggestions will be of assistance to your future happiness.

A young lady with 800 pounds pines for a husband

Question: I live in the country but do visit the town. I have 800 pounds, but I still can’t find myself a husband, why is that?

Answer: We see two issues with this –  firstly, you live in the country so unless you are able to spend more time in the town you will never meet a suitable husband as he will need time to get to know you. Secondly, 800 pounds really isn’t enough to catch a good husband, you need at least 1,000 pounds, so get saving.

In Fashion, Out of Fashion.
In Fashion, Out of Fashion. Lewis Walpole Library

Love more difficult to conceal than reveal

Question: There is a young lady that I am in love with, but I don’t think she even realizes it, she doesn’t know me, and I am not acquainted with anyone in her household. I am going abroad shortly, and I would like her to know before I depart. What should I do?

Answer: It is harder to conceal your feelings than to reveal them, so if she isn’t aware by now of your existence or your feelings by now then we feel that she isn’t worth your trouble.

Lovers in a Landscape by Pieter Jan Van Reysschoot, 1740
Lovers in a Landscape by Pieter Jan Van Reysschoot, 1740

 A wife desires to know if she should live with her husband

Question: My husband has been cheating on me and now has an illegitimate child with the other woman which he denies. He has also had other affairs and has acquired something worse. He says he is sorry and it won’t happen again, so should I forgive him? Your speedy answer is sincerely sought.

Answer:  We would recommend keeping him on a tight rein. If he truly reforms then maybe remain with him, if not, you need a ‘plan B’.

Husband discovered in act of kissing a maid . Courtesy of Lewis Walpole Library
Husband discovered in the act of kissing a maid. Courtesy of Lewis Walpole Library

An ugly old maid

Question: What is unhappier than an ugly old maid?

Answer: It is possible for a handsome young maid, to be unhappier than an ugly old one; for happiness consists in our own mind and not in the opinion of others. Therefore, an ugly old maid, who thinks she neither looks old or ugly is happier than a handsome young maid, who is not content with the beauty nature has given her and is continually trying to improve it.

An Old Maid on a Journey by James Gillray

 

The Misses Van by Lady Salisbury, 1791.

Eighteenth Century Agony Aunts

We came across the following publication which caused us more than a little amusement, so we thought we would share a few snippets with you. The Gentleman and Lady of Pleasure’s Amusement published 1759. The book is a series of questions about eighteenth-century dilemmas with the author(s) offering replies – something akin to agony aunts of the day.

For ease of reading, we have updated the questions and their replies into today’s language. So, here below is a sample of the 80 questions in the book, with more to follow next week.

A woman swearing a child.
A woman swearing a child. Lewis Walpole Library

A young lady is pregnant and not sure how it happened.

Question: I am in the prime of life and not unattractive, one of two daughters to a loving and industrious father. I now think I am pregnant, not sure how or when it happened, but I’m worried that my father will disinherit me.  My question being, is it possible for me to have become pregnant whilst asleep as that is the only way it could have happened, and didn’t know about it? Also, is it legal for me to kill the embryo so that my father doesn’t find out?

Answer: It is highly unlikely that you could have become pregnant without knowing it unless you were very drunk or having a swooning fit. Given that neither of these seem likely, we are sure that you will be fine, so stop worrying about it. In answer to your second question – that would be murder and treated accordingly.

A gentleman in love with two sisters.

Question: I’ve been dating two sisters, both equally beautiful and talented. I know I can’t have them both, what should I do?

Answer: As you appear to love them both, you can’t pretend to either, as we presume you expect a whole heart in return for only half of yours!

The Misses Van by Lady Salisbury, 1791.
The Misses Van by Lady Salisbury, 1791. Yale Center for British Art, Paul Mellon Collection

A young gentleman twice married to one lady

Question: Before I reached the age of consent (21) I married a young lady, without telling my family. Now that I am of the age of consent, can I lawfully marry her a second time in the presence of my parents?

Answer: Yes, effectively you are renewing your vows, it is not illegal to marry the same person twice, it is only illegal to marry someone else whilst still married to the first person.

The Village Wedding, Thomas Falcon Marshall
The Village Wedding, Thomas Falcon Marshall; Fylde Borough Council

An Old Maid has an inclination for a young man

Question: I’m an old maid and going grey, but I’d like to marry a ‘toy boy’, but I’m not sure he would want me, although I have plenty of money, but … there’s a wretched old bachelor in the way who declares his love for me – or perhaps just my money. What should I do?

Answer: As you’re grey already, speed is necessary for any decision, so we’ll reply with haste. Whichever appears first, lock them in, throw away the key and keep them there – haste is paramount.

An advertisement for a husband! Lewis Walpole Library
An advertisement for a husband. Lewis Walpole Library

The Devil

Question: What sex is the devil?

Answer: By his roughness one assumes male, but as he often appears in petticoats, we believe him a hermaphrodite.

A wife wants to read her husband’s mail

Question: Is it acceptable for me to read his mail without his consent?

Answer: Goodness, if you opened his mail once, where could that lead? But seriously, a good husband wouldn’t object to you reading his mail – once opened by him, of course.

Anonymous Letter by Thomas Rowlandson
Anonymous Letter by Thomas Rowlandson. Lewis Walpole Library

I promised to marry her

Question: I made a promise to marry a young lady whilst under the influence of drink, although I didn’t really mean it. My uncle, who is my guardian expects me to marry a young, wealthy widow, what should I do as the young lady says I’m committed to her and that I can’t go back on my promise which I did repeat again when sober?

Answer: Whilst it wasn’t very clever to have proposed to her when under the influence, you did repeat it when sober. Hard luck, you’ve made the commitment, so you must follow it through.

The Proposal by Thomas Clater
The Proposal by Thomas Clater; Stockport Heritage Services

An apprentice to trade for himself

Question: I’m not asking for myself, but, an acquaintance of mine is an apprentice to a surgeon and a friend of his contracted a disease from a young girl. He approached the apprentice for a cure for the condition. The apprentice provided the cure and was paid for it. Is it acceptable for him to keep the payment or should it belong to his master?

Answer: Whilst employed by the master they are duty bound to give it to their master or to advise their master what has occurred and find out how the master wishes to deal with it.

We do hope you have enjoyed some of these anecdotes from our eighteenth-century agony aunts.

Coursers Taking the Field at Hatfield Park, Hertfordshire, the Seat of the Marquess of Salisbury by James Pollard, exhibited 1824. The Marchioness, in the blue livery of the hunt, is in the forefront of the scene, at the age of 73, peering through an eye glass attached to her whip.

An Unconventional Marchioness: The Life of Lady Salisbury

In our earlier blog, looking at entertainments in Regency London, it was remarked that the Marchioness of Salisbury was unusual in opening her house to guests upon a Sunday. She always held a musical conversazione upon that day during the London season, attended by those of high rank and the best musicians.

The Pic-Nic Orchestra. © The Trustees of the British Museum The Marchioness of Salisbury is depicted blowing a french horn while the Earl of Cholmondeley plays the flute.
The Pic-Nic Orchestra. © The Trustees of the British Museum
The Marchioness of Salisbury is depicted blowing a french horn while the Earl of Cholmondeley plays the flute.

Mary Amelia Hill (known as Emily Mary) was born in 1750, the daughter of Wills Hill, 2nd Viscount Hillsborough (later 1st Earl of Hillsborough and 1st Marquess of Downshire). In 1773 she married James Cecil, Viscount Cranborn of Hatfield House, Hertfordshire. Her new husband was the only son and heir of the 6th Earl of Salisbury and, just seven years after their marriage, James became the 7th earl and Emily Mary his countess (the couple were later elevated in the peerage to the 1st Marquess and Marchioness of Salisbury). Lady Salisbury was known as a prominent political hostess (a Tory and a fervent supporter of the monarchy) and was also a keen and talented sportswoman.  It is perhaps unkind to describe her as eccentric, but she certainly paid little heed to many conventional norms as she determinedly walked her own path.

The south east view of Hatfield House, the seat of the Marquess of Salisbury, 1812.
The south east view of Hatfield House, the seat of the Marquess of Salisbury, 1812. Yale Center for British Art, Paul Mellon Collection

Lady Salisbury was seen as the political opposite to the Whig supporting Georgiana, Duchess of Devonshire and noted as a model female canvasser.

Her proceedings have been marked with such delicacy and dignity, as to shame the mobbing conduct of her rivals.

A trendsetter rather than a follower, Lady Salisbury was often to be seen in clothes of her own design and she rode enthusiastically to hounds well into her dotage, dressed in a sky blue riding habit with black collar and cuffs, a hunting cap on her head. Her slight frame belied her strength and she had an almost limitless energy. She took over the ownership of the Hertfordshire hounds in 1793 when her husband was forced by ill-health to resign his mastership and moved the kennels lock, stock and barrel to Hatfield House; they were subsequently known as the Hatfield hounds.

The Marchioness of Salisbury (Diana return'd from the Chace) by James Gillray.
The Marchioness of Salisbury (Diana return’d from the Chace) by James Gillray. © National Portrait Gallery, London

Archery was another of Lady Salisbury’s passions and she was also a talented artist.

The Misses Van by Lady Salisbury, 1791.
The Misses Van by Lady Salisbury, 1791. Yale Center for British Art, Paul Mellon Collection

Described as pretty, witty, intelligent and outspoken, she was married – reasonably happily it would seem – for thirteen years before having four children in quick succession, Georgiana Charlotte Augusta (1786), Emily (1789), James Brownlow William (1792) and Caroline (1793). Sadly, the youngest, Caroline, died in childhood and Lady Salisbury was widowed in 1823.

Mary Amelia 'Emily Mary' Cecil, 1st Machioness of Salisbury (1750 – 1835) by Sir Joshua Reynolds.
Mary Amelia ‘Emily Mary’ Cecil, 1st Marchioness of Salisbury (1750 – 1835) by Sir Joshua Reynolds. Wikimedia Commons

As the years passed and, well into her 70s, Lady Salisbury continued to run rings around people half her age; she was affectionately known as ‘Old Sally’. Even when her eyesight was failing and she had to be tied into her saddle, she still rode with the hunt.

Coursers Taking the Field at Hatfield Park, Hertfordshire, the Seat of the Marquess of Salisbury by James Pollard, exhibited 1824. The Marchioness, in the blue livery of the hunt, is in the forefront of the scene, at the age of 73, peering through an eye glass attached to her whip.
Coursers Taking the Field at Hatfield Park, Hertfordshire, the Seat of the Marquess of Salisbury by James Pollard, exhibited 1824. The Tate.
The Marchioness, in the blue livery of the hunt, is in the forefront of the scene, at the age of 73, peering through an eye glass attached to her whip.

The manner of Old Sally’s death was just as unconventional as her life had been. She had remained at Hatfield House after her husband’s death, living with her son, his wife and her grandchildren in her own apartments consisting of two suites of rooms. At 6 o’clock on the evening of the 27th November 1835, Lady Salisbury, after dressing for dinner, sat down at her writing desk. It is thought that some item of her clothing, perhaps the feathers she was wearing in her hair, caught alight from the three candles burning beside her but, whatever the cause, an intense fire broke out in her suite. By the time it was discovered (by a needlewoman named Brown who noticed the passageway was full of smoke), the room in which Lady Salisbury had been sitting was a mass of flames and so densely filled with smoke that it was impossible for anyone to enter.

A female servant, and one of old Lady Salisbury’s men-servants, attempted to do so; but the man fell down stupefied by the smoke, as soon as he had crossed the threshold, and was with difficulty saved. It appears certain that the fire must have commenced about twenty minutes before it was discovered; and the apartments being all wainscoted, its progress was terrifically rapid. No vestige of the Marchioness was discovered by any one; nor was a sound heard by those who first approached the room, except the moaning of an old favourite dog who was shut up with her.

Lord Salisbury arrived on the scene and had to be forcibly held back from attempts to rush into the flames and save his mother. The west wing of Hatfield House was destroyed and all that remained of the dowager marchioness were a few fragments of bone.

Sources:

Spectator, 5th December 1835

Cecil [née Hill], Mary Amelia [Emily Mary], marchioness of Salisbury by E H Chalus, Oxford Dictionary of National Biography

Tales of English Eccentrics, Tony Grumley-Grennan

Her First Dance, William Quiller Orchardson

A guide to entertaining in Regency London

Social Meetings

The social meetings of the fashionable world consist of balls, musical parties, and routs. The latter appear to be formed on the model of the Italian conversaziones; except that they are in general so crowded, as entirely to preclude conversation. Cards, upon these occasions, are usually provided for the senior part of the company.

An evening party, George Cruikshank.
An evening party, George Cruikshank. The Met

General Expense of these Entertainments

The expense attendant on these entertainments depends entirely on the species of amusement which is provided. If balls are given, the expense is very considerable, as it is usual to give a supper to the company; and if in the early part of the season, April and May, the fruit is necessarily very scarce, and of high price. It is said, that a ball given by the Marquess of Anglesea [sic] cost 1,500l. These repasts are generally provided by some confectioner of repute, at a stipulated sum, (from 400l. to 1,000l.) who also provides chairs, glasses, and plates. The most celebrated of these are Gunter and Grange.

Elegant Company Dancing by Thomas Rowlandson.
Elegant Company Dancing by Thomas Rowlandson. Yale Center for British Art, Paul Mellon Collection

General Time of Assembling

The time for assembling is generally from ten to twelve o’clock, or even later, as many persons visit several of these places in one evening. The hours of departure are various and uncertain; but from balls, the latest being sometimes seven or eight o’clock in the morning before the whole have separated. In this case, it is usual to cause coffee, tea, &c. to be handed to the company.

The Next Dance, George Goodwin Kilburne,
The Next Dance, George Goodwin Kilburne, Wikimedia Commons

Dress

The dress for these entertainments is that of the most reigning fashion. The persons who provide most fashionable for ladies on these occasions, are Mrs Gill, Cork Street; Mrs Griffiths, Little Ryder Street; Mrs Lacon, Albermarle Street; Miss Steward, &c. &c. The principal hairdressers and perfumers are, Woodman, in Piccadilly; Marshall, Wynne, Smyth, Rigge, &c.

Her First Dance, William Quiller Orchardson
Her First Dance, William Quiller Orchardson; Tate

Sunday Parties

Parties on Sundays are not very common. The Marchioness of Salisbury, however, has always a conversazione during the season on that day. It is usually attended by great numbers of persons of rank and distinction, and frequently some eminent musical professors are attendant on the occasion. The Countess St Antonio also sometimes gives musical parties on Sundays.

The Rehearsal, George Goodwin Kilburne
The Rehearsal, George Goodwin Kilburne

Sunday Dinners

Many grand dinners are constantly given on this day.

Regency dinner table.
Image sourced via Pinterest.

Source:

Leigh’s New Picture of London: or, a view of the political, religious, medical, literary, municipal, commercial, and moral state of the British Metropolis: presenting a brief and luminous guide to the stranger, on all subjects connected with general information, business, or amusement. 1818

La Duthé couchée by Lié Louis Périn-Salbreux.

Rosalie Duthé: courtesan, opera dancer and the first ‘dumb blonde’

Courtesan, dancer and – reputedly – the first ‘dumb blonde’, Catherine-Rosalie Duthé was a true eighteenth-century celebrity.

Portrait of a young lady by Jean-Honoré Fragonard, 1770. Traditionally identified as Rosalie Duthé.
Portrait of a young lady by Jean-Honoré Fragonard, 1770. Traditionally identified as Rosalie Duthé. © Carmen Thyssen-Bornemisza Collection on loan at the Museo Nacional Thyssen-Bornemisza

She was born on the 23rd November 1748, in Versailles to Jean-François Gérard, an ‘officier’ or gentleman servant to the king at the royal palace, and his wife, Louise-Rosalie Caumont. At the registration of her birth four days later, Catherine-Rosalie’s father was absent – perhaps away in attendance upon Louis XV – and the official document was signed by her grandmother and Christophe Broilleux, her godfather.

A view of the Palace of Versailles towards the garden.
A view of the Palace of Versailles towards the garden. Yale Center for British Art, Paul Mellon Collection

After being educated at the convent of Saint Aure in Paris she was sent, aged 15, to live with an aunt, Madame Duval. It is claimed that Catherine-Rosalie’s aunt introduced her to two well-known courtesans and actresses, Marie and Géneviève Rinteau of Verrières, the beautiful daughters of a lemonade merchant who caught the eye of men such as Maurice, Count of Saxony. (In 1748, the same year as Catherine-Rosalie’s birth, Marie had given birth to an illegitimate daughter, Marie Aurore by the Count of Saxony.)

Marie Rinteau, called Mademoiselle de Verrières by François Hubert Drouais, 1761.
Marie Rinteau, called Mademoiselle de Verrières by François Hubert Drouais, 1761. Metropolitan Museum of Art

Marie and Géneviève took the young, pink-cheeked and fair-haired Catherine-Rosalie under their wing, and, at their home on the rue de la Chaussée d’Antin, taught her the tricks of their trade. Under their tutelage, she learnt signing, comedy and gallantry. Probably very intelligent, the tag of being the ‘first dumb blonde’ was given as Catherine-Rosalie was lampooned in her day due to her habit of leaving long pregnant pauses before speaking. Soon, the young Mademoiselle Gérard was dancing at the Paris Opera and adopted the name by which she is remembered, Rosalie Duthé.

Mademoiselle Duthé dancing by Jean-Frédéric Schall.
Mademoiselle Duthé dancing by Jean-Frédéric Schall. Sothebys

She had watched Marie and Géneviève profit from their various lovers and determined to follow in their path. Arthur Richard Dillon, Archbishop of Narbonne, the French born son of Count Dillon (an Irish Jacobite), was her first protector; Rosalie was just 17, he was 44.

Many men were then seduced by Rosalie’s youthful beauty and she even captivated the young Duke of Chartres (the future Philippe, Duke of Orléans, Philippe Égalité). With this royal approval, even more men hastened to pay court to Rosalie, and the more lovers she collected, the wealthier she became. Even Christian VII of Denmark, on a visit to Paris, fell for her charms.

Portrait of Rosalie Duthé by Lié Louis Périn-Salbreux, 1775.
Portrait of Rosalie Duthé by Lié Louis Périn-Salbreux, 1775. Collection privée, Foulon de Vaulx

With her new found money and fame, Rosalie was painted by many of the best artists in France. The Count of Artois, youngest brother to Louis XVI (and the future Charles X) saw her portrait and hastened to Paris to court the beauty (his wife, Marie Thérèse of Savoy, was pregnant with their first child at the time).

Every night he came to follow her in the alleys of the Palais-Royal, publicly displaying a passion that he should have hidden for the sake of his rank.

Showering Rosalie with jewels and money, Artois conquered her affections and the two enjoyed a six month affair, from July 1775 to February 1776. One story relates that during these months, Rosalie was turned out of the Champs Elysées by Queen Marie Antoinette when she appeared with her carriage and equipage more sumptuously decorated with rare and expensive flowers than that of the Queen. Marie Thérèse of Savoy could not compete with Rosalie in terms of beauty. Playing on her surname (thé means tea in French) critics unkindly remarked that:

The prince, having had an indigestion with the cake of Savoy, comes to take tea in Paris.

Marie-Thérèse de Savoie, comtesse d'Artois by François Hubert Drouais, c.1775.
Marie-Thérèse de Savoie, comtesse d’Artois by François Hubert Drouais, c.1775. Via Wikimedia

Artois commissioned Lié Louis Périn-Salbreux to paint Rosalie sitting naked on the end of her bath, a work of art which the count displayed in the bathroom at château de Bagatelle, his pleasure house in the Bois de Boulogne.  Another portrait of Rosalie by Périn-Salbreux, possibly also painted for her royal lover, depicts her laying semi-naked on a bed, her hair loose and falling around her shoulders.

La Duthé couchée by Lié Louis Périn-Salbreux, 1775.
La Duthé couchée by Lié Louis Périn-Salbreux, 1775. Reims; musée des beaux-arts

Criss-crossing the Channel, Rosalie entertained a succession of wealthy and influential men both in Paris and in London. Paris was her home though, and it was there that she invested her money is a series of fine mansions but, in 1786, she sailed once again for England, imported, as it were, by George Wyndham, 3rd Earl of Egremont whom she ruined financially.

During the summer of 1786 the 4th Earl of Cholmondeley and Madame Saint-Albin were to be found in Kingsgate at Margate. The earl had been the former lover of Grace Dalrymple Elliott, until that infamous courtesan left for Paris and the arms of the Duke of Orléans. Marie-Françoise Henriette, Madame Saint-Albin had supplanted Grace in the earl’s affections and they were taking the sea air in the same house he had spent a summer of pleasure in with Grace almost a decade earlier. The couple were joined there by Lord Coleraine, another disreputable rake accompanied by his new courtesan of choice, Marie-Françoise Henriette’s countrywoman and compatriot, Rosalie Duthé. The two Frenchwomen moved in England, as they had in France, in similar circles. Mrs Elliott was also Rosalie’s contemporary; they both shared a lover in the person of the Duke of Orléans so were rivals, if not friends.

Presumed portrait of Rosalie Duthé, attributed to Claude-Jean-Baptiste Hoin.
Presumed portrait of Rosalie Duthé, attributed to Claude-Jean-Baptiste Hoin. MFA Boston

Rosalie escaped the terrors of the French Revolution, remaining in safety in England although she was declared an émigré and her house which she had owned since 1775 on rue du Mont-Blanc (at the corner of rue Saint-Lazare, formerly the rue de la Chaussée d’Antin and where she had lived with Marie and Géneviève Rinteau) was forfeit and declared ‘national goods’ in her absence.

She returned to Paris briefly to try to reclaim her property, aided by her friend and banker Jean-Frédéric Perregaux who commissioned a portrait of Rosalie by Danloux which was painted in London during 1792.

Portrait of Mlle Duthé by Henri-Pierre Danloux, c.1792.
Portrait of Mlle Duthé by Henri-Pierre Danloux, c.1792. © MAD, Paris / photo: Jean Tholance

Perregaux was the banker of choice for foreign travellers to Paris including Rosalie’s friend, Lord Cholmondeley and of known spies, as well as of courtesans like Rosalie. He lived on the same Parisian street, the rue de la Chaussée d’Antin. It is said that when Perregaux died, in 1808, he did so while contemplating his portrait of Rosalie Duthé who had remained one of his greatest friends.

Rosalie remained in London until 1816, then returned to Paris. She continued to receive many visitors and lived peacefully although in her later years she was almost blind. She died 24th September 1830 aged 82 years and was buried in the Père-Lachaise cemetery underneath two cedar trees. Rosalie left no will but two of her cousins, Madame Malacrida, a widow living in the Rue Laffitte, and Marie-Angélique Malacrida profited from the sale of her furniture which made 9,000 francs.

Rosalie Duthé by Antoine Vestier
Rosalie Duthé by Antoine Vestier. Bonhams

Notes:

Catherine-Rosalie’s father is named as Jean-Baptiste Gérard in many sources, but on the register of her birth it is Jean-François.

The rue de la Chaussée d’Antin was renamed the rue de Mirabeau in 1793 in honour of the revolutionary leader Honoré Gabriel Riqueti, Count of Mirabeau and then, when Mirabeau was proscribed in 1793, the rue du Mont-Blanc in 1793, but it reverted to its former name in 1815.

Marie Rinteau is the great-grandmother of the writer, George Sand.

Sources:

Souvenirs de Mlle Duthé de l’Opéra (1748-1830), Louis-Michaud, 1909

Archives nationales, Paris

Registres paroissiaux et d’état civil, St Louis, Versailles

The Morning Post, 15th September, 1786

On Blondes by Joanne Pitman, 2004

Christmas Festivities: Tales, Sketches, and Characters with Beauties of the Modern Drama, in Four Specimens by John Poole, 1845

The trial of Lord Baltimore for alleged rape

Frederick Calvert was born in the early 1730s, son of Charles Calvert, 5th Baron Baltimore. His father was a Gentleman of the Bedchamber in the service of Frederick Louis, Prince of Wales, the son of King George II. Educated at Eton, Frederick Calvert was subsequently described as being ‘one of their less reputable pupils’ for reasons which will become clear.

Frederick Calvert, 6th Baltimore.
Frederick Calvert, 6th Baltimore. Wikimedia Commons

In his early twenties upon the death of his father, Frederick inherited the title 6th Lord Baltimore and shortly after married Diana Egerton, the daughter of Scroop Egerton, 1st Duke of Bridgewater. This marriage was a disaster and the couple formally separated after only three years of marriage due to his obsession with other women. He was very much a young man of means, spending money like water, taking mistresses left, right and centre, with forging a career full of extravagance and licentiousness.

Frederick Calvert, 6th Lord Baltimore. Courtesy of thepeerage.com
Frederick Calvert, 6th Lord Baltimore. Courtesy of thepeerage.com

It is reputed that his obsession for sexual gratification was such that he converted his house into a something more akin to a seraglio and that it was most certainly not the sort of place that any respectable woman would consider visiting. He even used Elizabeth Griffenberg, wife of Dr Griffenberg and Anne Harvey otherwise known as Anne Darby to find suitable women for his pleasure.

It was in 1768 however, that he found fame, but for all the wrong reasons. In March 1768, he found himself on trial, accused of raping a young woman, Miss Sarah Woodcock. Also accused, as accessories to the fact, were Griffenberg and Harvey.

A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock and Balmerino on Monday 18 of August 1746.
A Perspective View of Tower Hill. Yale Center for British Art, Paul Mellon Collection

Sarah, the daughter of Joseph Woodcock was a milliner and lived near Tower Hill in London with her father and sister. It was in November 1767 that Mrs Harvey visited her shop, was impressed by her beauty and recommended her to Lord Baltimore as someone he might enjoy meeting. With that, he visited her shop twice on the pretext of buying articles from her. He then invited her to attend the theatre with him, but she said that due to her strict upbringing she refused to attend such a venue.

Baltimore, not one to accept failure, was alleged to have hatched a plan to get Sarah to his house by using Mrs Harvey, who was to visit Sarah and persuade Sarah to make up a pair of bespoke laced ruffles for a lady who, if she liked them would become a good customer. Harvey called the next day and paid for the ruffles and asked that they plus some other items be brought to her house in Shoreditch, to which Sarah duly complied. Sarah was then persuaded to travel with Harvey to meet the lady she had spoken of. On reaching the destination she was greeted by Baltimore and Dr Griffenberg and persuade to stay for tea. The evening drew on and Sarah explained that her absence would be noticed, and she needed to get home. Somehow, despite her anxiety, Baltimore persuaded Sarah to stay longer and to have supper with them.

A Milliner's Shop.
A Milliner’s Shop. Yale Center for British Art, Paul Mellon Collection

At this stage, Baltimore began to behave improperly toward her with assistance from Harvey and Mrs Griffenberg. Sarah again attempted to leave but was told that no coach could be summoned to take her home and that she would have to stay. They all tried to persuade her to go to bed, but Sarah would not settle and walked about the entire night. In the morning Sarah spotted a young woman walking past the window, she tried to summon her to ask her to let her father know that she was being held there against her will. This attempt to free herself proved unsuccessful.

Baltimore and Dr Griffenberg appeared and were astonished at her behaviour as Baltimore had promised that she could go home at twelve o’clock. Sarah said she wished to leave immediately. Baltimore, on the other hand, had other ideas and declared his undying love for her and showed her a letter he had prepared to send to her father, along with two hundred pounds, reassuring him that his daughter was safe. Sarah disbelieved him, again she tried to reach the window to shout for help but in vain. Sarah by then realised that she could not escape and wept for hours. A letter, it appeared had been sent to her father to meet someone named Smith for Sarah received a reply not from her father, but from her sister.

Sarah was then to spend another night under the roof Baltimore, still distressed, she only calmed when talking to Harvey about a young man who she was very fond of and that they were to settle in business as soon as the marriage should take place.

The following morning Sarah again pleaded with Baltimore to let her go home. At this stage, he became angry and threatened to either throw her out of the window, or send her home in a wheelbarrow, with her petticoats tied over her head, but still, he would not let her leave. Sarah by this time was becoming ill and Baltimore insisted she drink some medicine. After supper he made six several attempts to ravish her within two hours; but she repulsed by him in such a determined manner, that it was impossible for him to accomplish his dishonourable purpose. The following day she was taken to his country estate at Epsom, where she experienced several more acts of indecency. They then returned to London, where Sarah hope to attract the attention of someone she knew in her bid for freedom.

William Murray, 1st Earl of Mansfield by Jean Baptiste van Loo
William Murray, 1st Earl of Mansfield by Jean Baptiste van Loo. © National Portrait Gallery, London

Sarah’s friends, especially a Mr Davis worked out where she might be being held, so went to Baltimore’s house and briefly attracted her attention before Harvey stopped this dialogue. Mr Davis then informed her father of his discovery who immediately took advice from a friend who recommended he apply to Lord Mansfield for a writ of habeas corpus. In the meantime, Baltimore told her that she should see her father and he said he would make a settlement on her for life if she would acknowledge that she had been well treated. This she agreed to, in the hope of obtaining her freedom. She was then told that Mrs Harvey had been taken into custody. The attorney called at Lord Baltimore’s house with a writ of habeas corpus.

A View of Bloomsbury Square in London, 1787.
A View of Bloomsbury Square in London, 1787. Yale Center for British Art, Paul Mellon Collection

Eventually, he was permitted to speak to Sarah and seemingly ascertained that she was there by her own consent, but that she was anxious to see her father. With this he left, but all parties were summoned to Lord Mansfield’s house in Bloomsbury Square, where Sarah was examined by Lord Mansfield and she told him that she was willing to live with his lordship, but that she desperately wished to see her family and friends first until she realised that he had the power to free her from the situation.

Mrs Griffenberg and Harvey were arrested and taken into custody, a warrant was issued for the arrest of Baltimore. Having been apprehended Baltimore and the women were granted bail to appear at trial in Kingston, Surrey.  The case with all its graphic detail was heard and somehow Baltimore appeared totally convincing. It took the jury just one hour and twenty minutes to reach their verdict – all three were found – not guilty.

Have escaped conviction he decided that there was nothing more for him in England, so sold his entire estate, packed his bags and left for Europe accompanied by an entourage of women. In 1770 he wrote his will, perhaps knowing that his life was to be short-lived. To give him his due, he tried to ensure that as many of his illegitimate children would benefit from his estate. Quite whether he made provision for all of them, remains unknown.

On 4th September 1771 Frederick, Lord Baltimore, proprietor and Governor of Maryland died in Naples from a fever.

The City of Naples.
Yale Center for British Art, Paul Mellon Collection

His body was returned to London, where it lay in state at the Great Room of Exeter Exchange on the Strand. After mourners had retired, a mob broke into the room where the body lay, stripped the room of everything and were preparing to throw the corpse and coffin out of the window, but were prevented at the last minute by a guard who spotted them. Ultimately, he was taken for burial in the family vault.

That concludes the life the of Frederick Calvert, but what became of Sarah after her ordeal? Well, reader, you may well be relieved to know that she found happiness as just a few months later, on 2nd August 1768 Sarah’s name appeared in the marriage register at St Botolph Without Bishopsgate.  She married the young man John Davis. If that name looks familiar it is because he was the gentleman referred to in the court case.

Marriage of John Davis to Sarah Woodcock in the presence of her father Joseph
Marriage of John Davis to Sarah Woodcock in the presence of her father Joseph

Sources used:

Manchester Mercury 15 October 1771

Middlesex Journal or Chronicle of Liberty, January 23, 1772 – January 25, 1772

Eton School Archives

The Ipswich Journal 26 October 1771

Newgate Calendar online – full trial

 

Wagers at White’s

White’s is the oldest gentleman’s club in London. It was founded in 1693 when it was a chocolate house where people visited to drink hot chocolate and have a chat. Towards the end of the 1700s White’s took rooms on St. James’s at which time they limited membership to a certain number of male subscribers and remains exclusive today.

In the second half of the Eighteenth Century, the passion for making wagers reached its height, in those days many members of White’s were almost addicted to chance. Men would stake their guineas lavishly on any chance that might occur to them, bets ranged from a few shillings to hundreds of pounds.

White's Club Coat of Arms by Grignion, Charles, 1721-1810, printmaker. Courtesy of Lewis Walpole Library
White’s Club Coat of Arms by Grignion, Charles, 1721-1810, printmaker. Courtesy of Lewis Walpole Library

Never failing subjects for wagers were the duration of a person’s life, the increase of a lady’s family right through to which raindrop on a window pane would reach the bottom first, but curiously enough the Betting Book contained very few wagers on legitimate matters such as sport and athletics. We thought we would share with you some of the bets placed.

William, the 5th Lord Bryon’s love affairs always proved a popular topic for discussion and therefore an obvious choice to place a wager on. Who would he marry?

September 12th, 1746 – Mr James Jeffreys bets Mr John Jeffreys one hundred guineas that Lord Byron is married to Miss Shaw before Michaelmas 1748. If Lord Byron or Miss Shaw die or either of them marries any other person Mr James Jeffreys loses his hundred guineas.

A kick-up at a hazard table! Rowlandson. Courtesy of Lewis Walpole Library
A kick-up at a hazard table! Rowlandson. Courtesy of Lewis Walpole Library

October 20th, 1746 – Mr James Jeffreys bets Mr Fanshaw fifty guineas that Lord Byron is married to Miss Shaw on or before Lady-day next.  A Captain Draper also went five guineas with Mr Jeffreys in this bet.

It appears that Mr James Jeffreys won his bet as Lord Byron did, in fact, marry Miss Elizabeth Shaw, the daughter and heiress of Besthorpe, Norfolk on March 28th, 1747.

A Worn Out Debauchée. Duke of Queensbury. Courtesy of Yale Center for British Art
A Worn Out Debauchée. Duke of Queensbury. Courtesy of Yale Center for British Art

March 3rd, 1784 – The Duke of Queensbury bets Mr Grenville ten guineas that Mr Fox does not stand a poll for Westminster if the parliament should be dissolved within a month from today. If a coalition takes place between Mr Pitt and Mr Fox this bet is to be off.

A more curious bet Mr Talbot bets Mr Beau Brummell five guineas that one of the editors of the three papers, the Examiner, the British Press and the Chronicle, is committed to prison for libellous matter contained in one of the said three papers before March 29th, 1812.

November 18th, 1817 Mr Bouverie bets Ld. Yarmouth a hundred and fifty that H.R.H the Duke of Clarence has not a legitimate child within 2 years of this day.

Mr Bouverie must have won, as the Duke of Clarence, who became King William IV had no legitimate children.

William IV, when Duke of Clarence (1765-1837). Signed and dated 1791 by Richard Cosway. Courtesy of Royal Collection
William IV, when Duke of Clarence (1765-1837). Signed and dated 1791 by Richard Cosway. Courtesy of Royal Collection

On November 4th, 1754, is entered the following wager, Lord Montfort wagers Sir John Bland one hundred guineas that Mr Nash outlives Mr Cibber. This refers to two very old men, Colley Cibber the actor, and Beau Nash. Below this entry is written in a different hand ‘Both Lord M. and Sir John Bland put an end to their own lives before the bet was decided’.

The first of these tragedies took place on New Year’s Day, 1755. Lord Montfort’s death and the circumstances of it attracted great attention.  He had come to the end of his fortune and had spent vast sums of money on his house, lived in extravagance and no doubt lost heavily at White’s.

The final blow seems to have been the loss of sixteen hundred a year by the deaths on the same day of the Earl of Albemarle and Lord Gage, who presumably paid him annuities during their lives. After this, he became reckless and even staked his life on receiving a government appointment. He hoped to be appointed as the governor of Virginia or to be granted Mastership of the Royal Hounds – he received neither. Immediately after this, he enquired of his friends as to the easiest mode of self-destruction. He allayed these suspicions by asking the same friends to dine with him at White’s that evening. He and his friends saw in the new year together. The following morning Lord Montfort sent for his lawyers and witnesses and having made a will, asked if it would hold good even though a man should shoot himself. He was informed that it would. On receiving this, he asked the lawyer to wait for a minute, stepped into an adjoining room and shot himself.

In September of the same year, the second party to this wager, Sir John Bland of Kippax Park, found himself in financial difficulties reputed to be due entirely to gambling. Walpole said that he had flirted away his whole fortune and that during a single sitting had lost about thirty-two thousand pounds. Sir John shot himself on the road from Calais to Paris.

It could be argued that given members ability to bet on virtually anything that possibly they found it difficult to amuse themselves!

Sources Used

London Evening Standard 22 September 1892

Bourke, Algernon Henry, 1854-1922. The history of Whites [with the Betting Book from 1743 to 1878 and a list of members from 1736 to 1892]

Featured Image

A Club of Gentlemen. Yale Center for British Art, Paul Mellon Collection

Hellgate – He Lived for The Moment

Once upon a time, there were three brothers, with the surname Barry and with the nicknames ‘Newgate ’alias Augustus, as this was said to be the only prison he had been in.  Henry, known as ‘Cripplegate’ due to his club foot and then there is the one we are going to look at, Richard Barry, the 7th Earl of Barrymore, better known as ‘Hellgate’ as this was the gateway he was destined to enter.

Richard as a child - how angelic! © National Portrait Gallery, London
Richard as a child – how angelic! © National Portrait Gallery, London

Richard was born 1769, the eldest surviving of the four sons born to the 6th Earl of Barrymore and his wife Lady Amelia Stanhope during their short marriage. As the eldest son, Richard naturally inherited his father’s title when he died in August 1773 in Ireland from a fever.

The death of the 6th Earl left Amelia in their London home at Portman Square, to raise alone, a daughter plus the three boys. The youngest, Augustus was born only a few days before his father’s death.

This must have been a dreadful time for her, so she placed Richard under the care of the Reverend John Tickell, Wargrave, Berkshire until he was old enough to go up to Eton which he duly did from 1784 until he was 18.  However, in 1780 Lady Barrymore, aged just 31, died in France, after a lingering illness, her body, preserved in spirits was returned to England for burial. This left the four children, orphans, who were in part raised by their grandmother, Countess Harrington, who appeared to have little control of them allowing them free reign to do as they pleased, so of course, they ran wild.  The death of both parents must have had a profound effect on the children, especially Richard, which might explain the way he lived the rest of his life, for live his life he did in a way that today we call ‘living life on the edge’.

Scrub & Bonniface, or, Three brave lads against one poor Roscius Newgate invt. ; Cripplegate direxit ; Hellgate fecit. Lewis Walpole Library.
Scrub & Bonniface, or, Three brave lads against one poor Roscius Newgate invt. ; Cripplegate direxit ; Hellgate fecit. Lewis Walpole Library.

He rented a house in Wargrave and with his passion for the theatre he borrowed an advance on his inheritance which he would receive when aged twenty-one and had a theatre built opposite the house to indulge his passion. His inheritance was estimated to be around eleven thousand pounds a year, a nest egg which had been accumulating year on year since the death of his father, so around £190,000 when he reached his majority and from then on around £24,000 per year.

Richard certainly enjoyed the finer things in life and was a prolific gambler, lover of horse racing and of boxing and bare fist fighting, both watching and participating in as well as hosting parties for the great and the good of the day including the Prince Regent. He lived at a time when clubs were all the rage and he was a member of most, and if they did not exist he created them, such as the ‘Two O’Clock Club’, which was named for the hour of the morning they met. The ‘Star and Garter’ which was a tavern they met in.

George IV by Sir Thomas Lawrence. © National Portrait Gallery, London
George IV by Sir Thomas Lawrence. © National Portrait Gallery, London

He had an immense passion for gambling and would gamble on virtually anything. One of his more obscure bets took place in 1788 when the newspapers reported a bet between Richard and the Duke of Bedford, that he could produce a man who could eat a live cat. Quite what the sum of this wager was we may never know but he did win his bet two weeks later by producing a man who tore the cat limb from limb and devoured every morsel.  Later that year Richard continued with another of his passions, that of the theatre by performing at the theatre in Brighton.

A Royal Salute
Courtesy of Yale Center for British Art

On another occasion, he wagered that he could beat a Mr Bullock in a race around Brighton. Richard left the gentleman to set the course, the gentleman was somewhat rotund and set the course in incorporate a very narrow lane that Richard was unaware of. Richard gave him a thirty-five-yard start, then he set off, assuming this race would be easy to win. However, when they reached the narrow lane he could not pass Mr Bullock and so Richard lost the bet.

To add to his many vices, Richard had a fondness for the ladies and they for him in return, after all what was there not to like him, on receiving his inheritance he would be exceptionally wealthy, he was tall, very handsome, excellent physique, charming, witty, a skilled boxer, handy with a sword and an excellent horseman. He even learnt a language, which he was reputedly taught by the Duchess of Bolton, which was unintelligible to anyone who was not a party to the secret language, thereby allowing those ‘in the know’ to converse about everyone around them without them understanding a word of it.

His love of women led him to have several liaisons with women, married or otherwise including a Miss Ponsonby who had a connection to the Dukes of Devonshire, but her father put a stop to this liaison as Richard was not a wealthy or possibly suitable match for his daughter. He then had a brief, but intense relationship with a Mary Ann Pearce who benefitted from the luxurious lifestyle, living with him in his splendid house and with her own carriage.

Their relationship came to an end when he eloped in 1792, aged twenty-two, to Gretna Green where he married Charlotte Goulding, the daughter of a London sedan chairman and niece to Lady Letitia (Letty) Lade who had made a scandalous marriage with Sir John Lade, one of the inner circle of the Prince of Wales. In 1791, owing a great deal of money, and in order to stave off his creditors, Richard decided to become a member of Parliament for Heytesbury.

Letitia, Lady Lade by George Stubbs, 1793. Royal Collection
Letitia, Lady Lade by George Stubbs, 1793. Royal Collection

He was a Captain in the Royal Berkshire Militia and had been driving a gig which was taking French prisoners of war to Dover when his musket accidentally discharged. He was buried at Wargrave, Berkshire on 17th March 1793, so didn’t quite make it to his 24th birthday. Even after his death, there were rumours that he had been buried in secret to prevent his creditors from taking his corpse until his considerable debts had been paid. As he died intestate his estate was administered in March 1794 and valued at under £5,000, so did he gamble away all his wealth? It certainly would appear to be the case.

Sources Used

Pasquin, Anthony. The life of the late Earl of Barrymore

A Personal Observer. Truth Opposed to Fiction: Or, An Authentic and Impartial Review of the Life of the Late, Right Honourable the Earl of Barrymore

Saint Martin in the Fields, Westminster, marriage register

The Ipswich Journal 18 September 1773

Stamford Mercury 11 April 1788

Ipswich Journal 29 August 1789

Bury and Norwich Post 23 September 1789

Featured Image

Theatrical peer of Berks/ Theatrical peer of Berkshire. Courtesy of Lewis Walpole Library

An Elephant Never Forgets

The adage that an elephant never forgets seems very appropriate given the following accounts.

The scientific elephant now displays his sagacity and the uncommon improvement of his natural powers, at Pidcock’s Grand Menageries, Exeter ‘Change, Strand, where, at the desire of the company and command of the keeper, he exhibits a perfect knowledge of the value of different pieces of money; tells with the greatest precision the hour and minutes of the day, when shown a watch by any of the spectators; locks and unlocks doors, takes off and puts on any lady’s or gentleman’s bonnet or hat, that he may be requested of him, with a great and pleasing variety of other performances. His improvement in the space of the last six months exceeds all belief.

Courtesy of Yale Center for British Art
Courtesy of Yale Center for British Art

In another story to confirm that an elephant never forgets, we offer this account which was reported in an English newspaper, although the event took place in Paris, 1799.

A sentinel on duty at the menagerie, agreeably to the orders he had received, was always particularly careful to caution the visitors not to feed the elephants. However, his behaviour was not calculated to gain him the favour of the elephants. One of the females especially resented his officious zeal to enforce his orders and several times she attempted to correct his bad habits by throwing water on his head with her trunk.

A few days ago, a great number of people came to see the elephants, which the latter considered a fine opportunity to receive, by stealth, plenty of scraps of bread. Unfortunately, for her, however, the officious sentinel was on guard that day.

The female took her station beside him, watched all his words and gestures, and the first time he began to give his usual notice she squirted him in the face with her trunk full of water much to the immense amusement of the audience. The sentinel quietly wiped his face and retiring a little way, he continued to give his notice to everyone informing them not to give any bread to the elephants and the elephants were likewise instructed not to take any.

This time, however, the female was ready and waiting, she took hold of his musket, whirled it around with her trunk, then trod on it, it was not until she had twisted it like a screw did she return it.

Destruction of the noble elephant at Mr Cross's, Exeter 'Change
Courtesy of Lewis Walpole

From the Bath Chronicle of August 1791, we offer a somewhat tragic story.

Among the elephants that were sent to Madras with the troops in 1781, under the command of the late Colonel Pearce, there was apparently one keeper who it was reported was quite neglectful and who pilfered from his drams on the line of march. Upon every such occasion, the elephant discovered signs of anger and resentment, as if he was insensible to negligence, nor ignorant of the mal-practices, of his keeper.

One morning the cattle etc. were ordered to be mustered for review and when the commanding officer, in going along the line, passed in front of the elephant, the animal roared out as if to attract the commanding officer’s attention. When he caught the eye of the Colonel the elephant took hold of his keeper with his trunk, put him under his feet and instantly crushed him to death.

The elephant then immediately fell upon his knees and salaamed to the Colonel for pardon. The singularity of this act induced Colonel Pearce to make an immediate enquiry respecting it, when he learnt that the elephant had been forced, contrary to his natural disposition, to inflict this punishment on his keeper, for the incorrigible neglect he was prone to commit and the frauds practised on his daily allowance. Unfortunately, we do not know the outcome of this investigation, but punishment had already been served.

 

The Bum Shop, 1785 Lewis Walpole Library

False Rumps!

Fashions are continually changing but briefly, during the 1770s and early 1780s, women wore the most amazing items known as false rumps. They were large pieces of cork worn in ‘pockets’ under the straps of their stays, which enhanced the lady’s posterior and made her waist look smaller and more delicate. Think Kim Kardashian: does she know that she would have been the ultimate late eighteenth-century fashion icon, we wonder? False rumps were mocked mercilessly by the press and in satirical caricatures (the old-fashioned way of breaking the internet!), and there was even a suggestion that they should be taxed to raise money for the government.

Captain Cork Rump. Yale Center for British Art
Courtesy of Yale Center for British Art

Surely, they can’t have been comfortable but, on at least one occasion, the wearing of a cork rump acted as a life preserver (Norfolk Chronicle 04 July 1778).

On Sunday evening a very ludicrous accident happened at Henley upon Thames. A large party from town went after tea to enjoy the coolness of the evening on the banks of the river. Youth and spirits hurried them into such sallies of vivacity, that in running with too much precipitation, a lady’s foot tripped and she fell into the Thames. The consternation was general; but somehow everyone was surprised to see her swim like a fishing float, half immersed, and half above the water. It seems that the lady had been furnished with an immoderate sized cork rump, which buoyed her up so completely that she looked like Venus rising from the water. She was towed to shore by a gentleman’s cane without the least injury but wet petticoats.

So, fashion it seems did have its uses.

Chloe's Cushion, or, the Cork Rump. © The Trustees of the British Museum
Chloe’s Cushion, or, the Cork Rump. © The Trustees of the British Museum

Your fake derriere was also a great place to hide contraband according to a report from Paris:

The present fashionable protuberances, so much in vogue among the females, have by the adroitness of two dressy fair ones of this capital, been turned to a profitable instead of expensive fashion and gave rise to a laughable adventure: the females in question had contrived to fill bladders with brandy, which they substituted for cork, wool wire etc and thus equipped in the most outré prominence of the mode, they passed several times daily unsuspected through the gates of Paris, smuggling no inconsiderable quantity of brandy.  The frequency of their excursions caused suspicion among the officers at the gates, who attempted to touch their garments, but this was resisted by the fair ones with every appearance of affected modesty. However, one of the officers, having sufficient information of what was going on determined to detect them, and providing himself with a sharp pointed instrument, he slyly pierced what nowadays is usually made from cork, when lo! A fountain of brandy played from the orifice to the great diversion of the spectators, and to no small confusion of the fair one. The result was rather serious, as they were both confined; and there are now actually females at the gates, whose business it is as decently as possible, to examine into the protuberances of such ladies as appear to be in outré of the present fashion. What a pity, as there are so few means for females to gain a decent living, that they should not be permitted to dress to advantage when fashion will admit of it.

The Gates of Paris, or, Brandy Rumps Detected. Lewis Walpole Library
The Gates of Paris, or, Brandy Rumps Detected. Lewis Walpole Library

When a riot broke out in Covent Garden during the hustings for the election of 1784, it was reported that one lady’s cork rump was shot off and an elderly woman, who was not so fashion forward and whose behind was not so well padded, received a bullet in her… ahem, well! We’re sure you can guess!

The back-biters, or High bum-fiddle pig bow wow. Courtesy of Lewis Walpole Library
The back-biters, or High bum-fiddle pig bow wow. Courtesy of Lewis Walpole Library

As a fashion accessory, the cork rump was short lived and by the end of the 1780s ‘bum-less beauties’ became all the rage.

Featured Image

Courtesy of the British Museum

 

The story of a domesticated tiger

On December 26th, 1788 the ship, Pitt East Indiaman, which was owned by the East India Company and captained by Edward Manning set sail for St Helena, Benkulen and then China. She reached St Helena in March 1789, Benkulen in July, arriving in China November 1789.

The 'Pitt' near Dover returning from China, 1787. Wikimedia Commons.
The ‘Pitt’ near Dover returning from China, 1787. Wikimedia Commons.

In China, she collected her cargo began the return journey back to England via St Helena, reaching England in August 1790.  There was nothing unusual in journey except that when they arrived in China they acquired an additional piece of cargo – a tiger.

A Tiger Resting: the frontispiece for "Oriental Field Sports", 1805, Samuel Howitt. Yale Center for British Art, Paul Mellon Collection.
A Tiger Resting: the frontispiece for “Oriental Field Sports”, Samuel Howitt. Yale Center for British Art, Paul Mellon Collection.

When first brought on board, the tiger was no larger than a puppy of one month to six weeks old, and the ship’s company were determined, if possible, to tame him. The familiarities used with this creature grew with his growth and strengthened with his strength until by the time he was almost a year old he was harmless and as playful as a young kitten.

We have no explanation as to why this tiger was onboard, whether it was destined for a circus in England we cannot say. The animal was described by the newspapers as:

a beautiful young male tiger, about ten or twelve months old and nearly the size of a large mastiff dog.

The Kentish Gazette in its coverage described the animal as being:

a singular instance of the practicability of taming and domesticating wild beasts, a tiger being allowed to be the most ferocious of the savage creatures.

Until he grew too large he lived in the carpenter’s cabin and frequently slept with the sailors in their hammocks, each becoming very fond of the animal.

During the passage home, he was mischievous as most young animals are and frequently stole the sailor’s shoes and hid their clothes, at one time he had in his concealment no less than twenty-five pairs of silk breeches.

He was extremely playful and would often climb about the ship like a cat and perform antics which you would have to have seen to believe.  He was known to play with the dog on board, tossing him in the air and catching him in his paws. The sailors used to make him lie down on the deck and three of them at one time would rest their heads on him using him as a pillow, the tiger never stirred until the sailors had taken their nap.

In return for this familiarity he was known to steal their meat – they became so fond of the creature that he was never really punished. One day during the voyage, however, he also stole the carpenter’s favourite roast beef, the carpenter followed the tiger and retrieved the piece of meat. On this occasion, the animal was punished but apparently ‘took it with the patience of a spaniel’.

Caricature of a sailor. Yale Center for British Art, Paul Mellon Collection.
Caricature of a sailor. Yale Center for British Art, Paul Mellon Collection.

Mr Murray, the purser, having left his cabin door open, the tiger jumped into the cot whilst he was asleep, but not liking his bedfellow Murray hastily jumped out leaving the tiger in full possession of both his cot and his cabin.

When the ship arrived at Gravesend, an old woman came on board with a basket of gingerbread to sell, the tiger set upon the old woman as a cat does when chasing a mouse, seized its opportunity, sprang at her, jumped upon her from behind and threw his paws around her neck. This unexpected attack, on the part of the woman was depicted with every tragic emotion; the basket, gingerbread, fruit and all its contents fell on the deck, which when done, as if conscious of the woman’s situation, he released his prisoner and wandered off to find something else to do in another part of the ship.

Six or eight sailors, part of the men put on board the ship to work her up to the moorings at Deptford, had at this time their portion of fresh beef served to them; and whilst they were debating whether it should be boiled or roasted, a diversity of opinions having taken place, the tiger who lay close by watched for a favourable opportunity, made a sudden spring and seized it, which not only ended the contest, but even saved them the trouble of preparing it, as the tiger it had been observed, preferred his meat  raw rather than boiled or roasted.

A Tiger by Charles Towne, 1818; Wolverhampton Arts and Heritage
A Tiger by Charles Towne; Wolverhampton Arts and Heritage

The above story was reputed to be true and was verified by a gentleman who went on board the Pitt. This gentleman wishing to see this domesticated tiger was led to the carpenter’s cabin, where the tiger lay sleeping at the feet of the carpenter’s wife and sister. Encouraged by the account he was given of this docility, he first ventured to touch him, and after growling a little, which he always did when disturbed from sleep, he patted him in the most familiar manner and then proceeded to put his hand into the tiger’s mouth. The tiger was perfectly content with this.

What became of the tiger we have no idea, but presumably he came part of the circus, but it would be nice to think he remained on board with the carpenter, but it seems unlikely as only a few months later the ship, still under Manning’s command became a convict ship.

Sources Used

Kentish Gazette 31 August 1790

Featured Image

Three Tigers in a Rocky Landscape by Sawrey Gilpin. Yale Center for British Art, Paul Mellon Collection.

Singleton, Henry; The Pastor's Fireside: The family of Sir Thomas Acland, 10th Bt, Being Read to by the Vicar of Silverton; National Trust, Killerton

Infamy, scandals and heroines in the Georgian era: read on to discover more…

This is a little extra blog as, for those who have not yet read our books, we would like to let you know of not one, not two, but THREE money-saving offers across our titles; one of our books is now less than £1.

First, our publisher Pen & Sword is offering a ‘buy 2 get 1 free’ deal when you buy An Infamous Mistress, A Right Royal Scandal and our latest title, A Georgian Heroine together, saving an incredible £19.99. This offer comes with free UK P&P too, and you can take advantage by clicking here.

Buy 2 get 1 free. For a limited time save £19.99 when you buy all three of our books together in hardback from Pen & Sword. Plus, free UK P&P too.

If you prefer eBooks, then Pen & Sword are also offering An Infamous Mistress (in ePub and Kindle format) for just £4.99.

A View of Paris from the Pont Neuf by Nicolas-Jean-Baptiste Raguenet, 1763, Getty Museum (image via Wikimedia Commons)
A View of Paris from the Pont Neuf by Nicolas-Jean-Baptiste Raguenet, 1763, Getty Museum (image via Wikimedia Commons)

And, for just 99p, you can download A Right Royal Scandal, again via Pen & Sword, as and ePub or Kindle book.

Amazon UK are also offering A Right Royal Scandal for 99p, or, for readers in the US, it is on offer for just 99¢. It is also reduced in both Canada and Australia.

View of the west side of Berkeley Square; a carriage driving away from the viewer on the street, two men on the pavement to the right. 1813 Watercolour © The Trustees of the British Museum
View of the west side of Berkeley Square; a carriage driving away from the viewer on the street, two men on the pavement to the right. 1813 Watercolour © The Trustees of the British Museum

We’re not sure how long the bargain offers on the eBooks are going to be available for, so it’s a case of grab them while you can.

If you take advantage of any of these offers, we’d love to hear from our readers; you can contact us via this blog or find us on Twitter or Facebook. And, if you enjoyed reading, please do consider leaving a review online; it’s the best way you can thank an author.

Our latest book, A Georgian Heroine: the intriguing life of Rachel Charlotte Williams Biggs is out now here in the UK and available to pre-order elsewhere (it’s due for release in the US in May). If you are outside the UK, Wordery is good value and offers free delivery worldwide.

A Georgian Heroine, the bizarre but true story of an astounding woman persevering in a man’s world.

Covent Garden Theatre from Microcosm of London, courtesy of British Library

The Life of Actress, Mary Wells

Mary Stephens Davies was baptised on 14th December 1761 in the village of Little Haywood near Colwich, Staffordshire, the daughter of Thomas Davies and his wife, Anna. At the tender age of just six, Mary had visited the theatre for the first time and the following day, much to the annoyance of everyone in the household, she kept singing one of the songs she had heard the night before. Her potential future in the theatre was secured.

John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise". Yale Center for British Art, Paul Mellon Collection.
John Edwin and Mrs Mary Wells as Lingo and Cowslip in “The Agreeable Surprise”. Yale Center for British Art, Paul Mellon Collection.

Thomas Davies was a skilled gilder and woodcarver who operated with a partner, a Mr Griffith; Davies was employed to make a box from the wood of the mulberry tree which had reputedly been planted by William Shakespeare himself in his garden at nearby Stratford-upon-Avon. This casket was presented to the Shakespearian actor – and theatre manager – David Garrick, an act which initiated Garrick’s three-day Shakespeare Jubilee extravaganza in Stratford-upon-Avon in 1769 (the mulberry wood casket is now in the care of the British Museum).

A short time later, Mr Griffith, who had his eye on Mrs Davies, contrived to have Thomas Davies sent to prison and then judged to be insane and committed to the asylum in Birmingham, where he died. Mrs Davies spurned Griffiths’ advances and, to support Mary and her siblings, one brother and sister ran a tavern frequented by the acting fraternity and then embarked on a modest stage career, playing provincial towns. According to Mary’s memoirs, her mother arranged for the children go to London with their servant, Sally. So, off they went to Warwick Street, London but Mary led an unhappy existence as she was ill-treated by Sally.

Mary Stephens Wells, née Davies (1762–1829), as Mrs Page (from The Merry Wives of Windsor) by William Hamilton. Royal Shakespeare Company Collection
Mary Stephens Wells, née Davies (1762–1829), as Mrs Page (from The Merry Wives of Windsor) by William Hamilton. Royal Shakespeare Company Collection

At the age of fourteen, Mary followed her mother on to the stage and was playing the role of Juliet in a theatre in Gloucester when she met her Romeo, Ezra Wells. After a whirlwind romance, the couple married by licence in 1778 at St Chads, Shrewsbury, apparently against her mother’s better judgment although Anna Davies did give her consent to the union.

Her mother clearly knew best in this instance and she should have listened to her,  for Ezra soon deserted his young bride and wrote the following letter to her mother.

Madame, – As your daughter is too young and childish, I beg you will for the present take her again under your protection; and be assured I shall return to her soon, as I am now going on a short journey.

As you may have anticipated, Ezra never returned for his bride but instead ran away with one of the bridesmaids.

Mary continued with her acting career, touring around the country until finally, in 1781, making it onto the London stage where she gained fame playing a wide variety of roles, both male and female.  She acted under her married name (perhaps in the hope that Ezra would return) and was sometimes billed as Becky instead of Mary Wells.  The nickname Cowslip, her role in The Agreeable Surprise, persisted for many years.

Captain Epilogue

Toward the end of the 1780s, Mary met a fashionable young gentleman named Captain Edward Topham, (the tip-top adjutant), an Eton educated bewhiskered officer in the lifeguards who would become a playwright and journalist: he started The World and Fashionable Advisor newspaper in 1787, primarily to print puff pieces about his Cowslip (or Pud, as he also affectionately called her; she termed him Whiskerandos). Mary was captivated by the beauty of his mind but, as she could not legally be married to him, the relationship eventually fizzled out but not before Mary had given Topham four daughters, Juliet, Harriet, Maria Cowslip and the last who was born two months prematurely ‘in consequence of a fright’ and did not survive. In his book, Retrospections of the Stage, John Bernard later wrote that:

Of all Becky’s peculiarities, perhaps the greatest was her imagining that every man she saw or spoke to, fell in love with her…  Becky’s malady reached its climax in her supposing that our late beloved and most virtuous monarch was among the number of her victims.

At Weymouth in 1789, Mary spectacularly embarrassed herself on the esplanade in her efforts to attract the attention of George III and his queen and then chartered a yacht on which she sat astride a gun mounted on the deck and sang God Save the King as she chased the royal party to Plymouth. Public opinion was divided as to whether Mary had inherited her father’s insanity or if her eccentric behaviour was because she was too fond of a drink.

The raquet ground of the Fleet Prison as drawn by Augustus Pugin and Thomas Rowlandson for Ackermann's Microcosm of London (1808-11). National Portrait Gallery.
The raquet ground of the Fleet Prison; Ackermann’s Microcosm of London (1808-11); National Portrait Gallery.

As the century drew to its conclusion so did her wealth, despite still performing on the stage and we arrive a point when Mary ran out of money and men to support her, partly due to the fact she had bailed her brother-in-law Emmanuel Samuel out of his own money woes. Mary now found herself in the confines of the Fleet debtors’ prison, and said of her sorry circumstance that,

I came to London to see one of Mr Reynolds plays, How to Grow Rich, struck by the name, I determined to learn a lesson; but, notwithstanding the attention I paid, I benefitted nothing by it.

Whilst in the Fleet her life made a dramatic change, for she met a wealthy Jewish gentleman, Joseph Haim Sumbel, ‘rich, young and handsome; but haughty, irascible, and jealous, to the greatest degree’. Formerly the secretary to the Moroccan ambassador, Sumbel was in prison for contempt of court. They fell in love but once again there was the obstacle of her first husband who she claimed not to have seen for over 20 years.

Desperately seeking the security of a marriage (Sumbel was reputed to be a millionaire), she was brushed off any worries about committing bigamy and converted to Judaism so that she could marry Sumbel in a traditional Jewish ceremony in October 1797. As part of her conversion to Judaism, Mary, aka Becky Wells, took a new name, Leah Sumbel.  The newspapers wrote of the marriage that they followed the full Jewish wedding ceremony in the presence of ten witnesses.

Any happiness was short lived. A year after the wedding, Mary applied to the magistrate for her husband’s arrest on the grounds of his attempted murder of her, saying that he was ‘tainted by the green-eyed monster’. Joseph retaliated and put a notice in the newspaper advising people not to give his ‘wife’ credit as she was using his name unlawfully to which Mary responded with another advert stating that she was seeking a divorce and maintenance. So began a lengthy game of both Sumbel and Mary hurling insults at each other in the press. Mary claimed that Sumbel had tried to strangle her and, on another occasion, the owner of the house they were living in took them both to court for destruction of his property after Joseph threw a chamber pot (hopefully empty!) at Mary, breaking it in the process. Sumbel made a futile attempt to shut Mary up in a madhouse, and when that failed he sought to annul his ill-fated marriage. Despairing of legal redress in the matter, Sumbel chose to end the matter simply, with a hand-written slip of paper:

When a man hath taken a wife and married her and it comes to pass that she hath no favour in his eyes because he hath found some uncleanness in her, then let him write her a bill of divorcement and give it in her hand and send her out of his house.

Eventually, Sumbel slipped out of the country on a passport acquired by his friend, the Duke of Portland, and Mary, who renounced Judaism, saw no more of him although she continued to use his surname.

Mary Wells - unattributed portrait of Edward Topham after the original by John Russel RA - The Life of George Brummell esq vol 1, 1886
Mary Wells – unattributed portrait of Edward Topham after the original by John Russel RA – The Life of George Brummell esq vol 1, 1886

As a way of making some money, Mary published her memoirs: there’s nothing like selling your soul but even this was not sufficient to pay off her creditors. She spent her remaining days in lodgings with her elderly mother, living on little more than the £55 a year she received from the charitable Covent Garden Theatrical Fund: The Wells’ landlady, a Mrs Bellini, became a great friend. Mary’s three daughters by Topham grew up in Doncaster and were reckoned ‘the best horsewomen in Yorkshire’.

They all made good marriages, and this was perhaps some comfort to Mary, who died on 23 January 1829 aged 67, and was buried at St Pancras church. She is remembered as a great actress whose eccentricity and misfortunes prevented her from reaching her full potential.

Sources Used

Dallas, Eneas Sweetland. Once a Week, Volume 11

Highfill, Philip H. Burnim, Kalman A. Langhans, Edward A.  A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers

St Chads Shrewsbury, Marriage Register

Morning Star, Tuesday, June 2, 1789;

Oracle and Daily Advertiser, Monday, December 31, 1798

Oracle and Daily Advertiser, Wednesday, December 5, 1798

Craftsman or Say’s Weekly Journal, Sunday, October 22, 1797

True Briton (1793), Wednesday, December 5, 1798

Morning Post and Gazetteer, Monday, December 17, 1798

London Packet or New Lloyd’s Evening Post, December 24, 1798 – December 26, 1798

Morning Post and Gazetteer, Wednesday, December 26, 1798

True Briton (1793), Thursday, August 29, 1799

Featured Image – Microcosm of London

 

Anyone for 18th Century Tennis?

Tennis was all the rage in the mid-1700s, as was gambling, so put the two together and you have a winning combination. The game itself was somewhat different to its format today, however, the concept was the same, with professional players being able to command a high price to display their talent.

For the British, the major competitor was a Mr Tompkyns, but the French dominated the tennis scene, led by Monsieur Masson, born around 1740 and from Paris.

Monsieur Masson, the tennis player. Courtesy of Yale Center for British Art
Courtesy of Yale Center for British Art

In 1767 Masson arranged for another French tennis player to compete, a Monsieur Macon, he took on the British champion Tompkyns. They played four sets on the Friday, three of which Macon won, the remaining sets were played the following Monday and once again Macon won. Reports saying that he won due to the superiority in his management of his strokes. Tompkyns was more active at catching balls, but Macon had the racquet and ball so much at his command, that he could almost strike it to within an inch of where he wanted it to go and that he noticed that there were two ‘dead places’ where the ball would not rebound which allowed him to drop it perpendicularly down so that Tompkyns had no chance of returning it.  Had Tompkyns won he would have received five hundred guineas, so he suffered quite a loss.

Tennis was a sport for both sexes though and the name which appeared in the press in the late 1760s was a Madame Bunell, aged, apparently about sixty, again from France, who was more than happy to take on any man at the game.  Madame Bunell was reputed to be able to play fairly well, but would never wear the male attire to play but instated upon wearing a short skirt and a light jacket, which would allow her to move freely around the court. She was, somewhat derogatorily described as resembling a scarecrow.

Reports stated that she had been seen practising at the tennis court in James Street every morning, from five o’clock until seven. That practise paid dividends, as in February 1768 Madame Bunell competed against Mr Tompkyns at the tennis court in James Street, where she beat him fairly and squarely two sets to one. Let’s hope that you had put your money on Madame Bunell as considerable bets were placed on that match. A week later there was a re-match, perhaps Mr Tompkyns hoped to redress the balance. It was not the outcome he had perhaps hoped for as Madame Bunell beat him again, this time six sets were played of which she won four. Maybe he had hoped for a ‘third time lucky’ but there are no references for a third attempt.

Fives played at the Tennis court Leicester Fields (a similar game). Courtesy of Yale Center for British Art
Fives played at the Tennis court Leicester Fields (a similar game). Courtesy of Yale Center for British Art

The next big name to arrive on the tennis scene in the 1790s was Madame Masson, from Paris, who was said to be related to Monsieur Masson through marriage. She was described as around thirty years of age, of short stature and was dressed á la grecque with a short petticoat and drawers. She was said to possess such uncommon powers, that she could beat any man at a stroke; and in addition to that, she knew how to manage the balls better than any gentleman who attended the courts.

According to the Caledonian Mercury:

Madame Masson, the celebrated tennis-player, lately arrived from Paris, has had an audience with his Royal Highness the Duke of York. This Gallic heroine of the racquet, it seems challenges to play with any person in Europe for one thousand guineas.

The Royal Duke is to have the honour of first entering the lists with her: She plays in her female attire, a la Grecque, with a short petticoat and drawers.

In March 1790, she took on the notorious Colonel Banastre Tarleton with resounding success.

Colonel Banastre Tarleton by Sir Joshua Reynolds, 1782.
Colonel Banastre Tarleton by Sir Joshua Reynolds, 1782.

She was also challenged by a Mr Bisset, who was described as:

a young man of good fortune, who was in a gown and cap at Oxford about five years ago. We know not the gentleman’s degree, but the lady is apparently an undergraduate at tennis.

On this occasion, Bisset won.

Charles James Fox. Courtesy of Yale Center for British Art
Charles James Fox. Courtesy of Yale Center for British Art

We will leave you with this image to conjure with, from the Morning Post of July 1777

Charles Fox is become conspicuous at the tennis court. When he leaves off play, being generally in a violent perspiration, he wraps himself up in a loose fur coat, and in this garb, is conveyed to his lodgings.

Sources

Marshall, Julian. The Annals of Tennis

Public Advertiser, Tuesday, February 14, 1758;

Gazetteer and New Daily Advertiser, Monday, April 13, 1767

Derby Mercury 24 April 1767

Lloyd’s Evening Post, May 20, 1767 – May 22, 1767.

Public Advertiser, Thursday, February 25, 1768

Gazetteer and New Daily Advertiser, Monday, March 7, 1768

Caledonian Mercury 12 March 1768

Morning Post and Daily Advertiser, Wednesday, July 2, 1777

Public Advertiser, Friday, February 19, 1790

Chester Chronicle 19 March 1790

Caledonia Mercury, 4th March 1790

Caledonian Mercury 10 September 1795

Featured Image

 

A prospect of the city of Dublin from the Magazine Hill in his Majesty's Phoenix Park. Yale Center for British Art, Paul Mellon Collection.

‘Darkey Kelly’, Brothel Keeper of Dublin

Dorcas Kelly aka Stuart, aka ‘Darkey Kelly’ was a brothel keeper and reputed witch in Dublin in the late 1750s but found notoriety on 7th January 1761 when she was partially hanged then burned at the stake, for allegedly murdering shoemaker, John Dowling on St Patrick’s Day 1760. Her ghost is still said to haunt the city.

Simon Luttrell of Luttrellstown in Turkish Costume Jean-Étienne Liotard - date unknown. The Athanaeum.
Simon Luttrell of Lutrellstown in Turkish Costume Jean-Étienne Liotard – date unknown. The Athanaeum.

Over time, however, the story of her demise took on a life of its own which has now become entrenched into Dublin folklore, so much so that a pub in the city has been named after her. It was reputed that Kelly, whose brothel was in Copper Alley, Dublin became pregnant with the child of Simon Luttrell, Lord Carhampton, a member of the Irish Hellfire Club and that she had demanded he pay maintenance for the child. Legend has it that he not only refused to pay but accused her of witchcraft and that she sacrificed her child in some sort of bizarre satanic ritual. The body of this alleged child was never found, but nevertheless, Kelly was sentenced to death.

This account from the Leeds Intelligencer, 21st September 1773 gives an account of the method used to sentence Elizabeth Herring to death; it appears that a similar method was used for Kelly.

It is only recently that more accurate accounts of her crime have come to light. As to whether she did in fact murder John Dowling, we will never know, but true or false, she was sentenced to death. At her trial, she had pleaded her belly, but a jury of midwives ascertained that she was not, in fact, pregnant; had she been, she would have given her a reprieve. It is interesting to note that women were both strangled and then burned, whereas men guilty of murder were hanged without the additional torture.

A prospect of the city of Dublin from the Magazine Hill in his Majesty's Phoenix Park. Yale Center for British Art, Paul Mellon Collection.
A prospect of the city of Dublin from the Magazine Hill in his Majesty’s Phoenix Park. Yale Center for British Art, Paul Mellon Collection.

It was almost thirty years later the World newspaper of 27th August 1788 carried an historical account of her death, which added fuel to the story. It was claimed that in the vaults of her house in Copper Alley, were found the bodies of five murdered gentleman and amongst them was supposed to be that of Surgeon Tuckey’s son, who went missing and had never been found.  So not only was she a witch but now a serial killer – but was she? No mention was made of this at the time of her death.

Interestingly this latter part of the story only came to light when her ‘sister’ and successor, Maria Lewellin (Llewellyn) found herself accused of procuring a child aged twelve or thirteen, Mary Neal (Neill) for the use of Lord Carhampton’s son, Henry Luttrell. So far there has been no way to ascertain whether Kelly and Lewellin were biological sisters or merely described as such because they ran the same brothel.

A Rake's Progress: The Orgy by William Hogarth. Sir John Soane's Museum.
A Rake’s Progress: The Orgy by William Hogarth. Sir John Soane’s Museum.

The story tells that John Neal and his second wife, Anne, lived close to Lewellin’s brothel. John was a hairdresser who was apparently rather too fond of a drink and somewhat neglectful of his family and customers. He had a young daughter, Mary, by his first wife. Reports state that Mary was enticed into delivering a letter to the house of Madame Lewellin. On arriving there she was taken inside, and it was then that she was allegedly raped by Henry, Lord Carhampton. Afterwards, she managed to leave the house but didn’t tell her parents what had happened for some time. Lewellin was arrested, tried and sentenced to death for her part in the crime. However, proof seemed to appear from other prostitutes who supported Lewellin, claiming that the child was lying about the whole thing and that she was actually, at the tender age of twelve or thirteen, a prostitute. Needless to say, Carhampton denied even knowing the child and so Lewellin was released and ultimately freed.

In the meantime, both of Mary’s parents were arrested for robbery and imprisoned, where Anne, who was heavily pregnant, died. What became of Mary and her father we may never know.

Other Sources used

An Authentic Narrative; being an investigation of the trial and proceedings in the case of Neill and Lewellin.

Curious Family History: Or Ireland Before the Union by the author of the Sham Squire

Ireland before the Union: with extracts from the unpublished diary of John Scott, Earl of Clonmell, Chief Justice of the King’s Bench, 1774-1798. A sequel to The sham squire and the Informers of 1798

A Brief Investigation of the sufferings of John, Anne and Mary Neal by Archibald Hamilton Rowan

 

The Arsenic Poisoner

Elizabeth Hinchcliff, aged 14, stood before the court at the Old Bailey, on September 19th, 1810, indicted, that, on August 16th, 1810 she administered a deadly poison, arsenic, with the intent of murdering her employer, Ann Parker, two children in her employer’s care, Christopher John Stanley and Samuel Smith.

The Old Bailey. Microcosm of London.
The Old Bailey. Microcosm of London.

Ann Parker was a spinster living a quiet life at 14, Tavistock Row, in the heart of Covent Garden, she also ran a school and a shop which sold perfumes and medicines.

A Perspective View of Covent Garden. Courtesy of Yale Center British Art
A Perspective View of Covent Garden. Courtesy of Yale Center for British Art

According to Ann Parker, Elizabeth had been telling her for a couple of months that the lower part of the house was overrun with rats, so Elizabeth sent her off to Mr Midgley in the Strand to fetch some poison to deal with the situation.

Cries of London: buy a trap, a rat trap, buy my trap. Courtesy of Lewis Walpole Library
Cries of London: buy a trap, a rat trap, buy my trap. Courtesy of Lewis Walpole Library

When Elizabeth returned Ann put the poison in the back locker of a large writing desk but did not lock it and sent Elizabeth off to make tea for her and the school children. Elizabeth returned with the tea and was then sent to buy some mortar to put over the rat-holes after the poison had been administered. Ann then prepared food for the children, poured her cup of tea which was left to cool during this time. When she finally came to drink it, it tasted normal whilst in her mouth, but as soon as she removed the cup she felt a sort of heat in her throat and exclaimed ‘there is pepper in this tea’.

 Taking an emetic. Courtesy of Wellcome Library
Taking an emetic. Courtesy of Wellcome Library

The children continued taking their tea as Ann became more unwell, with pain in her stomach, back and thighs. During this time two of the children were also taken ill. There was no sign of Elizabeth, Ann assumed she was still out buying the mortar and initially thought that Elizabeth had added pepper to the tea as a trick, but she checked that the poison had not been opened, just to be sure and convinced herself that it hadn’t. Elizabeth returned and was confronted by Ann and denied having tampered with the tea. Ann quickly put on her hat and pelisse and rushed to the chemist to ask how the poison had been packaged to make sure it had not been tampered with and en route she was violently sick. She was worried that both she and children would die before she could get to the chemist.

Mr Midgley, the chemist was summoned to appear before the court to give his account of the packaging:

I am a chemist and druggist in the Strand. On the 16th of August, I received a note from Mrs Parker, the prisoner brought it; she says, I will be obliged to you to favour me with some more poison to kill the rats, as I am overrun. Upon which I put up a parcel of two ounces of arsenic. The prisoner requested to have more than the usual quantity, as they were dreadfully overrun. I put up two ounces in one parcel, that was all that she had; it was marked on the outside, poison, on the outer paper, and the inside paper, arsenic, poison.

He was asked how the package was tied and if it had been altered:

The knot was twisted when it was returned by Mrs Parker; it was tied in my usual way, a double knot, not twisted. When I arrived at Mrs Parker’s, the child Stanley was very sick. I tasted the tea, it had a strong metallic taste, I boiled some arsenic in the same herbs, which I bought of Mr Butler, the appearance of the tea is not altered by the infusion of arsenic.

Elizabeth was immediately found GUILTY of attempted murder and sentenced to death. It was asked that the court should show her mercy because her age and her parents being honest people. The jury did take account of her age and her sentence was changed to transportation.

Elizabeth left England on May 9th, 1812 on board the convict ship, The Minstrel, which, accompanied by another convict ship, The Indefatigable, sailed via Rio de Janeiro to New South Wales, arriving almost four months later. We have no idea what her life would have been like on board, but certainly not an easy one, certainly according to ship records there were deaths during that passage.

A convict ship entering Sydney harbour. National Library of Australia.
A convict ship entering Sydney harbour. National Library of Australia.

The following year, on July 24th, 1813 Elizabeth was issued with a Ticket of Leave, but for some unknown reason, it was subsequently withdrawn, until it was reissued on January 6th, 1820.

Whatever the reason, Elizabeth remained in Australia and she obviously did find happiness though, as in April 1824 she received permission to marry fellow convict, George Greenhill, a young man, slightly younger than her.

South view of Sydney, New South Wales, 1819, taken from the Surry Hills [picture] / J.L. pinxt. Courtesy of National Library of Australia
South view of Sydney, New South Wales, 1819, taken from the Surry Hills / J.L. pinxt. Courtesy of National Library of Australia
George too had demonstrated good behaviour and had been appointed to the post of police constable. He was described in the records as being five feet eight inches, with light brown hair and blue eyes. Sadly, we have no physical description of Elizabeth.  George had arrived onboard the Hadlow, having been sentenced to death for burglary, commuted to transportation, in 1818.

Liverpool, New South Wales [picture] / I. Lycett delt. et execute. Courtesy of National Library of Australia
Liverpool, New South Wales I. Lycett delt. et execute. Courtesy of National Library of Australia
The couple married at the recently opened St Luke’s church, Liverpool, on the outskirts of Sydney. The only other sighting of the couple was on the 1828 census when George’s occupation was that of a labourer and in 1829, George was issued with a Ticket of Leave, then in 1836, he was given a conditional discharge. Elizabeth remained in Australia with George until her death at aged 50, in 1846.

No record of the couple having had any children remains, so we can only assume that there were none. Shortly after her death George, who had become an upstanding member of the community, remarried and lived out his days in Sydney.

Sources used

Old Bailey Online

Convict registers for Australia

Featured Image

A woman suffering the pain of colic. Etching after G Cruikshank. Courtesy of the Wellcome Library

 

The Truth about the Eccentric Jane Lewson who died aged 116

Where do we begin with this story? Let’s begin with the accounts of Jane’s life as repeatedly recorded ad nauseum since her death in 1816 and which has entered into folklore … after all, why let the facts get in the way of a good story! Except that for those who read our articles will know we have a penchant for setting records straight.

Jane Lewson, remarkable for her age and peculiarities. © The Trustees of the British Museum
© The Trustees of the British Museum

Jane Lewson died on 28th May 1816, at her home, no. 12 Coldbath Square, Clerkenwell, aged 116. She was reputedly one of the figures who may have provided the inspiration for Dickens’s Miss Havisham in Great Expectations. She was known in the local area as Lady Lewson due to her eccentric appearance: she chose to wear clothes that would have been worn during the reign of George I.

Clerkenwell c1806. Courtesy of Yale Center for British Art
Clerkenwell c1806. Courtesy of Yale Center for British Art

Jane Vaughan was born in 1700, in Essex Street, The Strand of most respectable parents. She married a wealthy gentleman, Mr Lewson, who died when she was only 26, leaving her to raise her daughter alone.  Jane apparently had many suitors but never remarried. When her daughter married, Jane became almost a recluse, rarely going out or allowing visitors and as the years passed, Jane became more and more eccentric and retained no servants except one old female servant and then, after this lady’s death, an old man who looked after several houses in the square and who would go on errands for her, clean shoes etc. Jane eventually took this man into her house where he acted as her steward, butler, cook and housemaid, and, with the exception of two old lap-dogs and a cat, he was her only companion.

A later depiction of The Strand, Looking Eastwards from Exeter Change, London; Caleb Robert Stanley; Museum of London. Exeter Exchange was a shopping centre. The church in the centre is St Mary-le-Strand and the tower behind it is that of St Clement Danes.
A later depiction of The Strand, Looking Eastwards from Exeter Change, London; Caleb Robert Stanley; Museum of London. Exeter Exchange was a shopping centre. The church in the centre is St Mary-le-Strand and the tower behind it is that of St Clement Danes.

The house was large and elegantly furnished but very run down. The beds were kept constantly made, although they had not been slept in for about 50 years. Despite the attention of the old lady and gentleman retained as a servant, Jane’s apartment was only occasionally swept out but never washed, the windows were so crusted with dirt, that they let in virtually no light.

Jane never washed as she believed that those who did so caught colds, so instead smeared herself with hog’s lard because it was soft and lubricating Her overall health was good, and she apparently cut two teeth when aged 87.  She would only drink tea from her favourite cup and always sat in her favourite chair. She lived through five reigns and was supposed to be the most faithful historian of her time, the events of 1715 being fresh in her recollection. Jane loved her garden and that was the only part of her home that was well maintained.

She always wore powder, with a large téte, made of horse hair, on her head, near half a foot high, over which her hair was turned up; a cap over it, which knotted under her chin and three or four curls hanging down her neck. She generally wore silk gowns, and a long train with a deep flounce all round; a very long waist and very tightly laced up to her neck, round which was a kind of ruff or frill. The sleeves of her gown came below the elbow. A large straw bonnet, high-heeled shoes, a large black silk cloak, trimmed with lace and a gold-headed cane, completed her everyday costume for around 80 years.

https://www.metmuseum.org/art/collection/search/392524
The Met Museum.

Her funeral consisted of a hearse and four, and two morning carriages, containing Mr Anthony, of Clerkenwell, her executor and some relatives.

Charing Cross looking up The Strand. Courtesy of Yale Center for British Art
Charing Cross looking up The Strand. Courtesy of Yale Center for British Art

After her death, a witness recalled visiting the house and was shocked to find the number of bolts and bars fitted to the doors and windows. The ceiling of the upper floors lined with bars to prevent anyone getting into the property through the ceiling. The cinder ashes had not been removed for many years and were piled up as if to form beds.

Right, so we’ve finished with the fiction, let’s get down to the facts. The ODNB gave us a slightly cryptic clue that all may not be well the existing information about Jane, but it stopped short of following it through. Had further investigation been carried out the clues contained in the 1846 book The History and Antiquities of the County of Suffolk by Alfred Inigo Suckling would have been found. Suckling also placed Jane’s husband in a very wealthy family with links to the house of Cromwell.

Robert's first family. Click to enlarge
Robert’s first family. Click to enlarge

 

Robert and Jane's family tree. Click to enlarge
Robert and Jane’s family tree. Click to enlarge

Jane Vaughan, according to her burial at Bunhill Fields was buried as Jane Luson, not Lewson and was aged 96, not 117, making her birth closer to 1720, rather than 1700.

3rd June 1816. Luson, Jane. Coldbath Square
3rd June 1816. Luson, Jane. Coldbath Square

She did not marry until 21 July 1751, so if she had been born in 1700, then she must have been 51 when they married and in her sixties when she gave birth to three daughters, Maria, Elizabeth, Hepzibah and a son Robert (buried 1759). Her husband was Robert Luson, a very wealthy merchant from Great Yarmouth and the couple were married at St Mary-Le-Strand, Somerset House Chapel.

Robert had previously been married in Great Yarmouth, but his wife Hepzibah had died some years previously. Robert then died in 1769 almost 20 years after their marriage and left Jane well provided, but his estate Blundeston Hall he left to his eldest daughter, Maria, who married George Nicholls in 1778 and his other estates in Blundeston to his second daughter Hepzibah, who married Nathaniel Rix in 1777 and a further estate to his third daughter, Elizabeth who married Cammant Money in 1776.

Blundeston Hall, Blundeston. Courtesy of Adrian S Pye under Creative Commons Licence
Blundeston Hall, Blundeston. Courtesy of Adrian S Pye under Creative Commons Licence

There is one baptism which could feasibly be Jane’s, but we are unable to confirm that it is her. It is dated 3rd February 1720 and took place at the Temple Church, The Strand, London with the parents named as Thomas and Jane.  Temple Church is only a few minutes’ walk away from St Clement Danes which Jane gave as her home parish when she married and Essex Street where she was reputed to have been born.

Temple Church. Picturesque Views with an Historical Account of the Inns of Court in London and Westminster by Samuel Ireland. courtesy of Yale Center for British Art
Temple Church. Picturesque Views with an Historical Account of the Inns of Court in London and Westminster by Samuel Ireland. courtesy of Yale Center for British Art

Jane did leave a will, dated 11th May 1816 in which she named her servant William Brunton who received many of the household belongings plus an annual payment for the remainder of his life and one or two friends, but no provision was made for any family members.

Sources

The Edinburgh Annual Register, Volume 9 edited by Walter Scott

Records of longevity: with an introductory discourse on vital statistics by Bailey, Thomas, 1785-1856

Clerkenwell News 08 November 1870

Lancaster Gazette 22 June 1816

Liverpool Mercury 28 June 1816

Featured Image

Fleet Street and Temple Bar by Samuel Scott. Courtesy of the Walker Art Gallery

The humble apron of the 18th century

Many of us have at least one apron, how often it’s worn will vary greatly. Today they are usually colourful with motifs, some plastic, some cotton. Protection for clothing has been used for centuries so we thought we would take a look at some other uses for the humble apron back in the Georgian Era.

The Unwilling Bridegroom or Forc'd Meat will never digest by William Murray, 1778. Courtesy of the British Museum. The apron covering a multitude of sins!
The Unwilling Bridegroom or Forc’d Meat will never digest by William Murray, 1778. Courtesy of the British Museum. The apron covering a multitude of sins!

We were quite surprised to see just how many accounts there were of aprons being stolen, for example, a report in The News of January 23rd, 1738 when Elizabeth Swann was committed to gaol for stealing a basket and an apron. Gruesome accounts sadly exist where an apron was used to stifle the screams when a woman was being raped. Others told of how aprons caught fire with disastrous consequences or to help extinguish a fire, but we thought we would look at some more unusual ones.

This is a very sad account of its use. In June of 1726, a brazier’s apprentice near Smithfield and a fellow servant had an argument. In a fit of passion, the female servant told the young apprentice to ‘go hang himself’. He took her harsh words quite literally and was found dead with her apron strings tied to his bedstead.

Apron dating back to the first quarter 18th century made from silk, metal thread. Courtesy of The MetMuseum
Apron dating back to the first quarter 18th century made from silk, metal thread. Courtesy of The MetMuseum

In September 1738, a Barbara Balingal stood bare-headed at the cross between the hours of 11 and 12, with two dozen herrings put about her neck by the executioner (no explanation given as to why, unfortunately!) and the following label on her apron

‘I Barbara Balingal stand here for cheating and beating the servants of the neighbourhood’

Afterwards, Barbara was remanded to prison until she paid the complainer ten shillings sterling damages.

The Careless Servant by Francis Wheatley, Francis. Courtesy of the  Walker Art Gallery
The Careless Servant by Francis Wheatley, Francis. Courtesy of the  Walker Art Gallery

Around mid-October 1750 a woman was found dead in one of the new houses in Parliament Street, Westminster; her apron was full of shavings and sticks and it is supposed that whilst gathering them she fell, which occasioned her death.

A Peasant Girl Gathering Faggots in a Wood by Thomas Gainsborough. Courtesy of Manchester Art Gallery.

One common theme appears is that the type of apron worn seems to denote the occupation, this theme recurs when identifying dead bodies ‘he was wearing a leather apron’, the conclusion, in this case, being that he must have been a carpenter.

Edward Prince (b.1718/1719), Carpenter, Aged 73 by John Walters. Courtesy of the National Trust, Erddig.  His apron showing the tools of his trade.
Edward Prince (b.1718/1719), Carpenter, Aged 73 by John Walters. Courtesy of the National Trust, Erddig. His apron showing the tools of his trade.

Aprons were also symbolic as can be seen below by the Freemason wearing an apron as part of his regalia of office, the different aprons denoting their position within the brotherhood.

Portrait of a Freemason.  Artist unknown. Courtesy of the Library and Museum of Freemasonry

We don’t think we’ve ever come across an article like before. It relates to a dinner given by King George II in 1730 for an Indian king, a prince and 5 chiefs of his court. When introduced to the king at Windsor, the Indian king wore a scarlet jacket, but all the rest of the entourage were naked, except for an apron about their middles and a horse-tail hung down behind, their faces and shoulders were painted and spotted with red, blue and green. They had bows in their hands and painted feathers on their heads. Whatever must the monarch have thought?

Miniature of George II by Christian Friedrich Zincke, c.1727. Royal Collection Trust.
Miniature of George II by Christian Friedrich Zincke, c.1727. Royal Collection Trust.

We end with a story from the newspapers of January 1790 and a lovely scene of domesticity in the royal household. The Princess Royal surprised her royal mother with a present, which, though of no great value in itself, was rendered highly pleasing to her Majesty, by the manner in which it was made. Her Royal Highness had procured some beautiful muslin, which she got made up into four aprons, three of which were for herself, and for the Princesses Augusta and Elizabeth. The fourth was for her majesty. The last had a much richer trimming than the other three.  It was bound with ribband and trimmed with a broad and beautiful blond lace, to which was added a rich fringe.  When the Queen was going to sit down to breakfast, the Princess Royal presented her with the apron and begged her Majesty would do her the pleasure of wearing it. The Queen, charmed both with the apron and with the attention of her lovely daughter immediately put it on, and said that in her life that she had never worn an apron which she prized so highly.

Charlotte, Princess Royal by Sir William Beechey. Royal Collection Trust.
Charlotte, Princess Royal by Sir William Beechey. Royal Collection Trust.

Sources Used  

Sheffield Register, Yorkshire, Derbyshire & Nottinghamshire Universal Advertiser 22 January 1790

Caledonian Mercury 30 June 1730

Whitehall Evening Post or London Intelligencer, October 18, 1750 – October 20, 1750

Ipswich Journal 04 June 1726

Daily Gazetteer, Monday, January 23, 1738

Daily Gazetteer, Thursday, September 14, 1738

Featured Image

Allan, William; The Ballad of Old Robin Gray. Courtesy of University of Aberdeen

A later representation of Prince Charles Edward Stuart in Edinburgh, 1745; City of Edinburgh Council

The White Cockade: a Jacobite tale

O he’s a ranting, roving lad,

He is a brisk an’ a bonny lad,

Betide what may, I will be wed,

And follow the boy wi’ the White Cockade.

(The White Cockade, Robert Burns)

The White Cockade
Image sourced via Pinterest.

In 1745, Joseph D’Acre of Kirklinton Hall in Cumbria, was one of His Majesty’s troops defending Carlisle Castle from the approaching Jacobite army. He had left his wife, Catherine and young children in the care of his father-in-law, Sir George Fleming, Bishop of Carlisle, and they were at Fleming’s Cumbrian estate, Rose Castle: Mrs D’Acre was in the late stages of pregnancy and about to be confined.

Prince Charles Edward Stuart, wearing a white cockade; William Mosman; National Galleries of Scotland.
Prince Charles Edward Stuart, wearing a white cockade; William Mosman; National Galleries of Scotland.

Bonnie Prince Charlie, Charles Edward Stuart, also known as the Young Pretender, had raised his standard at Glenfinnan in the Highlands on the 19th August 1745 and many of the clans had gathered at his side. The prince claimed the thrones of Scotland and England in the name of his father, James Francis Edward Stuart, the Old Pretender.

A later representation of Prince Charles Edward Stuart in Edinburgh, 1745; City of Edinburgh Council
A later representation of Prince Charles Edward Stuart in Edinburgh, 1745; City of Edinburgh Council

After taking Edinburgh – although not the castle – and vanquishing the government army at Prestonpans, the Highland army travelled south to invade England. One column reached the strategically important city of Carlisle on the 10th November 1745. They surrounded the city on the 13th and Carlisle Castle surrendered with surprisingly little resistance the next day. The men and garrison were allowed to leave a day or two later, on the condition that they did not bear arms against the bonnie prince’s army for twelve months (or, if they preferred, for a handsome bounty they could agree to be conscripted into the Highland army).

South East View of Carlisle Castle, Cumberland, by Robert Carlyle snr, 1791. (Tullie House Museum : 1935.80.5)
South East View of Carlisle Castle, Cumberland, by Robert Carlyle snr, 1791. (Tullie House Museum: 1935.80.5)

A letter to the newspapers, written in the aftermath of the Siege of Carlisle Castle, gave details of the marauding which had taken place in the immediate vicinity.

Hexham, Nov. 19th

I am sorry to tell you that CARLISLE is taken by the Rebels. They have plundered and destroyed all our Country. I was a Prisoner amongst them on Saturday sen’night, and made my escape from them with extream hazard of my life; I left them on Sunday sen’night. The Pretender’s son lay at my house all the last week. I left my brother and a servant maid to take care of my house; but they have destroy’d all my meat, drink, corn and hay…

Rose Castle lies a few miles south of Carlisle. On 15th November 1745, with her husband’s fate still in the hands of the Jacobite army, Catherine D’Acre went into labour and was delivered of a baby girl, who she named Rosemary. An hour after the birth, a company of Highlanders, led by a Captain Macdonald, arrived at the gates of Rose Castle, intending to plunder it of the plate and other valuables they had heard lay inside. A servant, old and grey-haired, bravely stopped the Scots and asked them not to venture inside, knowing that the new mother would be alarmed at their presence. Captain Macdonald asked when the lady had been confined and upon being told ‘within this hour’, he halted his men. The servant added, ‘They are just going to christen the infant’. Perhaps Rosemary was sickly at birth to warrant such a hasty, private baptism, hence the extra impetus to keep the troops from the door? Captain Macdonald swept off his bonnet and removed the white cockade from it, presenting the knot of ribbons to the old servant and saying, ‘Let her be christened with this cockade in her cap; it will be her protection now, and after, if any of our stragglers should come this way: we will await the ceremony in silence’.

Rose Castle, Raughton Head cc-by-sa/2.0 - © Alexander P Kapp - geograph.org.uk/p/2140455
Rose Castle, Raughton Head
cc-by-sa/2.0 – © Alexander P Kapp – geograph.org.uk/p/2140455

The Highlanders withdrew to the coach-yard where beef, cheese and ale was sent out to them: after eating their fill they left without further disturbing mother and daughter.

The White Cockade by John Everett Millais; Wikimedia.
The White Cockade by John Everett Millais; Wikimedia.

The following year, on the 3rd November and shortly before her first birthday, Rosemary was publicly christened in the church at Kirklinton (as Mary D’Acre). Of course, in the first twelve months of Rosemary’s life, the Jacobite army had been defeated at Culloden (on the 16th April 1746), the survivors of that battle vanishing into the Highlands in the hope of outrunning the British troops who were ruthlessly hunting them down.

The Battle of Culloden; Peel Ross; Highland Council
The Battle of Culloden; Peel Ross; Highland Council

The white cockade was the symbol of the Jacobites, usually worn on a blue bonnet. There are a few myths and legends about this emblem, but it is often said to have come about because Bonnie Prince Charlie picked a wild, white rose and pinned it to his hat. The captain’s gift was preserved by the D’Acre family and, as an old lady, Rosemary recalled that:

My white cockade was safely preserved, and shewn to me from time to time, always reminding me to respect the Scotch, and the Highlanders in particular. I think I have obeyed the injunction, by spending my life in Scotland, and also by hoping at last to die there.

Rosemary, or Molly, as she was known to her friends and family, lived a long and happy life. In December 1777, at the age of 32, she married John Clerk of Penicuik (pronounced Pennycook) in Midlothian, Scotland, an officer in the navy and heir to the baronetcy of Penicuik.

Last week at Kirklington, in Cumberland, Capt. Clarke, to Miss Molly Dacre, daughter of Jos. Dacre, of that place, Esq; a young lady whose engaging temper and disposition, cannot fail of securing every wish’d for happiness in the marriage state.

In 1817, Rosemary sent an account of the particulars surrounding her birth to the Edinburgh Monthly Magazine, in which they were published. She did so, she wrote, with infinite pleasure, ‘as it reflects great honour on the Highlanders, (to whom I always feel the greatest gratitude,) that at the time when their hearts were set on plunder, the fear of hurting a sick lady and child instantly stopped their intentions’.

Portrait of Sir John and Lady Clerk of Penicuik by Henry Raeburn; National Galleries of Ireland.
Portrait of Sir John and Rosemary, Lady Clerk of Penicuik by Henry Raeburn; National Galleries of Ireland.

The subject of our first biography, Grace Dalrymple Elliott, was descended from a lowland family who had served in the military during the 1700s. But on which side? To discover more, click here.

Grace Dalrymple Elliott by Thomas Gainsborough
Grace Dalrymple Elliott by Thomas Gainsborough

N.B. Joseph D’Acre was also known as Joseph D’Acre Appleby.

Sources:

Edinburgh Monthly Magazine, volume 1

The History and Antiquities of Carlisle: with an Account of the Castle, Gentlemen’s Seats and Antiquities in the Vicinity and Biographical Memoirs of Eminent Men Connected with the Locality by Samuel Jefferson, 1838.

Derby Mercury, 22nd November 1745

Newcastle Courant, 27th December 1777

Portrait of Dido Elizabeth Belle Lindsayand her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.

The 18th Century fashion for Turbans

It’s been a while since we wrote a fashion post, so to make up for that we’re going to take a look at a piece of headgear – the turban, a piece of headwear that according to Vogue is making a comeback for this Spring and Summer.

We were inspired to write this post having watched Amber Butchart’s fascinating programme on BBC4, ‘A Stitch In Time‘, during which she looked at the outfit worn by Miss Dido Elizabeth Belle. Nina Mikhaila, historical costumier and her team recreated the outfit including the turban, which proved to be quite a challenge, trying to find the correct fabric and to recreate the style itself.

Portrait of Dido Elizabeth Belle Lindsayand her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.
Portrait of Dido Elizabeth Belle Lindsay and her cousin Lady Elizabeth Murray, c.1778. Formerly attributed to Johann Zoffany.

Amber speculated that the turban was perhaps worn as part of a fancy-dress costume and made Dido appear even more exotic; whilst in part she is correct, there is something a little more significant about the origin of Dido’s turban which Amber  wasn’t aware of at the time making the programme (she does now, however, but we can’t spill the beans on that one yet, so it will be a story for another time!).

Detail from the portrait of Dido Elizabeth Belle.

The portrait of Dido is so unusual in so much as that Dido was not a servant but the daughter of Sir John Lindsay. The painting depicts her with her cousin Miss Elizabeth Murray was reputed to have been painted by Zoffany c.1778. Whilst the turban had been worn by men in the UK during the earlier parts of the eighteenth-century, along with oriental-inspired banyans or wrapping gowns, it was not yet a common sight as a fashion accessory for women. There were, as always, a few exceptions, with the likes of Margaret Kemble Gage, sporting a turban in this portrait by John Singleton Copley c.1771, but examples like this were unusual.

Mrs Thomas Gage by John Singleton Copley, 1771.
Mrs Thomas Gage by John Singleton Copley, 1771. Timken Museum of Art, San Diego.

Turbans didn’t take centre stage until towards the end of the century as wigs and ‘high hair’ had been the predominant fashion statement – a turban plonked on top of one of those wigs wouldn’t really have worked!

A lady in a fine room dressed in macaroni style with high hair standing in profile to left looks directly out with her fan held open. January or February 1773.
A lady in a fine room dressed in macaroni style with high hair standing in profile to left looks directly out with her fan held open. January or February 1773. © The Trustees of the British Museum.

The turban presented an image of Turkey and the exotic east; it was something worn at a fancy-dress ball rather than everyday wear, as you can see from this extract in the Stamford Mercury of 1773 which was attended by one of Lord Mansfield’s nieces.

Lord Chief Baron’s daughters, Miss Nancy a Sultana, with a turban quite brilliant with a profusion of diamonds and Miss Betsey, a country girl selling eggs and the other two also in pretty attire. Hon. Miss Kitty MacKenzie, sister to the Earl of Seaforth, a milkmaid; Miss Fletcher, a Sultana; Miss Lindsay, niece to Lord Mansfield, a shepherdess.

Portrait of a woman, traditionally identified as Lady Hervey by Angelica Kauffmann c1770. Courtesy of Yale Center for British Art
Portrait of a woman, traditionally identified as Lady Hervey by Angelica Kauffmann c1770. Courtesy of Yale Center for British Art

Just a few years later, however, an advert in the Ipswich Journal September 1778, implied that the turban was the latest fashion statement when attending a ball and was linked to the artist, Johann Zoffany.

Loiacon, Ladies Hair Dresser, begs leave to acquaint his customers and those ladies that will honour him with their commands, that he has with him an assortment of powders and pomatums, at 15 shillings each, French powder at 1 shilling. During the fair, he intends to dress ladies’ hair on a ball day, at 2 shilling and 6 pence.  The Zoffany with Rubin, as the newest fashion, like a turban (he likewise differs various ways in dress or undress) which appear neater than any cap whatever.

We move on to January 1787 when the turban was very much the headgear to be seen wearing for balls as we found at this account.

The ball on Thursday night, in honour of her Majesty’s birthday, fell nothing short of general expectation. The number and brilliancy of the company attending having never been equalled in this country upon any similar occasion. The Ladies were dressed with great neatness and elegance. Many of the Ladies of fashion in different coloured satins, ornamented with festoons of flowers, crepe, foil etc. A very prevailing headdress was the turban cap, decorated with feathers, cut steel, pearls and diamonds.

Over in Paris by 1790, the turban was all the rage:

The caterers of fashion in Paris, have availed themselves of the late grand spectacle at the Champs de Mars by introducing a new head-dress for the ladies, called the ‘Confederation Turban’ and the volatile beaux of fashion have just introduced the national colours in their striped silk stockings, which are termed the ‘National Gaitars’.

Lady Henrietta Cavendish-Bentinck (1737-1827), Countess of Stamford by George Romney
Lady Henrietta Cavendish-Bentinck (1737-1827), Countess of Stamford by George Romney; National Trust, Dunham Massey.

In 1795 newspapers offered helpful, detailed guides as to the correct items of fashion to be worn and for what occasion, just so that you didn’t get it wrong.

An Evening Dress

The hair dressed in light curls and ringlets, Turban of light blue crepe; bandeau of gold foil, set with diamonds and pearls; the hair turned up, mixed with the turban, and the ends returned in ringlets. Jacket and petticoat, of muslin; four plaits across the petticoat; the jacket turned on the back with lace; Sash of blue satin ribband; three strings of pearls round the neck; pearly ear-rings; blue satin shoes; white gloves; Swandown muff.

Mrs Mary Chatfield by John Opie
Mrs Mary Chatfield by John Opie; Brighton and Hove Museums and Art Galleries

At the turn of the century, we find that turbans are no longer the domain of evening dress but are now entering everyday wear from around 1802 onwards.

We finish with this self-portrait of the artist Marie-Elizabeth-Louise Vigée Le Brun who also followed the turban fashion as we see in this self-portrait of 1800.

Self portrait of Marie-Elizabeth-Louise Vigée Le Brun, 1800. Courtesy of the State Hermitage Museum
Self-portrait of Marie-Elizabeth-Louise Vigée Le Brun, 1800. Courtesy of the State Hermitage Museum

To discover more, we recommend the book by Paula Byrne, Belle: The True Story of Dido Elizabeth Belle.

If stories about women whose lives didn’t conform to the norm of the day interest you, then you might enjoy two of our biographies:  An Infamous Mistress and A Georgian Heroine.

 

Richard Wroughton (1749-1822): Actor

In a previous blog post ‘Miss Jenny Davis as a bride’ we briefly mentioned Richard Wroughton, so thought we would take a closer look at him to see if we could find out anything more about his life.

Richard Wroughton as Barnwell. courtesy of V&A Museum
Richard Wroughton as Barnwell. courtesy of V&A Museum

Little is known of Richard’s early life. He was born in Bath, Somerset the son of Charles Rotton, or Rotten as recorded in the baptism register of St James’s church, Bath, 22nd October 1749. A small entry for a man who was to become one of the leading players of the London theatre circuit.  Quite why he changed his name we can only speculate, perhaps Wroughton appeared more suitable for the theatre than Rotten!

It is reputed that whilst Richard was ill he fell in love with his nurse, Joanna Townley, and later married her. We know he was under 21 as the parish registers of 1769 tell us that his father needed to give his consent. There was no such entry for his bride to be, however, implying that she was older than him.

Richard Wroughton as Essex in "The Earl of Essex". Courtesy of University of Illinois
Richard Wroughton as Essex in “The Earl of Essex”. Courtesy of University of Illinois

Richard and Joanna left the confines of Bath so that Richard could pursue his passion for the theatre, and so they set off for the glamorous life in London. Reading about him, Richard was clearly never short of work taking on a wide variety of predominantly Shakespearian roles at both Covent Garden and Drury Lane from the late 1760s until his retirement from the stage in 1798. He also performed in Liverpool and was the manager of Sadler’s Wells.

Ipswich Journal 22 July 1786
Ipswich Journal 22 July 1786

However, his ‘exit stage left’ was a little premature as he returned to acting a year or so later and remained an actor until 1815 when he finally retired, exhausted.

We tracked down his will, in which he left everything to his ‘beloved wife Elizabeth’ – who? He had remarried, so we began to search for the death of his nurse, later to be his wife, Joanna and found a curious burial entry in the parish register of Speenhamland, Berkshire for the 14th November 1810, the burial of a Joanna Wroughton, her residence given as Bath, Somerset. Her age at the time of her death was given as 71, making her birth 1739. Was this Richard’s wife? It would certainly appear to have been, so she was a good ten years his senior.

A theatrical candidate for manager of Drury Lane including Wroughton
A theatrical candidate for manager of Drury Lane including Wroughton

This entry makes sense when you check the newspapers for February 1811. A mere three months later Richard married for a second time, his new bride being Miss Elizabeth Thomas, daughter of Reverend Dr Thomas. He didn’t exactly waste any time finding a replacement which when you read Michael Kelly’s description of him, doesn’t exactly make him a great ‘catch’ –

a sterling person, sound and sensible. His person was bad, he was knock-kneed, his face was round and inexpressive, and his voice was not good. He had, however, an easy and embarrassed carriage and deportment, was never offensive’.

Richard was clearly a popular man as he was named as a beneficiary in several wills we have come across, most notable being that of the renowned actor Robert Baddeley.

Richard was buried 22nd February 1822 at St George, Bloomsbury, Camden.

Featured Image

Richard Wroughton, by Robert Laurie, published by William Richardson, after Robert Dighton mezzotint, published 10 July 1779. Courtesy of National Portrait Gallery

Runaway Spouses – Naming and Shaming

1753 saw the arrival of Lord Chancellor Hardwicke’s Marriage Act. This was seen to be a way of banning clandestine marriages once and for all. Parental consent was required for any person wishing to marry below the age of consent, i.e. 21. The marriage had to be conducted in church during the day by a clergyman, banns had to be read or a license issued. Falsification or errors made could result in the marriage being nullified.

Courtesy of Lewis Walpole Libary
Courtesy of Lewis Walpole Libary

Those unable to afford to buy the license could risk going to a city parish where they would not be known and have the banns published by a clerk, who was perhaps a little less vigilant than in your local area and who might not check the validity of your residence.

If all else failed there was always the option to make the potentially long journey to Gretna Green where, due to a loophole in the law, you could marry with few questions asked, although the validity of such a marriage might be questionable.

Gretna Green, or, the red-hot marriage, c.1795. Lewis Walpole Library
Gretna Green, or, the red-hot marriage, c.1795. Lewis Walpole Library

So, you have found yourself married and now decided it’s not for you. Your wife is nagging you and the children are screaming, the baby is crying. How to escape this intolerable situation. As a woman, there was little choice. Very few mothers would walk away from their offspring and as a wife you were as good as owned by your husband, but for a man, if wealthy you could divorce your wife. If the financial means for divorce were lacking, then one further option was simply to run away.

Before and after marriage
Before and after marriage.

It was, however, a crime in the Georgian Era for men to abandon their wife and family, as by doing so the family would become reliant upon the parish to support them, so it was important to have these men apprehended and returned to the bosom of their family as soon as possible. The way to try and trace these men was by naming and shaming in the newspapers, complete with name, age, occupation and a brief physical description. How many of these men did return home is unknown, but clearly obtaining their safe return was not through lack of trying on the part of the authorities. Here is an example from the Kentish Gazette, October 1st, 1816

Run Away

And left his wife and family chargeable to the parish of Frindsbury, James Apsly, known by the name of ‘Jemmy Rags’, he is about five feet ten inches high, a native of Aylesford, dark complexion, scar on his left cheek and a mole on the tip of his nose. Whoever will give information where he may be found, to Mr Edward Ross, Overseer of Frindsbury, shall, on his apprehension, be rewarded for their trouble.

Women did run away from their husbands, the difference being that if the husband wished his wife to return he would most likely put an advertisement in the local paper, something like this one reported in the Chester Chronicle, September 27th, 1799, along with a comment by the newspaper itself

A man at Condover, near Shrewsbury, advertising his runaway wife, thus concludes:

he will not be answerable for any debts she may contract until she returns to him again, and make him some acknowledgement for her misconduct.

We are at a loss to know what sort of acknowledgement it should be that would entirely satisfy a man in such a situation!

A Nincompoop, or Henpecked Husband. © The Trustees of the British Museum
© The Trustees of the British Museum

And, from the Leeds Intelligencer July 17th, 1797:

A Runaway wife

Whereas Elizabeth, the wife of me, Eli Baron, of Hunslet, in the parish of Leeds, Pot Vender, has absconded without any cause or provocation of my part:

Notice is therefore hereby given,

That whoever harbours her after this notice will be prosecuted: – she is about fifty-three years of age, broad set and dark complexioned.

He will not be answerable for any debts she may hereafter contract.

As Witness of his hand                                                        Eli Baron

The interesting point to note about many of these appeals for the wife to return is that they appear in almost the same format each time, the man’s priority is not necessarily the safe return of his wife, but that people are publicly made aware that their spouse has left them and that they are therefore no longer financially responsible for them. The majority also seem to wish to share the fact that it was not their fault, that they had done nothing to provoke their wife to leave them.

Husband discovered in act of kissing a maid . Courtesy of Lewis Walpole Library
Husband discovered in an act of kissing a maid. Courtesy of Lewis Walpole Library
Fight with Cudgels, Francisco de Goya. Prado Museum.

18th Century Cudgelling Matches

This is a sport that seems unlikely to make a comeback anytime soon – hopefully.  Cudgelling was a type of duel fought with wooden weapons and was also known as ‘single stick’, with its origin dating back to around Tudor times.

The aim of the competition was to break your opponent’s head with a single stick i.e. to cut the skin on the head, face or neck so that blood was drawn. When the crowd saw blood, they would shout ‘a head’.  What a relaxing pastime this sounds, those Georgians sure knew how to have fun!

A Cudgelling Match between English and French Negroes in the Island of Dominica. courtesy of the Yale Center for British Art
A Cudgelling Match between English and French Negroes in the Island of Dominica. courtesy of the Yale Center for British Art

Competitors needed to be both strong and agile and have great speed as it could take quite some time to hit your opponent hard enough to draw blood.

The newspapers carried reports of this combative sport, so we thought we would share a few with you.

Reading Mercury 13 May 1799

On Whit-Thursday the 16th May 1799, will be given a very good hat of 15-shilling value to be played at cudgels for, the man that breaks most heads to have their prize; the blood to run one inch or be deemed no head, which is to be decided by the umpires. No counterfeit play will be allowed.

From 'Chairing the Member, from The Humours of an Election series', 1755 by William Hogarth. Wikipedia
From ‘Chairing the Member, from The Humours of an Election series’, 1755 by William Hogarth. Wikipedia

Reading Mercury 21 May 1798

On Whit- Monday the 28th of May 1798, will be given One Guinea to be played for at Cudgels, for the best man; two Shillings for the man that break a head; and One Shilling for the man that has his head broken for the first seven couples that play. No man to have the two shillings, unless he plays the ties off, with the consent of the umpires.

Fight with Cudgels, Francisco de Goya. Prado Museum.
Fight with Cudgels, Francisco de Goya. Prado Museum.

Gazetteer and New Daily Advertiser, Thursday, September 26, 1765

Monday afternoon a cudgelling match was fought on Wandsworth hill, for a laced hat, for the value of one moidore. The opponents on each side were nine, one part of which were named the London side and the other the Wandsworth side. Great dexterity was displayed during the contest by both parties, particularly by a dyer, a sugar cooper and a carpenter, on the London side; and by a maltster, a gardener and a farmer’s labourer on the Wandsworth side. When, after the whose eighteen had undergone a very severe drubbing, each from his antagonist, fortune though proper to bestow the hat on the countrymen, by a small pimple under the eye of one of the London side, breaking through his overstretching, from which sprung a little bloody tinged matter, which the umpire was held to be broken head.

Public Advertiser (London, England), Thursday, August 28, 1755

On Wednesday, there was a cudgelling match for a hat, on the Strand, near the ferryboat slip, when a quarrel ensued, several were wounded, and a woman killed by a stone being thrown at her.

London Evening Post, September 6, 1733 – September 8, 1733

There will be a cudgelling match each forenoon on the Race Days for two Guineas to him that breaks most heads, half a Guinea to the second person that breaks most heads, and Five Shillings to the third.

London Evening Post, August 14, 1733 – August 16, 1733

Hindon Races

There will be a cudgel match each forenoon (from nine to one o’clock) on the race days, for very considerable prizes.

Guest Post by William Ellis-Rees – ‘Empress Josephine and the creation of Malmaison’

We would once again like to welcome back to our blog, Classics teacher and author of  The Elephant of Exeter Change: A Tale of Cruelty and Confinement in Georgian LondonWilliam Ellis-Rees.

William’s guest post this time has as its subject, Empress Josephine, the wife of Napoleon Bonaparte.  Josephine is of course extraordinarily famous, and many biographies of her have appeared over the years.  However, William’s research has unearthed a curious story which does not appear in the standard works, and which sheds light on a fascinating corner of her life. His fascinating book tells more about her obsession with the collecting of animals and plants, Josephine in the Mountains: The curious story of the Empress’s journey from Paris to the Alps.

For most visitors to Paris, the château of Malmaison will not be high on their list of must-sees.  There are perhaps more obvious attractions: museums and churches, the Seine and its bridges, the grand boulevards and the romantic back-streets.

Vue du château de Malmaison (façade sur le parc) by Pierre-Joseph Petit. Musées nationaux de Malmaison, France.
Vue du château de Malmaison (façade sur le parc) by Pierre-Joseph Petit. Musées nationaux de Malmaison, France.

But Malmaison, bought by Napoleon Bonaparte and his wife Josephine in 1799, is for those who make the pilgrimage to the outskirts of the city quite simply fascinating.  I first fell under its spell many years ago when I embarked on extensive researches into its history, and I still find that it has the power to evoke the atmosphere of the Consulate and the First Empire.  The château is crammed with images of Napoleon’s military exploits, and the furniture and furnishings showcase the opulent decorative style he made fashionable.

Design for the library at Malmaison in Recueil de Décorations Intérieures by Charles Percier and Pierre Fontaine.
Design for the library at Malmaison in Recueil de Décorations Intérieures by Charles Percier and Pierre Fontaine.

But above all it is Josephine’s role in this particular story — a role made possible by her ambition and energy — that gives Malmaison its special appeal.

Plants and animals 

Josephine, who is not always remembered in the most favourable light, was, in fact, a very considerable connoisseur of landscaped gardens.

Josephine as botanist by Robert Lefèvre. Museo Napoleonico, Rome.
Josephine as botanist by Robert Lefèvre. Museo Napoleonico, Rome.

She employed a succession of designers to lay out the park of Malmaison in the ‘English’ style, which called for purling streams, follies and toy farms and apparently natural arrangements of trees and plants.

The ‘English’ garden at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.
The ‘English’ garden at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.

Josephine was in her element.  She used her influence and wealth to turn Malmaison into the centre of an extensive scientific network, along which plants flowed into Paris from the furthest corners of the earth, and then, once acclimatised in her magnificent glasshouses, out to municipal gardens in every region of France.

The Great Glasshouse at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.
The Great Glasshouse at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.

She collected animals, too, and her exotic creatures turned the park into something not unlike an Old Master’s vision of the Garden of Eden.

New Holland  

Josephine’s interest in natural history found triumphant expression in her patronage of the 1800 expedition to Australia, which Europeans then called New Holland.

Headed notepaper used by Nicolas Baudin. Muséum d’histoire naturelle, Le Havre, France.
Headed notepaper used by Nicolas Baudin. Muséum d’histoire naturelle, Le Havre, France.

The expedition, sailing in two ships, was led by a seasoned captain, Nicolas Baudin, but he clashed with members of the scientific team — the mariner and the intellectual were not obvious travelling companions!  Although the voyage was arduous, New Holland proved to be a land of almost magical beauty, and the ships carried back to France a rich haul of exciting new plants and animals.  These had been earmarked for the Jardin des Plantes in Paris, but Josephine was quick to claim her share.  And so it was that the glasshouses at Malmaison boasted numerous New Holland species.  So it was, too, that black swans floated on the ‘English’ river, and kangaroos hopped about their enclosure in the park.

New Holland animals and plants at Malmaison depicted in frontispiece of Atlas du Voyage aux Terres Australes by Charles-Alexandre Lesueur and Nicolas-Martin Petit.
New Holland animals and plants at Malmaison depicted in frontispiece of Atlas du Voyage aux Terres Australes by Charles-Alexandre Lesueur and Nicolas-Martin Petit.

Journey to the mountains

Josephine shared with many of her contemporaries a passion for mountain landscapes — she built a Swiss chalet at Malmaison and kept a herd of Swiss cows — and in 1810 she set off for the Alps.  She had only recently been divorced by Napoleon, and her journey to the mountains may be seen as in some sense deeply personal, and maybe even as a spiritual process of self-discovery.  Given the circumstances — she had been rejected in favour of the powerfully connected Marie Louise — Josephine must strike us as a rather forlorn figure.  Even so, she travelled with a graceful entourage and was fêted along the way.

Josephine picnicking with her companions at Servoz in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.
Josephine picnicking with her companions at Servoz in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.

One day a young man by the name of Joseph-Louis Bonjean was introduced to her.  What happened as a result of this meeting is an intriguing story, and, if you want to find out more, I would urge you read my recently published Josephine in the Mountains!

The Mer de Glace in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.
The Mer de Glace in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.

Conclusion

Suffice it to say here that for one of the two travellers, the illustrious Josephine and the humble Bonjean, nothing was ever the same again.  As one might expect, they later went their separate ways, but, as I show in my book, Bonjean’s name was not entirely lost.  What we have here is perhaps not the obvious story of Josephine.  My concern is not principally her rise to prominence, nor her marriage to and her divorce from Napoleon.  My story is about another — the other — Josephine.

The Staymaker c.1745; William Hogarth; The Tate

Frith Street, Soho: Mozart’s London Tour

One Wolfgang Mozart, a German Boy, of about eight Years old, is arrived here, who can play upon various sorts of Instruments of Music, in Concert, or Solo, and can compose Music surprisingly; so that he may be reckoned a Wonder at his Age.

The Mozart family made a grand journey around Europe during the 1760s and early 1770s which became a concert tour in which Wolfgang and his elder sister Maria Anna (Nannerl) performed under the supervision of their father.

Portrait of Wolfgang Amadeus Mozart playing in Paris with his father Léopold and his sister Maria Anna by Louis Carrogis Carmontelle, 1763, Musée Condé.
Portrait of Wolfgang Amadeus Mozart playing in Paris with his father Léopold and his sister Maria Anna by Louis Carrogis Carmontelle, 1763, Musée Condé.

After visiting various German towns, Brussels and then Paris, the Mozarts arrived in London in April 1764. It was something of an impromptu addition to the schedule: the family had not planned on performing in the British capital but after calls to do so after their performances in Paris, they hastily crossed the Channel.

An advertisement for these concerts announced that “the girl, in her twelfth year, and the boy, in his seventh will not only play on the harpsichord or the fortepiano, the former playing the most difficult pieces by the greatest masters, but the boy will also play a concerto on the violin, accompany symphonies on the keyboard and play with the keyboard completely covered by a cloth as well as though he could see the keyboard; he will also name, most accurately, from a distance, any note that may be sounded for him, singly or in chords on the keyboard, or on any conceivable instrument, including bells, glasses or clocks. Finally, he will improvise out of his head, not only on the fortepiano but also on the organ (for as long as anyone wants to listen, and in all the keys, even the most difficult, that he may be asked).”

Leopold wrote that he was ‘in a city that no-one from our Salzburg court has yet dared visit and to which perhaps no-one ever will go in the future’. He had high hopes of making a fortune while in the city but it did not go as planned. The London season was all but over and the nobility were retreating from the capital to their country estates, but Wolfgang appeared before the king and queen and made his debut in the concert rooms at Spring Gardens. Wolfgang and Nannerl then played at Ranelagh and Vauxhall: Leopold was awestruck at the sheer size of London and the multitude of people living in the city. One thing that did not impress Wolfgang’s father was, however, the English weather: Leopold fell ill with a ‘kind of native complaint, which is called a cold’. By the beginning of August, the Mozart family were lodging at a house in Ebury Row, Chelsea so that Leopold could recover in the country.

Childhood of Mozart; Ebenezer Crawford; Jersey Heritage
Childhood of Mozart; Ebenezer Crawford; Jersey Heritage

The London season began again in November and so, in anticipation of that, the family relocated during September back to London and took rooms in the house of Thomas Williamson and his wife, Jane, in Frith Street, Soho.

Frith Street, at the time, was known as Thrift Street and bounded at one end by Monmouth House, beyond which lay Soho Square, or King Square as it was then known. The Williamsons house, no. 15, was a brick built dwelling, three or four storeys high and dating from the 1720s. (Following the demolition of Monmouth House in 1773, the houses on Frith Street were renumbered: no. 15 is no longer standing, but its site is now occupied by no. 20 which is the back of the Prince Edward Theatre and opposite Ronnie Scotts Jazz Club.)

King Square in Soho, looking towards Monmouth House beyond which, to the right of the building, is Frith Street. © The Trustees of the British Museum
King Square in Soho, looking towards Monmouth House beyond which, to the right of the building, is Frith Street.
© The Trustees of the British Museum

Thomas Williamson followed the joint and somewhat incongruous professions of staymaker and wax and spermaceti candle chandler, trading as Williamson & Tonson in the latter capacity by 1777.

The Staymaker c.1745; William Hogarth; The Tate
The Staymaker c.1745; William Hogarth; The Tate

Spermaceti candles – made from a waxy substance found in the head cavities of sperm whales – were preferred by those who could afford them as they were odourless: Thomas had royal patronage as two of George III’s younger brothers purchased their candles from him, Prince William Henry, Duke of Gloucester and Prince Henry, Duke of Cumberland and Strathearn. A Daniel Williamson in Hull, East Yorkshire appears to have manufactured the candles and sold them from his premises. Possibly he was Thomas’ brother, the two siblings running a joint operation.

Trade receipt of Williamson & Tonson, Wax Chandlers. © The Trustees of the British Museum
Trade receipt of Williamson & Tonson, Wax Chandlers.
© The Trustees of the British Museum

The London season normally began when parliament reconvened but that winter, due to tensions between King George III and his government, the opening was delayed until 10th January, a further setback for the finances of the Mozarts, additionally so when their concerts during the rest of their stay were not as well attended as they had hoped they would be. They performed at private houses and their final public concert was on 13th May 1765: thereafter they continued performances for which the public were charged admission at their rooms in Frith Street until June.

Leopold and Wolfgang Mozart; Royal College of Music
Leopold and Wolfgang Mozart; Royal College of Music

The family left London at the end of July and sailed for France on 1st August 1765. Thomas Williamson continued his joint professions from Frith Street until his death in the summer of 1778. By his will, he left his businesses and stock in trade to his wife and to his son, John.

The blue plaque on the site of the house in Frith Street where Mozart lodged.
The blue plaque on the site of the house in Frith Street where Mozart lodged.

The subject of our latest biography, Rachel Charlotte Williams Biggs owned two houses on Frith Street in the early 1800s, inherited from her father. They stood about where Ronnie Scott’s is, so opposite the house in which Mozart had lodged. A relation had lived on Frith Street in the 1780s, so it is entirely possible that our Mrs Biggs had heard tales of the child prodigy’s stay in Soho from someone who had personally known the Williamson family.

Sources:

Oxford Journal, 23rd February 1765

Newcastle Chronicle, 14th May 1768

Mozart, Stanley Sadie, Oxford University Press, 2006

National Archives, PROB 11/1041/84

One of the miseries of life – Gout

In the Georgian era, if you weren’t afflicted by gout you were nobody, it was very much a statement of wealth and class, something to aspire to have. Most sufferers of this complaint ate too much rich food and drank even more – port being regarded as one of the most common causes.

Gout was described in ‘A Treatise on the Nature and Cure of Gout’ by Charles Scudamore, written in 1816, as

a constitutional disease, producing an external inflammation of a specific kind; the susceptibility to it often depending on hereditary conformation and constitution, but more frequently wholly acquired; not occurring before the age of puberty, seldom under the age of five and twenty; and most frequently between the ages of twenty-five an thirty-five; affecting chiefly the male sex; and particularly persons of capacious chest and plethoric habit; in the first attack invading usually one foot only and most frequently at the first joint of the great toe; but in its return affecting both feet, the hands, knees and elbows, often accompanied by a fever.

Today, of course, medical knowledge has moved on and we now know that gout is caused by a build-up of uric acid which the body cannot break down and presents as a swelling in a joint, usually the big toe with red skin around the affected joint, as can be seen in this caricature by James Gillray. This being only one of countless caricatures of the day, mocking sufferers.

Nobody laughs at a touch of the gout.
Courtesy of Wellcome Collection

Where there was illness there were plenty of so-called doctors ready to offer you a quick fix. So much so that they proudly advertised the efficacy of their product in the newspapers, with claims that they could not just ease the condition, but totally cure it. So confident were they with their products that they provided testimonies apparently from people they had treated such as this one for ‘Mr Gardner’s Pills and Plaisters’.

Wright Esq. No. 40 Duke Street, Manchester Square, was many years afflicted with the gout, is cured by Gardener’s Pills and will with pleasure satisfy the afflicted.

Mr. Watson, Merchant and Underwriter, No. 25 Mincing Lane, seven years afflicted.

Mr. Purser, Talbot Innkeeper, Whitechapel, twenty years afflicted.

If that didn’t take you fancy, then no problem, why not try a more palatable cure?

Spilsbury’s Antiscorbutic Drops. This medicine had undergone a series of trials and held a variety of certificated of efficacy and could cure scurvy, gout, leprosy, rheumatism etc. The drops themselves were reputed to be pleasant to take, required no confinement. They were supplied in moulded bottles, with fluted corners and the words Francis Spilsbury, chemist, his Antiscorbutic Drops, by the King’s Patent, indented on each 5-shilling bottle and were supplied with directions to usage.

The Gout.
Courtesy of Lewis Walpole Collection

Interesting to note that almost half the advertisement seemed to focus on the appearance of the container rather than the product it contained. Whilst it seems feasible that these drops could help to prevent or cure scurvy, as they were predominantly a form of vitamin C tablets, there seems little evidence that they could have any effect on gout.

So, who amongst the great and the good of the day suffered from gout – well naturally the Prince Regent with his excessive lifestyle was a prime candidate and the newspapers reported instances of him having suffered ‘a slight attack of gout in his knee’.  Sir Joseph Banks whose gout became so debilitating that he had to resort to using a wheelchair. Both William Pitt, the elder and the younger were both troubled by the complaint. Pitt, the younger being advised to avoid port and to drink wine instead. If you read the letters of Horace Walpole, you will find countless references on the subject of gout!

Lord Bryon, noted in 1814 that King Louis XVIII of France was another sufferer of gout and nicknamed him ‘Louis the Gouty’.

We will finish with an extract from the work of Rev. Jonathan Swift

As, if the gout should seize the head,
Doctors pronounce the patient dead;
But, if they can, by all their arts,
Eject it to th’extremest parts,
They give the sick man joy, and praise
The gout that will prolong his days.

 

Featured Image

Courtesy of Welcome Collection

Merry Christmas: Reviews, Guest Blogs and More

We’re now ending yet another year of blogging. It’s true, as you get older time goes faster. It feels like five minutes ago that we were wishing everyone a Happy 2017 and we’re now almost at the end of it. We’re taking our usual break until January to spend time with our families and to draw breath, but of course, we’ll  be back next year with even more stories from the Georgian era – we already have plenty in the pipeline.

We have just launched our third book, so if you’re still looking for that last-minute Christmas present or just a treat for yourself, then you may wish to check out A Georgian Heroine. There’s also a direct link on the right-hand side of the blog to all our books.

The bizarre but true story of an astounding woman persevering in a man's world. A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs.

We are delighted with the first reviews of A Georgian Heroine. Regan Walker, author of Georgian, Regency and Medieval romances had this to say:

We authors try and cast our heroines as noble women who overcome great odds to lead significant lives and win the hero’s love. Though she never found true love, Charlotte was just such a woman. I could not recommend a more delightful heroine to you than Charlotte. The authors have done a thoroughly researched job of bringing her story to light in a fast-paced narrative. I recommend it!

You can read the full review on Regan’s website.

We’ve been guest blogging to promote A Georgian Heroine so, if you’d like to discover more about this truly amazing woman, the links you need are below.

Charlotte, as our Georgian Heroine preferred to be known, suffered a tortured existence at the hands of a man she should have been able to trust when she was in her late teens. On Naomi Clifford’s blog, we discuss Abduction and Rape in 18th Century London: The Multiple Misfortunes of Charlotte Williams.

Robert Lovelace preparing to abduct Clarissa by Francis Hayman, Southampton City Art Gallery.
Robert Lovelace preparing to abduct Clarissa by Francis Hayman, Southampton City Art Gallery.

Charlotte grew up in Lambeth on the banks of the River Thames and her close neighbour was the Georgian era businesswoman, Eleanor Coade, a lady we looked at in more detail in our post on Sue Wilkes’ site.

Coade Stone Factory, Narrow Wall, Lambeth, anonymous, 1790s.
Coade Stone Factory, Narrow Wall, Lambeth, anonymous, 1790s.

Finally, we headed over to Anna M. Thane’s website, Regency Explorer for a look at a daring scheme to end Napoleon Bonaparte’s life, The Plot of The Infernal Machine, which Charlotte had links to. You can find out more in The Lady is a Spy.

Hortense de Beauharnais - Rijksmuseum
Hortense de Beauharnais – Rijksmuseum

In other news, our first book, An Infamous Mistress: The Life, Loves and Family of the Celebrated Grace Dalrymple Elliott is now a bargain £4.99 in eBook format for a limited time (click here for more).

Before we leave you for the year,  we would like to say a huge ‘Thank You’, to all our lovely readers who have taken the time to read our stories and to comment on them and to wish you a very Happy Christmas. We’ve had some lovely comments from people so hopefully, we’re writing things that interest or intrigue you, our lovely readers. We must also say a massive ‘Thank You‘ to our guest writers who have provided us with yet more amazing stories from the Georgian era.

 

 

Eastern Promise: Mughal India and the East India Company

We never initially set out to research Mughal India and the East India Company (EIC) but, time and time again, the people we were looking at took us east. It all started with the eighteenth-century courtesan, Grace Dalrymple Elliott’s family. Grace had a brother and three male cousins who all ventured to India in different capacities with the EIC. Perhaps best known of these is Colonel John (Jack) Mordaunt, who has been captured for posterity in the middle of a cock match against Asaf-ud-daula, Nawab Wazir of Oudh. Mordaunt, a keen cock-fighter, had imported birds from Europe which he thought were superior to those of the Nawab’s.

Colonel Mordaunt's Cock Match c.1784-6 by Johan Zoffany. The Tate.
Colonel Mordaunt’s Cock Match c.1784-6 by Johan Zoffany. The Tate.

And as well as her male cousins out in India, Grace also had two female cousins – sisters – who travelled to the country on an ultimately successful husband-hunting trip. The EIC was concerned about its officers taking Indian women as wives and adopting Mughal dress and habits. In an effort to stem this, they encouraged British girls and young women to embark on ships for an Indian adventure and to provide suitable marriage material.

A Sale of English Beauties in the East Indies. © The Trustees of the British Museum
A Sale of English Beauties in the East Indies. © The Trustees of the British Museum

You can find more on Grace and her relations, who travelled the globe, in An Infamous Mistress: The Life, Loves and Family of the Celebrated Grace Dalrymple Elliott.

Our second book, A Right Royal Scandal: Two Marriages That Changed History, looks at the ancestors of the British royal family, specifically Anne Wellesley, her second husband Lord Charles Bentinck and their son, the Reverend Charles Cavendish Bentinck but, first, we examined Anne’s background. She was the daughter of Richard Colley Wellesley, 1st Marquess Wellesley (the Duke of Wellington’s older brother) and Hyacinthe Gabrielle Rolland, a Parisian opera dancer whom the marquess fell in love with as a young man. Richard was posted to India as Governor-General but Hyacinthe Gabrielle, chronically afraid of the sea voyage, refused to accompany him, a decision which would ultimately lead to the break-up of their marriage.

A Cheetah Hunt in Lord Wellesley's Park at Barrackpore by Charles D'Oyley, 1802, British Library, India Collection.
A Cheetah Hunt in Lord Wellesley’s Park at Barrackpore by Charles D’Oyley, 1802, British Library, India Collection.

And so we come to our latest book, A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs. Charlotte, as our heroine preferred to be known, fell in love when she was only sixteen years of age with a young lad who left her behind when he sailed to India in search of adventure, subsequently joining the EIC as a junior officer and rising to become a general and a baronet. This man, Sir David Ochterlony, remained Charlotte’s one true love throughout all her many adventures and exploits. Towards the end of their lives, David and Charlotte once again reached out to each other, albeit by letter and from one side of the globe to the other. Ochterlony, like so many before him, had ‘gone native’, dressing in flowing Mughal robes and smoking a hookah pipe while sitting cross-legged on his diwan, watching dancing girls. He could be spotted each evening with his multiple Indian wives, each atop an elephant as they perambulated around Delhi. Did Charlotte dare to dream that the only man she had ever loved would return to England to claim her, in her dotage?

Major-General Sir David Ochterlony (1758-1825), Soldier by Arthur William Devis; National Galleries of Scotland.
Major-General Sir David Ochterlony (1758-1825), Soldier by Arthur William Devis; National Galleries of Scotland.

If you’d like to discover more about Charlotte, all is revealed in our book. A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs is out now in the UK (and coming soon worldwide) and can be found at Pen & Sword, Amazon and all good bookshops.

 Rachel Charlotte Williams Biggs lived an incredible life, one which proved that fact is often much stranger than fiction. As a young woman she endured a tortured existence at the hands of a male tormentor, but emerged from that to reinvent herself as a playwright and author; a political pamphleteer and a spy, working for the British Government and later singlehandedly organising George III’s jubilee celebrations. Trapped in France during the revolutionary years of 1792-95, she published an anonymous account of her adventures. However, was everything as it seemed? The extraordinary Mrs Biggs lived life upon her own terms in an age when it was a man’s world, using politicians as her mouthpiece in the Houses of Parliament and corresponding with the greatest men of the day. Throughout it all though, she held on to the ideal of her one youthful true love, a man who abandoned her to her fate and spent his entire adult life in India. Who was this amazing lady?

In A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs, we delve into her life to reveal her accomplishments and lay bare Mrs Biggs’ continued re-invention of herself. This is the bizarre but true story of an astounding woman persevering in a man’s world.

Featured image

Colonel Mordaunt and Nawab Asaf al-Daula of Oudh at a Cock Fight, Company School, Patna, circa 1840, after Richard Earlom’s mezzotint of Zoffany’s ‘Col. Mordaunt’s Cock Match’, via Sotheby’s website.

The American Duchess Guide to 18th Century Dressmaking: a review

Have you ever wanted to dress like a gorgeous Georgian? Well, now help is at hand in the form of the The American Duchess Guide to 18th Century Dressmaking by Lauren Stowell and Abby Cox. It is released here in the UK on 13th December 2017, just in time for Christmas.

The American Duchess Guide to 18th Century Dressmaking.
The American Duchess Guide to 18th Century Dressmaking.

Lauren and Abby are owners of the historical footwear online store, American Duchess who ship worldwide and sell the most amazing shoes. They have now used their research and experience to complete your outfit and enable you to make the most amazing dresses (and accessories) to go with those fantastic shoes.

The American Guide to 18th Century Dressmaking

Divided into four chapters, this book takes you step-by-step through making four gowns representing four different eras of the eighteenth-century plus all the accessories you could need to go with them. If, like us, your dressmaking skills are a little rusty or even rudimentary, don’t be put off. The book is written in a friendly style with basic details such as the different types of stitches covered as well as more detailed instructions, and all with a multitude of helpful diagrams and images so it doesn’t seem as daunting as you’d think.

There are instructions for making four gowns in the book. © American Duchess
There are instructions for making four gowns in the book. © American Duchess

And, even for a non-sewer, the book is still an entertaining and informative read if you are interested in the period. It’s interspersed with sumptuous pictures and lots of amusing asides (for instance, discover why one of Madame Pompadour’s maids inspired the name for the new short sacque gown being worn by her mistress, ‘pet en l’air’).

Madame de Pompadour at her Tambour Frame, 1763-4 by François-Hubert Drouais. The National Gallery
Madame de Pompadour at her Tambour Frame,
1763-4 by François-Hubert Drouais. The National Gallery

The book begins with a simple English gown from the 1740s complete with neckerchief, apron, mitts and hat. Then we go onto a much more extravagant ruffled and flounced dress, a sacque gown dating from the 1760s-1770s inspired by Francis Cote’s A Portrait of a Lady, plus underpinnings and accessories.

Portrait of a Lady, 1768 by Francis Cotes. The Tate
Portrait of a Lady, 1768 by Francis Cotes. The Tate

An Italian gown in printed cotton which follows the style of the 1770s-1790s and accommodates a ‘false rump’ is the third project. Again, you are given instructions for everything from the false rump to a silk covered ‘brain hat’, described as ‘fluffy, puffy and never stuffy’.

At the end of each section, you are shown how to wear your gown with style.
At the end of each section, you are shown how to wear your gown with style.

The last gown to be featured is the 1790s round gown, a much different silhouette from the preceding dresses.

Plate 034, N. Heideloff, February 1, 1795, Thomas J. Weston Library, The Metropolitan Museum of Art. One of the images given as inspiration for the 1790s round gown in the American Duchess Guide to 18th Century Dressmkaing.
Plate 034, N. Heideloff, February 1, 1795, Thomas J. Weston Library, The Metropolitan Museum of Art. One of the images given as inspiration for the 1790s round gown in the American Duchess Guide to 18th Century Dressmaking.

To build confidence, we’d recommend starting with some of the simpler projects: now the weather has turned cold we’re looking with extreme interest at the 1790s giant (faux) fur muff… that’s a fashion that needs to be brought back, right?

The American Guide to 18th Century Dressmaking

This is a book that will be a permanent fixture on our bookshelf. It is a brilliant reference book on the fashions of the eighteenth-century and the history of dressmaking of the period and, as such, invaluable for anyone who writes about the era and wants to understand more about the clothes women wore. And, if you are an eighteenth-century re-enactor or lucky enough to be attending a Georgian dinner, ball or festival where it is requisite to look the part, then this wonderful guide will ensure that you stand out from the crowd in the latest fashions.

The Family of the Duke of Penthièvre in 1768 by Jean-Baptiste Charpentier the Elder, 1768, Château de Versailles.
The Family of the Duke of Penthièvre in 1768 by Jean-Baptiste Charpentier the Elder, 1768, Château de Versailles.

Now, where are our needles? That fur muff is not going to make itself and it’s beginning to snow outside!

We received a copy of this book in return for an unbiased review on our blog.

Cuper’s Gardens, Lambeth’s pleasure ground

Cuper’s Gardens were described as a ‘scene of low dissipation… noted for its fireworks, and the great resort of the profligate of both sexes’. Opened in the late 17th century, they were pleasure gardens (and later a tea garden) in Lambeth on the Thames shoreline and named after Abraham Boydell Cuper, the original proprietor of the land which he leased from Thomas Howard, 21st Earl of Arundel (Cuper was the earl’s gardener). In the early days, the site was also known as Cupid’s Gardens.

Last Monday in the Evening, a Gentleman dropt down dead at Cupid’s Gardens, just as he was going to drink a Glass of Wine, having the Glass in his Hand.

Stamford Mercury, 21st May 1724

The ‘Georgian Heroine’ of our latest book, Rachel Charlotte Williams Biggs, was born in the early 1760s and grew up in a house on Narrow Wall in Lambeth, close by Cuper’s Gardens, but this was after its days as a pleasure ground. Instead, Charlotte knew the land as a scene of industry, the once ornate grounds dominated by a vinegar and ‘mimicked wine’ factory owned by Mark Beaufoy who was a great friend to the Williams family. No doubt Charlotte heard the tales of the great entertainments which had taken place at Cuper’s Gardens, though.

Here are pleasant Walks and Places of great Report, particularly Cuper’s Garden, Spring-Garden, and Lambeth Wells, where they drink the purging Waters. Here, in the fine Season of the Year, a Multitude of young people from London divert themselves; and there is every Evening Musick, Dancing, &c.

The guests to the gardens even included royalty, for Frederick, Prince of Wales was known to occasionally frequent them. (Frederick, the heir to the throne, predeceased his father, King George II whom he was famously at loggerheads with.)

Frederick, Prince of Wales, and his sisters by Philippe Mercier; National Portrait Gallery, London.
Frederick, Prince of Wales, and his sisters by Philippe Mercier; National Portrait Gallery, London.

From 1738 until 1740 Cuper’s Gardens were owned by a man named Ephraim Evans who improved them by installing a bandstand from which he offered concerts in the evening; after his death his widow, Nem became the proprietor. Nem Evans was described as ‘a woman of discretion’ and ‘a well-looking comely person’ and she played the hostess behind the bar during the musical entertainments. Under her direction, the gardens continued their heyday, for a time at least.

We hear that at Cuper’s Gardens last Night, among several favourite Pieces of Musick, Mr Handell’s Fire Musick, with the Fireworks, as originally perform’d in the Opera of Atalanta, was received with great Applause by a numerous Audience.

London Daily Post, 10th July 1741

Map showing Cuper's Gardes, 1746. Yale Center for British Art, Paul Mellon Collection.
Map showing Cuper’s Gardens, 1746. Yale Center for British Art, Paul Mellon Collection.

There is every Evening a very great Resort of Company at Cuper’s Gardens. The extraordinary Fireworks, which are almost every Night different, are allow’d to excel all that ever were before exhibited in this Kingdom.

Daily Advertiser, 3rd June 1743

View of the Savoy, Somerset House and the Water Entrance to Cuper's Garden (bottom right). Yale Center for British Art, Paul Mellon Collection.
View of the Savoy, Somerset House and the Water Entrance to Cuper’s Garden (bottom right). Yale Center for British Art, Paul Mellon Collection.

On Monday next will be opened CUPER-GARDENS, kept by the Widow Evans; where there are great Alterations and Decorations in an elegant manner, and hopes the Continuance of the Favours of her Friends and Acquaintance, who may depend upon good Entertainment of all sorts, with a good Band of Musick, and Fireworks, with great Improvements; and the Bowling Green is in good Order.

General Advertiser, 4th May 1744

On the 1st May 1749, the gardens opened for the summer season with a recreation of the temple and fireworks which had been seen at Green Park to celebrate the Peace of Aix-la-Chapelle.

A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir, 1749. Yale Center for British Art, Yale Art Gallery Collection.
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir, 1749. Yale Center for British Art, Yale Art Gallery Collection.

The extravagant fireworks came at something of a cost, however, and accidents did occur.

On Monday Morning, as four Men were preparing the Fire-works to be exhibited in the Evening at Cuper’s Gardens, the Powder by some Accident took fire, and two or three of the Men were much hurt by the Explosion.

Remembrancer, 2nd June 1750

The Licensing Act came into effect in 1752 and Nem Evans was refused a licence for Cuper’s Gardens on the grounds – which she disputed – that the gardens were no longer ‘respectable’. In the summer of 1753, she reopened them as a tea garden and held occasional private evening entertainments for subscribers.

I dined the other day with a lady of quality, who told me she was going that evening to see the ‘finest fireworks!’ at Marybone. I said fireworks was a very odd refreshment for this sultry weather; that, indeed, Cuper’s-gardens had been once famous for this summer entertainment; but then his fireworks were so well understood, and conducted with so superior an understanding, that they never made their appearance to the company till they had been well cooled, by being drawn through a long canal of water, with the same kind of refinement that the Eastern people smoke their tobacco through the same medium.”—Warburton to Hurd, July 9th, 1753.

By the time of Nem Evans’ death in July 1760, the gardens had closed for good. She was buried alongside her husband in the churchyard of St Mary’s, Newington and changes were soon afoot in her former pleasure ground.

It is said a new Street is going to be made from one End of Cuper’s Gardens to the other, and that each House will have a pretty Garden behind it.

St James’s Chronicle, 17th June 1761

Entrance to Cuper's Gardens, North Lambeth, c. 1750. Yale Center for British Art, Paul Mellon Collection.
Entrance to Cuper’s Gardens, North Lambeth, c. 1750. Yale Center for British Art, Paul Mellon Collection.

They have for some time been cutting down the Trees in Cuper’s Gardens, in order to build a handsome Street upon that Spot.

Public Advertiser, 11th March 1762

In the 1740s, Mark Beaufoy had established a vinegar and ‘mimicked wines’ distillery near his three-storey house at Cuper’s Bridge Lambeth and, following the closure of the adjoining pleasure ground, he took on the lease, expanding his business.

Beaufoy's Distillery in Cuper's Gardens, c.1798
Beaufoy’s Distillery in Cuper’s Gardens, c.1798

There is a magnificence of business, in this ocean of sweets and sours, that cannot fail exciting the greatest admiration: whether we consider the number of vessels or their size. The boasted tun at Heydelberg does not surpass them. On first entering the yard, two rise before you, covered at the top with a thatched dome; between them is a circular turret, including a winding staircase, which brings you to their summits, which are above 24ft in diameter. One of these conservatories is full of sweet wine and contains 58,109 gallons; or 1,815 barrels of Winchester measure. Its superb associate is full of vinegar, to the amount of 56,799 gallons, or 1,774 barrels, of the same standard as the former.

Besides these, is an avenue of lesser vessels… After quitting this Brobdignagian scene, we pass to the acres covered with common barrels: we cannot diminish our ideas so suddenly, but at first we imagined we could quaff them off as easily as Gulliver did the little hogsheads of the kingdom of Lilliput.

Beaufoy's Vinegar Works, Cuper's Gardens, Lambeth by Charles Tomkins, c.1800.
Beaufoy’s Vinegar Works, Cuper’s Gardens, Lambeth by Charles Tomkins, c.1800.

In 1813, part of Cuper’s Gardens was bought for the construction of what is now Waterloo Bridge Road and the Beaufoys relocated to land off Walnut Tree Walk.

We’ll leave you with a little premonition of the future, which was displayed in Cuper’s Gardens.

Mr Moore’s undertaking to make carriages go without horses, having engrossed a large share of public attention, a Correspondent assures us, that something of the same nature was done several years ago by Mr Arthur, the comedian, who constructed a chariot, which went of itself several times up and down the Mall in St James’s Park; and that a person at Trowbridge also contrived a waggon to go without horses, which was shewn to many hundreds of people in Cuper’s-gardens, and for some little time afforded great satisfaction; but one of the springs breaking, the whole machine became disordered, and the mob at length broke it all to pieces.

Kentish Gazette, 12th April 1769

A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs is available now in the UK and coming soon worldwide and is available from Pen & Sword, Amazon and all good bookshops.

Featured image: View of Beaufoy’s Distillery, formerly Cuper’s Gardens; the site of the Waterloo Bridge Road; a large warehouse on the left with barrels piled up outside, 1809. © The Trustees of the British Museum

Sources not referenced above:

Will of Nem Evans, widow of Lambeth, PROB 11/857/434, National Archives

A Biographical Dictionary of Actors, Actresses, Musicians, Dancers, Managers, and Other Stage Personnel in London, 1660-1800: Eagan to Garrett, Philip H. Highfill, Kalman A. Burnim, Edward A. Langhans, SIU Press, 1978

Le guide des etrangers: on le compagnon necessaire & instructif à l’etranger & au naturel du pays en faisant le tour des villes des Londres et de Westminstre. Joseph Pote, 1740

Handbook of London: past and present, Volume 1, Peter Cunningham, J. Murray, 1849

Beaufoys of Lambeth by David Thomas and Hugh Marks, Greater London Industrial Archaeology Society

London: Being an Accurate History and Description of the British Metropolis and Its Neighbourhood, to Thirty Miles Extent, from an Actual Perambulation, Volume 4, David Hughson, 1807

Cuper’s Gardens, John Cresswell, Vauxhall History online archive

London; or, An abridgement of the celebrated Pennant’s description of the British capital and its environs, John Wallis, 1790

The Orangery in Georgian Scotland

We are absolutely thrilled to be welcoming back the author Regan Walker whose latest book has just been released – A Secret Scottish Christmas and today she’s written a guest blog about orangeries.

A Secret Scottish Christmas by Regan Walker

Whether you call them orangeries, hothouses, greenhouses or conservatories, buildings in which plants were allowed to grow in an environment sheltered from the weather were much in vogue in the 18th and 19th centuries. In the warm air of these glassed buildings, one could grow flowers (oleander, hibiscus, lily of the valley and camellias, among others), vegetables (kale would have been popular in Scotland), oranges and other citrus as well as other fruits (cherries, peaches, plums, pomegranates and figs). Perhaps most favoured of all were the exotic pineapples.

Orangery at Dyrham Park in South Gloucestershire, England
Orangery at Dyrham Park in South Gloucestershire, England

The name “orangery” reflects the original use of the building as a place where citrus trees were often wintered in tubs under cover, surviving through harsh frosts and snow, as they do in my story, A Secret Scottish Christmas. It is there the heroine often takes her morning runs.

The Romans are credited with the first greenhouses to grow fruits and vegetables, but the Italians are given credit for the orangery during the Renaissance when glassmaking techniques enabled sufficiently large expanses of clear glass to be produced. Though some in Scotland imported citrus trees from Spain, at least one of my sources said it was from Italy the Scots imported small budded orange trees.

 

Originally built to protect Queen Anne’s citrus trees from the harmful winter weather, orangeries in Britain became status symbols among the wealthy in Scotland as well as England. Early orangeries were built as extensions to the house, heated by charcoal braziers. But, as time went on, it became the fashion to have a separate “greenhouse” and, after 1816 when hot water heating came into being, the heating source might be outside the building.

Orangery at Heveningham Hall in Suffolk built about 1760
Orangery at Heveningham Hall in Suffolk built about 1760, designed by the architect Samuel Wyatt

Growing Pineapples in a “Pinery”

Discovered by Christopher Columbus in the Caribbean in 1493, pineapples became a rare delicacy in Europe and were associated with power, wealth, and hospitality. In Britain, the practice of bringing pineapples to the dining table was not just for the aristocracy but extended to the gentry. The list of gentlemen engaged in this horticultural activity includes such notables of Georgian society as the poets William Cowper and Alexander Pope and the architect Lord Burlington.

Pineapple by Theodorus Netscher, 1720
Pineapple by Theodorus Netscher, 1720

The pineapple was a testament to the owner’s wealth and to his gardener’s skill and experience. Producing a crop of tropical fruit in Scotland before the advent of the hot water heating system in 1816 was a remarkable achievement. Several varieties were grown, but the one most common in Scotland was the Queen pine.

Dunmore pineapple building
Dunmore pineapple building

The Dunmore Pineapple, a folly ranked “as the most bizarre building in Scotland”, is located in Stirlingshire, Scotland. Dunmore Park, the ancestral home of the Earls of Dunmore, includes a building containing a hothouse constructed in 1761 by John Murray, 4th Earl of Dunmore. There, among other plants, he grew pineapples.

The south-facing ground floor was originally covered with glass windows. Heat was provided by a furnace-driven system that circulated hot air through cavities in the wall. The smoke from the furnace was expelled through four chimneys cleverly disguised as Grecian urns.

Sir James Justice, an 18th-century Scottish horticulturalist and gardener, developed an incredibly efficient glasshouse on his estate at Crichton, combining the bark pits for succession and fruiting plants under one roof. In a letter to Philip Miller and other members of the Royal Society in 1728, he proudly announced,

I have eight of the Ananas in fine fruit.

Glasshouse cultivation was an important part of 18th-century horticulture and many of the inventions we now take for granted were developed or refined during this period, such as the use of angled glazing, spirit thermometers and the furnace-heated greenhouses called hothouses.

Pineapples growing in pits
Pineapples growing in pits

Young pineapple plants were often grown in “tan pits” lined with pebbles at the bottom followed by a layer of manure and then topped with a layer of tanners’ bark into which the pots were plunged. The tanners’ bark, oak bark soaked in water and used in leather tanning, was the most important as it fermented slowly, steadily producing a constant temperature for two to three months. It remained in use until the end of the 19th century.

Three developments changed pineapple cultivation: hot water heating in 1816 (allowing the stove and its fumes to be located outside the orangery), sheet glass in 1833, and the abolition of the glass tax in 1845. With these, glasshouses for pineapple cultivation became very large structures.

Enjoy your trip through the orangery at the Stephen estate in Arbroath, Scotland in A Secret Scottish Christmas!

Spies and Scots and Shipmasters, oh my!

A Secret Scottish Christmas by Regan Walker

Scotland 1819

Twin brothers Nash and Robbie Powell of Powell & Sons Shipping, London, sail with their fellow Agents of the Crown to Scotland for a secret celebration of Christmastide, a holiday long frowned upon by the Scottish Kirk. But more than Christmas is being kept secret. The two brothers have accepted an assignment from the Home Secretary Lord Sidmouth to ferret out a fugitive fomenting rebellion among the Scots.

Aileen Stephen, the only daughter of an Aberdeen shipbuilder, had to be clever, devious and determined to gain her place in the family business. She succeeded to become a designer of highly coveted ships. One night, a man’s handsome face appears to her in a dream. When two men having that same face arrive on a ship full of Londoners, Ailie wonders what her second sight is telling her. Is the face she saw a portender of the future, a harbinger of danger, or both? And which of the two Englishmen is the one in her dream?

Older than Nash by a mere five minutes, Robbie has always been protective of his twin. When he realizes Nash is attracted to the sister of their Scottish host, he thinks to help matters along. But Nash wants no help from his brother, not where Ailie Stephen is concerned because Robbie is attracted to the girl himself!

Two brothers vie for the affection of the Scottish lass but only one stirs her passion. Which one will it be? And what will she do when she learns they are spies?

Discover more on the links below:

Regan’s website

Amazon links to buy Regan’s book:

To buy in the US, click here

To buy in the UK, click here

To buy in Canada, click here

To buy in Australia, click here

Regan’s Facebook page

Pinterest Storyboard for the book

Find on Goodreads

References:

An Account of British Horticulture, drawn up for the Edinburgh Encyclopedia by Patrick Neill, 1817

The Brother Gardeners: Botany, Empire and the Birth of an Obsession by Andrea Wulf

The Science of Horticulture including A Practical System for the Management of Fruit Trees by Joseph Hayward, 1818

Gardener’s Magazine by J.C. Loudon, 1839

Hardwood Orangeries

Glasshouses: A History in Pictures – The Telegraph

Dunmore Park – Wikimedia

A Taste for the Exotic: Pineapple Cultivation in Britain – Building Conservation

18th century orangery – Jane Austen’s World

A Scottish Pineapple – JK Gillon

A Taste for Pineapple – The World of Heyerwood

Vintage Christmas Flowers – Growing with Plants

 

 

The Bonassus.

The Bonassus

According to a book by John Barrow of 1749, the Bonassus was

a kind of wild ox, as high as a bull and bigger than a common ox. His flesh is very good. His horns are an astringent.

For a travelling fair owner, Earl James and Sons, the creature was far, far more than that very plain description. In the early 1820s Earl James acquired this amazing beast and described it in the following glowing terms:

This huge, terrific and extraordinary animal, which has, for the last eighteen months, occupied the attention of the naturalist, the historian and the whole of the cognoscenti and literati of the age and more particularly the inhabitants and visitors of the greatest metropolis in the world, who, from his hitherto unknown and unparalleled nature, has been the subject of editorial observations in the London newspapers. This most wonderful and interesting beast has been visited in London by upwards of 200,000 persons. In this wonderful phenomenon of nature is combined all the terrific grandeur of the animal creation: having the head of the elephant, the fore part of the bison, the mane and hind part of the lion, the eye on the cheekbone, and an ear similar to that of a human. He stands six feet high and weighs two tons! His consumption of daily food exceeds that of the elephant; he is not a carnivorous animal, but is particularly fond of fruit and vegetable; of the latter, he is most partial to onions and frequently consumes a bushel and a half at a meal.

The Bonassus.
The Bonassus. New York Public Library.

Needless to say, there was great excitement whenever a new animal was brought to the country and this one was no exception. This extract below is from a letter written by a Mrs Winifred Lloyd to her friend Mr Price at the Parsonage House somewhere in Monmouthshire, which was published in the Devizes and Wiltshire Gazette, 16 May 1822.

She began her letter by telling her friend that she and her children were having a wonderful time seeing everything London had to offer and added the following postscript which was published by the newspaper replete with her own unique spelling of words.

I forgot to say that we had seen Mr. Martin’s expedition, we went from the Bullock’s to the Bonassus, as it is but a step from wan to the other. The man says tis a perfect picter, and so it is, for sartain, and ought to be painted. It is like a bull, only quite different, and cums from the Appellation Mountings. My Humphry (son) thought it must have been catcht in a pound and I wundered the child could make such a natural idear, but he is a sweet boy, and very foreward in his larning. He was elely delited at the site you may be sure but Betty being tiresome shut her eyes all the time she was seeing it. But, saving his push now and then, the anymil is no ways veracious and eats nothing but vegetables. The man showed us some outlandish sort of pees that it lives upon, but he gave it two hole pales of rare carrots besides. It must be a handsome customer to the green grocer and a pretty penny I warrant it costs for vittles’.

An old Friend with a new Face or the Baron in Disguise Caroline kneeling in front of Bartolommeo Bergami, disguised as a bison, figure of a Beefeater and figure of a man with his hands in the air. Brighton Museums.
An old Friend with a new Face or the Baron in Disguise
Caroline kneeling in front of Bartolommeo Bergami, disguised as a bison, the figure of a Beefeater and figure of a man with his hands in the air. Brighton Museums.

However, not everyone was quite so enamoured with the creature, as this letter reprinted in the John Bull of January 1824 confirms.

‘Gentlemen, I am sorry to trouble you but I am so annoy’d by next door neighbour the Bonassus and with beasts, that cannot live in my house, for the stench of the beast is so great and there is only a slight petition betwixt the houses and the beast are continually breaking through in my different rooms and I am always losing my lodgers in consequence of the beast first a monkey made its way in my bedroom, next the jackall came into the yard and this last week the people in my second floor have been alarmed in the dead of night by the monkey breaking through into the closet and are going to leave in consequence, this being the third lodgers I have lost on account of the beast and I have been letting my second floor at half the rent – and those men of Mr James are bawling the whole day against my window and continually taking people’s attention from window – and I am quite pestered with rats and I am confidence they came from the Exhibition and in short the injury and nuisance is so great as almost impossible to describe, but to be so annoy’d by such an imposter I think is very hard – Gentlemen your inquiry will oblige. Your servant T.W. And if I mention anything to Mr. James he only abuses me with the most uncouth language’.

A claim for compensation if ever there was one!