18th-century shoes

Richd. Roberts, shoe & boot maker, next door to the oil shop in Ship and Anchor Court, facing the Coach Stand Temple Bar. Makes shoes & boots in the most genteel & neatest manner. Courtesy of Lewis Walpole Library

Everyone loves stylish shoes and needless to say those lovers of fashion, the Georgians, were no exception. As they are today, they were, as well as being obviously practical they were very much about making a statement despite being somewhat hidden below those wonderful long gowns.

Grace Dalrymple Elliott, Gainsborough. Courtesy of The Metropolitan Museum of Art

The manufacture of shoes required great skill, no mass production existed in the Georgian Era, and each pair would have been crafted by hand. A shoemaker ‘if he be a good hand, sober and industrious will earn thirty shillings a week’ that equates to about £70 a week today.

Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Charles Blaney, 1926 Accession Number: 2009.300.1406a, b

For many shoemakers, it was a relatively solitary life, working in their own workshop, for others they would have a large shop in which to exhibit their work.

Silk, silver lace & braid shoes (diamond sapphire buckles) 1750s Courtesy of V&A

The work involved in making a pair of shoes required the shoemaker to cut out a leather upper to a pattern. A small weight would then be placed on the skin to keep it from slipping; a hammer was then used to beat down any rough parts which lay on the inside of the shoe. Then using a pair of pincers the leather was stretched. The upper was then joined to the sole of the shoe. The parts were then sewn together and waxed. He would then use an awl to make holes for laces to fit through if required. The best and strongest thread being that made from hemp.

 

Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Herman Delman, 1954 Accession Number: 2009.300.1472a, b

Women were employed to bind shoes of all kinds and sew together those made of silk and satin.  Women’s shoes were highly ornate often with curved heels and a strap to keep them in place. The streets, of course, weren’t clean and paved as they are today so it was common for women to wear a ‘clog’ or ‘patten’ over her shoes in order to keep them clean, quite a good idea, if somewhat uncomfortable to walk in!

Brooklyn Museum Costume Collection at The Metropolitan Museum of Art, Gift of the Brooklyn Museum, 2009; Gift of Herman Delman, 1954 Accession Number: 2009.300.1485a, b

By the advent of the Regency Era women’s shoes changed in style from heels to the equivalent of today’s ballet pumps, much lighter in substance and fastened with ribbons. These shoes were unusual in so much as they were straight and therefore there was no right or left shoe – would this have made them easier to wear?

Courtesy of Victoria & Albert Museum – Silk and leather with linen lining, cream leather sock and insole and brown leather sole, cotton cord and silk ribbon ties. Museum number: 1150&A-1901

With the advent of the Napoleonic Wars, huge quantities of boots and shoes were required and this saw the advent of methods of mass production. Handcrafted boots and shoes continued to be manufactured, but obviously, a premium price would have been paid for them, much as is the case today.

(c) National Trust, Wimpole Hall; Supplied by The Public Catalogue Foundation

We couldn’t possibly write a blog about shoes and not include a pair worn by the doyenne of fashion, Marie Antoinette, which sold at auction in 2012 for 50,000 euros (£40,600; $65,600) on the anniversary of the French queen’s execution.

Our final offering is one of the usual caricatures courtesy of the Lewis Walpole Library, this young lady, however, appears to be showing off slightly more than just her new shoes!!

Sources:

The Book of English Trades

 

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