The first theatre on the site opened as the Theatre Royal, Covent Garden on the 7th of December 1732 with the first play performed being that of William Congreve’s ‘ The Way of the World’. Over the next sixty years or so there were various alterations to it.
In the early hours of the 20th of September 1808 a fire broke out and the theatre was razed to the ground, taking with it Handel’s own organ and many of his manuscripts. The fire raged so fiercely it almost took with it other buildings including Drury Lane Theatre, but that one was to survive for a further year before it suffered the same fate.
Fires were a relatively common occurrence in theatres at that time due to the lighting and the draperies, the vast majority happening purely by accident. In order to prevent such fires The London Fire Code stated that eight blankets soaked with water were to be kept on each side of the stage which could be used immediately should anything catch fire; this is apparently where the term ‘a wet blanket’ originated.
According to the newspapers of the day, in particular the Morning Chronicle of the 21st September 1808, the fire began at 4am and within three hours the whole theatre was demolished. The books, accounts, deeds and cash were saved due to the exertions of Mr Hughes, the treasurer. A small amount of scenery survived, but all the wardrobe was destroyed. Unfortunately, the day prior to the fire the mains water supply had been cut off due to some complaints about an irregular supply so work was in progress to rectify this fault, therefore the fire engines struggled to provide sufficient water to dampen the fire. The fire was also in danger of spreading due to a westerly wind blowing towards property on the nearby Bow Street, however that apparently was short lived. The wind changed direction and did however, cause the loss of several buildings in the vicinity. According to an eye witness who was setting up on Covent Garden market there was an ‘unwholesome smell of the London smoak‘ which was thought to be coming from a local brewhouse; this was not the case and the fire was discovered by a poor girl who had made her bed in the porch of the theatre.
The newspaper provided gruesome details of the dead including 11 mutilated bodies in the grounds of St Paul’s church, Covent Garden. Many others were conveyed to nearby hospitals. Initial reports stated that as many as 20 lives were lost with far more seriously injured casualties. The press reported ‘on the whole there has not been any domestic catastrophe more fatal for many years, even the disaster at the Old Bailey and at Sadler’s Wells, not excepted.’ Properties completely destroyed on Bow Street included numbers 9 -15, with 16 & 17 being very badly damaged. Even the Beef Steak Club did not escape unscathed, it lost its stock of wine which could not be replaced! The Coroner for Westminster, Anthony Gell Esq. observed that ‘in his opinion this melancholy event was accidental and that there was not the slightest blame on the theatres management’. Although very faint the image above depicts the ruins of the theatre.
A clearer image can be found on the Victoria and Albert Museum website.
With the inquest concluded plans began immediately for a new theatre to be built in its place with various suggestions made by the media as to how this should be done with comparisons being made to other theatres, both positive and negative! The architect appointed was Robert Smirke, an exponent of the Greek revival style of architecture which he used to great effect, the new theatre was the first building in London to use the Greek Doric order.
On the 2nd of January 1809 rebuilding commenced according to The Morning Post with the Prince of Wales present accompanied by much pomp and ceremony and including many Freemasons. The first Portland stone was said to weigh one ton. Smirke presented his Royal Highness with a plan of the new building. The cement ready for the stone was laid by the workmen, then the immense stone lowered into place, this was ceremonially positioned by his majesty giving it three strokes with a mallet. Following the ceremony all dignitaries including the Prince of Wales retired to the Free Masons Tavern for a meal, the Prince still wearing his Freemasons regalia – a white apron, lined with purple and edged with gold.
On completion, which took around nine months, the media took great interest in the finished structure. Apparently the pit was very spacious, but the two galleries were comparatively small, only capable of holding 150 – 200 people. The upper gallery was divided into 5 compartments and under the gallery was a row of 26 private boxes, constituting a third tier. These boxes also had a private room behind each and not connected with any other part of the building allowed total exclusivity.
The following day a correction was published regarding some parts of the description of the theatre, this article provides a much more detailed description
The Morning Post of Thursday 14th September 1809 confirmed that the newly built Theatre Royal, Covent Garden would open on Monday the 18th with the tragedy Macbeth starring Mrs Sarah Siddons.
However, in order to recoup some of the enormous building costs the price of tickets was increased which resulted in 3 months of rioting and ended with John Kemble the manager of the theatre being forced to apologise; they became known as the Old Price Riots.