Covent Garden Market by Balthasar Nebot, 1737

Moll King, proprietress of King’s Coffee House in Covent Garden

‘What rake is ignorant of King’s Coffee House?’

(Henry Fielding, The Covent Garden Tragedy, 1732).

There are many tall tales told about Mary (Moll) King, a shrewd businesswoman and proprietress of King’s Coffee House in London’s Covent Garden. Several sources say she was a pickpocket, stealing watches from ladies’ pockets and held in Newgate before being transported on more than one occasion. She was, it was alleged, the notorious Jonathan Wild’s accomplice, one of his gang of thieves, and while in Newgate met Daniel Defoe who used her as the inspiration for Moll Flanders. Later she settled down with her husband to run their very successful coffee shop, from where she operated as a form of bawd and was prosecuted for keeping a disorderly house.

Moll King of King's Coffee House, Covent Garden

It all seems a little far-fetched and, if we’re completely honest, we don’t believe the half of it. A certain Moll King appeared before the judges for thieving in 1693, and our Moll wasn’t born until 1696 (as claimed in a pamphlet, The Life and Character of Moll King, late mistress of King’s Coffee House in Covent Garden published anonymously in 1747 shortly after her death).

Mary King is not an uncommon name and we’re sure more than one Mary or Moll King would have been in trouble with the authorities in London in the first half of the eighteenth-century. It seems that the history of the pick-pocketing Moll King, who had a criminal career lasting between at least 1693 and 1728 and who Defoe based Moll Flanders upon, has become entwined in popular imagination with that of Moll King, mistress of King’s Coffee House. The pick-pocketing rumours abounded even during Moll’s own lifetime, as they are specifically discredited in The Life and Character.

Moll was born in 1696 in a garret in Vine Street (now Grape Street) in the heart of St Giles in the Fields, the daughter of a shoemaker and a fruit, fish and greens seller. As a child, she helped her mother in the market and had a brief spell as a servant but hated being indoors all day and went back to selling fruit from a barrow. According to The Life and Character, in 1717 at the Fleet, she married one Thomas King.

Vegetable seller, Covent Garden market by Pieter Angillis, c.1726. Yale Center for British Art, Paul Mellon Collection
Vegetable seller, Covent Garden market by Pieter Angillis, c.1726.
Yale Center for British Art, Paul Mellon Collection

Tom King too has a somewhat fanciful story. The son of an obviously well-to-do family, he was born around 1694 in West Ashton in Wiltshire. E.J. Burford, in Wits, Wenchers, and Wantons: London’s Low Life: Covent Garden in the Eighteenth Century says he was the son of Thomas King, a squire of Thurlow in Suffolk and Elizabeth, daughter of Sir John Cordell, Baronet, who had married in 1691 at St Paul’s in Covent Garden.[1] In 1708, at the age of 14 years, he went to Eton and then, in 1713, to King’s College, Cambridge. Three years later he left Cambridge under a cloud, either expelled or in apprehension that his fellowship would be denied to him, depending upon which account you read. Whatever the cause, he ended up working in Covent Garden market where he was known as Smooth’d-Fac’d-Tom, and there he met Moll.

Covent Garden Market (1726), Pieter Angillis from the Yale Center for British Art, Paul Mellon Collection
Covent Garden Market (1726), Pieter Angillis from the Yale Center for British Art, Paul Mellon Collection

Around the time she met Tom, it is alleged that Moll also had an affair with a gentleman named John Stanley who, in 1723, met his end at the gallows on Tyburn; he had stabbed his mistress. A pamphlet published the same year gave his history, including details of his brief dalliance with Moll five years earlier.

Is it true? Almost certainly not; it’s another of the many myths which surround Moll’s life, and probably relates to Moll the pick-pocket. The Life and Character admits only an affair with a man named Murray who was in high public office, whilst noting that the handsome Moll was never short of male admirers. One son was born to Tom and Moll, named Charles (Moll names him in her will as her only child and subsequent claims that she educated him at Eton appear to be a falsehood stemming from Tom King’s education there).

The next sighting of either Tom or Moll upon which we can rely comes in 1730 when ‘Thomas King, the Market’ appeared amongst the list of victuallers in St Paul’s, Covent Garden in the licensing register.

The Kings, or rather Moll, had made a tidy profit selling nuts from a stall in the Covent Garden market, and with the money rented a shabby little house (in fact nothing more than a wooden shack) in the Piazza at Covent Garden market and began selling coffee, tea and chocolate to the market sellers, naming their business King’s Coffee House. It was soon known informally as King’s College. As they opened in the very early hours of the morning, when the market traders began work and started to sell strong liquors as well as coffee, they began attracting the custom of those who had ventured to Covent Garden after dark, seeking pleasure, everyone from prostitutes to fashionable young beaux. Soon they were open all through the night. It is said that the clientele included Hogarth, Henry Fielding (who mentioned the coffee house in two of his works), Alexander Pope and John Gay. By 1732 business was booming and the Kings bought the two adjoining properties to expand their business. The new Covent Garden Theatre opened next door to their coffee house.

Inside the King's Coffee House. British Museum
Inside the King’s Coffee House.
British Museum

The business thrived. It is said that Moll acted as a procuress and bawd, but had no beds in the coffee house (except hers and Tom’s in an upstairs room, accessed via a ladder which they pulled up behind them) so she could not be prosecuted for running a brothel. Instead, the assignation would be made at her coffee house and she would then send a servant to light their way to a nearby bagnio. It is also suggested that she operated as a money lender. To deter outsiders from knowing what was going on within their doors, Tom and Moll, and their customers, started ‘Talking Flash’, their own secret language.

Their good fortune enabled Tom to build two or three ‘substantial houses’ and a villa on Haverstock Hill on the road to Hampstead, and he and Moll moved into one of them. The dancer and actress Nancy Dawson (famous for her hornpipe between acts in The Beggar’s Opera) later lived in the villa. Tom King died in the October of 1737 at his Hampstead home after a lingering illness exacerbated by his drinking and was buried at St Paul’s in Covent Garden on the 11th of that month. Moll was granted administration of his estate (goods in Hart Street, Covent Garden and the Coffee House in Covent Garden were mentioned) and took over the running of their coffee house, together with her nephew, William King.

Moll now took to drink – she was previously known for remaining sober – and the coffee house gained a worse reputation than that which it had previously enjoyed under Tom’s management and she began to appear before the courts charged with keeping a disorderly house. It was around this time that Hogarth depicted King’s College in his painting Morning, one of ‘The Four Times of the Day’ series. The scene shows two rakes and their prostitutes who have just staggered out of King’s into the early morning sunshine of a wintry day; icicles can be seen hanging from the timber roof of the coffee shop. Inside, a fight can be seen taking place.

Morning, one of the Four Times of Day series by William Hogarth.
British Museum

Moll stayed a widow for a twelvemonth, and when her year of mourning was over she married again, on the 11th October 1738 at St Dunstan in the West, to John Hoff, a carpenter and builder who lived on Compton Street in Soho. It was thought that John Hoff married Moll for her money, and indeed she did continue to use her former married name, at least in connection with her coffee house, but none of the evidence suggests that Mr Hoff was after Moll’s fortune. He died just less than four months into their marriage and his will, written on the 6th February 1739, appoints Moll as his executrix and everything is left to her. Moll proved the will on the 9th February before her husband was even in his grave. (John Hoff was buried at St Paul’s in Covent Garden on the 14th February 1739.)

It was in 1739, shortly after Mr Hoff’s death, that a disturbance at King’s Coffee House made the newspapers. A young gentleman claimed that Moll had beaten him in her house and the case ended up in the Court of the King’s Bench. Moll was found guilty. She was told that she was to be fined the considerable sum of £200, had to find sureties for her future good behaviour and that she would be held in prison until the fine was paid. Moll stubbornly went to prison refusing to pay the fine for, as she said, “if she was to pay two hundred pounds to all the insolent boys she had thrash’d for their impudence, the Bank of England would be unable to furnish her with the cash”. In her absence, the coffee house was run by her nephew and Moll languished in prison. It was said that she eventually came to an arrangement to pay less than half the fine in return for her release.

Moll retained her Hampstead villa (which was known locally as Moll King’s Folly), but when she came to write her will on the 6th June 1747 she was ‘Mary Hoff of the parish of St Paul Covent Garden, widow’. She left a few small bequests to her sister-in-law and friends, but the bulk of her reputedly considerable fortune she left to her only child, Charles King, in trust for him until he reached 30 years of age. If he died before that, she willed that her estate was to be used by the parish of St Giles in the Fields to benefit poor children. Moll obviously hadn’t forgotten her roots. She died later that year, on the 17th September 1747 and was buried ten days later in the same churchyard as her two husbands, St Paul’s Covent Garden.

A view of Hampstead Road near Tom King's House
British Museum

It was after Moll’s death that The Life and Character of Moll King appeared on the streets, which gave details of her criminal career. But how much truth is there in it? To be honest, we’re still not completely sure. Our opinion, and it is no more than that, is that the legend of the pick-pocketing Moll King has become entwined with that of Moll King, mistress of King’s Coffee House. You could accuse the latter Moll of being a bawd, a drunk and the keeper of a disorderly house, but we’re not sure that you could accuse her of much else. Unfortunately, it’s probably one of those cases which will never truly be proved one way or the other.

A Monument for Tom King of King's Coffee House. British Museum
A Monument for Tom King of King’s Coffee House
British Museum



[1] E. J. Burford says Thurlow in Essex, but the marriage register at Covent Garden gives Thurlow in Suffolk. Thomas was the son of Robert King of Great Thurlow in Suffolk; Robert’s will c.1709 mentions his ‘unfortunate son’ Thomas and a grandson named John King, but not a grandson named Thomas.


Header image:

Covent Garden Market by Balthasar Nebot, 1737 (The Tate)



The Records of Old Westminsters, Up to 1927

The Life and Character of Moll King, late mistress of King’s Coffee House in Covent Garden, 1747

Women in Business, 1700-1850 by Nicola Jane Phillips, Boydell & Brewer Ltd, 2006

London – The Wicked City: A Thousand Years of Prostitution and Vice by Fergus Linnane, Robson, 2007

Wits, Wenchers, and Wantons: London’s Low Life: Covent Garden in the Eighteenth Century by E. J. Burford, Robert Hale Ltd, 1986

Transactions of the Royal Historical Society: Volume 11: Sixth Series, The Royal Historical Society, Cambridge University Press, 2003

Tom King’s Coffee House on Wikipedia

Old and New London: Volume 5. Originally published by Cassell, Petter & Galpin, London, 1878.

Derby Mercury, 13th October 1737 and 7th June 1739

National Archives: PROB 3/36/147, 20th December 1737

18th Century Trade Cards

Thomas Bakewell, next door to the Horn Tavern in Fleet Street, London. Selleth all sorts of fine French, Italian and Dutch prints and maps...
Courtesy of Lewis Walpole Library

Today we hand out business/trade cards like confetti, most being mass produced for a few pounds. With that in mind, we thought it might be interesting to take a look at the same commodity in the Georgian period. The variety of ‘trade cards’ is immense everything from grocers, to wholesalers, from funeral directors to hosiers and hatters, the list just goes on; every trade you can think of and many more you would never have thought of. The aim of these cards was to achieve maximum publicity so it was important to make them both visual and textual.

Trade cards were used to establish links with other local businesses and were taken very seriously as they were legally binding contracts. They were often handed out in public squares and markets, a great marketing tool as they still remain today. Trade cards would usually have a merchant’s name and address along with a description of where to find them. They also served as invoices, receipts, and places to jot down quotations, price lists, and other handwritten information.

One thing we had noticed was how much more intricate they are in design than anything you would see today. They are so fascinating that we simply had to share a few with you.   According to the British Museum, many of the cards they hold were originally collected by the sister of Sir Joseph Banks, Sarah Sophia Banks, who will make an appearance in another of our books in the future. We wanted to include a portrait of Sarah Sophia Banks and in our usual style, this caricature of her really was too much for us to resist … sorry!

An old maid on a journey by James Gillray, published by Hannah Humphrey
Courtesy of the National Portrait Gallery

We hope you enjoy them as much as we enjoyed looking for them.

Our first offering is ‘Daniel, a real working Goldsmith  & Watchmaker, of Clare Street, Bristol’.  There were so many for goldsmiths and horologists that we were totally spoilt for choice.

Daniel a Goldsmith Bristol
Courtesy of the British Museum

In the 18th century, all but the upper-class women would have had to work and there are a surprising number of trade cards still in existence relating to female occupations.  Women were barred from most trade guilds and there were few if any formal organisations to support them. The only exception being that if a woman’s husband died she would be entitled to run his business and his membership of that guild would be transferred to her meaning that she could retain his privileges and also take on apprentices thereby allowing the business to continue to operate.  For financial reasons a widow would probably need her late husband’s business to continue and so she would have trade cards printed to ensure the continued support of his clients.

elizabeth bagwell
Courtesy of the British Museum

Our next reads as follows-

Catherine West, at the Hatt & Seven Starr’s in Monmouth Street the Corner of Browns Gardens Facing the Seven Dials, Sells all sorts of Womens Apparel Both New & Second Hand Wholesale & retail at reasonable rates viz. silk gowns, scarlet cloaks, market womens cloaks, all manner of stuffs in the piece, russells, stuffs damasks, cambletts, cambletees, prunell’s , callamancoe’s, Irish stuffs, joans, spinning & made in the gentelest manner, likewise gives ready money for womens apparel rich or plain, N.B. At the above place are sold ladies beavers, mens hatts new or second hand by the maker John West.

Trade card for Catherine West
Courtesy of Lewis Walpole Library

Howgate & Edmondson, sadlers and cap makers, opposite the Coventry Cross near Conduit Street In New Bond Street, London.

Trade card for Horgate & Edmondson, sadlers and cap makers
Courtesy of Lewis Walpole Library

The painter, William Hogarth’s sister Mary and Ann were also running their own business, ‘frock makers’, frocks being outerwear, not dresses as we may refer to them as today, in their case they made clothes for children.

Trade card for Mary and Ann Hogarth. © Bodleian Library, University of Oxford: John Johnson Collection
© Bodleian Library, University of Oxford: John Johnson Collection
Charles Hill tea dealer and grocer
Courtesy of the British Museum

Our next one is Charles Hill, a grocer, selling amongst other things coffee, chocolate and cocoa – clearly a place we would have spent hours in!

Followed by Ashlin, a glass carver, grinder and guilder, his importance being denoted by the use of the Prince of Wales feathers a crown and motto ‘Ich dien’, a crown and laurel garland on top of the oval; lion and unicorn supporters.

Glass grinder
Courtesy of the British Museum

A somewhat more artistic card, that of  David Shilfox, engraver and printer, at 349 Oxford Street, opposite Oxford Market, London.

Courtesy of the British Museum

We would like to share this card that was very kindly brought to our attention by our friend, the Female Master of the Worshipful Company of Glass Sellers.

Trade card for John Cotterell, china-man and glass-seller. © Bodleian Library, University of Oxford: John Johnson Collection.
© Bodleian Library, University of Oxford: John Johnson Collection

A tea that is just as popular today as it probably was in 1804 – Twinings being sold by John Deck.

Twinings Tea
Courtesy of the British Museum

For the wealthy of the 18th-century pineapple was immensely popular so we couldn’t resist including the trade card for Negri and Wetten, confectioners, at the Pineapple, Berkeley Square.

Courtesy of the British Museum

For those who like something a little more obscure, we offer the trade card for  H Longbottom, skeleton supplier.

DRAFT Trade card of H Longbottom, skeleton supplier
Courtesy of the British Museum

And finally  we have Owen and Cox, appraisers, undertakers, at their ‘upholstry and carpet warehouse’, … Funerals furnished‘.

Apraisers and undertakers

In case you weren’t aware of it, there is more information in the London Book Trade 1775 – 1800, in this excellent, searchable resource

The Bodleian Library online also has a wonderful section on trade cards that are worth a look.