The Death of Princess Charlotte 1796-1817

Prince George (later King George IV) and Princess Caroline’s daughter, Princess Charlotte, tragically died shortly after the birth of her still-born son on 6th November 1817. As the original ‘people’s princess’, we thought we would take a look at how the media of the day reported this sad news.

Princess Charlotte Memorial Ring, Black enamel mourning band, dated 1817, commemorating the death of Princess Charlotte.
Princess Charlotte Memorial Ring, Black enamel mourning band, dated 1817, commemorating the death of Princess Charlotte.

On Wednesday, 5th November 1817 Claremont House, at 10pm, issued the following bulletin.

At nine o’clock this evening, her Royal Highness Princess Charlotte was delivered of a still-born male child. Her Royal Highness is doing extremely well.

Caroline, Princess of Wales, and Princess Charlotte by Sir Thomas Lawrence, 1801. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017
Caroline, Princess of Wales, and Princess Charlotte by Sir Thomas Lawrence, 1801. Royal Collection Trust/© Her Majesty Queen Elizabeth II 2017.

The London Gazette gave a more detailed account of the events leading up to her death.

Her Royal Highness, the Princess Charlotte Augusta, daughter of his Royal Highness the Prince Regent and consort of his Serene Highness Prince Leopold of Saxe-Cobourg was delivered of a stillborn son at 9 o’clock last night, and about half past twelve her Royal Highness was seized with great difficulty of breathing, restlessness and exhaustion, which alarming symptoms increased till half past 2 o’clock this morning, when her Royal Highness expired, to the inexpressible grief of his Royal Highness the Prince regent, of her illustrious consort, the Prince Leopold and of all the Royal family.

Princess Charlotte c1816 by Charlotte Jones. Courtesy of the Royal Collection
Princess Charlotte c1816 by Charlotte Jones. Courtesy of the Royal Collection

At 6 o’clock on 6th November, Claremont House issued this statement.

I had hoped to have sent you very, very different tidings; and yesterday, when I despatched my last letter to you, I felt confident that my next would have announced the commutation of our wishes, in the birth of a future heir or heiress. However, I will endeavour to write all I have heard, as well as the general grief and consternation will allow me. Monday in the night, or about 3 on Tuesday morning, her Royal Highness was taken ill, and expresses were sent off to the great Officers of State, the Archbishop of Canterbury immediate attendance, Earl Bathurst, Lord Sidmouth, the Lord Chancellor, Mr Vansittart, together with the Archbishop and Bishop immediately attended.

Dr Baillie and Dr Croft were the medical attendants. During the whole of Monday, the labour advanced slowly, but without the least appearance of danger. Princess Charlotte showed uncommon firmness and the utmost resignation. Towards evening, as the labour lingered, it was deemed advisable to send for Dr Sims, who arrived in the middle of the night. Nothing could be going better, though too slowly and the excellent constitution of the Princess gave every assurance that she would not be too much exhausted by the delay. No language, no panegyric can be too warm for the manner in which Prince Leopold conducted himself. He was incessant in his attendance and no countenance could more deeply express the anxiety he felt. Once or twice he exclaimed to the medical attendant that the unrepining patient endurance also a deep affliction at her sufferings being so lengthened.

About six o’clock yesterday, the labour advanced more rapidly, and no apprehensions were entertained of any fatal results; and the child was ascertained to be still living. At nine o’clock her Royal Highness was delivered of a male child, but still-born. Throughout the whole of this long and painful labour, her Royal Highness evinced the greatest firmness, and received the communication of the child being dead born with much resignation and saying that it was the will of God.

Prince Leopold exclaimed to the medical attendants as soon as the intelligence was communicated to him ‘Thank God, thank God, the Princess is safe’. The child was perfect, and one of the finest infants brought into the world.

The Princess was composed after her delivery, and though of course much exhausted, every hope was entertained of her doing well. This pleasing intelligence being communicated to the great officers of State who left Claremont about 11 o’clock.  

It was reported that although exhausted the Princess took some gruel, but expressed difficulty in swallowing it, she also complained of feeling very chilly and a pain in her stomach. The nurse, Mrs Griffiths was concerned and summoned the doctors to return.

A little after 12, a change was observed in her Royal Highness, her quiet left her, she became restless and uneasy and the medical attendants were alarmed. Expresses were sent off, I believe to the Officers of State stating the change that had taken place. From half past 12 restlessness and convulsions increased till nature and life were quite exhausted, and her Royal Highness expired at half past 2 this morning. Prince Leopold was with her Royal Highness at this agonizing moment.

Princess Charlotte of Wales c.1817, by Joseph Lee. Courtesy of the Royal Collection
c.1817, by Joseph Lee. Courtesy of the Royal Collection

Featured Image

The Funeral Ceremony of Her Royal Highness Princess Charlotte of Wales and Saxe Coburg. In St. Georges Chapel, Windsor. the 19 of November 1817.  published 1 Feb 1818 Courtesy of the Royal Collection RCIN 750746

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Remember, Remember the 5th of November

Remember, Remember the 5th of November, Gunpowder, Treason and Plot.

So, how, in the Georgian Era did England celebrate this failed attempt to blow up the Houses of Parliament?  Well, it seems that things have changed little since then, bonfires, burning effigies and setting off fireworks were the order of the day, just as they are today. We thought we would take a look at a few reports from the newspapers. The first thing we should just point out is the spelling of his name has evolved from Guy Faux as he was known in the Georgian Era to the name by which we know him today –  Guy Fawkes.

Guy Vaux or Fox blowing up the Parliament House.
Guy Vaux or Fox blowing up the Parliament House. courtesy of Lewis Walpole Library

In the 1600’s Popish books and pictures were burnt and from the early 1700’s the event was celebrated with the ringing of church bells and bonfires. This is the earliest reference we have come across regarding the symbolic creation and burning of an effigy.

Flying Post or The Post Master , November 4, 1712 - November 6, 1712
Flying Post or The Post Master, November 4, 1712 – November 6, 1712

Even royal residences joined in, as demonstrated in an etching by Paul Sandby which depicts a view of the festivities in the lower court of Windsor Castle during Guy Faux Night, showing the gathering near the bonfire and fireworks in the sky.

Windsor Castle from the lower court on the 5th of Nov[embe]r by Paul Sandby, 1776. British Library.
Windsor Castle from the lower court on the 5th of Nov[embe]r by Paul Sandby, 1776. British Library.
According to the Derby Mercury, 15th November 1792:

On the 5th of November, a number of people, at least five hundred, assembled in St George’s Field’s, carrying at their head an exceedingly elegant dressed figure, with a crown upon its head, which as occasion required they denoted Guy Faux or the Duke of Brunswick; this was preceded by a man carrying a long pole, on the top of which was a board, with the inscription’ Universal Liberty and no Despots’. This figure, after they sufficiently paraded it about the streets, they carried to Kennington Common, when a large gallows was erected, upon which, after burning the crown, they hung it, and then burnt it, gallows and all, the mob dancing round signing.

A completely different approach to the day was taken in Hampshire in 1801, it was a far more sedate occasion, with the day being ushered in by the ringing of bells and at twelve o’clock the guns on the platform and at one o’clock the ships at Spithead fired a salute.

In 1801, The Stamford Mercury, however, carried the following news:

Among the different effigies of Guy Faux which were exited in this city [Lincoln] on the 5th November, we could not but notice one in the habit of an honest farmer, with the characteristic emblems of a sickle, smock frock etc which was hung up near the toll bar. While we can smile at such a piece of harmless wit, we are happy to congratulate the more peaceable inhabitants on a second year passing over without the horrid practice of bull baiting; the enormity and cruelty of which, we should hope, the populace themselves are at last fully sensible of, and will in future discontinue.

Execution of two celebrated enemies of old England and their dying speeches Novr. 5 1813.
Execution of two celebrated enemies of old England and their dying speeches Novr. 5 1813. Courtesy of Lewis Walpole Library

In 1802 a great annoyance was occasioned to the public by a set of idle fellows going about previous to, and on, the fifth of November, with a figure dressed up as Guy Faux and, after assembling a mob, was the cause of many depredations and disorders. The magistrate determined to punish all such offenders in the future and, therefore, five men and a boy were apprehended in St. Martin’s Street, with a cart, in which was a rude figure as the effigy of Guy Faux. One of the party was dressed as a priest, habited in a white smock-frock, with a large wig, the boy riding on horseback as the sheriff conducting the offender to the place of execution. They were immediately taken before Mr Graham, at Bow Street; and it being proven on oath, that the prisoners were seen to beg and receive money, they were all, except the boy, committed to prison as idle and disorderly persons.

Guy-Vaux discovered in his attempt to destroy the King & the House of Lords : his companions attempting to escape. Courtesy of Lewis Walpole Library
Guy Vaux discovered in his attempt to destroy the King & the House of Lords: his companions attempting to escape. Courtesy of Lewis Walpole Library

In 1814, a most melancholy accident happened in Northampton Street, Clerkenwell, where some boys had a bonfire to celebrate the annual burning of Guy Faux, and throwing squibs; a wagon and horses passing at the time, the horses took fright and ran off, when a young man ran in front to stop them, he was pushed down by the foremost horse and the wagon passed over his boy and killed him on the spot.

London celebrated relatively peacefully in 1821, as The Morning Post reported that:

The anniversary of the gunpowder plot, which has caused so many scenes of painful confusion here, passed off last night, with the hissing explosions of a few squibs and crackers, here and there a bonfire, with Guy Faux in flames and with but little inconvenience or damage to anyone. The constables were commendably on the alert.

In The Globe of 1812, we learnt that:

Ever since the discovery of the Gunpowder Plot, when Guy Faux meant to blow up the Parliament House, it has been the custom, on the first day of the session, for certain officers to examine the cellars under the House, and ascertain that all is right. Accordingly, at eleven o’clock, on Tuesday morning, Lord Gwydir, the officiating Great Chamberlain of England; Sir Thomas Tyrwhitt, the Usher of the Black Rod; Mr Curtis, Exon of the Yeoman of the Yeoman of the Guard, attended at the House of Lords to examine the premises. For this purpose, the table in (the House of Peers was removed, the trap door under it was taken up, and the passages underneath were closely inspected. They also inspected the vaults under the House of Commons, which are filled with excellent wines, of which the inspectors tested, that they might be sure they were not gunpowder.

Just in case you weren’t aware, this tradition still takes place today.

Featured Image

The Fairs or Guy Fawkes a Print made by Rowney & Forster, active 1820–1822,  after John Augustus Atkinson, 1775–1831. Courtesy of the Yale Centre for British Art

What’s Your Tipple?

Tea, coffee or something a little stronger? Very much as today, the Georgians enjoyed their tea and coffee with coffee houses appearing all over London, but less so away from the capital. If you wanted something a little stronger, then ale or gin were popular choices. Those Georgians were nothing if not inventive and if they thought something could be used to make a drink they would certainly give it a go. They would also partake of some more unusual drinks that would perhaps have less appeal to us today.

Drink to me only with thine eyes, and I will pledge with mine!
Courtesy of Lewis Walpole Library

Birch Wine

If you read a popular book of the 1790s entitled ‘The Housekeeper’s valuable present: or, lady’s closet companion’, you would find a recipe or receipt as they were then known as, for Birch wine. This wine was made from birch trees when then sap was rising in early spring.

The recipe states that to every gallon of birch water you should add two pounds of sugar, boil it for half an hour, pour away the grounds, then work it well with yeast and pour into your cask with brimstone. The author also recommended adding a small bag of raisins before leaving it to stand for three to four months before bottling it.

White Mead

Take three gallons of water and one quart of honey, if not strong enough add more honey. Boil it for an hour, then put it into a tub with ginger and spices, add the whites of eight eggs, work it well with yeast and when you perceive it to be done, bottle it.

Milk Punch

Take two quarts of milk, a quart of good brandy, the juice of six lemons and half a pound of sugar. Mix them well and strain through a jelly bag, add a little lemon peel. Strain the mixture and bottle it. It will keep for some considerable time.

The Brilliants. Courtesy of the British Museum.
‘The Brilliants’. Courtesy of the British Museum.

Ratafia Cordial

Take three gallons of molasses brandy, three and a half ounces of nutmeg. Infuse the nutmeg in the brandy. Add three grains of amber grease, one and a half pounds of bitter almonds and three pounds of Lisbon sugar. Infuse it all for seven or eight days before using.

Cowslip Wine

To six gallons of water put thirty pounds of Malaga raisins; boil the water for two hours, and then measure it out of the copper upon the raisins, which must be chopped small and put into a tub; let them work together for ten days, stirring it several times a day, then strain it off and squeeze the raisins hard to get out their strength. Take two spoons of good ale yeast, mix with six ounces of syrup of lemons, gradually add in three pecks of cowslips. Let all the ingredients work together for three days, stirring it three or four times a day, at the end of four months bottle it.

Orgeat Syrup

Mix well pounded Jordan almonds that had been blanched. Add a little orange water, two quarts of water strain through a fine sieve. Put the strained mixture into seven pints of sugar, boil to the degree called crack’d. Let it simmer for ten minutes, leave to cool, then bottle.

Sweet Buttermilk

Not feeling well, then why not try Dr Boerhaave’s sweet buttermilk

Take the milk from the cow into a small churn, of about six shillings price; in about ten minutes begin churning and continue till the flakes of butter swim about pretty thick, and the milk is discharged of all the greasy particles and appear thin and blue. Strain it through a sieve and drink as frequently as possible.

As recommended by Maria Eliza Rundell. No, we’re not sure about that one either!

Would any of these recipes work or be palatable to us today, we really couldn’t comment, but it might be fun to try them.

 

Featured Image

Courtesy of Lewis Walpole Library

Hay Harvest at Stamford, Lincolnshire Nathan Fielding (1747–c.1814)

How George III’s Golden Jubilee, 1809, was celebrated in Lincolnshire

Following on from our previous post, the heroine of our new book, A Georgian Heroine, was a Mrs Rachel Charlotte Williams Biggs, and one of the many fascinating things she achieved in her life was that she virtually single-handedly and anonymously instigated the national celebrations for the Golden Jubilee of King George III which took place on 25th October 1809, the beginning of his 50th year on the throne. This was something which she was immensely proud of, but for which until now, she has remained largely unknown for. To find out more about this achievement you will need to read our book. The event was celebrated across the country and with this in mind, we thought we would take a look at how some parts of just one county celebrated –  Lincolnshire.

These examples are just a few that were typical of events held throughout Lincolnshire, with the exception of one town; according to a local newspaper

the good people of Gainsboro’, owing to the pressure of business forgot’!

Boston Church c.1821. Courtesy of Yale Center for British Art, Paul Mellon Collection.
Boston Church c.1821. Courtesy of Yale Center for British Art, Paul Mellon Collection.

In Boston, the bells were rung in the morning of the Jubilee itself and the vessels in the harbour displayed their colours and throughout the day fired their guns in succession. Twenty pounds worth of flour was given by a gentleman to the poor; a handsome subscription was also raised and distributed in ale. All ranks of people partook of the festivities throughout the day. A sumptuous dinner at the Town Hall was numerously attended, and the evening concluded with the largest bonfire ever witnessed in the town.

Folkingham held a ball and supper at the Greyhound Inn with dancing commencing at seven o’clock; Gentleman – ten shillings and 6 pence, Ladies – ten shillings.

Mr Booth regaled a few small tenants and his poor neighbours with beef and ale and their children with cake and tea at Hull bridge.

In the village of Little Ponton, near Grantham, Mrs Dorothy Pennyman regaled the whole of her tenantry with a handsome dinner in the true style of English hospitality; she also sent a plentiful supply of meat and beer to all the poor of the parish.

Louth by William Radclyffe. Courtesy of Yale Center for British Art, Paul Mellon Collection.
Louth by William Radclyffe. Courtesy of Yale Center for British Art, Paul Mellon Collection.

According to the Stamford Mercury of October 27th, 1809:

In Louth, an elegant transparency was exhibited at West-gate house, the seat of John Simpson Esq to commemorate the jubilee. In the centre of the piece is the figure of Justice, most correctly and classically painted: she seems to be pronouncing the words of the wise man, “by Justice King’s reign” – a fiery sword extended, denotes the entire destruction of his Majesty’s naval enemies; whilst where rich and poor at under the protection of wise and equal laws. The regalia in front of the transparency are evidently guarded by the sword of the Goddess, and the whole has a majestic and appropriate effect.

Market Deeping raised enough funds from the more opulent inhabitants in order that a donation of a pound of meat and a shilling loaf was delivered to every man in the parish who chose to accept it; and the like quantity of meat and bread and a pint of ale to every woman and child; and such a quantity of ale was allotted for free distribution in the evening, that two barrels remained over and above what could be consumed. A very pleasant and respectable ball took place at the New Inn, about 60 persons present; and the lodge of Odd Fellows in the town and the Post-office were illuminated.

The villagers of Pinchbeck, near Spalding, dined together at the Bull Inn owned by Mr Richard Sharman and regaled 50 poor people at the Bell, with roast beef and plum-pudding. The very musical peal of bells also gladdened the whole village throughout the day.

George III (1738-1820) by Edward Bird, c.1810-1815
George III (1738-1820) by Edward Bird, c.1810-1815; Bristol Museums, Galleries & Archives.

The Jubilee was observed at Spalding with the demonstrations of loyalty for which that town was on all occasion truly conspicuous – a liberal contribution, amounting to £120 having been made two or three days before, the jubilee commenced with the early distribution of meat, a twelve-penny loaf, and a shilling, to every poor family in the town; by which upwards of 700 families were richly enabled to partake of the festivities of the day. At eleven o’clock the Yeomanry Cavalry, the principal inhabitants and the benefit societies of the town, preceded by bands of music, marched to the church where a sermon was preached by the Rev. Dr Johnson. God Save the King, with additions for the occasion, was sung by the congregation. After the service at church, the troop of cavalry fired a feu de joie in the marketplace. The cavalry then dined at the George Inn, where every delicacy of the season was provided. In the evening, there was a bonfire in the marketplace, with the firing of cannons, squibs and crackers. One gentleman (Mr Dawson, surgeon) prepared a small balloon for the occasion which went off in very good style.

Stamford c1819. Courtesy of Yale Center for British Art, Paul Mellon Collection.
Stamford c1819. Courtesy of Yale Center for British Art, Paul Mellon Collection.

A subscription of £130 was raised in the six parishes of Stamford which enabled the committee appointed for its distribution to give one shilling to every poor person (man, woman or child) who chose to accept it.

Featured Image:

Hay Harvest at Stamford, Lincolnshire by Nathan Fielding (1747–c.1814), Peterborough Museum and Art Gallery

Bude Haven by Joseph Stannard.

The Ringers of Launcells Tower

The Ringers of Launcells Tower; Frederick Smallfield; Royal Institution of Cornwall. This painting was inspired by a poem called 'The Ringers of Launcells Tower' by Reverend Hawker of Morwenstow. In this poem, the bell ringers who had rung the bells at the accession of George III in 1760, were still alive and able to ring the bells on his Golden Jubilee in 1810. The church of Launcells is midway between Stratton and Bude. As the painting was done 77 years after George III's Golden Jubilee, it is a total reconstruction.
The Ringers of Launcells Tower; Frederick Smallfield; Royal Institution of Cornwall

We came across this piece of art whilst researching the heroine of our latest book, Mrs Rachel Charlotte Williams Biggs. The painting was inspired by a poem called ‘The Ringers of Launcells Tower’ that was written, some decades after the event, by Reverend Hawker of Morwenstow and which we thought we would share with you.

Reverend Hawker of Morwenstow in 1864, who wrote a poem called ‘The Ringers of Launcells Tower’.

The Ringers of Launcells

They rang at the Accession of George the Third and lived to ring again at the fiftieth anniversary of his reign.

They meet once more! That ancient band –

With furrowed cheek and failing hand, –

One peal today they fain must ring

The Jubilee of England’s King!

*************

They meet once more – but changed are now

The sinewy arm and laughing brow:

The strength that hail’d in former times

King George the third with lusty chimes!

*************

Yet proudly gaze on that lone tower!

No goodlier sight hath hall or bower, –

Meekly they strive – and closing day

Gilds with soft light their locks of gray!

*************

Hark! Proudly hark! With that true tone

They welcomed Him to Land and Throne,

So ere they die they fain would ring

The Jubilee of England’s King!

*************

Hearts of old Cornwall! Fare ye well,

Fast fade such scenes from field and dell,

How wilt thou lack, my own dear land,

Those trusty arms, that faithful band!

*************

Launcells is a rural hamlet between Stratton and Bude in Cornwall where, during the eighteenth- and early nineteenth-century, there lived six bell ringers. The six men are identified as John Lyle (1736-1832), Richard Hayman (1739-1816), John Ham (1742-1825), Richard Venning (1744-?), Henry Cade and John Allen.

Stratton by Charles Henry Branscombe
Stratton by Charles Henry Branscombe; Bude-Stratton Town Council

John Lyle was the longest living member of the group and was born and bred in Launcells and remained there his entire life. He was reputed to have rung a merry peal for King George III’s coronation in 1760, then again for his golden Jubilee in 1810, then for the coronation of King George IV in 1821 and, as unlikely as it seems, also for the coronation of King William IV in 1831, just one year before he died at the ripe old age of 96. That was quite some achievement. Two others also lived long enough to join John Lyle in ringing the peals for George IV’s coronation, Richard Hayman and John Ham.

George III (1738-1820) by Allan Ramsay
George III (1738-1820) by Allan Ramsay; City of London Corporation

The only other member we managed to find out anything about was John Ham who began his working life as an apprentice cooper to the Lyle family in 1754 and who married Anna Maria Lisle in 1761 at the parish church in Launcells.

The painting was a reconstruction of the scene as Frederick Smallfield imagined it would have looked, depicting the six bell ringers ringing the bells as part of the celebrations for the golden jubilee of King George III. It was clearly important to Smallfield that he captured everything correctly so he studied bell ringers at his local church as well as visiting the church tower in Launcells.

Bude Haven by Joseph Stannard.
Bude Haven, Cornwall by Joseph Stannard; Newport Museum and Art Gallery

We know that great celebrations were held across the country to celebrate the jubilee of King George III in 1809 as it was our very own heroine who instigated them. References to this painting seem to confirm though that the bell ringing took place in 1810, i.e. at the end of King George III’s 50th year on the throne.

La promenade en famille : a sketch from life

The Duke of Clarence’s Views on Marriage

For those familiar with this period of history, you will no doubt be well aware of the relationship the Duke of Clarence had with the actress Dorothea Jordan and that she had 10 illegitimate children with him.

Romney, George; Dorothea Bland (1762-1816), 'Mrs Jordan', as 'Peggy' in 'The Country Girl'; National Trust, Waddesdon Manor
Romney, George; Dorothea Bland (1762-1816), ‘Mrs Jordan’, as ‘Peggy’ in ‘The Country Girl’; National Trust, Waddesdon Manor

To ensure the continuity of the family line though, William, Duke of Clarence was persuaded/coerced/cajoled/bullied into marrying, take it as you will.

Johann Georg Paul Fischer (1786-1875)William IV (1765-1837) when Duke of Clarence  Engraved 1818. Watercolour on ivory laid on card | RCIN 420217
Johann Georg Paul Fischer (1786-1875)William IV (1765-1837) when Duke of Clarence  Engraved 1818. Watercolour on ivory laid on card | RCIN 420217

We came across this extract from a letter in the Georgian Papers written by his mother Queen Charlotte to Prinny (George, Prince Regent) in 1817 which we thought would be of interest and quite clearly shows Queen Charlotte’s view of the Duke of Clarence’s illegitimate offspring.

I doubt he will think it advisable to marry by that I mean his pecuniary affairs which lay heavy at his heart as to what relates to his children I should think that is a point which if he marries must be settled amongst themselves, for as they are not to live under the same roof I cannot see why if the princess is reasonable she should object to see those children. I enclose the copy and make no further comments upon it as it will explain the whole.

Next, we have Williams extremely heartfelt view about any possible marriage. The underlined words are of his doing, not ours.

Bath December 18th, 1817

Dear Madam

Your Majesty having requested me to put my thoughts in writing on the subject of the letter from the Prince Regent I take up my pen to state as clearly as I can my sentiments and real situation.

I acknowledge a private and public duty and only wish to reconcile the two together: if the cabinet consider the measure of my marrying one of consequence they ought to state to me what they can and will propose for my establishment for without previously being acquainted with their intentions as to money matters I cannot and will not make any positive offer to any Princess: I have ten children totally and entirely dependent on myself. I owe forty thousand pounds of funded debt for which of course I pay interest, and I have a floating debt of sixteen thousand pounds: in addition to all which if I marry I must have a town house and my house at Bushy completely repaired and entirely new furnished: thus situated and turned fifty it would be madness in me to marry without previously knowing what my income would be: If that settlement is made which I can consider adequate I shall only have to explain my real situation as the fond and attached father of ten children to the Princess whom I am to marry: for without a complete understanding of my full determination to see when and where I please my daughters I cannot and will not marry. As for the Princess, I think under all consideration the Princess of Dannemark (sic) is probably the most proper provided her character is that which I should trust will bear investigation.

I hope I have expressed myself to your Majesty’s satisfaction: one comfort at least I have that I have opened my heart most fully and entirely and shall therefore leave in your Majesty’s hands these lines as the complete sentiment that must ever dictate my line of conduct on a measure in which both my public and private duty is concerned.

I remain

Dearest Madam

Your Majesty’s most affectionate and dutiful son

William

Clearly, the suggestion of him marrying the Princess of Dannemark fell on deaf ears, but marry he did, for in July 1818 a suitable match was found for him – Adelaide of Saxe-Meiningen who was half his age.

Queen Adelaide (1792-1849) C. 1833. Watercolour on ivory laid on card | RCIN 420661.Courtesy of the Royal Collection
Queen Adelaide (1792-1849) C. 1833. Watercolour on ivory laid on card | RCIN 420661.Courtesy of the Royal Collection
Hereford Journal July 8th, 1818 announcing the arrival of Princess Adelaide
Hereford Journal July 8th, 1818 announcing the arrival of Princess Adelaide

The couple married only a week or so after having met. Was it a happy marriage? Well, apparently so as it lasted until his death in 1837.

Featured Image

La promenade en famille : a sketch from life by James Gillray. The Duke of Clarence, Mrs Jordan and some of their children.

 

A visit to Uppark House, Sussex

Earlier this year I was fortunate enough to pay a visit to Uppark House, near Petersfield, Sussex and thought I would share a little information from my trip.

Tillemans, Peter; A View of Uppark; National Trust, Uppark;  A view of the house as it would have looked around 1720.
Tillemans, Peter; A View of Uppark; National Trust, Uppark;  A view of the house as it would have looked around 1720.

In 1747 Sir Matthew Fetherstonhaugh and his wife Sarah Lethieullier purchased Uppark House and estate in Sussex.

Sarah Lethieullier (1722-1788), Lady Fetherstonhaugh, with the Branch of a Pear Tree; Pompeo Batoni; National Trust, Uppark
Sarah Lethieullier (1722-1788), Lady Fetherstonhaugh, with the Branch of a Pear Tree; Pompeo Batoni; National Trust, Uppark
Sir Matthew Fetherstonhaugh (1714-1774), 1st Bt, MP, with Wreaths of Fruit and Corn; Pompeo Batoni; National Trust, Uppark
Sir Matthew Fetherstonhaugh (1714-1774), 1st Bt, MP, with Wreaths of Fruit and Corn; Pompeo Batoni; National Trust, Uppark

For around ten years the couple redecorated the house and spent much of their time travelling in France, Italy and Austria on lavish shopping trips, purchasing a wide variety of antiquities for their new house.

Dolls house, Uppark House
Dolls house, Uppark House

The couple only had one child, Henry, known as Harry, who was ‘safely delivered’ at Uppark on 22nd December 1754 according to the newspaper report in the Newcastle Courant just less than one week later. He was baptized at the local church in Harting, Sussex a few weeks later, on January 14th, 1755.

Matthew was to die before Harry reached his majority but fortuitously wrote his will just before he died in March 1774, appointing his widow Sarah and her brother Benjamin Lethieullier as guardians to their only son Harry.

Sir Harry Fetherstonhaugh (1754-1846), 2nd Bt; Pompeo Batoni; National Trust, Uppark
Sir Harry Fetherstonhaugh (1754-1846), 2nd Bt; Pompeo Batoni; National Trust, Uppark

Like his father, the educated and extremely wealthy Harry also undertook the Grand Tour and added to the antiquities that his parents had purchased.

He also commissioned the renowned Humphry Repton to add a new pillared portico, a dairy and to landscape the garden, creating some spectacular views from the house.

Portico at Uppark House, the entrance used by visitors
Portico at Uppark House, the entrance now used by visitors

Harry was a good friend of the Prince of Wales who stayed at Uppark during the mid-1780s. In 1780, Harry had a short-lived affair with Emma Hart, later to become Lady Emma Hamilton, he even provided her with a cottage on the estate.

The stable block and gothic seat at Uppark House
The stable block and gothic seat at Uppark House

After this he became something of a confirmed bachelor and recluse until that is, at the ripe old age of 71 he happened to hear the head of the milking parlour, Mary Ann Bullock singing and fell in love with her immediately.

Gothic Seat, Uppark House
Gothic Seat, Uppark House

Mary Ann was a mere 21 years of age. A marriage licence was issued 9th September 1825 and the couple married a few days later, despite such a massive age gap. Harry also arranged for Mary Ann to be educated in Paris. Upon his death in 1846, he left the entire estate to her.

Mary Ann’s family moved to the village from Streatham, Surrey, where Mary Ann was born on 16th December 1804 (her parents were William and Ann Bullock). The couple had several children baptized in Surrey, prior to moving to Harting, Sussex at which point they produced several more children including Frances (1817) who lived at Uppark with her sister and was sole executrix of her sisters will in 1874. Despite being a scandalous marriage in its day, the union lasted some 21 years, so perhaps the age gap didn’t matter after all.