Fight with Cudgels, Francisco de Goya. Prado Museum.

18th Century Cudgelling Matches

This is a sport that seems unlikely to make a comeback anytime soon – hopefully.  Cudgelling was a type of duel fought with wooden weapons and was also known as ‘single stick’, with its origin dating back to around Tudor times.

The aim of the competition was to break your opponent’s head with a single stick i.e. to cut the skin on the head, face or neck so that blood was drawn. When the crowd saw blood, they would shout ‘a head’.  What a relaxing pastime this sounds, those Georgians sure knew how to have fun!

A Cudgelling Match between English and French Negroes in the Island of Dominica. courtesy of the Yale Center for British Art
A Cudgelling Match between English and French Negroes in the Island of Dominica. courtesy of the Yale Center for British Art

Competitors needed to be both strong and agile and have great speed as it could take quite some time to hit your opponent hard enough to draw blood.

The newspapers carried reports of this combative sport, so we thought we would share a few with you.

Reading Mercury 13 May 1799

On Whit-Thursday the 16th May 1799, will be given a very good hat of 15-shilling value to be played at cudgels for, the man that breaks most heads to have their prize; the blood to run one inch or be deemed no head, which is to be decided by the umpires. No counterfeit play will be allowed.

From 'Chairing the Member, from The Humours of an Election series', 1755 by William Hogarth. Wikipedia
From ‘Chairing the Member, from The Humours of an Election series’, 1755 by William Hogarth. Wikipedia

Reading Mercury 21 May 1798

On Whit- Monday the 28th of May 1798, will be given One Guinea to be played for at Cudgels, for the best man; two Shillings for the man that break a head; and One Shilling for the man that has his head broken for the first seven couples that play. No man to have the two shillings, unless he plays the ties off, with the consent of the umpires.

Fight with Cudgels, Francisco de Goya. Prado Museum.
Fight with Cudgels, Francisco de Goya. Prado Museum.

Gazetteer and New Daily Advertiser, Thursday, September 26, 1765

Monday afternoon a cudgelling match was fought on Wandsworth hill, for a laced hat, for the value of one moidore. The opponents on each side were nine, one part of which were named the London side and the other the Wandsworth side. Great dexterity was displayed during the contest by both parties, particularly by a dyer, a sugar cooper and a carpenter, on the London side; and by a maltster, a gardener and a farmer’s labourer on the Wandsworth side. When, after the whose eighteen had undergone a very severe drubbing, each from his antagonist, fortune though proper to bestow the hat on the countrymen, by a small pimple under the eye of one of the London side, breaking through his overstretching, from which sprung a little bloody tinged matter, which the umpire was held to be broken head.

Public Advertiser (London, England), Thursday, August 28, 1755

On Wednesday, there was a cudgelling match for a hat, on the Strand, near the ferryboat slip, when a quarrel ensued, several were wounded, and a woman killed by a stone being thrown at her.

London Evening Post, September 6, 1733 – September 8, 1733

There will be a cudgelling match each forenoon on the Race Days for two Guineas to him that breaks most heads, half a Guinea to the second person that breaks most heads, and Five Shillings to the third.

London Evening Post, August 14, 1733 – August 16, 1733

Hindon Races

There will be a cudgel match each forenoon (from nine to one o’clock) on the race days, for very considerable prizes.

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Guest Post by William Ellis-Rees – ‘Empress Josephine and the creation of Malmaison’

We would once again like to welcome back to our blog, Classics teacher and author of  The Elephant of Exeter Change: A Tale of Cruelty and Confinement in Georgian LondonWilliam Ellis-Rees.

William’s guest post this time has as its subject, Empress Josephine, the wife of Napoleon Bonaparte.  Josephine is of course extraordinarily famous, and many biographies of her have appeared over the years.  However, William’s research has unearthed a curious story which does not appear in the standard works, and which sheds light on a fascinating corner of her life. His fascinating book tells more about her obsession with the collecting of animals and plants, Josephine in the Mountains: The curious story of the Empress’s journey from Paris to the Alps.

For most visitors to Paris, the château of Malmaison will not be high on their list of must-sees.  There are perhaps more obvious attractions: museums and churches, the Seine and its bridges, the grand boulevards and the romantic back-streets.

Vue du château de Malmaison (façade sur le parc) by Pierre-Joseph Petit. Musées nationaux de Malmaison, France.
Vue du château de Malmaison (façade sur le parc) by Pierre-Joseph Petit. Musées nationaux de Malmaison, France.

But Malmaison, bought by Napoleon Bonaparte and his wife Josephine in 1799, is for those who make the pilgrimage to the outskirts of the city quite simply fascinating.  I first fell under its spell many years ago when I embarked on extensive researches into its history, and I still find that it has the power to evoke the atmosphere of the Consulate and the First Empire.  The château is crammed with images of Napoleon’s military exploits, and the furniture and furnishings showcase the opulent decorative style he made fashionable.

Design for the library at Malmaison in Recueil de Décorations Intérieures by Charles Percier and Pierre Fontaine.
Design for the library at Malmaison in Recueil de Décorations Intérieures by Charles Percier and Pierre Fontaine.

But above all it is Josephine’s role in this particular story — a role made possible by her ambition and energy — that gives Malmaison its special appeal.

Plants and animals 

Josephine, who is not always remembered in the most favourable light, was, in fact, a very considerable connoisseur of landscaped gardens.

Josephine as botanist by Robert Lefèvre. Museo Napoleonico, Rome.
Josephine as botanist by Robert Lefèvre. Museo Napoleonico, Rome.

She employed a succession of designers to lay out the park of Malmaison in the ‘English’ style, which called for purling streams, follies and toy farms and apparently natural arrangements of trees and plants.

The ‘English’ garden at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.
The ‘English’ garden at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.

Josephine was in her element.  She used her influence and wealth to turn Malmaison into the centre of an extensive scientific network, along which plants flowed into Paris from the furthest corners of the earth, and then, once acclimatised in her magnificent glasshouses, out to municipal gardens in every region of France.

The Great Glasshouse at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.
The Great Glasshouse at Malmaison by Auguste-Siméon Garneray. Musées nationaux de Malmaison, France.

She collected animals, too, and her exotic creatures turned the park into something not unlike an Old Master’s vision of the Garden of Eden.

New Holland  

Josephine’s interest in natural history found triumphant expression in her patronage of the 1800 expedition to Australia, which Europeans then called New Holland.

Headed notepaper used by Nicolas Baudin. Muséum d’histoire naturelle, Le Havre, France.
Headed notepaper used by Nicolas Baudin. Muséum d’histoire naturelle, Le Havre, France.

The expedition, sailing in two ships, was led by a seasoned captain, Nicolas Baudin, but he clashed with members of the scientific team — the mariner and the intellectual were not obvious travelling companions!  Although the voyage was arduous, New Holland proved to be a land of almost magical beauty, and the ships carried back to France a rich haul of exciting new plants and animals.  These had been earmarked for the Jardin des Plantes in Paris, but Josephine was quick to claim her share.  And so it was that the glasshouses at Malmaison boasted numerous New Holland species.  So it was, too, that black swans floated on the ‘English’ river, and kangaroos hopped about their enclosure in the park.

New Holland animals and plants at Malmaison depicted in frontispiece of Atlas du Voyage aux Terres Australes by Charles-Alexandre Lesueur and Nicolas-Martin Petit.
New Holland animals and plants at Malmaison depicted in frontispiece of Atlas du Voyage aux Terres Australes by Charles-Alexandre Lesueur and Nicolas-Martin Petit.

Journey to the mountains

Josephine shared with many of her contemporaries a passion for mountain landscapes — she built a Swiss chalet at Malmaison and kept a herd of Swiss cows — and in 1810 she set off for the Alps.  She had only recently been divorced by Napoleon, and her journey to the mountains may be seen as in some sense deeply personal, and maybe even as a spiritual process of self-discovery.  Given the circumstances — she had been rejected in favour of the powerfully connected Marie Louise — Josephine must strike us as a rather forlorn figure.  Even so, she travelled with a graceful entourage and was fêted along the way.

Josephine picnicking with her companions at Servoz in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.
Josephine picnicking with her companions at Servoz in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.

One day a young man by the name of Joseph-Louis Bonjean was introduced to her.  What happened as a result of this meeting is an intriguing story, and, if you want to find out more, I would urge you read my recently published Josephine in the Mountains!

The Mer de Glace in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.
The Mer de Glace in the Chamonix valley by Lancelot-Théodore Turpin de Crissé. Musées nationaux de Malmaison, France.

Conclusion

Suffice it to say here that for one of the two travellers, the illustrious Josephine and the humble Bonjean, nothing was ever the same again.  As one might expect, they later went their separate ways, but, as I show in my book, Bonjean’s name was not entirely lost.  What we have here is perhaps not the obvious story of Josephine.  My concern is not principally her rise to prominence, nor her marriage to and her divorce from Napoleon.  My story is about another — the other — Josephine.

One of the miseries of life – Gout

In the Georgian era, if you weren’t afflicted by gout you were nobody, it was very much a statement of wealth and class, something to aspire to have. Most sufferers of this complaint ate too much rich food and drank even more – port being regarded as one of the most common causes.

Gout was described in ‘A Treatise on the Nature and Cure of Gout’ by Charles Scudamore, written in 1816, as

a constitutional disease, producing an external inflammation of a specific kind; the susceptibility to it often depending on hereditary conformation and constitution, but more frequently wholly acquired; not occurring before the age of puberty, seldom under the age of five and twenty; and most frequently between the ages of twenty-five an thirty-five; affecting chiefly the male sex; and particularly persons of capacious chest and plethoric habit; in the first attack invading usually one foot only and most frequently at the first joint of the great toe; but in its return affecting both feet, the hands, knees and elbows, often accompanied by a fever.

Today, of course, medical knowledge has moved on and we now know that gout is caused by a build-up of uric acid which the body cannot break down and presents as a swelling in a joint, usually the big toe with red skin around the affected joint, as can be seen in this caricature by James Gillray. This being only one of countless caricatures of the day, mocking sufferers.

Nobody laughs at a touch of the gout.
Courtesy of Wellcome Collection

Where there was illness there were plenty of so-called doctors ready to offer you a quick fix. So much so that they proudly advertised the efficacy of their product in the newspapers, with claims that they could not just ease the condition, but totally cure it. So confident were they with their products that they provided testimonies apparently from people they had treated such as this one for ‘Mr Gardner’s Pills and Plaisters’.

Wright Esq. No. 40 Duke Street, Manchester Square, was many years afflicted with the gout, is cured by Gardener’s Pills and will with pleasure satisfy the afflicted.

Mr. Watson, Merchant and Underwriter, No. 25 Mincing Lane, seven years afflicted.

Mr. Purser, Talbot Innkeeper, Whitechapel, twenty years afflicted.

If that didn’t take you fancy, then no problem, why not try a more palatable cure?

Spilsbury’s Antiscorbutic Drops. This medicine had undergone a series of trials and held a variety of certificated of efficacy and could cure scurvy, gout, leprosy, rheumatism etc. The drops themselves were reputed to be pleasant to take, required no confinement. They were supplied in moulded bottles, with fluted corners and the words Francis Spilsbury, chemist, his Antiscorbutic Drops, by the King’s Patent, indented on each 5-shilling bottle and were supplied with directions to usage.

The Gout.
Courtesy of Lewis Walpole Collection

Interesting to note that almost half the advertisement seemed to focus on the appearance of the container rather than the product it contained. Whilst it seems feasible that these drops could help to prevent or cure scurvy, as they were predominantly a form of vitamin C tablets, there seems little evidence that they could have any effect on gout.

So, who amongst the great and the good of the day suffered from gout – well naturally the Prince Regent with his excessive lifestyle was a prime candidate and the newspapers reported instances of him having suffered ‘a slight attack of gout in his knee’.  Sir Joseph Banks whose gout became so debilitating that he had to resort to using a wheelchair. Both William Pitt, the elder and the younger were both troubled by the complaint. Pitt, the younger being advised to avoid port and to drink wine instead. If you read the letters of Horace Walpole, you will find countless references on the subject of gout!

Lord Bryon, noted in 1814 that King Louis XVIII of France was another sufferer of gout and nicknamed him ‘Louis the Gouty’.

We will finish with an extract from the work of Rev. Jonathan Swift

As, if the gout should seize the head,
Doctors pronounce the patient dead;
But, if they can, by all their arts,
Eject it to th’extremest parts,
They give the sick man joy, and praise
The gout that will prolong his days.

 

Featured Image

Courtesy of Welcome Collection

Merry Christmas: Reviews, Guest Blogs and More

We’re now ending yet another year of blogging. It’s true, as you get older time goes faster. It feels like five minutes ago that we were wishing everyone a Happy 2017 and we’re now almost at the end of it. We’re taking our usual break until January to spend time with our families and to draw breath, but of course, we’ll  be back next year with even more stories from the Georgian era – we already have plenty in the pipeline.

We have just launched our third book, so if you’re still looking for that last-minute Christmas present or just a treat for yourself, then you may wish to check out A Georgian Heroine. There’s also a direct link on the right-hand side of the blog to all our books.

The bizarre but true story of an astounding woman persevering in a man's world. A Georgian Heroine: The Intriguing Life of Rachel Charlotte Williams Biggs.

We are delighted with the first reviews of A Georgian Heroine. Regan Walker, author of Georgian, Regency and Medieval romances had this to say:

We authors try and cast our heroines as noble women who overcome great odds to lead significant lives and win the hero’s love. Though she never found true love, Charlotte was just such a woman. I could not recommend a more delightful heroine to you than Charlotte. The authors have done a thoroughly researched job of bringing her story to light in a fast-paced narrative. I recommend it!

You can read the full review on Regan’s website.

We’ve been guest blogging to promote A Georgian Heroine so, if you’d like to discover more about this truly amazing woman, the links you need are below.

Charlotte, as our Georgian Heroine preferred to be known, suffered a tortured existence at the hands of a man she should have been able to trust when she was in her late teens. On Naomi Clifford’s blog, we discuss Abduction and Rape in 18th Century London: The Multiple Misfortunes of Charlotte Williams.

Robert Lovelace preparing to abduct Clarissa by Francis Hayman, Southampton City Art Gallery.
Robert Lovelace preparing to abduct Clarissa by Francis Hayman, Southampton City Art Gallery.

Charlotte grew up in Lambeth on the banks of the River Thames and her close neighbour was the Georgian era businesswoman, Eleanor Coade, a lady we looked at in more detail in our post on Sue Wilkes’ site.

Coade Stone Factory, Narrow Wall, Lambeth, anonymous, 1790s.
Coade Stone Factory, Narrow Wall, Lambeth, anonymous, 1790s.

Finally, we headed over to Anna M. Thane’s website, Regency Explorer for a look at a daring scheme to end Napoleon Bonaparte’s life, The Plot of The Infernal Machine, which Charlotte had links to. You can find out more in The Lady is a Spy.

Hortense de Beauharnais - Rijksmuseum
Hortense de Beauharnais – Rijksmuseum

In other news, our first book, An Infamous Mistress: The Life, Loves and Family of the Celebrated Grace Dalrymple Elliott is now a bargain £4.99 in eBook format for a limited time (click here for more).

Before we leave you for the year,  we would like to say a huge ‘Thank You’, to all our lovely readers who have taken the time to read our stories and to comment on them and to wish you a very Happy Christmas. We’ve had some lovely comments from people so hopefully, we’re writing things that interest or intrigue you, our lovely readers. We must also say a massive ‘Thank You‘ to our guest writers who have provided us with yet more amazing stories from the Georgian era.

 

 

The American Duchess Guide to 18th Century Dressmaking: a review

Have you ever wanted to dress like a gorgeous Georgian? Well, now help is at hand in the form of the The American Duchess Guide to 18th Century Dressmaking by Lauren Stowell and Abby Cox. It is released here in the UK on 13th December 2017, just in time for Christmas.

The American Duchess Guide to 18th Century Dressmaking.
The American Duchess Guide to 18th Century Dressmaking.

Lauren and Abby are owners of the historical footwear online store, American Duchess who ship worldwide and sell the most amazing shoes. They have now used their research and experience to complete your outfit and enable you to make the most amazing dresses (and accessories) to go with those fantastic shoes.

The American Guide to 18th Century Dressmaking

Divided into four chapters, this book takes you step-by-step through making four gowns representing four different eras of the eighteenth-century plus all the accessories you could need to go with them. If, like us, your dressmaking skills are a little rusty or even rudimentary, don’t be put off. The book is written in a friendly style with basic details such as the different types of stitches covered as well as more detailed instructions, and all with a multitude of helpful diagrams and images so it doesn’t seem as daunting as you’d think.

There are instructions for making four gowns in the book. © American Duchess
There are instructions for making four gowns in the book. © American Duchess

And, even for a non-sewer, the book is still an entertaining and informative read if you are interested in the period. It’s interspersed with sumptuous pictures and lots of amusing asides (for instance, discover why one of Madame Pompadour’s maids inspired the name for the new short sacque gown being worn by her mistress, ‘pet en l’air’).

Madame de Pompadour at her Tambour Frame, 1763-4 by François-Hubert Drouais. The National Gallery
Madame de Pompadour at her Tambour Frame,
1763-4 by François-Hubert Drouais. The National Gallery

The book begins with a simple English gown from the 1740s complete with neckerchief, apron, mitts and hat. Then we go onto a much more extravagant ruffled and flounced dress, a sacque gown dating from the 1760s-1770s inspired by Francis Cote’s A Portrait of a Lady, plus underpinnings and accessories.

Portrait of a Lady, 1768 by Francis Cotes. The Tate
Portrait of a Lady, 1768 by Francis Cotes. The Tate

An Italian gown in printed cotton which follows the style of the 1770s-1790s and accommodates a ‘false rump’ is the third project. Again, you are given instructions for everything from the false rump to a silk covered ‘brain hat’, described as ‘fluffy, puffy and never stuffy’.

At the end of each section, you are shown how to wear your gown with style.
At the end of each section, you are shown how to wear your gown with style.

The last gown to be featured is the 1790s round gown, a much different silhouette from the preceding dresses.

Plate 034, N. Heideloff, February 1, 1795, Thomas J. Weston Library, The Metropolitan Museum of Art. One of the images given as inspiration for the 1790s round gown in the American Duchess Guide to 18th Century Dressmkaing.
Plate 034, N. Heideloff, February 1, 1795, Thomas J. Weston Library, The Metropolitan Museum of Art. One of the images given as inspiration for the 1790s round gown in the American Duchess Guide to 18th Century Dressmaking.

To build confidence, we’d recommend starting with some of the simpler projects: now the weather has turned cold we’re looking with extreme interest at the 1790s giant (faux) fur muff… that’s a fashion that needs to be brought back, right?

The American Guide to 18th Century Dressmaking

This is a book that will be a permanent fixture on our bookshelf. It is a brilliant reference book on the fashions of the eighteenth-century and the history of dressmaking of the period and, as such, invaluable for anyone who writes about the era and wants to understand more about the clothes women wore. And, if you are an eighteenth-century re-enactor or lucky enough to be attending a Georgian dinner, ball or festival where it is requisite to look the part, then this wonderful guide will ensure that you stand out from the crowd in the latest fashions.

The Family of the Duke of Penthièvre in 1768 by Jean-Baptiste Charpentier the Elder, 1768, Château de Versailles.
The Family of the Duke of Penthièvre in 1768 by Jean-Baptiste Charpentier the Elder, 1768, Château de Versailles.

Now, where are our needles? That fur muff is not going to make itself and it’s beginning to snow outside!

We received a copy of this book in return for an unbiased review on our blog.

The Orangery in Georgian Scotland

We are absolutely thrilled to be welcoming back the author Regan Walker whose latest book has just been released – A Secret Scottish Christmas and today she’s written a guest blog about orangeries.

A Secret Scottish Christmas by Regan Walker

Whether you call them orangeries, hothouses, greenhouses or conservatories, buildings in which plants were allowed to grow in an environment sheltered from the weather were much in vogue in the 18th and 19th centuries. In the warm air of these glassed buildings, one could grow flowers (oleander, hibiscus, lily of the valley and camellias, among others), vegetables (kale would have been popular in Scotland), oranges and other citrus as well as other fruits (cherries, peaches, plums, pomegranates and figs). Perhaps most favoured of all were the exotic pineapples.

Orangery at Dyrham Park in South Gloucestershire, England
Orangery at Dyrham Park in South Gloucestershire, England

The name “orangery” reflects the original use of the building as a place where citrus trees were often wintered in tubs under cover, surviving through harsh frosts and snow, as they do in my story, A Secret Scottish Christmas. It is there the heroine often takes her morning runs.

The Romans are credited with the first greenhouses to grow fruits and vegetables, but the Italians are given credit for the orangery during the Renaissance when glassmaking techniques enabled sufficiently large expanses of clear glass to be produced. Though some in Scotland imported citrus trees from Spain, at least one of my sources said it was from Italy the Scots imported small budded orange trees.

 

Originally built to protect Queen Anne’s citrus trees from the harmful winter weather, orangeries in Britain became status symbols among the wealthy in Scotland as well as England. Early orangeries were built as extensions to the house, heated by charcoal braziers. But, as time went on, it became the fashion to have a separate “greenhouse” and, after 1816 when hot water heating came into being, the heating source might be outside the building.

Orangery at Heveningham Hall in Suffolk built about 1760
Orangery at Heveningham Hall in Suffolk built about 1760, designed by the architect Samuel Wyatt

Growing Pineapples in a “Pinery”

Discovered by Christopher Columbus in the Caribbean in 1493, pineapples became a rare delicacy in Europe and were associated with power, wealth, and hospitality. In Britain, the practice of bringing pineapples to the dining table was not just for the aristocracy but extended to the gentry. The list of gentlemen engaged in this horticultural activity includes such notables of Georgian society as the poets William Cowper and Alexander Pope and the architect Lord Burlington.

Pineapple by Theodorus Netscher, 1720
Pineapple by Theodorus Netscher, 1720

The pineapple was a testament to the owner’s wealth and to his gardener’s skill and experience. Producing a crop of tropical fruit in Scotland before the advent of the hot water heating system in 1816 was a remarkable achievement. Several varieties were grown, but the one most common in Scotland was the Queen pine.

Dunmore pineapple building
Dunmore pineapple building

The Dunmore Pineapple, a folly ranked “as the most bizarre building in Scotland”, is located in Stirlingshire, Scotland. Dunmore Park, the ancestral home of the Earls of Dunmore, includes a building containing a hothouse constructed in 1761 by John Murray, 4th Earl of Dunmore. There, among other plants, he grew pineapples.

The south-facing ground floor was originally covered with glass windows. Heat was provided by a furnace-driven system that circulated hot air through cavities in the wall. The smoke from the furnace was expelled through four chimneys cleverly disguised as Grecian urns.

Sir James Justice, an 18th-century Scottish horticulturalist and gardener, developed an incredibly efficient glasshouse on his estate at Crichton, combining the bark pits for succession and fruiting plants under one roof. In a letter to Philip Miller and other members of the Royal Society in 1728, he proudly announced,

I have eight of the Ananas in fine fruit.

Glasshouse cultivation was an important part of 18th-century horticulture and many of the inventions we now take for granted were developed or refined during this period, such as the use of angled glazing, spirit thermometers and the furnace-heated greenhouses called hothouses.

Pineapples growing in pits
Pineapples growing in pits

Young pineapple plants were often grown in “tan pits” lined with pebbles at the bottom followed by a layer of manure and then topped with a layer of tanners’ bark into which the pots were plunged. The tanners’ bark, oak bark soaked in water and used in leather tanning, was the most important as it fermented slowly, steadily producing a constant temperature for two to three months. It remained in use until the end of the 19th century.

Three developments changed pineapple cultivation: hot water heating in 1816 (allowing the stove and its fumes to be located outside the orangery), sheet glass in 1833, and the abolition of the glass tax in 1845. With these, glasshouses for pineapple cultivation became very large structures.

Enjoy your trip through the orangery at the Stephen estate in Arbroath, Scotland in A Secret Scottish Christmas!

Spies and Scots and Shipmasters, oh my!

A Secret Scottish Christmas by Regan Walker

Scotland 1819

Twin brothers Nash and Robbie Powell of Powell & Sons Shipping, London, sail with their fellow Agents of the Crown to Scotland for a secret celebration of Christmastide, a holiday long frowned upon by the Scottish Kirk. But more than Christmas is being kept secret. The two brothers have accepted an assignment from the Home Secretary Lord Sidmouth to ferret out a fugitive fomenting rebellion among the Scots.

Aileen Stephen, the only daughter of an Aberdeen shipbuilder, had to be clever, devious and determined to gain her place in the family business. She succeeded to become a designer of highly coveted ships. One night, a man’s handsome face appears to her in a dream. When two men having that same face arrive on a ship full of Londoners, Ailie wonders what her second sight is telling her. Is the face she saw a portender of the future, a harbinger of danger, or both? And which of the two Englishmen is the one in her dream?

Older than Nash by a mere five minutes, Robbie has always been protective of his twin. When he realizes Nash is attracted to the sister of their Scottish host, he thinks to help matters along. But Nash wants no help from his brother, not where Ailie Stephen is concerned because Robbie is attracted to the girl himself!

Two brothers vie for the affection of the Scottish lass but only one stirs her passion. Which one will it be? And what will she do when she learns they are spies?

Discover more on the links below:

Regan’s website

Amazon links to buy Regan’s book:

To buy in the US, click here

To buy in the UK, click here

To buy in Canada, click here

To buy in Australia, click here

Regan’s Facebook page

Pinterest Storyboard for the book

Find on Goodreads

References:

An Account of British Horticulture, drawn up for the Edinburgh Encyclopedia by Patrick Neill, 1817

The Brother Gardeners: Botany, Empire and the Birth of an Obsession by Andrea Wulf

The Science of Horticulture including A Practical System for the Management of Fruit Trees by Joseph Hayward, 1818

Gardener’s Magazine by J.C. Loudon, 1839

Hardwood Orangeries

Glasshouses: A History in Pictures – The Telegraph

Dunmore Park – Wikimedia

A Taste for the Exotic: Pineapple Cultivation in Britain – Building Conservation

18th century orangery – Jane Austen’s World

A Scottish Pineapple – JK Gillon

A Taste for Pineapple – The World of Heyerwood

Vintage Christmas Flowers – Growing with Plants

 

 

The Bonassus.

The Bonassus

According to a book by John Barrow of 1749, the Bonassus was

a kind of wild ox, as high as a bull and bigger than a common ox. His flesh is very good. His horns are an astringent.

For a travelling fair owner, Earl James and Sons, the creature was far, far more than that very plain description. In the early 1820s Earl James acquired this amazing beast and described it in the following glowing terms:

This huge, terrific and extraordinary animal, which has, for the last eighteen months, occupied the attention of the naturalist, the historian and the whole of the cognoscenti and literati of the age and more particularly the inhabitants and visitors of the greatest metropolis in the world, who, from his hitherto unknown and unparalleled nature, has been the subject of editorial observations in the London newspapers. This most wonderful and interesting beast has been visited in London by upwards of 200,000 persons. In this wonderful phenomenon of nature is combined all the terrific grandeur of the animal creation: having the head of the elephant, the fore part of the bison, the mane and hind part of the lion, the eye on the cheekbone, and an ear similar to that of a human. He stands six feet high and weighs two tons! His consumption of daily food exceeds that of the elephant; he is not a carnivorous animal, but is particularly fond of fruit and vegetable; of the latter, he is most partial to onions and frequently consumes a bushel and a half at a meal.

The Bonassus.
The Bonassus. New York Public Library.

Needless to say, there was great excitement whenever a new animal was brought to the country and this one was no exception. This extract below is from a letter written by a Mrs Winifred Lloyd to her friend Mr Price at the Parsonage House somewhere in Monmouthshire, which was published in the Devizes and Wiltshire Gazette, 16 May 1822.

She began her letter by telling her friend that she and her children were having a wonderful time seeing everything London had to offer and added the following postscript which was published by the newspaper replete with her own unique spelling of words.

I forgot to say that we had seen Mr. Martin’s expedition, we went from the Bullock’s to the Bonassus, as it is but a step from wan to the other. The man says tis a perfect picter, and so it is, for sartain, and ought to be painted. It is like a bull, only quite different, and cums from the Appellation Mountings. My Humphry (son) thought it must have been catcht in a pound and I wundered the child could make such a natural idear, but he is a sweet boy, and very foreward in his larning. He was elely delited at the site you may be sure but Betty being tiresome shut her eyes all the time she was seeing it. But, saving his push now and then, the anymil is no ways veracious and eats nothing but vegetables. The man showed us some outlandish sort of pees that it lives upon, but he gave it two hole pales of rare carrots besides. It must be a handsome customer to the green grocer and a pretty penny I warrant it costs for vittles’.

An old Friend with a new Face or the Baron in Disguise Caroline kneeling in front of Bartolommeo Bergami, disguised as a bison, figure of a Beefeater and figure of a man with his hands in the air. Brighton Museums.
An old Friend with a new Face or the Baron in Disguise
Caroline kneeling in front of Bartolommeo Bergami, disguised as a bison, the figure of a Beefeater and figure of a man with his hands in the air. Brighton Museums.

However, not everyone was quite so enamoured with the creature, as this letter reprinted in the John Bull of January 1824 confirms.

‘Gentlemen, I am sorry to trouble you but I am so annoy’d by next door neighbour the Bonassus and with beasts, that cannot live in my house, for the stench of the beast is so great and there is only a slight petition betwixt the houses and the beast are continually breaking through in my different rooms and I am always losing my lodgers in consequence of the beast first a monkey made its way in my bedroom, next the jackall came into the yard and this last week the people in my second floor have been alarmed in the dead of night by the monkey breaking through into the closet and are going to leave in consequence, this being the third lodgers I have lost on account of the beast and I have been letting my second floor at half the rent – and those men of Mr James are bawling the whole day against my window and continually taking people’s attention from window – and I am quite pestered with rats and I am confidence they came from the Exhibition and in short the injury and nuisance is so great as almost impossible to describe, but to be so annoy’d by such an imposter I think is very hard – Gentlemen your inquiry will oblige. Your servant T.W. And if I mention anything to Mr. James he only abuses me with the most uncouth language’.

A claim for compensation if ever there was one!