We thought it was about time for another fashion post so today we’re focusing on the pink fashions of the Georgian Era – we hope you’ll enjoy.
During the 1700s pastel colours were all the rage across Europe. Madame de Pompadour (below), was at the forefront of fashion, loved the colour pink and whatever she wore, others were bound to follow.
Pink at that time was regarded as sexy, although the perception of it changed towards the end of the 1700s after which time it became the colour of innocence.
Until around the middle of the nineteenth-century, both girls and boys wore pink, so our stereotypes of girls in pink and boys in blue to differentiate gender is a far more recent concept.
The fashion for wearing pink was in no way simply the domain of women. Men were certainly not afraid to be seen wearing this vivid shade of pink, they would without a doubt have stood out in a crowd wearing this outfit.
Clearly, French author, Jacques Cazotte was very comfortable in his pink attire.
As you can see, the draped fabric behind such a regal portrait as that by Allan Ramsay of King George III was pink.
To accessorise, pink shoes were very much in fashion as we show here
And of course, no outfit would be complete without an accompanying fan.
The newspapers were always ready to provide descriptions of the attire worn by the ‘great and the good‘ of the day as we can see from these excerpts.
Hon. J. T Townshend
A corbeau colour striped and pink spotted velvet coat and breeches, and white satin waistcoat, richly embroidered in silver spangles, stones and coloured silks, pink satin and net-work border, lined with pink satin; very elegant and rich.
(The World, 19 January 1793)
Below we have a description of the pink dress worn by Princess Augusta, courtesy of The Oracle and Public Advertiser, April 18, 1795.
PRINCESS AUGUSTA – A Green and silver embroidery, festooned with pink satin, and elegantly adorned with silver flowers.
We finish this post with a modern catwalk image which shows that the style and the colour have remained very much in vogue if somewhat modernised for the 21st century!
Maria Luisa of Parma by Anton Raphael Mengs.