As we haven’t written any fashion related posts for a while we thought it might be interesting to look at both clothing and paintings showing the vast array of colours worn in Georgian fashion, but, as our regular readers will be aware we got side-tracked when we realized that there were relatively few outfits and paintings of people wearing the colour green and we wondered why, so began to investigate!
We wondered whether it simply wasn’t a fashionable colour amongst the Georgians, but then, having looked at the way in which the colour is produced we soon realized that one possible explanation could be due to the process and the elements involved, thereby making the cost of it more expensive than to produce other dyes, in turn making it only available to the wealthy. There also appear to have been issues with achieving a bright and even colour. Green also seemed virtually impossible to make colour fast – green skin would not have been a good look, as one of us who shall remain nameless knows all too well, having bought a beautiful long, vibrant green skirt to wear on the beach only to find that for some strange reason it wasn’t colour fast … we’ll leave that thought to your imagination!
Green dye could be obtained in a variety of ways such as using plants like grass or nettles for a lively green – common broom, heathers or iris for dark greens. Alternately, a product called copperas also known as could be used, Verdigrease (now know as Verdigris) or Alum.
We came across this book written in 1735 ‘The Gentleman’s Companion, and Tradesman’s Delight. Containing, the mystery of dying in all its branches’ which provides us with some recipes for dying fabric green.
To dye a fair green
Take Bran Water and Alum, a gallon the former to a pound of the latter, and boil them up till the Alum is dissolved; then let your silk or cloth lie therein for about a quarter of an hour, then take more Bran Water and a few handfuls of Woad, and put it therein till it become a dark yellow; then add Verdigrease and Indigo of each half a pound or more or less of the one or the other, as you would have it lighter or darker.
To colour a light green
Take the herb called Horse Tail, bruise it and add to the juice a small quantity of Verdigrease, Alum and Copperas, and over a gentle fire, make it into a colour, which will prove very pleasant and delightful.
The School of Wisdom; or repository of the most valuable curiosities of art & nature of 1788 provides the following recipe for creating a lasting green
Boil three quarters of a pound of alum, half a pound of tartar, into quarts of sharp ley for an hour, and in it soak the thread for three hours, keeping it hot all the while: how to dye it yellow: put into the kettle eight pounds of broom, one pound of corn marigold flowers, half a pound of crab-tree bark, that looks yellow and ripe, and add two quarts of sharp ley: when these have boiled half an hour, then dye the thread in the liquor as deep a yellow as possible: but if you can procure Spanish Yellow, an addition of three quarters of a pound of it will heighten the dye, and render it more lasting, for it is to be remembered, that all yellows that are designed to be dyed green, must be as deep as possibly can be. After this turn it green with blue dye. You may blue the thread with Woad, else with indigo, being first thrown into the alum suds, and afterwards into the yellow, and you will have a lasting green, so that a green dye is to be dyed several ways.
First dye your silk a pretty deep straw colour, rinse it clean and wring it close together with sticks; and then put your silk into the blue dye copper: though you must take care that the strength of the dye be proportioned to the quantity of silk, and that you do not put in too much silk at once. When it has boiled enough take the kettle off, and let it stand for an hour, after which time you may work it again, and do the same every hour allowing the same interval, but you must be very careful that one handful of silk does not lie longer in than another, and when it is taken out of the copper, let it be very well cooled, rinse and strongly wring with sticks and afterwards dried.
To dye a parrot or parroquet green
This being something lighter than the other, must be boiled in weaker suds than the other, and, as soon as it is dyed, must be wrung and dried as the other.
To dye greenfinch or canary bird green
This must be dyed as the green, only the last suds must be encouraged with a little Provence wood suds, till it is deep enough; then wring it out as above.
We are delighted to once again welcome to our blog the lovely Geri Walton, blogger and now author. Geri, like us, has long been interested in history and fascinated by the stories of people from the 1700 and 1800s. This led her to achieve a degree in History and resulted in her website which offers unique history stories from the 18th- and 19th-centuries.
Marie Antoinette has always fascinated readers worldwide. Yet perhaps no one knew her better than one of her closest confidantes, Marie Thérèse, the Princess de Lamballe. The Princess became superintendent of the Queen’s household in 1774, and through her relationship with Marie Antoinette, a unique perspective of the lavishness and daily intrigue at Versailles is exposed.
Born into the famous House of Savoy in Turin, Italy, Marie Thérèse was married at the age of seventeen to the Prince de Lamballe; heir to one of the richest fortunes in France. He transported her to the gold-leafed and glittering chandeliered halls of the Château de Versailles, where she soon found herself immersed in the political and sexual scandals that surrounded the royal court. As the plotters and planners of Versailles sought, at all costs, to gain the favour of Louis XVI and his Queen, the Princess de Lamballe was there to witness it all.
This book reveals the Princess de Lamballe’s version of these events and is based on a wide variety of historical sources, helping to capture the waning days and grisly demise of the French monarchy. The story immerses you in a world of titillating sexual rumours, blood-thirsty revolutionaries, and hair-raising escape attempts and is a must read for anyone interested in Marie Antoinette, the origins of the French Revolution, or life in the late 18th Century.
The Prince of Wales and the Duke of Orleans first met when the Duke visited England in 1783. The two men hit off because both men were wealthy and enjoyed idling away time. They were known to regularly “drink, bet at races, and gamble with dice and cards.” A second visit by the Duke made in the spring of 1784 had them visiting a variety of race tracks where they bet on the horses, and a third visit by the Duke, in the autumn, cemented the men’s relationship further when they went to Brighton, which was little more than a fishing village at the time.
Despite the Duke (b. 1747) being 15 years older than the Prince (b. 1762), the two men had other commonalities that encouraged their friendship. Both men enjoyed all sorts of vices, such as wasting time and constantly spending money. This caused the Prince’s father, George III, to view the Duke as a bad example for his son. In addition, reports about the Duke’s orgies did not help his standing with the King nor did the fact that George III had already issued a “royal proclamation against vice and immorality, and all kinds of swearing, drunkenness, and licentiousness.”
Despite the King’s proclamation, the Prince continued to live a wanton lifestyle. Similar to the Duke, the Prince also had a number of mistresses. In fact, one mistress the Prince and the Duke had in common was the divorcee Grace Dalrymple Elliott. The Prince first met Elliott when he was eighteen. They eventually had an affair, which resulted in Elliott giving birth to his daughter on 30 March 1782 and caused the Prince to supposedly remark, “To convince me that this is my girl they must first prove that black is white.”
The Prince did eventually admit the girl was his although even before her birth, the Prince and Elliott’s relationship had fizzled. With the Prince tired of Elliott, he introduced her to his friend the Duke of Orleans. Despite being married, the Duke was interested in Elliott. (He had married on 6 June 1796 Louise Marie Adélaïde de Bourbon, who was sister-in-law to the ill-fated Princesse de Lamballe.) The Duke pursued Elliott, made her his mistress, and, by 1786, she moved to Paris to be closer to him.
As time passed, the Duke and Prince’s relationship continued to strengthen. At one point the Prince commissioned a portrait of the Duke, and the Duke ending up buying a house in Brighton because of his frequent visits to England. Moreover, during one of the Duke’s stays in Brighton, the Duke “had 28 fallow deer brought from France as a present to the Prince, who had recently formed a kennel of staghounds in Brighton.” Unfortunately, on the way to deliver them to the Prince’s kennels, a revenue officer seized the deer, and it was only after much wrangling that the deer were released and sent on their way to the Prince.
The two men also forged closeness in other ways. First, the Duke of Orleans invested large sums of money in England, and, second, he embraced everything “English” to the point the Duke made anglomania fashionable in France. Another reason for the men’s closeness was their common dislike for Louis XVI and the French monarchy. The English were “bitterly exasperated against the court of Louis XVI for aiding in the emancipation of America,” and, so, the Prince saw little wrong with the Duke supporting French revolutionaries, who were pitted against Louis XVI and the monarchy.
Despite the Duke and Prince’s similarities and common dislike for the French monarchy and Louis XVI, their friendship eventually began to wane. It completely ruptured after the Duke voted for the death of his own cousin, Louis XVI. Before the infamous vote, Elliott asked the Duke of Orleans, how, in good conscience could he allow his King and his cousin to be condemned by “blackguards.” He reassured her nothing would ever induce him to vote for the King’s death. However, he also noted “he thought the King had been guilty by forfeiting his word to the nation.”
When the vote was taken, the Duke did not keep his word to Elliott. Later, after the vote, Elliott would say there was no one she detested more than the Duke. The Duke’s vote also caused many people to believe the Duke was attempting to undermine the monarchy and seize power for himself. This belief resulted in him becoming “a hated figure among the exiled aristocrats. He was [also] soon a figure of contempt for fellow republicans, who whatever their political principles, retained a belief that blood was thicker than water.”
Although the Prince of Wales disliked the French monarchy and Louis XVI, he also believed blood was thicker than water. After he heard the news that the Duke had voted for the death of his cousin, Louis XVI, the Prince of Wales became livid. “He leapt up from his chair, dragged down from the wall the portrait of Philippe that he had commissioned from Joshua Reynolds decades earlier and smashed it to pieces in the fireplace.” Thus, the friendship of the Prince of Wales and the Duke of Orleans ended forever.
Ambrose, Tom, Godfather of the Revolution, 2014
Bishop, John George, The Brighton Pavilion and Its Royal and Municipal Associations, 1900
Craik, George Lillie and Charles MacFarlane, The Pictorial History of England During the Reign of George the Third, 1849
“London, (Thursday) March 24,” in Derby Mercury, 24 March 1785
Major, Joanne, and Sarah Murden, An Infamous Mistress, 2016
On Wednesday the 19th October 1791, the sea off the Kentish coast ‘ran mountains high, without any apparent cause’. Ships hastily made for harbour and lucky that they did for, on the following morning, a tremendous storm hit the south-east of England, with Kent particularly suffering.
On Thursday 20th October, at half past eleven o’clock and amidst high winds, thunder, lightning, hail and rain, a bolt of lightning struck the wooden steeple of Speldhurst Church near Tunbridge Wells in Kent. Some sources say that a ‘ball’ entered the shingled roof, others that lightning struck the weather vane atop the steeple. However it started, almost instantly flames and smoke could be seen.
As the fire was, so far, confined to the steeple, some people who were nearby rushed into the chancel to save the pulpit cushions, the plate and the parish chest. They did not have time to save anything else for the rain and hail stopped and the wind drove the flames on to the church which was soon engulfed in the inferno. Four hours after the lightning had struck, all that remained of the ancient and beautiful church was ruins, with the tombs and head stones which were closest to the doomed building also suffering damage. Bizarrely the font, which was still whole, had been turned upside down.
Amongst the items lost to the fire were the four bells housed in the steeple (they were melted) and the church monuments.
The monuments (one of which was very ancient, belonging to the Waller family, on a large scale, and a most curious piece of workmanship in marble) crumbled to dust.
For Speldhurst villagers William Card and Elizabeth Cole the tragedy was on a very personal level; they were due to marry in the church on the following day. Determined that the wedding should go ahead, a small space was cleared in the rubble by the chancel door and the couple were married there but, it was reported, ‘the bride’s new shoes were completely spoiled’.
It was not just Speldhurst which had suffered, although the village saw the most devastation. In Tunbridge Wells itself the hail broke windows and caused other damage, and a man shooting a mile away from Speldhurst had ‘his gun twisted out of his hand by the lightning’. The church at Rainham near Canterbury was also struck and damage was noted at Newport on the Isle of Wight due to lightning strikes as the storm spread through the south-east of the country. It desisted during Thursday afternoon (although the wind continued to blow), but overnight and into the Friday morning there were further storms.
The Waller family lived at Groombridge manor house in Speldhurst; Sir Richard Waller (who died in 1431) had custody of a French royal hostage for many years. Charles, Duke of Orléans (1394-1465) had been taken prisoner by Waller after the battle of Agincourt in 1415, and both the duke and Waller were benefactors to the church which was destroyed in 1791. The dukes arms, which had been granted to Waller to quarter with his own, were displayed in stone above the porch of the church.
A new church was built (it opened in 1805), but that was demolished in 1870 and a further church now stands on the site. The website of the current church says that ‘remarkably, a few relics of the old church survive, including the coat of arms of the Duke of Orléans over the South door, a sundial and the very weather vane which was [reputedly] struck in 1791’.
Speldhurst Church, Tunbridge Wells, Kent, Struck by Lightning; British (English Naive) School; Tunbridge Wells Museum and Art Gallery
For today’s blog we are going to review a new book by Alice Marie Crossland, Wellington’s Dearest Georgy, which explores the life of Lady Georgiana Lennox and sheds new light on the Duke of Wellington’s character. Alice previously wrote a guest post for us about her new book which you can also read by clicking here.
Our first impression of Wellington’s Dearest Georgy is that it is, quite simply, a beautiful book. From the cover to the clear way the text is laid out inside, and the illuminated manuscripts similar to ones done by Georgy on the inside book flaps, it is clear that a lot of care to attention and detail has gone into this biography and expectations are therefore set high. We’re delighted to say that the book more than met them.
Lady Georgiana Lennox, known to her family as Georgy and to Wellington as his ‘dearest Georgy’, was a younger daughter of the 4th Duke of Richmond. Her mother, the Duchess of Richmond, is perhaps best known to history as the hostess of the famous ball held in Brussels on the 15th June 1815, where Wellington received notice that the French forces were advancing. The officers at the ball hurried away, some of them not even having time to change out of their dancing clothes before battle, and many never survived to enjoy another ball.
The 19 year old Georgy was present at this ball and witnessed history in the making. Wellington was a great friend to her family and the young Lennox children had grown up knowing the duke; Georgy in particular was to remain a great favourite of his and she somewhat hero-worshipped the great man. Through his affection for and correspondence with Georgy we are able to view Wellington in a much different light from that in which he is usually seen, a kindly and, at times, even a playful man, ever the gentleman but always ready to offer words of advice or comfort to his young friend. There is never any suggestion of impropriety in the relationship between Georgy and the duke, although Georgy, as a young woman, was clearly a little in love with him.
One of our favourite anecdotes in Wellington’s Dearest Georgy, which perfectly illustrates the playful side of the duke, is a game played by the guests at Wellington’s house in Cambray in the months following the Battle of Waterloo, possibly a game of Wellington’s invention and called ‘Riding the Coach’. The gentlemen, including an enthusiastic Wellington, harnessed themselves and dragged the squealing ladies down the corridors on rugs. On at least one occasion goats were involved! We shall say no more but leave you to discover the rest from Alice’s book…
Georgy’s life is documented in full, and what a long and adventurous life she led for she lived to a grand old age, marrying for love and becoming Baroness de Ros. But it was her ‘unique and special friendship’ with the duke, which endured for the whole of his life, which defined her life. Through Georgy we are able to see the duke not just as a military hero and strategist, but simply as a man.
Using a wealth of unpublished material, this beautifully illustrated book celebrates Georgiana’s and Wellington’s friendship which evolved over time. Together they shared scandals, family tragedies and celebrations as Britain left the excesses of the Regency period behind and embraced the Victorian age. Providing a fascinating insight into the personal life of this most public of figures, Georgy remained, until the end, Wellington’s ‘Dearest Georgy’.
We whole-heartedly recommend Wellington’s Dearest Georgy. It is a fascinating biography of an aristocratic lady but it is more than that. It is the story of one of the most interesting periods in our history told from a different perspective than that usually given and, therefore, one which sheds new light on the events and characters of the age.
We are thrilled to welcome the lovely Suzie Lennox who has spent her time researching the dark tales of Britain’s resurrection men for over ten years, after becoming interested in bodysnatching whilst studying History at University. Suzie has recently published a book entitled Bodysnatchers: Digging up the untold stories of Britain’s Resurrection Men which makes fascinating, if somewhat macabre reading – did you know for instance that there was a ‘season‘ for bodysnatching?’ to find out more you’ll have to read her book.
Travel around England and Scotland and you’ll no doubt have passed some churchyard that’s got a bodysnatching story to tell. You may even have sped your way past a watch-house in a roadside graveyard without giving it a second thought or have been equally as curious about these strange structures built along the edges of churchyard walls.
Bodysnatching was a very real thing in Georgian Britain. The stealing of cadavers from graveyards in order to supply the anatomy schools of England and Scotland was more common than one might at first believe. Graveyards were targeted either by opportunists or after receiving word that a burial had recently taken place. Parishes were beyond despair, parishioners fearing they would no longer be safe once they’d left this mortal coil.
There were numerous different preventions that were adopted to try to stop the bodysnatchers in their path. Perhaps the most common of these was the watchtower or watch-house; simple structures built to accommodate two or three men employed to keep watch over the recently buried, until their bodies were no longer fresh enough for the surgeons. Unusual examples of these can be found at Eyemouth in Northumberland and Prestonpans in East Lothian, although the majority were plain, simple affairs, and nothing gets plainer like the watch-house at Chirnside, Berwickshire.
There are also those of extreme proportions. Falling more into the watch-tower category, the structure at Pebbles, Mid Lothian was a former steeple, adapted to accommodate ‘the watch’ on those long winter nights. At the opposite end of the scale is the wee watch-tower that can be found at Eckford in the Borders, you’ve probably whizzed passed it if you’ve driven on the A698.
The alternative to the watch-house was the mortsafe, adopted by parishes that perhaps did not have enough money to build something permanent. The local blacksmith would be asked to fashion an iron cage that could be lowered into place over the coffin and remain ‘in situ’ until the next future inhabitant required it. Mortsafes are found in abundance in Scotland with a scattering in England. Many are familiar with the double mortsafes found in Greyfriars Kirkyard, Edinburgh but what of the unusual example at Luss in Argyle and Bute or the suspiciously delicate example at Holystone in Northumberland.
Other lesser known mortsafes preserved for prosperity include examples at Ayr, which hangs pride of place in the churchyard lychgate and the superb example found at Bolton, East Lothian. It is said that when Robert Burns’ mother died here in 1820, a mortsafe was made to secure her body against the thieving hands of the resurrectionists. A detailed description of how the mortsafe was used is displayed next to the ironwork:
‘ After burial the heavy wrought iron grille was place above the grave at ground
level and secured in place by some thirty long rods which also prevents access from
the sides. The rods were…secured by nuts. The nuts were of three designs, removable
only by special spanners.’
A mortsafe found in 1915 in Aberlour, Speyside was discovered with its coffin still locked inside it. All well and good, but what was more puzzling was that when the sealed coffin was opened, it was found minus its occupant. Perhaps the mortsafe wasn’t the best option to guard against the resurrectionists after all.
There were many other forms of deterrent; coffin collars, cemetery guns and the iron coffin to name a few. Simple techniques were also adopted by poorer members of the parish; mixing straw or stones in with the soil when backfilling a grave can be just as effective against a midnight raid.
The macabre practise of bodysnatching was addressed in 1832 when the shocking case of Bishop, Williams and May was discovered in London. The public had had enough; the preventative measures put in place, no longer sufficient against these depraved members of society. The Anatomy Act was finally passed 1 August 1832, pushing the onus of providing fresh cadavers for the medical profession squarely onto the shoulders of the poor. Unclaimed souls that had died in the parish workhouse, now destined for the dissecting table of the local anatomy school.
Newspaper clippings and archival evidence continually adds to a growing database which currently lists over two hundred individual resurrection men – please feel free to contact Suzie if you find any during your research. For those interest in the darker side of history you can follow Suzie’s Twitter account or read her blog Britain’s Forgotten Bodysnatchers.
We’re now just a few weeks away from the publication in the UK of our second book, A Right Royal Scandal: two marriages that changed history (in the US it will be out on the 14th April 2017). Obviously we are very excited to share our work with you and thought we’d go into a little more detail today about what the reader can expect.
A Right Royal Scandal starts in 1815, just a matter of weeks after the Battle of Waterloo, with a Regency scandal in London when the widowed Lord Charles Bentinck (brother to the Duke of Portland; his first wife had been Grace Dalrymple Elliott’s daughter by George IV) eloped with Wellington’s niece, the haughty but beautiful Anne Abdy née Wellesley, wife of Sir William Abdy, Baronet. As you might imagine, tongues were set wagging the length and breadth of the ton and, with the ensuing Criminal Conversation case and divorce, the gossip continued into the next year before the first of the two marriages that ‘changed history’. Anne Abdy became the second Lady Charles Bentinck.
In time, Lord and Lady Charles Bentinck’s eldest son, Charles Cavendish Bentinck (Charley) fell in love with a girl deemed unsuitable by his family. Sinnetta Lambourne was of humble working class stock and had gypsy blood running through her veins courtesy of her Romany mother. They married, despite the opposition to their union.
Charley’s granddaughter and great-granddaughter were to sit upon the throne of Great Britain, but it was the tragic life and death of a young gypsy girl which lay behind the greatness.
Although A Right Royal Scandal is something of a family saga stretching from the Regency into the Victorian era and beyond – we also document the life of Lord Charles Bentinck’s daughter by his first marriage (Grace Dalrymple Elliott’s granddaughter) – it is also a thoroughly well-researched biography of two generations of this family, and a chapter in the history of the British royal family which has never been examined closely until now. We also delve a little into the background of Anne Wellesley and her parents, Richard Colley Wellesley, 1st Marquess, and his wife (and former mistress), Hyacinthe Gabrielle Rolland. We are pleased to have been able to add a little new information to the Marquess’ story in the addition of some biographical detail on his illegitimate son (by another mistress), Edward John Johnston. The monarchy as we know it now would have looked very different but for Sinnetta Lambourne’s death, and we end our book by looking at the royal family today, Charley Cavendish Bentinck’s descendants.
If you have already read our first book, An Infamous Mistress: The Life, Loves and Family of the Celebrated Grace Dalrymple Elliott, then A Right Royal Scandal forms a sequel to Grace’s story, continuing the life of her granddaughter through to the publication of Grace’s memoirs (set during the French Revolution), and beyond and the second family of Grace’s son-in-law, Lord Charles Bentinck. But A Right Royal Scandal can also be read as a stand-alone book. It is available now to pre-order (both here, in the US and elsewhere) from our publisher Pen and Sword, Amazon and all good bookshops.
(Readers outside the UK might find Book Depository useful, as they ship free worldwide and have competitive prices.)
Reviews for An Infamous Mistress: The Life, Loves and Family of the Celebrated Grace Dalrymple Elliott:
Courtesan. Spy. Survivor. A gripping and meticulously researched account of the swashbuckling life of one of history’s most overlooked heroines. – Hallie Rubenhold, author of The Scandalous Lady W
An Infamous Mistress is a fascinating read, yet it’s more than that. If anything, it’s a shining example of research done well, presented coherently on the perfect subject: a powerful courtesan that time forgot. – History of Royals magazine
This major new biography explores the life, loves and family of this celebrated personality who ended up as a prisoner of war during the French Revolution. Set for the first time in the context of Grace’s wider family, this is a compelling tale of scandal and intrigue. – Scots Heritage magazine
This tale of scandal and intrigue will not only appeal to history buffs, but to those who enjoy a ripping yarn. As well as being an in-depth social and family history, An Infamous Mistress is simply a great story. – Scottish Field
Theodoré Gardelle, an enamel painter and limner, was born in 1721 in Geneva, Switzerland into a family of goldsmiths, jewellers and miniaturists. He received a good education which included the study of anatomy. Theodoré, against the initial wishes of his father, decided to become a painter, and as such he criss-crossed between Paris and Geneva from the age of sixteen years. In Geneva, around 1754 or 1755, he became known to the celebrated Voltaire and painted his picture, later enamelling it upon a copper snuff-box.
Around the age of 30 years he fell in love with a Mademoiselle Dupin who lived with his maternal aunt in the neighbouring house and who had previously been in the care of a hospital (probably a form of orphanage) from a young age. Theodoré took his love to Paris but his friends refused to consent to their marrying. An account of his life written after his death says that he met and married a woman at Paris whose name was Nouel and by whom he had two children. Had Theodoré then abandoned Mlle Dupin, or is this the same woman under a different name? Either way, Dupin or Nouel, he actually married neither, as made clear in several sources, simply living with the mother of his children without the legality of a marriage. Theodoré does not seem to have found the success he hoped for in Paris, even though he went there with a recommendation from Voltaire, and began to think of travelling further afield in search of work. The Duc de Choiseul, the French Foreign Minister, suggested London. There are rumours that he wished Theodoré to spy for him
Seeking work, Theodoré travelled to Brussels and possibly also to Holland, although he glosses over that in the account of his life he later wrote and perhaps for good reason. Did he travel through Holland simply on a journey to England, or did he stay for a period of time in the country? We’ll come back to Theodoré’s possible stay in the Netherlands at the end of this article, with some information which will prove crucial to this narrative.
In April 1760 he set sail from Helvoetsluys in the Netherlands for Harwich, landing there on the 1st May. In the summer of 1760 he journeyed to London (although he neither spoke nor understood much English) and lodged for three months at the house of Mrs Ann King (described as a ‘merry gentlewoman’ and a ‘gay showy woman, of a doubtful character, who dressed fashionably and was chiefly visited by gentlemen’) in Leicester Fields (now known as Leicester Square), almost opposite Frederick, Prince of Wales’s apartments, before moving to lodgings in Knightsbridge for a few months. That coming to an end, he made the fateful decision to return to Mrs King’s, where he took the second floor of the house.
Mrs Ann King had been born in Durham and had received but a poor education. She had been a virtuous woman, brought up by a ‘sober, honest mother’ who had become blind in her old age and whom Mrs King had looked after, until a journey to London. There she had made the acquaintance of some ‘ladies of the town’ and of a nobleman who kept her for five years. Together with a small annuity from the nobleman, and a frequent gratuity from a surgeon who ‘often had favours from her’, she lived comfortably, opening up her house to gentleman lodgers and affecting to be called Madam King.
She was to meet a terrible end. On the morning of the 19th February 1761 Theodoré murdered Mrs Ann King in her own home, before gruesomely cutting up her body in an attempt to dispose of it and cover up his crime. Although he eventually admitted his guilt, he tried to present it as an event which was not premeditated.
Theodoré had sent the servant, Ann (Nanny) Windsor, who had only been employed a fortnight, out of the house on an errand, to deliver a letter and buy him some snuff from Mr Peter Fribourg, a fellow Swiss who kept a snuff-shop in the Haymarket. As the maid was worried that there would be no-one to hear the front door if a visitor called while she was out, Theodoré offered to sit in the parlour. Mrs King’s bedroom suite was on the same floor, with a door adjoining the parlour. No-one but Theodoré and Mrs King were in the house; the other lodger, Mr Wright who occupied the first floor together with his servant, Thomas Pelsey who had the use of the garret, had left for a few days. Theodoré subsequently claimed that Mrs King had begun to abuse him, possibly about a picture he had painted of her which she had not found flattering. He denied he had entered her bedroom with any intention of forcing himself on her. Mrs King struck his breast, Theodoré claimed, and, calling her a ‘var impertinante Woman’ he pushed her, whereupon her foot tangled in her bedroom carpet and she fell, striking her head against her bedpost. Blood was pouring from the wound and from her mouth and, frightened that the unfortunate lady would prosecute him for attempted murder, Theodoré took the decision to commit actual murder. Grabbing an ivory comb with a sharp taper point designed for composing curls in the hair, he stabbed Mrs King in her neck (although at his trial he claimed it had not punctured her skin and her death was due to her fall). Pulling Mrs King’s prone body onto the bedsheets, so that they rather than the floor should soak up the blood, Theodoré then fell into a faint before coming to when he heard the maid return. Locking Mrs King’s door behind him he claimed that he trembled so much that he struck his head several times against the wainscot, a calamity with which he would explain the marks and bruises which were subsequently noticed on his face (Ann Windsor recalled that he had a little bump over his eye and a black eye-patch on, neither of which had been present as she left the house).
Shortly afterwards he managed to dismiss the maid; she thought that her mistress had behaved indiscreetly with Theodoré and was ashamed to face her and accepted her dismissal from Theodoré. With one problem out of the way another presented itself; Mr Wright’s servant Thomas came back to take up his lodgings on the evening of the murder. Theodoré said that Mrs King had gone away on a visit to Bristol or to Bath, and began to plan how to dispose of the body. Various people came and went from the house, including a prostitute engaged by Theodoré’s friends to ‘cheer him up’ and who stayed for a few days, sleeping in Theodoré’s room (the lady in question, Sarah Walker, claimed to be merely a servant looking for a lodging and engaged as Mrs King was away). He took a small box to his friend Monsieur Perronneau, saying it contained colours of great value (necessary to his painting) and asked him to look after it. The box was later found to contain a glove, a gold watch and chain, bracelets and ear-rings.
It was on the Tuesday following the murder that Thomas noticed an unpleasant smell. Theodoré said that somebody had put a bone in the fire. Dreadfully, he was probably telling the truth! On the Thursday Thomas went with a newly-hired charwoman, Mrs Pritchard (who didn’t live in), to examine a tub filled with blankets, sheets and a bed curtain in the back wash-house, which had been soaking there for some days. Thomas now suspected foul play and took his concerns to his master, Mr Wright.
Theodoré had been engaged in disposing of poor Mrs King’s body, cutting it into pieces.
It was Saturday 28th February when Theodoré Gardelle was taken into custody, suspected of the murder of Mrs Ann King although, at that point, her body had not been found. Sir John Fielding (the ‘Blind Beak’) sent men into the house on Leicester Fields to search for her. They found blood in Mrs King’s bedroom and a bloody shirt in Theodoré’s room, together with a blood stained shift. The ‘necessary’ was found to contain the bowels of a human body and the ‘cockloft’ (a small loft under the ridge of a roof) a breast, part of a body and bones. In the garret fireplace were the remains of burnt human bones. Theodoré later claimed that, in the ten days between the murder and his discovery, he had not fled as he feared an innocent person might then be accused of the crime and suffer for it.
On his arrival at the New Prison in Clerkenwell, Theodoré attempted to take his own life with an overdose of opium. When this failed to have the desired result he tried swallowing several halfpennies, which only had the effect of making him ill. When he was subsequently admitted to Newgate on 2nd March, he was chained to the floor and watched constantly to prevent any further attempts. He wrote from Newgate to his mistress in Paris, the mother of his two children who were then aged around four and one year old, advising her to return to Geneva and throw herself on the mercy of his family lest the children should be taken upon a charitable foundation and brought up as Roman Catholics in Paris (Theodoré was a Calvinist or a Presbyterian). He also wrote to his mother and sisters in Geneva, insisting that his crime was accidental and not performed with any intent and commending his children to their care.
The trial took place at the Old Bailey on the 1st April. As Theodoré was a foreigner, he asked that half the jury also be foreigners and an interpreter was employed. The verdict was that Theodoré Gardelle was guilty of murder, and the sentence was death, to be carried out as soon as possible and his body to be dissected and anatomized, although it was instead hung in chains on Hounslow Heath. Theodoré’s execution took place on the 4th April 1761, in the Haymarket and facing Panton Street.
So, do we believe Theodoré’s account? Or do we suspect that he entered Mrs King’s bedroom with the intent of enjoying her favours, by force if necessary? And that Mrs King, rather than striking him in his breast, instead thumped him in his eye in her attempt to fight him off before he murdered her? The author of The Life of Theodore Gardelle, published shortly after his death, certainly through this was the case, and that Theodoré feared Mrs King would accuse him of rape. A gentleman who had travelled to England from the Netherlands also thought along the same lines.
A gentleman just arrived from Holland, says, that some years ago Gardelle (who was executed last Saturday in the Haymarket) lodged with a German woman named Verbest, near the market place in the Hague; that they were very great together, and used often to ride out in a chaise, but that all of a sudden she was found missing, upon which Gardelle gave out that she was gone to Francfort [sic], and that he himself was to sell her effects and follow after. Accordingly he soon converted every thing into ready money, and went off, tho’ not without some shrewd suspicions from the neighbours, who apprehended foul play. These suspicions, however, subsided; but about a twelvemonth ago, a Dutch peasant cleaning out a muddy well just in the skirts of the town, the body of a woman was found there, which coming to the ears of the neighbourhood where Mrs Verbest lived, with some other particular circumstances attending, makes it but too probable that Mrs King was not the only person murdered by him.